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Color name
RGB 211 142 224

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 142 224 it is the complementary color RGB 44 113 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 142 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 211 142 224 shade: RGB 216 142 219, RGB 233 160 238, RGB 250 178 255, RGB 255 196 255 and RGB 255 214 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 142 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 211 142 224 shade: RGB 211 142 224, RGB 194 124 205, RGB 177 106 186, RGB 160 88 167 and RGB 143 70 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 211 142 224 shade: RGB 211 142 224, RGB 224 142 215, RGB 224 142 193, RGB 224 142 171 and RGB 224 142 149

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 211 142 224 shade: RGB 211 142 224, RGB 189 142 224, RGB 167 142 224, RGB 145 142 224 and RGB 142 142 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 211 142 224 shade matches the following richer shades: RGB 211 142 224, RGB 219 131 235 and RGB 227 119 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 211 142 224 shade: RGB 211 142 224, RGB 203 154 212, RGB 195 166 201, RGB 187 177 189 and RGB 179 189 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 211 142 224 shade: RGB 167 142 224, RGB 189 142 224, RGB 210 142 224, RGB 224 142 216 and RGB 224 142 194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 211 142 224 shade: RGB 186 78 206, RGB 198 110 215, RGB 211 142 224, RGB 223 175 233 and RGB 236 207 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 211 142 224 shade: RGB 211 142 224, RGB 224 145 142 and RGB 142 224 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 211 142 224 shade: RGB 211 142 224, RGB 224 210 142 and RGB 142 224 210

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 211 142 224 shade: RGB 211 142 224, RGB 224 145 142, RGB 156 224 142 and RGB 142 221 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 211 142 224 shade: RGB 211 142 224, RGB 224 170 142, RGB 156 224 142 and RGB 142 197 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 37 / 0 / 12

HEX #D38EE0

RGB 211 142 224

HSL 290.49, 0.57%, 0.72%

LAB 68.44, 39.62, -31.3

 

Complementary color

CMYK 61 / 0 / 73 / 56

HEX #2C711F

RGB 44 113 31

HSL 110.49, 0.57%, 0.28%

LAB 41.91, -38.16, 37.37

 

CMYK 1 / 35 / 0 / 14

HEX #D88EDB

RGB 216 142 219

HSL 297.66, 0.52%, 0.71%

LAB 68.79, 40.22, -27.95

 

CMYK 2 / 33 / 0 / 7

HEX #E9A0EE

RGB 233 160 238

HSL 296.15, 0.7%, 0.78%

LAB 75.23, 39.5, -28.32

 

CMYK 2 / 30 / 0 / 0

HEX #FAB2FF

RGB 250 178 255

HSL 296.1, 1%, 0.85%

LAB 81.5, 38.45, -27.71

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 6 / 37 / 0 / 12

HEX #D38EE0

RGB 211 142 224

HSL 290.49, 0.57%, 0.72%

LAB 68.44, 39.62, -31.3

 

CMYK 5 / 40 / 0 / 20

HEX #C27CCD

RGB 194 124 205

HSL 291.85, 0.45%, 0.65%

LAB 61.91, 40.37, -30.98

 

CMYK 5 / 43 / 0 / 27

HEX #B16ABA

RGB 177 106 186

HSL 293.25, 0.37%, 0.57%

LAB 55.28, 41.14, -30.62

 

CMYK 4 / 47 / 0 / 35

HEX #A058A7

RGB 160 88 167

HSL 294.68, 0.31%, 0.5%

LAB 48.56, 41.9, -30.2

 

CMYK 3 / 53 / 0 / 42

HEX #8F4694

RGB 143 70 148

HSL 296.15, 0.36%, 0.43%

LAB 41.78, 42.6, -29.66

 

CMYK 6 / 37 / 0 / 12

HEX #D38EE0

RGB 211 142 224

HSL 290.49, 0.57%, 0.72%

LAB 68.44, 39.62, -31.3

 

CMYK 0 / 37 / 4 / 12

HEX #E08ED7

RGB 224 142 215

HSL 306.59, 0.57%, 0.72%

LAB 69.54, 42, -24.51

 

