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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 33 183 it is the complementary color RGB 44 222 72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 33 183. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 211 33 183 shade: RGB 216 33 178, RGB 233 51 197, RGB 250 69 216, RGB 255 87 235 and RGB 255 105 254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 33 183. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 211 33 183 shade: RGB 211 33 183, RGB 194 15 164, RGB 177 0 145, RGB 160 0 126 and RGB 143 0 107

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 211 33 183 shade: RGB 211 33 183, RGB 211 33 135, RGB 211 33 87, RGB 211 33 39 and RGB 211 33 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 211 33 183 shade: RGB 211 33 183, RGB 191 33 211, RGB 143 33 211, RGB 95 33 211 and RGB 47 33 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 211 33 183 shade matches the following richer shades: RGB 211 33 183 and RGB 231 13 197

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 211 33 183 shade: RGB 211 33 183, RGB 191 52 170, RGB 172 72 156, RGB 152 92 142 and RGB 132 112 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 211 33 183 shade: RGB 143 33 211, RGB 190 33 211, RGB 211 33 184, RGB 211 33 137 and RGB 211 33 89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 211 33 183 shade: RGB 140 21 121, RGB 176 27 152, RGB 211 33 183, RGB 224 61 199 and RGB 230 96 209

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 211 33 183 shade: RGB 211 33 183, RGB 211 95 33 and RGB 33 211 167

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 211 33 183 shade: RGB 211 33 183, RGB 184 211 33 and RGB 33 184 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 211 33 183 shade: RGB 211 33 183, RGB 211 95 33, RGB 33 211 59 and RGB 33 149 211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 211 33 183 shade: RGB 211 33 183, RGB 211 149 33, RGB 33 211 59 and RGB 33 95 211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 13 / 17

HEX #D321B7

RGB 211 33 183

HSL 309.44, 0.73%, 0.48%

LAB 49.92, 77.46, -36.89

 

Complementary color

CMYK 80 / 0 / 68 / 13

HEX #2CDE48

RGB 44 222 72

HSL 129.44, 0.73%, 0.52%

LAB 78.02, -71.27, 59

 

CMYK 0 / 85 / 18 / 15

HEX #D821B2

RGB 216 33 178

HSL 312.46, 0.73%, 0.49%

LAB 50.57, 77.8, -32.89

 

CMYK 0 / 78 / 15 / 9

HEX #E933C5

RGB 233 51 197

HSL 311.87, 0.81%, 0.56%

LAB 55.81, 79.79, -35.51

 

CMYK 0 / 72 / 14 / 2

HEX #FA45D8

RGB 250 69 216

HSL 311.27, 0.95%, 0.63%

LAB 61.25, 80.99, -37.61

 

CMYK 0 / 66 / 8 / 0

HEX #FF57EB

RGB 255 87 235

HSL 307.14, 1%, 0.67%

LAB 65.02, 78.84, -42.29

 

CMYK 0 / 59 / 0 / 0

HEX #FF69FE

RGB 255 105 254

HSL 300.4, 1%, 0.71%

LAB 68.4, 74.86, -47.46

 

CMYK 0 / 84 / 13 / 17

HEX #D321B7

RGB 211 33 183

HSL 309.44, 0.73%, 0.48%

LAB 49.92, 77.46, -36.89

 

CMYK 0 / 92 / 15 / 24

HEX #C20FA4

RGB 194 15 164

HSL 310.06, 0.86%, 0.41%

LAB 44.93, 74.44, -33.74

 

CMYK 0 / 100 / 18 / 31

HEX #B10091

RGB 177 0 145

HSL 310.85, 1%, 0.35%

LAB 40.23, 70.29, -29.87

 

CMYK 0 / 100 / 21 / 37

HEX #A0007E

RGB 160 0 126

HSL 312.75, 1%, 0.31%

LAB 35.95, 64.62, -25.09

 

CMYK 0 / 100 / 25 / 44

HEX #8F006B

RGB 143 0 107

HSL 315.1, 1%, 0.28%

LAB 31.58, 58.85, -20.11

 

