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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 23 236 it is the complementary color RGB 44 232 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 23 236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 211 23 236 shade: RGB 216 23 231, RGB 233 41 250, RGB 250 59 255, RGB 255 77 255 and RGB 255 95 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 23 236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 211 23 236 shade: RGB 211 23 236, RGB 194 5 217, RGB 177 0 198, RGB 160 0 179 and RGB 143 0 160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 211 23 236 shade: RGB 211 23 236, RGB 236 23 203, RGB 236 23 146, RGB 236 23 89 and RGB 236 23 32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 211 23 236 shade: RGB 211 23 236, RGB 154 23 236, RGB 96 23 236, RGB 39 23 236 and RGB 23 23 236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 211 23 236 shade matches the following richer shades: RGB 211 23 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 211 23 236 shade: RGB 211 23 236, RGB 195 44 216, RGB 180 64 195, RGB 164 84 175 and RGB 149 104 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 211 23 236 shade: RGB 94 23 236, RGB 151 23 236, RGB 207 23 236, RGB 236 23 207 and RGB 236 23 151

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 211 23 236 shade: RGB 146 13 164, RGB 180 16 202, RGB 211 23 236, RGB 218 62 239 and RGB 225 100 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 211 23 236 shade: RGB 211 23 236, RGB 236 38 23 and RGB 23 236 122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 211 23 236 shade: RGB 211 23 236, RGB 236 207 23 and RGB 23 236 207

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 211 23 236 shade: RGB 211 23 236, RGB 236 38 23, RGB 52 236 23 and RGB 23 222 236

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 211 23 236 shade: RGB 211 23 236, RGB 236 101 23, RGB 52 236 23 and RGB 23 158 236

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 90 / 0 / 7

HEX #D317EC

RGB 211 23 236

HSL 292.96, 0.85%, 0.51%

LAB 52.42, 86.87, -63.32

 

Complementary color

CMYK 81 / 0 / 92 / 9

HEX #2CE813

RGB 44 232 19

HSL 112.96, 0.85%, 0.49%

LAB 80.9, -77.2, 75.99

 

CMYK 6 / 90 / 0 / 9

HEX #D817E7

RGB 216 23 231

HSL 295.67, 0.82%, 0.5%

LAB 52.93, 86.88, -59.64

 

CMYK 7 / 84 / 0 / 2

HEX #E929FA

RGB 233 41 250

HSL 295.12, 0.95%, 0.57%

LAB 57.86, 89.67, -62.22

 

CMYK 2 / 77 / 0 / 0

HEX #FA3BFF

RGB 250 59 255

HSL 298.47, 1%, 0.62%

LAB 62.23, 89.42, -57.84

 

CMYK 0 / 70 / 0 / 0

HEX #FF4DFF

RGB 255 77 255

HSL 300, 1%, 0.65%

LAB 64.79, 85.25, -53.71

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 11 / 90 / 0 / 7

HEX #D317EC

RGB 211 23 236

HSL 292.96, 0.85%, 0.51%

LAB 52.42, 86.87, -63.32

 

CMYK 11 / 98 / 0 / 15

HEX #C205D9

RGB 194 5 217

HSL 293.49, 0.95%, 0.44%

LAB 47.74, 83.07, -60.23

 

CMYK 11 / 100 / 0 / 22

HEX #B100C6

RGB 177 0 198

HSL 293.64, 1%, 0.39%

LAB 43.4, 77.96, -56.41

 

CMYK 11 / 100 / 0 / 30

HEX #A000B3

RGB 160 0 179

HSL 293.63, 1%, 0.35%

LAB 39.12, 72.33, -52.3

 

CMYK 11 / 100 / 0 / 37

HEX #8F00A0

RGB 143 0 160

HSL 293.63, 1%, 0.31%

LAB 34.76, 66.6, -48.1

 

CMYK 11 / 90 / 0 / 7

HEX #D317EC

RGB 211 23 236

HSL 292.96, 0.85%, 0.51%

LAB 52.42, 86.87, -63.32

 

