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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 27 194 it is the complementary color RGB 44 228 61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 27 194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 211 27 194 shade: RGB 216 27 189, RGB 233 45 208, RGB 250 63 227, RGB 255 81 246 and RGB 255 99 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 27 194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 211 27 194 shade: RGB 211 27 194, RGB 194 9 175, RGB 177 0 156, RGB 160 0 137 and RGB 143 0 118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 211 27 194 shade: RGB 212 27 195, RGB 212 27 145, RGB 212 27 95, RGB 212 27 45 and RGB 212 27 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 211 27 194 shade: RGB 212 27 195, RGB 179 27 212, RGB 129 27 212, RGB 79 27 212 and RGB 30 27 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 211 27 194 shade matches the following richer shades: RGB 212 27 195 and RGB 231 8 210

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 211 27 194 shade: RGB 212 27 195, RGB 192 46 179, RGB 173 66 163, RGB 153 85 147 and RGB 134 105 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 211 27 194 shade: RGB 129 27 212, RGB 178 27 212, RGB 212 27 196, RGB 212 27 147 and RGB 212 27 98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 211 27 194 shade: RGB 139 18 127, RGB 175 22 161, RGB 212 27 195, RGB 228 52 212 and RGB 233 88 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 211 27 194 shade: RGB 211 27 194, RGB 212 79 27 and RGB 27 212 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 211 27 194 shade: RGB 211 27 194, RGB 196 212 27 and RGB 27 196 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 211 27 194 shade: RGB 211 27 194, RGB 212 79 27, RGB 27 212 42 and RGB 27 159 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 211 27 194 shade: RGB 211 27 194, RGB 212 135 27, RGB 27 212 42 and RGB 27 104 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 8 / 17

HEX #D31BC2

RGB 211 27 194

HSL 305.54, 0.77%, 0.47%

LAB 50.13, 80.02, -42.98

 

Complementary color

CMYK 81 / 0 / 73 / 11

HEX #2CE43D

RGB 44 228 61

HSL 125.54, 0.77%, 0.53%

LAB 79.82, -74, 64.91

 

CMYK 0 / 88 / 13 / 15

HEX #D81BBD

RGB 216 27 189

HSL 308.57, 0.78%, 0.48%

LAB 50.75, 80.27, -39.03

 

CMYK 0 / 81 / 11 / 9

HEX #E92DD0

RGB 233 45 208

HSL 307.98, 0.81%, 0.55%

LAB 55.84, 82.7, -41.76

 

CMYK 0 / 75 / 9 / 2

HEX #FA3FE3

RGB 250 63 227

HSL 307.38, 0.95%, 0.61%

LAB 61.15, 84.26, -43.96

 

CMYK 0 / 68 / 4 / 0

HEX #FF51F6

RGB 255 81 246

HSL 303.1, 1%, 0.66%

LAB 64.8, 82.57, -48.73

 

CMYK 0 / 61 / 0 / 0

HEX #FF63FF

RGB 255 99 255

HSL 300, 1%, 0.69%

LAB 67.58, 77.42, -49.31

 

CMYK 0 / 87 / 8 / 17

HEX #D31BC2

RGB 211 27 194

HSL 305.54, 0.77%, 0.47%

LAB 50.13, 80.02, -42.98

 

CMYK 0 / 95 / 10 / 24

HEX #C209AF

RGB 194 9 175

HSL 306.16, 0.91%, 0.4%

LAB 45.3, 76.51, -39.69

 

CMYK 0 / 100 / 12 / 31

HEX #B1009C

RGB 177 0 156

HSL 307.12, 1%, 0.35%

LAB 40.81, 71.73, -35.64

 

CMYK 0 / 100 / 14 / 37

HEX #A00089

RGB 160 0 137

HSL 308.63, 1%, 0.31%

LAB 36.52, 66.05, -31.03

 

CMYK 0 / 100 / 17 / 44

HEX #8F0076

RGB 143 0 118

HSL 310.49, 1%, 0.28%

LAB 32.14, 60.26, -26.25

 

