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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 243 103 it is the complementary color RGB 44 12 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 243 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 211 243 103 shade: RGB 216 243 98, RGB 233 255 117, RGB 250 255 136, RGB 255 255 155 and RGB 255 255 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 243 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 211 243 103 shade: RGB 211 243 103, RGB 194 225 84, RGB 177 207 65, RGB 160 189 46 and RGB 143 171 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 211 243 103 shade: RGB 211 242 104, RGB 242 237 104, RGB 242 199 104, RGB 242 162 104 and RGB 242 124 104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 211 243 103 shade: RGB 211 242 104, RGB 173 242 104, RGB 136 242 104, RGB 104 242 109 and RGB 104 242 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 211 243 103 shade matches the following richer shades: RGB 211 242 104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 211 243 103 shade: RGB 211 242 104, RGB 203 229 117, RGB 196 216 130, RGB 189 203 143 and RGB 182 189 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 211 243 103 shade: RGB 242 198 104, RGB 242 235 104, RGB 212 242 104, RGB 175 242 104 and RGB 138 242 104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 211 243 103 shade: RGB 188 236 27, RGB 199 239 65, RGB 211 242 104, RGB 222 245 142 and RGB 233 248 180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 211 243 103 shade: RGB 211 243 103, RGB 104 242 161 and RGB 217 104 242

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 211 243 103 shade: RGB 211 243 103, RGB 104 212 242 and RGB 242 104 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 211 243 103 shade: RGB 211 243 103, RGB 104 242 161, RGB 134 104 242 and RGB 242 104 184

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 211 243 103 shade: RGB 211 243 103, RGB 104 242 203, RGB 134 104 242 and RGB 242 104 143

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 58 / 5

HEX #D3F367

RGB 211 243 103

HSL 73.71, 0.85%, 0.68%

LAB 91.2, -29.94, 62.64

 

Complementary color

CMYK 71 / 92 / 0 / 40

HEX #2C0C98

RGB 44 12 152

HSL 253.71, 0.85%, 0.32%

LAB 20.3, 51.47, -67.46

 

CMYK 11 / 0 / 60 / 5

HEX #D8F362

RGB 216 243 98

HSL 71.17, 0.86%, 0.67%

LAB 91.5, -28.38, 65.17

 

CMYK 9 / 0 / 54 / 0

HEX #E9FF75

RGB 233 255 117

HSL 69.57, 1%, 0.73%

LAB 96.05, -25.97, 62.47

 

CMYK 2 / 0 / 47 / 0

HEX #FAFF88

RGB 250 255 136

HSL 62.52, 1%, 0.77%

LAB 97.48, -17.78, 55.88

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9B

RGB 255 255 155

HSL 60, 1%, 0.8%

LAB 98.09, -14.02, 47.73

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAE

RGB 255 255 174

HSL 60, 1%, 0.84%

LAB 98.37, -11.92, 38.8

 

CMYK 13 / 0 / 58 / 5

HEX #D3F367

RGB 211 243 103

HSL 73.71, 0.85%, 0.68%

LAB 91.2, -29.94, 62.64

 

CMYK 14 / 0 / 63 / 12

HEX #C2E154

RGB 194 225 84

HSL 73.19, 0.7%, 0.61%

LAB 84.98, -29.54, 63.44

 

CMYK 14 / 0 / 69 / 19

HEX #B1CF41

RGB 177 207 65

HSL 72.68, 0.6%, 0.53%

LAB 78.67, -29.04, 63.96

 

CMYK 15 / 0 / 76 / 26

HEX #A0BD2E

RGB 160 189 46

HSL 72.17, 0.61%, 0.46%

LAB 72.27, -28.4, 63.99

 

CMYK 16 / 0 / 84 / 33

HEX #8FAB1B

RGB 143 171 27

HSL 71.67, 0.73%, 0.39%

LAB 65.78, -27.57, 63.14

 