CMYK 0 / 37 / 14 / 12

HEX #E08EC1

RGB 224 142 193

HSL 322.68, 0.57%, 0.72%

LAB 68.78, 38.29, -13.44

 

CMYK 0 / 37 / 24 / 12

HEX #E08EAB

RGB 224 142 171

HSL 338.78, 0.57%, 0.72%

LAB 68.12, 34.94, -2.12

 

CMYK 0 / 37 / 33 / 12

HEX #E08E95

RGB 224 142 149

HSL 354.88, 0.57%, 0.72%

LAB 67.55, 31.98, 9.4

 

CMYK 6 / 37 / 0 / 12

HEX #D38EE0

RGB 211 142 224

HSL 290.49, 0.57%, 0.72%

LAB 68.44, 39.62, -31.3

 

CMYK 16 / 37 / 0 / 12

HEX #BD8EE0

RGB 189 142 224

HSL 274.39, 0.57%, 0.72%

LAB 66.17, 32.93, -35

 

CMYK 25 / 37 / 0 / 12

HEX #A78EE0

RGB 167 142 224

HSL 258.29, 0.57%, 0.72%

LAB 64.11, 26.43, -38.36

 

CMYK 35 / 37 / 0 / 12

HEX #918EE0

RGB 145 142 224

HSL 242.2, 0.57%, 0.72%

LAB 62.29, 20.24, -41.34

 

CMYK 37 / 37 / 0 / 12

HEX #8E8EE0

RGB 142 142 224

HSL 240, 0.57%, 0.72%

LAB 62.06, 19.43, -41.72

 

CMYK 6 / 37 / 0 / 12

HEX #D38EE0

RGB 211 142 224

HSL 290.49, 0.57%, 0.72%

LAB 68.44, 39.62, -31.3

 

CMYK 7 / 44 / 0 / 8

HEX #DB83EB

RGB 219 131 235

HSL 290.77, 0.72%, 0.72%

LAB 67.49, 49.9, -38.77

 

CMYK 8 / 52 / 0 / 3

HEX #E377F7

RGB 227 119 247

HSL 290.63, 0.89%, 0.72%

LAB 66.7, 60.34, -46.55

 

CMYK 6 / 37 / 0 / 12

HEX #D38EE0

RGB 211 142 224

HSL 290.49, 0.57%, 0.72%

LAB 68.44, 39.62, -31.3

 

CMYK 4 / 27 / 0 / 17

HEX #CB9AD4

RGB 203 154 212

HSL 290.69, 0.4%, 0.72%

LAB 69.87, 28.24, -22.56

 

CMYK 3 / 17 / 0 / 21

HEX #C3A6C9

RGB 195 166 201

HSL 289.71, 0.24%, 0.72%

LAB 71.62, 16.84, -13.91

 

CMYK 1 / 6 / 0 / 26

HEX #BBB1BD

RGB 187 177 189

HSL 290, 0.08%, 0.72%

LAB 73.34, 5.77, -4.83

 

CMYK 5 / 0 / 6 / 26

HEX #B3BDB2

RGB 179 189 178

HSL 114.55, 0.08%, 0.72%

LAB 75.57, -5.52, 4.35

 

CMYK 25 / 37 / 0 / 12

HEX #A78EE0

RGB 167 142 224

HSL 258.29, 0.57%, 0.72%

LAB 64.11, 26.43, -38.36

 

CMYK 16 / 37 / 0 / 12

HEX #BD8EE0

RGB 189 142 224

HSL 274.39, 0.57%, 0.72%

LAB 66.17, 32.93, -35

 

CMYK 6 / 37 / 0 / 12

HEX #D28EE0

RGB 210 142 224

HSL 289.76, 0.57%, 0.72%

LAB 68.34, 39.32, -31.47

 

CMYK 0 / 37 / 4 / 12

HEX #E08ED8

RGB 224 142 216

HSL 305.85, 0.57%, 0.72%

LAB 69.58, 42.18, -25.01

 