CMYK 0 / 87 / 8 / 17

HEX #D41BC3

RGB 212 27 195

HSL 305.51, 0.77%, 0.47%

LAB 50.36, 80.34, -43.18

 

CMYK 0 / 87 / 32 / 17

HEX #D41B91

RGB 212 27 145

HSL 321.73, 0.77%, 0.47%

LAB 48.04, 74.16, -17.25

 

CMYK 0 / 87 / 55 / 17

HEX #D41B5F

RGB 212 27 95

HSL 337.95, 0.77%, 0.47%

LAB 46.45, 69.74, 11.06

 

CMYK 0 / 87 / 79 / 17

HEX #D41B2D

RGB 212 27 45

HSL 354.16, 0.77%, 0.47%

LAB 45.59, 67.27, 40.29

 

CMYK 0 / 87 / 87 / 17

HEX #D41B1B

RGB 212 27 27

HSL 0, 0.77%, 0.47%

LAB 45.44, 66.83, 49.52

 

CMYK 0 / 87 / 8 / 17

HEX #D41BC3

RGB 212 27 195

HSL 305.51, 0.77%, 0.47%

LAB 50.36, 80.34, -43.18

 

CMYK 16 / 87 / 0 / 17

HEX #B31BD4

RGB 179 27 212

HSL 289.3, 0.77%, 0.47%

LAB 45.8, 77.3, -60.62

 

CMYK 39 / 87 / 0 / 17

HEX #811BD4

RGB 129 27 212

HSL 273.08, 0.77%, 0.47%

LAB 38.21, 70.19, -73.31

 

CMYK 63 / 87 / 0 / 17

HEX #4F1BD4

RGB 79 27 212

HSL 256.86, 0.77%, 0.47%

LAB 32.26, 65.17, -83.33

 

CMYK 86 / 87 / 0 / 17

HEX #1E1BD4

RGB 30 27 212

HSL 240.97, 0.77%, 0.47%

LAB 28.94, 62.67, -88.95

 

CMYK 0 / 87 / 8 / 17

HEX #D41BC3

RGB 212 27 195

HSL 305.51, 0.77%, 0.47%

LAB 50.36, 80.34, -43.18

 

CMYK 0 / 97 / 9 / 9

HEX #E708D2

RGB 231 8 210

HSL 305.65, 0.93%, 0.47%

LAB 53.83, 87.76, -46.11

 

CMYK 0 / 87 / 8 / 17

HEX #D41BC3

RGB 212 27 195

HSL 305.51, 0.77%, 0.47%

LAB 50.36, 80.34, -43.18

 

CMYK 0 / 76 / 7 / 25

HEX #C02EB3

RGB 192 46 179

HSL 305.34, 0.61%, 0.47%

LAB 47.51, 69.86, -38.57

 

CMYK 0 / 62 / 6 / 32

HEX #AD42A3

RGB 173 66 163

HSL 305.61, 0.45%, 0.47%

LAB 46.21, 55.56, -31.38

 

CMYK 0 / 44 / 4 / 40

HEX #995593

RGB 153 85 147

HSL 305.29, 0.29%, 0.47%

LAB 46.14, 37.5, -22.17

 

CMYK 0 / 22 / 2 / 47

HEX #866983

RGB 134 105 131

HSL 306.21, 0.12%, 0.47%

LAB 48.02, 16.3, -9.96

 

CMYK 39 / 87 / 0 / 17

HEX #811BD4

RGB 129 27 212

HSL 273.08, 0.77%, 0.47%

LAB 38.21, 70.19, -73.31

 

CMYK 16 / 87 / 0 / 17

HEX #B21BD4

RGB 178 27 212

HSL 288.97, 0.77%, 0.47%

LAB 45.64, 77.14, -60.89

 

CMYK 0 / 87 / 8 / 17

HEX #D41BC4

RGB 212 27 196

HSL 305.19, 0.77%, 0.47%

LAB 50.41, 80.48, -43.68

 

CMYK 0 / 87 / 31 / 17

HEX #D41B93

RGB 212 27 147

HSL 321.08, 0.77%, 0.47%

LAB 48.12, 74.37, -18.33

 

