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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 133 233 it is the complementary color RGB 44 122 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 133 233. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 211 133 233 shade: RGB 216 133 228, RGB 233 151 247, RGB 250 169 255, RGB 255 187 255 and RGB 255 205 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 133 233. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 211 133 233 shade: RGB 211 133 233, RGB 194 115 214, RGB 177 97 195, RGB 160 79 176 and RGB 143 61 157

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 211 133 233 shade: RGB 211 134 232, RGB 232 134 227, RGB 232 134 201, RGB 232 134 174 and RGB 232 134 148

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 211 133 233 shade: RGB 211 134 232, RGB 184 134 232, RGB 158 134 232 and RGB 134 134 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 211 133 233 shade matches the following richer shades: RGB 211 134 232 and RGB 217 122 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 211 133 233 shade: RGB 211 134 232, RGB 204 145 221, RGB 198 157 209, RGB 191 168 198 and RGB 185 180 186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 211 133 233 shade: RGB 157 134 232, RGB 183 134 232, RGB 209 134 232, RGB 232 134 229 and RGB 232 134 203

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 211 133 233 shade: RGB 185 64 220, RGB 198 99 226, RGB 211 134 232, RGB 223 169 239 and RGB 236 204 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 211 133 233 shade: RGB 211 133 233, RGB 232 134 137 and RGB 134 232 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 211 133 233 shade: RGB 211 133 233, RGB 232 209 134 and RGB 134 232 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 211 133 233 shade: RGB 211 133 233, RGB 232 134 137, RGB 157 232 134 and RGB 134 232 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 211 133 233 shade: RGB 211 133 233, RGB 232 160 134, RGB 157 232 134 and RGB 134 206 232

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 43 / 0 / 9

HEX #D385E9

RGB 211 133 233

HSL 286.8, 0.69%, 0.72%

LAB 66.91, 46.17, -38.65

 

Complementary color

CMYK 64 / 0 / 82 / 52

HEX #2C7A16

RGB 44 122 22

HSL 106.8, 0.69%, 0.28%

LAB 44.96, -42.33, 43.83

 

CMYK 5 / 42 / 0 / 11

HEX #D885E4

RGB 216 133 228

HSL 292.42, 0.64%, 0.71%

LAB 67.26, 46.66, -35.3

 

CMYK 6 / 39 / 0 / 3

HEX #E997F7

RGB 233 151 247

HSL 291.25, 0.86%, 0.78%

LAB 73.66, 45.91, -35.63

 

CMYK 2 / 34 / 0 / 0

HEX #FAA9FF

RGB 250 169 255

HSL 296.51, 1%, 0.83%

LAB 79.57, 43.15, -30.68

 

CMYK 0 / 27 / 0 / 0

HEX #FFBBFF

RGB 255 187 255

HSL 300, 1%, 0.87%

LAB 83.98, 35.3, -23.9

 

CMYK 0 / 20 / 0 / 0

HEX #FFCDFF

RGB 255 205 255

HSL 300, 1%, 0.9%

LAB 88.04, 25.84, -17.75

 

CMYK 9 / 43 / 0 / 9

HEX #D385E9

RGB 211 133 233

HSL 286.8, 0.69%, 0.72%

LAB 66.91, 46.17, -38.65

 

CMYK 9 / 46 / 0 / 16

HEX #C273D6

RGB 194 115 214

HSL 287.88, 0.55%, 0.65%

LAB 60.41, 46.93, -38.36

 

CMYK 9 / 50 / 0 / 24

HEX #B161C3

RGB 177 97 195

HSL 288.98, 0.45%, 0.57%

LAB 53.85, 47.67, -38.01

 

CMYK 9 / 55 / 0 / 31

HEX #A04FB0

RGB 160 79 176

HSL 290.1, 0.38%, 0.5%

LAB 47.24, 48.34, -37.57

 

CMYK 9 / 61 / 0 / 38

HEX #8F3D9D

RGB 143 61 157

HSL 291.25, 0.44%, 0.43%

LAB 40.59, 48.84, -36.95

 

