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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 172 133 it is the complementary color RGB 44 83 122. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 172 133. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 211 172 133 shade: RGB 216 172 128, RGB 233 190 147, RGB 250 208 166, RGB 255 226 185 and RGB 255 244 204

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 172 133. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 211 172 133 shade: RGB 211 172 133, RGB 194 154 114, RGB 177 136 95, RGB 160 118 76 and RGB 143 100 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 211 172 133 shade: RGB 210 170 131, RGB 210 149 131 and RGB 210 131 131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 211 172 133 shade: RGB 210 170 131, RGB 210 192 131, RGB 207 210 131, RGB 185 210 131 and RGB 164 210 131

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 211 172 133 shade matches the following richer shades: RGB 210 170 131, RGB 224 170 117, RGB 237 170 104 and RGB 251 170 90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 211 172 133 shade: RGB 210 170 131, RGB 196 170 144, RGB 183 170 158, RGB 169 170 172 and RGB 155 170 185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 211 172 133 shade: RGB 210 131 133, RGB 210 149 131, RGB 210 170 131, RGB 210 191 131 and RGB 207 210 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 211 172 133 shade: RGB 188 129 70, RGB 199 150 100, RGB 210 170 131, RGB 221 191 161 and RGB 232 212 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 211 172 133 shade: RGB 211 172 133, RGB 155 210 131 and RGB 139 131 210

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 211 172 133 shade: RGB 211 172 133, RGB 131 210 170 and RGB 170 131 210

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 211 172 133 shade: RGB 211 172 133, RGB 155 210 131, RGB 131 170 210 and RGB 186 131 210

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 211 172 133 shade: RGB 211 172 133, RGB 131 210 131, RGB 131 170 210 and RGB 210 131 210

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 37 / 17

HEX #D3AC85

RGB 211 172 133

HSL 30, 0.47%, 0.67%

LAB 72.92, 8.85, 25.43

 

Complementary color

CMYK 64 / 32 / 0 / 52

HEX #2C537A

RGB 44 83 122

HSL 210, 0.47%, 0.33%

LAB 34.25, -0.75, -26.25

 

CMYK 0 / 20 / 41 / 15

HEX #D8AC80

RGB 216 172 128

HSL 30, 0.53%, 0.67%

LAB 73.33, 10.27, 28.73

 

CMYK 0 / 18 / 37 / 9

HEX #E9BE93

RGB 233 190 147

HSL 30, 0.66%, 0.75%

LAB 79.76, 9.59, 27.52

 

CMYK 0 / 17 / 34 / 2

HEX #FAD0A6

RGB 250 208 166

HSL 30, 0.89%, 0.82%

LAB 86.1, 8.99, 26.39

 

CMYK 0 / 11 / 27 / 0

HEX #FFE2B9

RGB 255 226 185

HSL 35.14, 1%, 0.86%

LAB 91.3, 3.98, 23.72

 

CMYK 0 / 4 / 20 / 0

HEX #FFF4CC

RGB 255 244 204

HSL 47.06, 1%, 0.9%

LAB 96.13, -2.56, 20.62

 

CMYK 0 / 18 / 37 / 17

HEX #D3AC85

RGB 211 172 133

HSL 30, 0.47%, 0.67%

LAB 72.92, 8.85, 25.43

 

CMYK 0 / 21 / 41 / 24

HEX #C29A72

RGB 194 154 114

HSL 30, 0.4%, 0.6%

LAB 66.36, 9.54, 26.66

 

CMYK 0 / 23 / 46 / 31

HEX #B1885F

RGB 177 136 95

HSL 30, 0.34%, 0.53%

LAB 59.69, 10.36, 27.99

 

CMYK 0 / 26 / 53 / 37

HEX #A0764C

RGB 160 118 76

HSL 30, 0.36%, 0.46%

LAB 52.9, 11.32, 29.44

 

CMYK 0 / 30 / 60 / 44

HEX #8F6439

RGB 143 100 57

HSL 30, 0.43%, 0.39%

LAB 45.97, 12.49, 31.01

 

