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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 210 56 237 it is the complementary color RGB 45 199 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 210 56 237. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 210 56 237 shade: RGB 215 56 232, RGB 232 74 251, RGB 249 92 255, RGB 255 110 255 and RGB 255 128 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 210 56 237. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 210 56 237 shade: RGB 210 56 237, RGB 193 38 218, RGB 176 20 199, RGB 159 2 180 and RGB 142 0 161

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 210 56 237 shade: RGB 209 54 236, RGB 236 54 214, RGB 236 54 165, RGB 236 54 116 and RGB 236 54 67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 210 56 237 shade: RGB 209 54 236, RGB 160 54 236, RGB 111 54 236, RGB 61 54 236 and RGB 54 54 236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 210 56 237 shade matches the following richer shades: RGB 209 54 236 and RGB 221 36 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 210 56 237 shade: RGB 209 54 236, RGB 196 72 218, RGB 184 89 200, RGB 171 107 183 and RGB 159 125 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 210 56 237 shade: RGB 111 54 236, RGB 160 54 236, RGB 209 54 236, RGB 236 54 215 and RGB 236 54 166

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 210 56 237 shade: RGB 164 17 190, RGB 197 21 228, RGB 209 54 236, RGB 217 92 239 and RGB 226 129 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 210 56 237 shade: RGB 210 56 237, RGB 236 63 54 and RGB 54 236 136

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 210 56 237 shade: RGB 210 56 237, RGB 236 209 54 and RGB 54 236 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 210 56 237 shade: RGB 210 56 237, RGB 236 63 54, RGB 81 236 54 and RGB 54 227 236

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 210 56 237 shade: RGB 210 56 237, RGB 236 118 54, RGB 81 236 54 and RGB 54 172 236

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 76 / 0 / 7

HEX #D238ED

RGB 210 56 237

HSL 291.05, 0.83%, 0.57%

LAB 54.7, 79.9, -60.21

 

Complementary color

CMYK 77 / 0 / 91 / 22

HEX #2DC712

RGB 45 199 18

HSL 111.05, 0.83%, 0.43%

LAB 70.49, -67.6, 67.38

 

CMYK 7 / 76 / 0 / 9

HEX #D738E8

RGB 215 56 232

HSL 294.2, 0.79%, 0.56%

LAB 55.18, 80, -56.6

 

CMYK 8 / 71 / 0 / 2

HEX #E84AFB

RGB 232 74 251

HSL 293.56, 0.96%, 0.64%

LAB 60.8, 80.88, -58.07

 

CMYK 2 / 64 / 0 / 0

HEX #F95CFF

RGB 249 92 255

HSL 297.79, 1%, 0.68%

LAB 65.76, 78.74, -52.24

 

CMYK 0 / 57 / 0 / 0

HEX #FF6EFF

RGB 255 110 255

HSL 300, 1%, 0.72%

LAB 69.21, 72.94, -46.74

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 11 / 76 / 0 / 7

HEX #D238ED

RGB 210 56 237

HSL 291.05, 0.83%, 0.57%

LAB 54.7, 79.9, -60.21

 

CMYK 11 / 83 / 0 / 15

HEX #C126DA

RGB 193 38 218

HSL 291.67, 0.71%, 0.5%

LAB 49.24, 78.35, -58.4

 

CMYK 12 / 90 / 0 / 22

HEX #B014C7

RGB 176 20 199

HSL 292.29, 0.82%, 0.43%

LAB 44.02, 75.8, -55.99

 

CMYK 12 / 99 / 0 / 29

HEX #9F02B4

RGB 159 2 180

HSL 292.92, 0.98%, 0.36%

LAB 39.09, 72.12, -52.95

 

CMYK 12 / 100 / 0 / 37

HEX #8E00A1

RGB 142 0 161

HSL 292.92, 1%, 0.32%

LAB 34.65, 66.61, -48.89

 

CMYK 11 / 77 / 0 / 7

HEX #D136EC

RGB 209 54 236

HSL 291.1, 0.83%, 0.57%

LAB 54.29, 80.12, -60.32

 

CMYK 0 / 77 / 9 / 7

HEX #EC36D6

RGB 236 54 214

HSL 307.25, 0.83%, 0.57%

LAB 57.39, 81.96, -42.7

 

CMYK 0 / 77 / 30 / 7

HEX #EC36A5

RGB 236 54 165

HSL 323.41, 0.83%, 0.57%

LAB 55.27, 75.77, -17.72

 

CMYK 0 / 77 / 51 / 7

HEX #EC3674

RGB 236 54 116

HSL 339.56, 0.83%, 0.57%

LAB 53.74, 71.14, 9.16

 

CMYK 0 / 77 / 72 / 7

HEX #EC3643

RGB 236 54 67

HSL 355.71, 0.83%, 0.57%

LAB 52.81, 68.22, 37.05

 

CMYK 11 / 77 / 0 / 7

HEX #D136EC

RGB 209 54 236

HSL 291.1, 0.83%, 0.57%

LAB 54.29, 80.12, -60.32

 

CMYK 32 / 77 / 0 / 7

HEX #A036EC

RGB 160 54 236

HSL 274.95, 0.83%, 0.57%

LAB 47.19, 71.62, -72.15

 

CMYK 53 / 77 / 0 / 7

HEX #6F36EC

RGB 111 54 236

HSL 258.79, 0.83%, 0.57%

LAB 41.33, 64.52, -81.98

 