CMYK 0 / 84 / 13 / 17

HEX #D321B7

RGB 211 33 183

HSL 309.44, 0.73%, 0.48%

LAB 49.92, 77.46, -36.89

 

CMYK 0 / 84 / 36 / 17

HEX #D32187

RGB 211 33 135

HSL 325.62, 0.73%, 0.48%

LAB 47.86, 71.77, -11.49

 

CMYK 0 / 84 / 59 / 17

HEX #D32157

RGB 211 33 87

HSL 341.8, 0.73%, 0.48%

LAB 46.48, 67.8, 16.01

 

CMYK 0 / 84 / 82 / 17

HEX #D32127

RGB 211 33 39

HSL 357.98, 0.73%, 0.48%

LAB 45.75, 65.64, 43.69

 

CMYK 0 / 84 / 84 / 17

HEX #D32121

RGB 211 33 33

HSL 0, 0.73%, 0.48%

LAB 45.7, 65.49, 46.76

 

CMYK 0 / 84 / 13 / 17

HEX #D321B7

RGB 211 33 183

HSL 309.44, 0.73%, 0.48%

LAB 49.92, 77.46, -36.89

 

CMYK 9 / 84 / 0 / 17

HEX #BF21D3

RGB 191 33 211

HSL 293.26, 0.73%, 0.48%

LAB 48.09, 77.94, -56.24

 

CMYK 32 / 84 / 0 / 17

HEX #8F21D3

RGB 143 33 211

HSL 277.08, 0.73%, 0.48%

LAB 40.62, 70.33, -68.7

 

CMYK 55 / 84 / 0 / 17

HEX #5F21D3

RGB 95 33 211

HSL 260.9, 0.73%, 0.48%

LAB 34.44, 64.4, -79.08

 

CMYK 78 / 84 / 0 / 17

HEX #2F21D3

RGB 47 33 211

HSL 244.72, 0.73%, 0.48%

LAB 30.39, 60.76, -85.93

 

CMYK 0 / 84 / 13 / 17

HEX #D321B7

RGB 211 33 183

HSL 309.44, 0.73%, 0.48%

LAB 49.92, 77.46, -36.89

 

CMYK 0 / 94 / 15 / 9

HEX #E70DC5

RGB 231 13 197

HSL 309.36, 0.89%, 0.48%

LAB 53.28, 85.72, -39.5

 

CMYK 0 / 84 / 13 / 17

HEX #D321B7

RGB 211 33 183

HSL 309.44, 0.73%, 0.48%

LAB 49.92, 77.46, -36.89

 

CMYK 0 / 73 / 11 / 25

HEX #BF34AA

RGB 191 52 170

HSL 309.06, 0.57%, 0.48%

LAB 47.54, 66.44, -33.24

 

CMYK 0 / 58 / 9 / 33

HEX #AC489C

RGB 172 72 156

HSL 309.6, 0.41%, 0.48%

LAB 46.72, 51.43, -26.44

 

CMYK 0 / 39 / 7 / 40

HEX #985C8E

RGB 152 92 142

HSL 310, 0.25%, 0.48%

LAB 47.34, 32.37, -17.35

 

CMYK 0 / 15 / 2 / 48

HEX #847081

RGB 132 112 129

HSL 309, 0.08%, 0.48%

LAB 49.59, 11.02, -6.44

 

CMYK 32 / 84 / 0 / 17

HEX #8F21D3

RGB 143 33 211

HSL 277.08, 0.73%, 0.48%

LAB 40.62, 70.33, -68.7

 

CMYK 10 / 84 / 0 / 17

HEX #BE21D3

RGB 190 33 211

HSL 292.92, 0.73%, 0.48%

LAB 47.93, 77.76, -56.52

 

CMYK 0 / 84 / 13 / 17

HEX #D321B8

RGB 211 33 184

HSL 309.1, 0.73%, 0.48%

LAB 49.97, 77.59, -37.4

 

CMYK 0 / 84 / 35 / 17

HEX #D32189

RGB 211 33 137

HSL 324.94, 0.73%, 0.48%

LAB 47.93, 71.98, -12.59

 