CMYK 13 / 0 / 57 / 5

HEX #D3F268

RGB 211 242 104

HSL 73.48, 0.84%, 0.68%

LAB 90.94, -29.39, 61.91

 

CMYK 0 / 2 / 57 / 5

HEX #F2ED68

RGB 242 237 104

HSL 57.83, 0.84%, 0.68%

LAB 91.88, -14.78, 63.59

 

CMYK 0 / 18 / 57 / 5

HEX #F2C768

RGB 242 199 104

HSL 41.3, 0.84%, 0.68%

LAB 82.23, 4.41, 52.58

 

CMYK 0 / 33 / 57 / 5

HEX #F2A268

RGB 242 162 104

HSL 25.22, 0.84%, 0.68%

LAB 73.36, 23.86, 41.96

 

CMYK 0 / 49 / 57 / 5

HEX #F27C68

RGB 242 124 104

HSL 8.7, 0.84%, 0.68%

LAB 65.19, 43.51, 31.72

 

CMYK 13 / 0 / 57 / 5

HEX #D3F268

RGB 211 242 104

HSL 73.48, 0.84%, 0.68%

LAB 90.94, -29.39, 61.91

 

CMYK 29 / 0 / 57 / 5

HEX #ADF268

RGB 173 242 104

HSL 90, 0.84%, 0.68%

LAB 88.63, -43.42, 58.67

 

CMYK 44 / 0 / 57 / 5

HEX #88F268

RGB 136 242 104

HSL 106.09, 0.84%, 0.68%

LAB 86.87, -55.43, 56.18

 

CMYK 57 / 0 / 55 / 5

HEX #68F26D

RGB 104 242 109

HSL 122.17, 0.84%, 0.68%

LAB 85.78, -63.33, 52.39

 

CMYK 57 / 0 / 40 / 5

HEX #68F292

RGB 104 242 146

HSL 138.26, 0.84%, 0.68%

LAB 86.27, -58.02, 35.3

 

CMYK 13 / 0 / 57 / 5

HEX #D3F268

RGB 211 242 104

HSL 73.48, 0.84%, 0.68%

LAB 90.94, -29.39, 61.91

 

CMYK 13 / 0 / 57 / 5

HEX #D3F268

RGB 211 242 104

HSL 73.48, 0.84%, 0.68%

LAB 90.94, -29.39, 61.91

 

CMYK 11 / 0 / 49 / 10

HEX #CBE575

RGB 203 229 117

HSL 73.93, 0.68%, 0.68%

LAB 87.01, -25.18, 51.33

 

CMYK 9 / 0 / 40 / 15

HEX #C4D882

RGB 196 216 130

HSL 73.95, 0.52%, 0.68%

LAB 83.16, -20.17, 40.14

 

CMYK 7 / 0 / 30 / 20

HEX #BDCB8F

RGB 189 203 143

HSL 74, 0.37%, 0.68%

LAB 79.34, -14.7, 28.41

 

CMYK 4 / 0 / 17 / 26

HEX #B6BD9C

RGB 182 189 156

HSL 72.73, 0.2%, 0.68%

LAB 75.29, -8.2, 15.89

 

CMYK 0 / 18 / 57 / 5

HEX #F2C668

RGB 242 198 104

HSL 40.87, 0.84%, 0.68%

LAB 81.98, 4.93, 52.29

 

CMYK 0 / 3 / 57 / 5

HEX #F2EB68

RGB 242 235 104

HSL 56.96, 0.84%, 0.68%

LAB 91.37, -13.8, 63.02

 

CMYK 12 / 0 / 57 / 5

HEX #D4F268

RGB 212 242 104

HSL 73.04, 0.84%, 0.68%

LAB 91.01, -29.01, 62.01

 

CMYK 28 / 0 / 57 / 5

HEX #AFF268

RGB 175 242 104

HSL 89.13, 0.84%, 0.68%

LAB 88.74, -42.72, 58.83

 

CMYK 43 / 0 / 57 / 5

HEX #8AF268

RGB 138 242 104

HSL 105.22, 0.84%, 0.68%

LAB 86.95, -54.83, 56.3

 