CMYK 0 / 87 / 54 / 17

HEX #D41B62

RGB 212 27 98

HSL 336.97, 0.77%, 0.47%

LAB 46.53, 69.96, 9.3

 

CMYK 0 / 87 / 9 / 45

HEX #8B127F

RGB 139 18 127

HSL 305.95, 0.77%, 0.31%

LAB 32.82, 57.93, -30.91

 

CMYK 0 / 87 / 8 / 31

HEX #AF16A1

RGB 175 22 161

HSL 305.49, 0.78%, 0.39%

LAB 41.63, 69.38, -37.38

 

CMYK 0 / 87 / 8 / 17

HEX #D41BC3

RGB 212 27 195

HSL 305.51, 0.77%, 0.47%

LAB 50.36, 80.34, -43.18

 

CMYK 0 / 77 / 7 / 11

HEX #E434D4

RGB 228 52 212

HSL 305.45, 0.77%, 0.55%

LAB 55.79, 80.57, -44.18

 

CMYK 0 / 62 / 6 / 9

HEX #E958DC

RGB 233 88 220

HSL 305.38, 0.77%, 0.63%

LAB 61.19, 70.93, -40.14

 

CMYK 0 / 87 / 8 / 17

HEX #D31BC2

RGB 211 27 194

HSL 305.54, 0.77%, 0.47%

LAB 50.13, 80.02, -42.98

 

CMYK 0 / 63 / 87 / 17

HEX #D44F1B

RGB 212 79 27

HSL 16.86, 0.77%, 0.47%

LAB 51.46, 50.21, 54.31

 

CMYK 87 / 0 / 28 / 17

HEX #1BD499

RGB 27 212 153

HSL 160.86, 0.77%, 0.47%

LAB 75.84, -56.38, 17.34

 

CMYK 0 / 87 / 8 / 17

HEX #D31BC2

RGB 211 27 194

HSL 305.54, 0.77%, 0.47%

LAB 50.13, 80.02, -42.98

 

CMYK 8 / 0 / 87 / 17

HEX #C4D41B

RGB 196 212 27

HSL 65.19, 0.77%, 0.47%

LAB 81.24, -25.13, 77.55

 

CMYK 87 / 8 / 0 / 17

HEX #1BC4D4

RGB 27 196 212

HSL 185.19, 0.77%, 0.47%

LAB 72.54, -33.52, -19.28

 

CMYK 0 / 87 / 8 / 17

HEX #D31BC2

RGB 211 27 194

HSL 305.54, 0.77%, 0.47%

LAB 50.13, 80.02, -42.98

 

CMYK 0 / 63 / 87 / 17

HEX #D44F1B

RGB 212 79 27

HSL 16.86, 0.77%, 0.47%

LAB 51.46, 50.21, 54.31

 

CMYK 87 / 0 / 80 / 17

HEX #1BD42A

RGB 27 212 42

HSL 124.86, 0.77%, 0.47%

LAB 74.5, -72.25, 65.59

 

CMYK 87 / 25 / 0 / 17

HEX #1B9FD4

RGB 27 159 212

HSL 197.19, 0.77%, 0.47%

LAB 61.47, -14.69, -36.32

 

CMYK 0 / 87 / 8 / 17

HEX #D31BC2

RGB 211 27 194

HSL 305.54, 0.77%, 0.47%

LAB 50.13, 80.02, -42.98

 

CMYK 0 / 36 / 87 / 17

HEX #D4871B

RGB 212 135 27

HSL 35.03, 0.77%, 0.47%

LAB 62.85, 21.95, 63.38

 

CMYK 87 / 0 / 80 / 17

HEX #1BD42A

RGB 27 212 42

HSL 124.86, 0.77%, 0.47%

LAB 74.5, -72.25, 65.59

 

CMYK 87 / 51 / 0 / 17

HEX #1B68D4

RGB 27 104 212

HSL 215.03, 0.77%, 0.47%

LAB 45.48, 18.29, -61.75

 

Description

Color code: RGB 211 27 194 | qconv.com Color code: RGB 211 27 194 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 27 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 27 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 8 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 8% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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