CMYK 0 / 90 / 14 / 7

HEX #EC17CB

RGB 236 23 203

HSL 309.3, 0.85%, 0.51%

LAB 54.82, 86.38, -40.47

 

CMYK 0 / 90 / 38 / 7

HEX #EC1792

RGB 236 23 146

HSL 325.35, 0.85%, 0.51%

LAB 52.42, 80.05, -10.77

 

CMYK 0 / 90 / 62 / 7

HEX #EC1759

RGB 236 23 89

HSL 341.41, 0.85%, 0.51%

LAB 50.88, 75.81, 21.56

 

CMYK 0 / 90 / 86 / 7

HEX #EC1720

RGB 236 23 32

HSL 357.46, 0.85%, 0.51%

LAB 50.16, 73.77, 53.03

 

CMYK 11 / 90 / 0 / 7

HEX #D317EC

RGB 211 23 236

HSL 292.96, 0.85%, 0.51%

LAB 52.42, 86.87, -63.32

 

CMYK 35 / 90 / 0 / 7

HEX #9A17EC

RGB 154 23 236

HSL 276.9, 0.85%, 0.51%

LAB 43.56, 78.98, -78.11

 

CMYK 59 / 90 / 0 / 7

HEX #6017EC

RGB 96 23 236

HSL 260.56, 0.85%, 0.51%

LAB 36.28, 73.38, -90.37

 

CMYK 83 / 90 / 0 / 7

HEX #2717EC

RGB 39 23 236

HSL 244.51, 0.85%, 0.51%

LAB 32.03, 70.65, -97.55

 

CMYK 90 / 90 / 0 / 7

HEX #1717EC

RGB 23 23 236

HSL 240, 0.85%, 0.51%

LAB 31.47, 70.33, -98.52

 

CMYK 11 / 90 / 0 / 7

HEX #D317EC

RGB 211 23 236

HSL 292.96, 0.85%, 0.51%

LAB 52.42, 86.87, -63.32

 

CMYK 11 / 90 / 0 / 7

HEX #D317EC

RGB 211 23 236

HSL 292.96, 0.85%, 0.51%

LAB 52.42, 86.87, -63.32

 

CMYK 10 / 80 / 0 / 15

HEX #C32CD8

RGB 195 44 216

HSL 292.67, 0.69%, 0.51%

LAB 49.93, 76.91, -56.12

 

CMYK 8 / 67 / 0 / 24

HEX #B440C3

RGB 180 64 195

HSL 293.13, 0.52%, 0.51%

LAB 48.65, 63.68, -46.22

 

CMYK 6 / 52 / 0 / 31

HEX #A454AF

RGB 164 84 175

HSL 292.75, 0.36%, 0.51%

LAB 48.67, 46.73, -34.69

 

CMYK 4 / 33 / 0 / 39

HEX #95689B

RGB 149 104 155

HSL 292.94, 0.2%, 0.51%

LAB 50.28, 27.05, -20.58

 

CMYK 60 / 90 / 0 / 7

HEX #5E17EC

RGB 94 23 236

HSL 260, 0.85%, 0.51%

LAB 36.08, 73.23, -90.72

 

CMYK 36 / 90 / 0 / 7

HEX #9717EC

RGB 151 23 236

HSL 276.06, 0.85%, 0.51%

LAB 43.13, 78.63, -78.83

 

CMYK 12 / 90 / 0 / 7

HEX #CF17EC

RGB 207 23 236

HSL 291.83, 0.85%, 0.51%

LAB 51.76, 86.26, -64.41

 

CMYK 0 / 90 / 12 / 7

HEX #EC17CF

RGB 236 23 207

HSL 308.17, 0.85%, 0.51%

LAB 55.02, 86.89, -42.45

 

CMYK 0 / 90 / 36 / 7

HEX #EC1797

RGB 236 23 151

HSL 323.94, 0.85%, 0.51%

LAB 52.6, 80.52, -13.49

 