CMYK 9 / 42 / 0 / 9

HEX #D386E8

RGB 211 134 232

HSL 287.14, 0.68%, 0.72%

LAB 67.07, 45.44, -37.85

 

CMYK 0 / 42 / 2 / 9

HEX #E886E3

RGB 232 134 227

HSL 303.06, 0.68%, 0.72%

LAB 69.29, 50.7, -31.45

 

CMYK 0 / 42 / 13 / 9

HEX #E886C9

RGB 232 134 201

HSL 318.98, 0.68%, 0.72%

LAB 68.33, 46.35, -18.49

 

CMYK 0 / 42 / 25 / 9

HEX #E886AE

RGB 232 134 174

HSL 335.51, 0.68%, 0.72%

LAB 67.47, 42.33, -4.65

 

CMYK 0 / 42 / 36 / 9

HEX #E88694

RGB 232 134 148

HSL 351.43, 0.68%, 0.72%

LAB 66.78, 38.99, 9

 

CMYK 9 / 42 / 0 / 9

HEX #D386E8

RGB 211 134 232

HSL 287.14, 0.68%, 0.72%

LAB 67.07, 45.44, -37.85

 

CMYK 21 / 42 / 0 / 9

HEX #B886E8

RGB 184 134 232

HSL 270.61, 0.68%, 0.72%

LAB 64.21, 37.66, -42.52

 

CMYK 32 / 42 / 0 / 9

HEX #9E86E8

RGB 158 134 232

HSL 254.69, 0.68%, 0.72%

LAB 61.78, 30.45, -46.52

 

CMYK 42 / 42 / 0 / 9

HEX #8686E8

RGB 134 134 232

HSL 240, 0.68%, 0.72%

LAB 59.84, 24.25, -49.72

 

CMYK 9 / 42 / 0 / 9

HEX #D386E8

RGB 211 134 232

HSL 287.14, 0.68%, 0.72%

LAB 67.07, 45.44, -37.85

 

CMYK 11 / 50 / 0 / 4

HEX #D97AF4

RGB 217 122 244

HSL 286.72, 0.85%, 0.72%

LAB 65.91, 55.64, -46.23

 

CMYK 9 / 42 / 0 / 9

HEX #D386E8

RGB 211 134 232

HSL 287.14, 0.68%, 0.72%

LAB 67.07, 45.44, -37.85

 

CMYK 8 / 34 / 0 / 13

HEX #CC91DD

RGB 204 145 221

HSL 286.58, 0.53%, 0.72%

LAB 68.25, 35.25, -30

 

CMYK 5 / 25 / 0 / 18

HEX #C69DD1

RGB 198 157 209

HSL 287.31, 0.36%, 0.72%

LAB 69.98, 24.37, -20.77

 

CMYK 4 / 15 / 0 / 22

HEX #BFA8C6

RGB 191 168 198

HSL 286, 0.21%, 0.72%

LAB 71.66, 13.8, -12.23

 

CMYK 1 / 3 / 0 / 27

HEX #B9B4BA

RGB 185 180 186

HSL 290, 0.04%, 0.72%

LAB 73.87, 2.88, -2.43

 

CMYK 32 / 42 / 0 / 9

HEX #9D86E8

RGB 157 134 232

HSL 254.08, 0.68%, 0.72%

LAB 61.69, 30.18, -46.66

 

CMYK 21 / 42 / 0 / 9

HEX #B786E8

RGB 183 134 232

HSL 270, 0.68%, 0.72%

LAB 64.12, 37.38, -42.68

 

CMYK 10 / 42 / 0 / 9

HEX #D186E8

RGB 209 134 232

HSL 285.92, 0.68%, 0.72%

LAB 66.85, 44.86, -38.21

 

CMYK 0 / 42 / 1 / 9

HEX #E886E5

RGB 232 134 229

HSL 301.84, 0.68%, 0.72%

LAB 69.37, 51.05, -32.43

 

