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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 198 214 it is the complementary color RGB 44 57 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 198 214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 211 198 214 shade: RGB 216 198 209, RGB 233 216 228, RGB 250 234 247 and RGB 255 252 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 198 214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 211 198 214 shade: RGB 211 198 214, RGB 194 180 195, RGB 177 162 176, RGB 160 144 157 and RGB 143 126 138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 211 198 214 shade: RGB 211 198 214, RGB 214 198 213, RGB 214 198 208, RGB 214 198 204 and RGB 214 198 200

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 211 198 214 shade: RGB 211 198 214, RGB 207 198 214, RGB 203 198 214, RGB 198 198 214 and RGB 198 198 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 211 198 214 shade matches the following richer shades: RGB 211 198 214, RGB 216 190 222, RGB 221 183 229, RGB 226 175 237 and RGB 230 167 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 211 198 214 shade: RGB 211 198 214, RGB 206 206 206, RGB 201 214 198, RGB 196 222 190 and RGB 191 230 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 211 198 214 shade: RGB 202 198 214, RGB 207 198 214, RGB 211 198 214, RGB 214 198 213 and RGB 214 198 209

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 211 198 214 shade: RGB 174 150 179, RGB 192 174 196, RGB 211 198 214, RGB 229 222 231 and RGB 248 246 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 211 198 214 shade: RGB 211 198 214, RGB 214 198 198 and RGB 198 214 204

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 211 198 214 shade: RGB 211 198 214, RGB 214 211 198 and RGB 198 214 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 211 198 214 shade: RGB 211 198 214, RGB 214 198 198, RGB 201 214 198 and RGB 198 214 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 211 198 214 shade: RGB 211 198 214, RGB 214 203 198, RGB 201 214 198 and RGB 198 209 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 7 / 0 / 16

HEX #D3C6D6

RGB 211 198 214

HSL 288.75, 0.16%, 0.81%

LAB 81.34, 7.41, -6.33

 

Complementary color

CMYK 23 / 0 / 28 / 78

HEX #2C3929

RGB 44 57 41

HSL 108.75, 0.16%, 0.19%

LAB 22.38, -9.15, 8.26

 

CMYK 0 / 8 / 3 / 15

HEX #D8C6D1

RGB 216 198 209

HSL 323.33, 0.19%, 0.81%

LAB 81.62, 8.21, -3.2

 

CMYK 0 / 7 / 2 / 9

HEX #E9D8E4

RGB 233 216 228

HSL 317.65, 0.28%, 0.88%

LAB 87.99, 7.92, -3.78

 

CMYK 0 / 6 / 1 / 2

HEX #FAEAF7

RGB 250 234 247

HSL 311.25, 0.62%, 0.95%

LAB 94.26, 7.65, -4.34

 

CMYK 0 / 1 / 0 / 0

HEX #FFFCFF

RGB 255 252 255

HSL 300, 1%, 0.99%

LAB 99.26, 1.52, -1.09

 

CMYK 1 / 7 / 0 / 16

HEX #D3C6D6

RGB 211 198 214

HSL 288.75, 0.16%, 0.81%

LAB 81.34, 7.41, -6.33

 

CMYK 1 / 8 / 0 / 24

HEX #C2B4C3

RGB 194 180 195

HSL 296, 0.11%, 0.74%

LAB 74.86, 7.7, -5.8

 

CMYK 0 / 8 / 1 / 31

HEX #B1A2B0

RGB 177 162 176

HSL 304, 0.09%, 0.66%

LAB 68.26, 8.01, -5.26

 

CMYK 0 / 10 / 2 / 37

HEX #A0909D

RGB 160 144 157

HSL 311.25, 0.08%, 0.6%

LAB 61.53, 8.35, -4.69

 

CMYK 0 / 12 / 3 / 44

HEX #8F7E8A

RGB 143 126 138

HSL 317.65, 0.07%, 0.53%

LAB 54.65, 8.72, -4.1

 

CMYK 1 / 7 / 0 / 16

HEX #D3C6D6

RGB 211 198 214

HSL 288.75, 0.16%, 0.81%

LAB 81.34, 7.41, -6.33

 

CMYK 0 / 7 / 0 / 16

HEX #D6C6D5

RGB 214 198 213

HSL 303.75, 0.16%, 0.81%

LAB 81.56, 8.25, -5.45

 