CMYK 11 / 92 / 0 / 36

HEX #920DA4

RGB 146 13 164

HSL 292.85, 0.85%, 0.35%

LAB 36.14, 66.08, -48.26

 

CMYK 11 / 92 / 0 / 21

HEX #B410CA

RGB 180 16 202

HSL 292.9, 0.85%, 0.43%

LAB 44.71, 77.47, -56.59

 

CMYK 11 / 90 / 0 / 7

HEX #D317EC

RGB 211 23 236

HSL 292.96, 0.85%, 0.51%

LAB 52.42, 86.87, -63.32

 

CMYK 9 / 74 / 0 / 6

HEX #DA3EEF

RGB 218 62 239

HSL 292.88, 0.85%, 0.59%

LAB 56.67, 79.96, -58.12

 

CMYK 7 / 59 / 0 / 5

HEX #E164F2

RGB 225 100 242

HSL 292.82, 0.85%, 0.67%

LAB 62.95, 67.66, -49.72

 

CMYK 11 / 90 / 0 / 7

HEX #D317EC

RGB 211 23 236

HSL 292.96, 0.85%, 0.51%

LAB 52.42, 86.87, -63.32

 

CMYK 0 / 84 / 90 / 7

HEX #EC2617

RGB 236 38 23

HSL 4.23, 0.85%, 0.51%

LAB 51.01, 71.02, 57.48

 

CMYK 90 / 0 / 48 / 7

HEX #17EC7A

RGB 23 236 122

HSL 147.89, 0.85%, 0.51%

LAB 82.69, -70.93, 42.2

 

CMYK 11 / 90 / 0 / 7

HEX #D317EC

RGB 211 23 236

HSL 292.96, 0.85%, 0.51%

LAB 52.42, 86.87, -63.32

 

CMYK 0 / 12 / 90 / 7

HEX #ECCF17

RGB 236 207 23

HSL 51.83, 0.85%, 0.51%

LAB 83.19, -5.75, 81.17

 

CMYK 90 / 0 / 12 / 7

HEX #17ECCF

RGB 23 236 207

HSL 171.83, 0.85%, 0.51%

LAB 84.32, -52.74, 0.91

 

CMYK 11 / 90 / 0 / 7

HEX #D317EC

RGB 211 23 236

HSL 292.96, 0.85%, 0.51%

LAB 52.42, 86.87, -63.32

 

CMYK 0 / 84 / 90 / 7

HEX #EC2617

RGB 236 38 23

HSL 4.23, 0.85%, 0.51%

LAB 51.01, 71.02, 57.48

 

CMYK 78 / 0 / 90 / 7

HEX #34EC17

RGB 52 236 23

HSL 111.83, 0.85%, 0.51%

LAB 82.26, -77.29, 76.61

 

CMYK 90 / 6 / 0 / 7

HEX #17DEEC

RGB 23 222 236

HSL 183.94, 0.85%, 0.51%

LAB 81.01, -38.46, -19.36

 

CMYK 11 / 90 / 0 / 7

HEX #D317EC

RGB 211 23 236

HSL 292.96, 0.85%, 0.51%

LAB 52.42, 86.87, -63.32

 

CMYK 0 / 57 / 90 / 7

HEX #EC6517

RGB 236 101 23

HSL 21.97, 0.85%, 0.51%

LAB 59.16, 48.84, 63.19

 

CMYK 78 / 0 / 90 / 7

HEX #34EC17

RGB 52 236 23

HSL 111.83, 0.85%, 0.51%

LAB 82.26, -77.29, 76.61

 

CMYK 90 / 33 / 0 / 7

HEX #179EEC

RGB 23 158 236

HSL 201.97, 0.85%, 0.51%

LAB 62.25, -5.69, -48.39

 

Description

Color code: RGB 211 23 236 | qconv.com Color code: RGB 211 23 236 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 23 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 23 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 90 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 90% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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