CMYK 0 / 19 / 38 / 18

HEX #D2AA83

RGB 210 170 131

HSL 29.62, 0.47%, 0.67%

LAB 72.29, 9.29, 25.63

 

CMYK 0 / 29 / 38 / 18

HEX #D29583

RGB 210 149 131

HSL 13.67, 0.47%, 0.67%

LAB 67.15, 20.67, 18.66

 

CMYK 0 / 38 / 38 / 18

HEX #D28383

RGB 210 131 131

HSL 0, 0.47%, 0.67%

LAB 62.99, 30.41, 12.87

 

CMYK 0 / 19 / 38 / 18

HEX #D2AA83

RGB 210 170 131

HSL 29.62, 0.47%, 0.67%

LAB 72.29, 9.29, 25.63

 

CMYK 0 / 9 / 38 / 18

HEX #D2C083

RGB 210 192 131

HSL 46.33, 0.47%, 0.67%

LAB 77.9, -2.39, 33.07

 

CMYK 1 / 0 / 38 / 18

HEX #CFD283

RGB 207 210 131

HSL 62.28, 0.47%, 0.67%

LAB 82.38, -12.82, 38.81

 

CMYK 12 / 0 / 38 / 18

HEX #B9D283

RGB 185 210 131

HSL 78.99, 0.47%, 0.67%

LAB 80.76, -21.28, 36.42

 

CMYK 22 / 0 / 38 / 18

HEX #A4D283

RGB 164 210 131

HSL 94.94, 0.47%, 0.67%

LAB 79.4, -29, 34.38

 

CMYK 0 / 19 / 38 / 18

HEX #D2AA83

RGB 210 170 131

HSL 29.62, 0.47%, 0.67%

LAB 72.29, 9.29, 25.63

 

CMYK 0 / 24 / 48 / 12

HEX #E0AA75

RGB 224 170 117

HSL 29.72, 0.63%, 0.67%

LAB 73.47, 13.43, 34.91

 

CMYK 0 / 28 / 56 / 7

HEX #EDAA68

RGB 237 170 104

HSL 29.77, 0.79%, 0.67%

LAB 74.67, 17.59, 43.43

 

CMYK 0 / 32 / 64 / 2

HEX #FBAA5A

RGB 251 170 90

HSL 29.81, 0.95%, 0.67%

LAB 76.07, 22.33, 52.39

 

CMYK 0 / 19 / 38 / 18

HEX #D2AA83

RGB 210 170 131

HSL 29.62, 0.47%, 0.67%

LAB 72.29, 9.29, 25.63

 

CMYK 0 / 13 / 27 / 23

HEX #C4AA90

RGB 196 170 144

HSL 30, 0.31%, 0.67%

LAB 71.21, 5.44, 16.89

 

CMYK 0 / 7 / 14 / 28

HEX #B7AA9E

RGB 183 170 158

HSL 28.8, 0.15%, 0.67%

LAB 70.38, 2.62, 7.86

 

CMYK 2 / 1 / 0 / 33

HEX #A9AAAC

RGB 169 170 172

HSL 220, 0.02%, 0.67%

LAB 69.59, 0.03, -1.16

 

CMYK 16 / 8 / 0 / 27

HEX #9BAAB9

RGB 155 170 185

HSL 210, 0.18%, 0.67%

LAB 68.91, -2.07, -9.47

 

CMYK 0 / 38 / 37 / 18

HEX #D28385

RGB 210 131 133

HSL 358.48, 0.47%, 0.67%

LAB 63.03, 30.65, 11.8

 

CMYK 0 / 29 / 38 / 18

HEX #D29583

RGB 210 149 131

HSL 13.67, 0.47%, 0.67%

LAB 67.15, 20.67, 18.66

 

CMYK 0 / 19 / 38 / 18

HEX #D2AA83

RGB 210 170 131

HSL 29.62, 0.47%, 0.67%

LAB 72.29, 9.29, 25.63

 

CMYK 0 / 9 / 38 / 18

HEX #D2BF83

RGB 210 191 131

HSL 45.57, 0.47%, 0.67%

LAB 77.64, -1.87, 32.73

 