CMYK 0 / 42 / 13 / 9

HEX #E886CB

RGB 232 134 203

HSL 317.76, 0.68%, 0.72%

LAB 68.4, 46.67, -19.5

 

CMYK 16 / 71 / 0 / 14

HEX #B940DC

RGB 185 64 220

HSL 286.54, 0.69%, 0.56%

LAB 50.86, 69.37, -56.99

 

CMYK 12 / 56 / 0 / 11

HEX #C663E2

RGB 198 99 226

HSL 286.77, 0.69%, 0.64%

LAB 58.43, 58.42, -48.19

 

CMYK 9 / 42 / 0 / 9

HEX #D386E8

RGB 211 134 232

HSL 287.14, 0.68%, 0.72%

LAB 67.07, 45.44, -37.85

 

CMYK 7 / 29 / 0 / 6

HEX #DFA9EF

RGB 223 169 239

HSL 286.29, 0.69%, 0.8%

LAB 76.25, 31.76, -27.38

 

CMYK 4 / 17 / 0 / 4

HEX #ECCCF5

RGB 236 204 245

HSL 286.83, 0.67%, 0.88%

LAB 85.81, 18.35, -15.98

 

CMYK 9 / 43 / 0 / 9

HEX #D385E9

RGB 211 133 233

HSL 286.8, 0.69%, 0.72%

LAB 66.91, 46.17, -38.65

 

CMYK 0 / 42 / 41 / 9

HEX #E88689

RGB 232 134 137

HSL 358.16, 0.68%, 0.72%

LAB 66.53, 37.74, 14.84

 

CMYK 42 / 0 / 27 / 9

HEX #86E8AA

RGB 134 232 170

HSL 142.04, 0.68%, 0.72%

LAB 84.83, -42.23, 21.34

 

CMYK 9 / 43 / 0 / 9

HEX #D385E9

RGB 211 133 233

HSL 286.8, 0.69%, 0.72%

LAB 66.91, 46.17, -38.65

 

CMYK 0 / 10 / 42 / 9

HEX #E8D186

RGB 232 209 134

HSL 45.92, 0.68%, 0.72%

LAB 84.21, -2.13, 40.06

 

CMYK 42 / 0 / 10 / 9

HEX #86E8D1

RGB 134 232 209

HSL 165.92, 0.68%, 0.72%

LAB 85.7, -34.2, 2.17

 

CMYK 9 / 43 / 0 / 9

HEX #D385E9

RGB 211 133 233

HSL 286.8, 0.69%, 0.72%

LAB 66.91, 46.17, -38.65

 

CMYK 0 / 42 / 41 / 9

HEX #E88689

RGB 232 134 137

HSL 358.16, 0.68%, 0.72%

LAB 66.53, 37.74, 14.84

 

CMYK 32 / 0 / 42 / 9

HEX #9DE886

RGB 157 232 134

HSL 105.92, 0.68%, 0.72%

LAB 85.3, -41.08, 40.41

 

CMYK 42 / 0 / 1 / 9

HEX #86E8E5

RGB 134 232 229

HSL 178.16, 0.68%, 0.72%

LAB 86.23, -29.52, -7.58

 

CMYK 9 / 43 / 0 / 9

HEX #D385E9

RGB 211 133 233

HSL 286.8, 0.69%, 0.72%

LAB 66.91, 46.17, -38.65

 

CMYK 0 / 31 / 42 / 9

HEX #E8A086

RGB 232 160 134

HSL 15.92, 0.68%, 0.72%

LAB 72.24, 23.69, 24.34

 

CMYK 32 / 0 / 42 / 9

HEX #9DE886

RGB 157 232 134

HSL 105.92, 0.68%, 0.72%

LAB 85.3, -41.08, 40.41

 

CMYK 42 / 11 / 0 / 9

HEX #86CEE8

RGB 134 206 232

HSL 195.92, 0.68%, 0.72%

LAB 79.06, -15.86, -19.9

 

Description

Color code: RGB 211 133 233 | qconv.com Color code: RGB 211 133 233 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 133 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 133 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 43 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 43% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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