CMYK 20 / 0 / 89 / 7

HEX #BCEC1B

RGB 188 236 27

HSL 73.78, 0.85%, 0.52%

LAB 87.37, -39.44, 82.3

 

CMYK 17 / 0 / 73 / 6

HEX #C7EF41

RGB 199 239 65

HSL 73.79, 0.84%, 0.6%

LAB 89.04, -35.18, 74.66

 

CMYK 13 / 0 / 57 / 5

HEX #D3F268

RGB 211 242 104

HSL 73.48, 0.84%, 0.68%

LAB 90.94, -29.39, 61.91

 

CMYK 9 / 0 / 42 / 4

HEX #DEF58E

RGB 222 245 142

HSL 73.4, 0.84%, 0.76%

LAB 92.92, -23.05, 46.98

 

CMYK 6 / 0 / 27 / 3

HEX #E9F8B4

RGB 233 248 180

HSL 73.24, 0.83%, 0.84%

LAB 95.06, -15.82, 31.1

 

CMYK 13 / 0 / 58 / 5

HEX #D3F367

RGB 211 243 103

HSL 73.71, 0.85%, 0.68%

LAB 91.2, -29.94, 62.64

 

CMYK 57 / 0 / 33 / 5

HEX #68F2A1

RGB 104 242 161

HSL 144.78, 0.84%, 0.68%

LAB 86.51, -55.39, 28.08

 

CMYK 10 / 57 / 0 / 5

HEX #D968F2

RGB 217 104 242

HSL 289.13, 0.84%, 0.68%

LAB 62.56, 63.9, -50.41

 

CMYK 13 / 0 / 58 / 5

HEX #D3F367

RGB 211 243 103

HSL 73.71, 0.85%, 0.68%

LAB 91.2, -29.94, 62.64

 

CMYK 57 / 12 / 0 / 5

HEX #68D4F2

RGB 104 212 242

HSL 193.04, 0.84%, 0.68%

LAB 79.86, -22.7, -24.14

 

CMYK 0 / 57 / 12 / 5

HEX #F268D4

RGB 242 104 212

HSL 313.04, 0.84%, 0.68%

LAB 64.59, 65.34, -30.27

 

CMYK 13 / 0 / 58 / 5

HEX #D3F367

RGB 211 243 103

HSL 73.71, 0.85%, 0.68%

LAB 91.2, -29.94, 62.64

 

CMYK 57 / 0 / 33 / 5

HEX #68F2A1

RGB 104 242 161

HSL 144.78, 0.84%, 0.68%

LAB 86.51, -55.39, 28.08

 

CMYK 45 / 57 / 0 / 5

HEX #8668F2

RGB 134 104 242

HSL 253.04, 0.84%, 0.68%

LAB 53.36, 44.49, -65.65

 

CMYK 0 / 57 / 24 / 5

HEX #F268B8

RGB 242 104 184

HSL 325.22, 0.84%, 0.68%

LAB 63.54, 61.38, -16.05

 

CMYK 13 / 0 / 58 / 5

HEX #D3F367

RGB 211 243 103

HSL 73.71, 0.85%, 0.68%

LAB 91.2, -29.94, 62.64

 

CMYK 57 / 0 / 16 / 5

HEX #68F2CB

RGB 104 242 203

HSL 163.04, 0.84%, 0.68%

LAB 87.37, -46.71, 7.59

 

CMYK 45 / 57 / 0 / 5

HEX #8668F2

RGB 134 104 242

HSL 253.04, 0.84%, 0.68%

LAB 53.36, 44.49, -65.65

 

CMYK 0 / 57 / 41 / 5

HEX #F2688F

RGB 242 104 143

HSL 343.04, 0.84%, 0.68%

LAB 62.31, 56.53, 5.64

 

Description

Color code: RGB 211 243 103 | qconv.com Color code: RGB 211 243 103 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 243 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 243 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 58 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 58% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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