CMYK 0 / 7 / 3 / 16

HEX #D6C6D0

RGB 214 198 208

HSL 322.5, 0.16%, 0.81%

LAB 81.42, 7.35, -2.97

 

CMYK 0 / 7 / 5 / 16

HEX #D6C6CC

RGB 214 198 204

HSL 337.5, 0.16%, 0.81%

LAB 81.32, 6.63, -0.98

 

CMYK 0 / 7 / 7 / 16

HEX #D6C6C8

RGB 214 198 200

HSL 352.5, 0.16%, 0.81%

LAB 81.21, 5.94, 1.01

 

CMYK 1 / 7 / 0 / 16

HEX #D3C6D6

RGB 211 198 214

HSL 288.75, 0.16%, 0.81%

LAB 81.34, 7.41, -6.33

 

CMYK 3 / 7 / 0 / 16

HEX #CFC6D6

RGB 207 198 214

HSL 273.75, 0.16%, 0.81%

LAB 81.02, 6.06, -6.85

 

CMYK 5 / 7 / 0 / 16

HEX #CBC6D6

RGB 203 198 214

HSL 258.75, 0.16%, 0.81%

LAB 80.71, 4.72, -7.35

 

CMYK 7 / 7 / 0 / 16

HEX #C6C6D6

RGB 198 198 214

HSL 240, 0.16%, 0.81%

LAB 80.32, 3.05, -7.96

 

CMYK 7 / 7 / 0 / 16

HEX #C6C6D6

RGB 198 198 214

HSL 240, 0.16%, 0.81%

LAB 80.32, 3.05, -7.96

 

CMYK 1 / 7 / 0 / 16

HEX #D3C6D6

RGB 211 198 214

HSL 288.75, 0.16%, 0.81%

LAB 81.34, 7.41, -6.33

 

CMYK 3 / 14 / 0 / 13

HEX #D8BEDE

RGB 216 190 222

HSL 288.75, 0.33%, 0.81%

LAB 80.01, 14.88, -12.57

 

CMYK 3 / 20 / 0 / 10

HEX #DDB7E5

RGB 221 183 229

HSL 289.57, 0.47%, 0.81%

LAB 78.98, 21.64, -17.84

 

CMYK 5 / 26 / 0 / 7

HEX #E2AFED

RGB 226 175 237

HSL 289.35, 0.63%, 0.81%

LAB 77.84, 29.1, -23.84

 

CMYK 6 / 32 / 0 / 4

HEX #E6A7F5

RGB 230 167 245

HSL 288.46, 0.8%, 0.81%

LAB 76.71, 36.18, -29.86

 

CMYK 1 / 7 / 0 / 16

HEX #D3C6D6

RGB 211 198 214

HSL 288.75, 0.16%, 0.81%

LAB 81.34, 7.41, -6.33

 

CMYK 0 / 0 / 0 / 19

HEX #CECECE

RGB 206 206 206

HSL 0, 0%, 0.81%

LAB 82.76, 0, -0.01

 

CMYK 6 / 0 / 7 / 16

HEX #C9D6C6

RGB 201 214 198

HSL 108.75, 0.16%, 0.81%

LAB 84.27, -7.31, 6.38

 

CMYK 12 / 0 / 14 / 13

HEX #C4DEBE

RGB 196 222 190

HSL 108.75, 0.33%, 0.81%

LAB 85.85, -14.49, 12.82

 

CMYK 17 / 0 / 21 / 10

HEX #BFE6B6

RGB 191 230 182

HSL 108.75, 0.49%, 0.81%

LAB 87.51, -21.51, 19.28

 

CMYK 6 / 7 / 0 / 16

HEX #CAC6D6

RGB 202 198 214

HSL 255, 0.16%, 0.81%

LAB 80.63, 4.38, -7.47

 

CMYK 3 / 7 / 0 / 16

HEX #CFC6D6

RGB 207 198 214

HSL 273.75, 0.16%, 0.81%

LAB 81.02, 6.06, -6.85

 

CMYK 1 / 7 / 0 / 16

HEX #D3C6D6

RGB 211 198 214

HSL 288.75, 0.16%, 0.81%

LAB 81.34, 7.41, -6.33

 