CMYK 0 / 37 / 13 / 12

HEX #E08EC2

RGB 224 142 194

HSL 321.95, 0.57%, 0.72%

LAB 68.82, 38.45, -13.95

 

CMYK 10 / 62 / 0 / 19

HEX #BA4ECE

RGB 186 78 206

HSL 290.63, 0.57%, 0.56%

LAB 52.22, 61.27, -46.81

 

CMYK 8 / 49 / 0 / 16

HEX #C66ED7

RGB 198 110 215

HSL 290.29, 0.57%, 0.64%

LAB 59.95, 50.84, -39.62

 

CMYK 6 / 37 / 0 / 12

HEX #D38EE0

RGB 211 142 224

HSL 290.49, 0.57%, 0.72%

LAB 68.44, 39.62, -31.3

 

CMYK 4 / 25 / 0 / 9

HEX #DFAFE9

RGB 223 175 233

HSL 289.66, 0.57%, 0.8%

LAB 77.42, 27.37, -22.35

 

CMYK 2 / 14 / 0 / 5

HEX #ECCFF2

RGB 236 207 242

HSL 289.71, 0.57%, 0.88%

LAB 86.44, 16.2, -13.45

 

CMYK 6 / 37 / 0 / 12

HEX #D38EE0

RGB 211 142 224

HSL 290.49, 0.57%, 0.72%

LAB 68.44, 39.62, -31.3

 

CMYK 0 / 35 / 37 / 12

HEX #E0918E

RGB 224 145 142

HSL 2.2, 0.57%, 0.72%

LAB 68.06, 29.53, 14.03

 

CMYK 37 / 0 / 21 / 12

HEX #8EE0B2

RGB 142 224 178

HSL 146.34, 0.57%, 0.72%

LAB 83.06, -34.86, 14.74

 

CMYK 6 / 37 / 0 / 12

HEX #D38EE0

RGB 211 142 224

HSL 290.49, 0.57%, 0.72%

LAB 68.44, 39.62, -31.3

 

CMYK 0 / 6 / 37 / 12

HEX #E0D28E

RGB 224 210 142

HSL 49.76, 0.57%, 0.72%

LAB 83.91, -4.92, 35.48

 

CMYK 37 / 0 / 6 / 12

HEX #8EE0D2

RGB 142 224 210

HSL 169.76, 0.57%, 0.72%

LAB 83.82, -28.12, -1.06

 

CMYK 6 / 37 / 0 / 12

HEX #D38EE0

RGB 211 142 224

HSL 290.49, 0.57%, 0.72%

LAB 68.44, 39.62, -31.3

 

CMYK 0 / 35 / 37 / 12

HEX #E0918E

RGB 224 145 142

HSL 2.2, 0.57%, 0.72%

LAB 68.06, 29.53, 14.03

 

CMYK 30 / 0 / 37 / 12

HEX #9CE08E

RGB 156 224 142

HSL 109.76, 0.57%, 0.72%

LAB 83.09, -36.7, 33.53

 

CMYK 37 / 1 / 0 / 12

HEX #8EDDE0

RGB 142 221 224

HSL 182.2, 0.57%, 0.72%

LAB 83.36, -23.4, -9.15

 

CMYK 6 / 37 / 0 / 12

HEX #D38EE0

RGB 211 142 224

HSL 290.49, 0.57%, 0.72%

LAB 68.44, 39.62, -31.3

 

CMYK 0 / 24 / 37 / 12

HEX #E0AA8E

RGB 224 170 142

HSL 20.49, 0.57%, 0.72%

LAB 73.9, 16.12, 22.11

 

CMYK 30 / 0 / 37 / 12

HEX #9CE08E

RGB 156 224 142

HSL 109.76, 0.57%, 0.72%

LAB 83.09, -36.7, 33.53

 

CMYK 37 / 12 / 0 / 12

HEX #8EC5E0

RGB 142 197 224

HSL 199.76, 0.57%, 0.72%

LAB 76.72, -11.18, -19.12

 

Description

Color code: RGB 211 142 224 | qconv.com Color code: RGB 211 142 224 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 142 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 142 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 37 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 37% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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