CMYK 0 / 84 / 58 / 17

HEX #D32159

RGB 211 33 89

HSL 341.12, 0.73%, 0.48%

LAB 46.52, 67.93, 14.84

 

CMYK 0 / 85 / 14 / 45

HEX #8C1579

RGB 140 21 121

HSL 309.58, 0.74%, 0.32%

LAB 32.9, 56.59, -26.99

 

CMYK 0 / 85 / 14 / 31

HEX #B01B98

RGB 176 27 152

HSL 309.66, 0.73%, 0.4%

LAB 41.66, 67.34, -31.89

 

CMYK 0 / 84 / 13 / 17

HEX #D321B7

RGB 211 33 183

HSL 309.44, 0.73%, 0.48%

LAB 49.92, 77.46, -36.89

 

CMYK 0 / 73 / 11 / 12

HEX #E03DC7

RGB 224 61 199

HSL 309.2, 0.72%, 0.56%

LAB 55.39, 75.29, -37.42

 

CMYK 0 / 58 / 9 / 10

HEX #E660D1

RGB 230 96 209

HSL 309.4, 0.73%, 0.64%

LAB 61.47, 65.13, -33.54

 

CMYK 0 / 84 / 13 / 17

HEX #D321B7

RGB 211 33 183

HSL 309.44, 0.73%, 0.48%

LAB 49.92, 77.46, -36.89

 

CMYK 0 / 55 / 84 / 17

HEX #D35F21

RGB 211 95 33

HSL 20.9, 0.73%, 0.48%

LAB 54.18, 42.53, 54.14

 

CMYK 84 / 0 / 21 / 17

HEX #21D3A7

RGB 33 211 167

HSL 165.17, 0.73%, 0.48%

LAB 75.89, -52.27, 9.98

 

CMYK 0 / 84 / 13 / 17

HEX #D321B7

RGB 211 33 183

HSL 309.44, 0.73%, 0.48%

LAB 49.92, 77.46, -36.89

 

CMYK 13 / 0 / 84 / 17

HEX #B8D321

RGB 184 211 33

HSL 69.1, 0.73%, 0.48%

LAB 80.12, -29.46, 75.08

 

CMYK 84 / 13 / 0 / 17

HEX #21B8D3

RGB 33 184 211

HSL 189.1, 0.73%, 0.48%

LAB 68.97, -27.64, -24.16

 

CMYK 0 / 84 / 13 / 17

HEX #D321B7

RGB 211 33 183

HSL 309.44, 0.73%, 0.48%

LAB 49.92, 77.46, -36.89

 

CMYK 0 / 55 / 84 / 17

HEX #D35F21

RGB 211 95 33

HSL 20.9, 0.73%, 0.48%

LAB 54.18, 42.53, 54.14

 

CMYK 84 / 0 / 72 / 17

HEX #21D33B

RGB 33 211 59

HSL 128.76, 0.73%, 0.48%

LAB 74.34, -70.26, 59.99

 

CMYK 84 / 29 / 0 / 17

HEX #2195D3

RGB 33 149 211

HSL 200.9, 0.73%, 0.48%

LAB 58.53, -9.07, -40.36

 

CMYK 0 / 84 / 13 / 17

HEX #D321B7

RGB 211 33 183

HSL 309.44, 0.73%, 0.48%

LAB 49.92, 77.46, -36.89

 

CMYK 0 / 29 / 84 / 17

HEX #D39521

RGB 211 149 33

HSL 39.1, 0.73%, 0.48%

LAB 66.1, 14.09, 64.26

 

CMYK 84 / 0 / 72 / 17

HEX #21D33B

RGB 33 211 59

HSL 128.76, 0.73%, 0.48%

LAB 74.34, -70.26, 59.99

 

CMYK 84 / 55 / 0 / 17

HEX #215FD3

RGB 33 95 211

HSL 219.1, 0.73%, 0.48%

LAB 43.08, 24.14, -65.07

 

Description

Color code: RGB 211 33 183 | qconv.com Color code: RGB 211 33 183 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 33 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 33 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 13 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 13% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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