CMYK 0 / 7 / 0 / 16

HEX #D6C6D5

RGB 214 198 213

HSL 303.75, 0.16%, 0.81%

LAB 81.56, 8.25, -5.45

 

CMYK 0 / 7 / 2 / 16

HEX #D6C6D1

RGB 214 198 209

HSL 318.75, 0.16%, 0.81%

LAB 81.45, 7.52, -3.47

 

CMYK 3 / 16 / 0 / 30

HEX #AE96B3

RGB 174 150 179

HSL 289.66, 0.16%, 0.65%

LAB 65.01, 14.22, -11.79

 

CMYK 2 / 11 / 0 / 23

HEX #C0AEC4

RGB 192 174 196

HSL 289.09, 0.16%, 0.73%

LAB 73.2, 10.47, -8.83

 

CMYK 1 / 7 / 0 / 16

HEX #D3C6D6

RGB 211 198 214

HSL 288.75, 0.16%, 0.81%

LAB 81.34, 7.41, -6.33

 

CMYK 1 / 4 / 0 / 9

HEX #E5DEE7

RGB 229 222 231

HSL 286.67, 0.16%, 0.89%

LAB 89.24, 3.98, -3.55

 

CMYK 0 / 1 / 0 / 3

HEX #F8F6F8

RGB 248 246 248

HSL 300, 0.13%, 0.97%

LAB 97.08, 1.02, -0.73

 

CMYK 1 / 7 / 0 / 16

HEX #D3C6D6

RGB 211 198 214

HSL 288.75, 0.16%, 0.81%

LAB 81.34, 7.41, -6.33

 

CMYK 0 / 7 / 7 / 16

HEX #D6C6C6

RGB 214 198 198

HSL 0, 0.16%, 0.81%

LAB 81.16, 5.59, 2.01

 

CMYK 7 / 0 / 5 / 16

HEX #C6D6CC

RGB 198 214 204

HSL 142.5, 0.16%, 0.81%

LAB 84.2, -7.24, 3.08

 

CMYK 1 / 7 / 0 / 16

HEX #D3C6D6

RGB 211 198 214

HSL 288.75, 0.16%, 0.81%

LAB 81.34, 7.41, -6.33

 

CMYK 0 / 1 / 7 / 16

HEX #D6D3C6

RGB 214 211 198

HSL 48.75, 0.16%, 0.81%

LAB 84.46, -1.23, 6.79

 

CMYK 7 / 0 / 1 / 16

HEX #C6D6D3

RGB 198 214 211

HSL 168.75, 0.16%, 0.81%

LAB 84.38, -5.93, -0.38

 

CMYK 1 / 7 / 0 / 16

HEX #D3C6D6

RGB 211 198 214

HSL 288.75, 0.16%, 0.81%

LAB 81.34, 7.41, -6.33

 

CMYK 0 / 7 / 7 / 16

HEX #D6C6C6

RGB 214 198 198

HSL 0, 0.16%, 0.81%

LAB 81.16, 5.59, 2.01

 

CMYK 6 / 0 / 7 / 16

HEX #C9D6C6

RGB 201 214 198

HSL 108.75, 0.16%, 0.81%

LAB 84.27, -7.31, 6.38

 

CMYK 7 / 0 / 0 / 16

HEX #C6D6D6

RGB 198 214 214

HSL 180, 0.16%, 0.81%

LAB 84.46, -5.36, -1.86

 

CMYK 1 / 7 / 0 / 16

HEX #D3C6D6

RGB 211 198 214

HSL 288.75, 0.16%, 0.81%

LAB 81.34, 7.41, -6.33

 

CMYK 0 / 5 / 7 / 16

HEX #D6CBC6

RGB 214 203 198

HSL 18.75, 0.16%, 0.81%

LAB 82.42, 2.95, 3.84

 

CMYK 6 / 0 / 7 / 16

HEX #C9D6C6

RGB 201 214 198

HSL 108.75, 0.16%, 0.81%

LAB 84.27, -7.31, 6.38

 

CMYK 7 / 2 / 0 / 16

HEX #C6D1D6

RGB 198 209 214

HSL 198.75, 0.16%, 0.81%

LAB 83.16, -2.76, -3.77

 

Description

Color code: RGB 211 198 214 | qconv.com Color code: RGB 211 198 214 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 198 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 198 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 7 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 7% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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