CMYK 1 / 0 / 38 / 18

HEX #CFD283

RGB 207 210 131

HSL 62.28, 0.47%, 0.67%

LAB 82.38, -12.82, 38.81

 

CMYK 0 / 31 / 63 / 26

HEX #BC8146

RGB 188 129 70

HSL 30, 0.47%, 0.51%

LAB 58.82, 16.77, 40.58

 

CMYK 0 / 25 / 50 / 22

HEX #C79664

RGB 199 150 100

HSL 30.3, 0.47%, 0.59%

LAB 65.65, 12.35, 33.4

 

CMYK 0 / 19 / 38 / 18

HEX #D2AA83

RGB 210 170 131

HSL 29.62, 0.47%, 0.67%

LAB 72.29, 9.29, 25.63

 

CMYK 0 / 14 / 27 / 13

HEX #DDBFA1

RGB 221 191 161

HSL 30, 0.47%, 0.75%

LAB 79.16, 6.19, 19.08

 

CMYK 0 / 9 / 18 / 9

HEX #E8D4BF

RGB 232 212 191

HSL 30.73, 0.47%, 0.83%

LAB 86.01, 3.58, 12.89

 

CMYK 0 / 18 / 37 / 17

HEX #D3AC85

RGB 211 172 133

HSL 30, 0.47%, 0.67%

LAB 72.92, 8.85, 25.43

 

CMYK 26 / 0 / 38 / 18

HEX #9BD283

RGB 155 210 131

HSL 101.77, 0.47%, 0.67%

LAB 78.87, -32.17, 33.59

 

CMYK 34 / 38 / 0 / 18

HEX #8B83D2

RGB 139 131 210

HSL 246.08, 0.47%, 0.67%

LAB 58.39, 21.28, -39.68

 

CMYK 0 / 18 / 37 / 17

HEX #D3AC85

RGB 211 172 133

HSL 30, 0.47%, 0.67%

LAB 72.92, 8.85, 25.43

 

CMYK 38 / 0 / 19 / 18

HEX #83D2AA

RGB 131 210 170

HSL 149.62, 0.47%, 0.67%

LAB 78.36, -33.07, 12.26

 

CMYK 19 / 38 / 0 / 18

HEX #AA83D2

RGB 170 131 210

HSL 269.62, 0.47%, 0.67%

LAB 61.16, 30.26, -35.14

 

CMYK 0 / 18 / 37 / 17

HEX #D3AC85

RGB 211 172 133

HSL 30, 0.47%, 0.67%

LAB 72.92, 8.85, 25.43

 

CMYK 26 / 0 / 38 / 18

HEX #9BD283

RGB 155 210 131

HSL 101.77, 0.47%, 0.67%

LAB 78.87, -32.17, 33.59

 

CMYK 38 / 19 / 0 / 18

HEX #83AAD2

RGB 131 170 210

HSL 210.38, 0.47%, 0.67%

LAB 68.19, -3.25, -24.52

 

CMYK 11 / 38 / 0 / 18

HEX #BA83D2

RGB 186 131 210

HSL 281.77, 0.47%, 0.67%

LAB 62.78, 35.12, -32.5

 

CMYK 0 / 18 / 37 / 17

HEX #D3AC85

RGB 211 172 133

HSL 30, 0.47%, 0.67%

LAB 72.92, 8.85, 25.43

 

CMYK 38 / 0 / 38 / 18

HEX #83D283

RGB 131 210 131

HSL 120, 0.47%, 0.67%

LAB 77.61, -40.06, 31.7

 

CMYK 38 / 19 / 0 / 18

HEX #83AAD2

RGB 131 170 210

HSL 210.38, 0.47%, 0.67%

LAB 68.19, -3.25, -24.52

 

CMYK 0 / 38 / 0 / 18

HEX #D283D2

RGB 210 131 210

HSL 300, 0.47%, 0.67%

LAB 65.43, 42.52, -28.19

 

Description

Color code: RGB 211 172 133 | qconv.com Color code: RGB 211 172 133 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 172 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 172 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 37 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 37% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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