CMYK 74 / 77 / 0 / 7

HEX #3D36EC

RGB 61 54 236

HSL 242.31, 0.83%, 0.57%

LAB 37.27, 59.53, -88.81

 

CMYK 77 / 77 / 0 / 7

HEX #3636EC

RGB 54 54 236

HSL 240, 0.83%, 0.57%

LAB 36.89, 59.06, -89.46

 

CMYK 11 / 77 / 0 / 7

HEX #D136EC

RGB 209 54 236

HSL 291.1, 0.83%, 0.57%

LAB 54.29, 80.12, -60.32

 

CMYK 13 / 86 / 0 / 0

HEX #DD24FE

RGB 221 36 254

HSL 290.92, 0.99%, 0.57%

LAB 55.88, 89.29, -67.73

 

CMYK 11 / 77 / 0 / 7

HEX #D136EC

RGB 209 54 236

HSL 291.1, 0.83%, 0.57%

LAB 54.29, 80.12, -60.32

 

CMYK 10 / 67 / 0 / 15

HEX #C448DA

RGB 196 72 218

HSL 290.96, 0.66%, 0.57%

LAB 53.42, 68.27, -51.66

 

CMYK 8 / 56 / 0 / 22

HEX #B859C8

RGB 184 89 200

HSL 291.35, 0.5%, 0.57%

LAB 53.5, 54.56, -41.38

 

CMYK 7 / 42 / 0 / 28

HEX #AB6BB7

RGB 171 107 183

HSL 290.53, 0.35%, 0.57%

LAB 54.65, 38.16, -29.93

 

CMYK 4 / 24 / 0 / 35

HEX #9F7DA5

RGB 159 125 165

HSL 291, 0.18%, 0.57%

LAB 56.84, 20.41, -16.31

 

CMYK 53 / 77 / 0 / 7

HEX #6F36EC

RGB 111 54 236

HSL 258.79, 0.83%, 0.57%

LAB 41.33, 64.52, -81.98

 

CMYK 32 / 77 / 0 / 7

HEX #A036EC

RGB 160 54 236

HSL 274.95, 0.83%, 0.57%

LAB 47.19, 71.62, -72.15

 

CMYK 11 / 77 / 0 / 7

HEX #D136EC

RGB 209 54 236

HSL 291.1, 0.83%, 0.57%

LAB 54.29, 80.12, -60.32

 

CMYK 0 / 77 / 9 / 7

HEX #EC36D7

RGB 236 54 215

HSL 306.92, 0.83%, 0.57%

LAB 57.44, 82.1, -43.19

 

CMYK 0 / 77 / 30 / 7

HEX #EC36A6

RGB 236 54 166

HSL 323.08, 0.83%, 0.57%

LAB 55.3, 75.88, -18.25

 

CMYK 14 / 91 / 0 / 25

HEX #A411BE

RGB 164 17 190

HSL 290.98, 0.84%, 0.41%

LAB 41.23, 72.82, -55.34

 

CMYK 14 / 91 / 0 / 11

HEX #C515E4

RGB 197 21 228

HSL 291.01, 0.83%, 0.49%

LAB 49.51, 83.71, -63.62

 

CMYK 11 / 77 / 0 / 7

HEX #D136EC

RGB 209 54 236

HSL 291.1, 0.83%, 0.57%

LAB 54.29, 80.12, -60.32

 

CMYK 9 / 62 / 0 / 6

HEX #D95CEF

RGB 217 92 239

HSL 291.02, 0.82%, 0.65%

LAB 60.46, 68.66, -52.08

 

CMYK 7 / 47 / 0 / 5

HEX #E281F3

RGB 226 129 243

HSL 291.05, 0.83%, 0.73%

LAB 68.27, 54.41, -41.9

 

CMYK 11 / 76 / 0 / 7

HEX #D238ED

RGB 210 56 237

HSL 291.05, 0.83%, 0.57%

LAB 54.7, 79.9, -60.21

 

CMYK 0 / 73 / 77 / 7

HEX #EC3F36

RGB 236 63 54

HSL 2.97, 0.83%, 0.57%

LAB 53.66, 64.95, 45.21

 

CMYK 77 / 0 / 42 / 7

HEX #36EC88

RGB 54 236 136

HSL 147.03, 0.83%, 0.57%

LAB 83.21, -65.98, 36.07

 

CMYK 11 / 76 / 0 / 7

HEX #D238ED

RGB 210 56 237

HSL 291.05, 0.83%, 0.57%

LAB 54.7, 79.9, -60.21

 

CMYK 0 / 11 / 77 / 7

HEX #ECD136

RGB 236 209 54

HSL 51.1, 0.83%, 0.57%

LAB 83.81, -5.97, 74.3

 

CMYK 77 / 0 / 11 / 7

HEX #36ECD1

RGB 54 236 209

HSL 171.1, 0.83%, 0.57%

LAB 84.68, -50.05, 0.42

 

CMYK 11 / 76 / 0 / 7

HEX #D238ED

RGB 210 56 237

HSL 291.05, 0.83%, 0.57%

LAB 54.7, 79.9, -60.21

 

CMYK 0 / 73 / 77 / 7

HEX #EC3F36

RGB 236 63 54

HSL 2.97, 0.83%, 0.57%

LAB 53.66, 64.95, 45.21

 

CMYK 66 / 0 / 77 / 7

HEX #51EC36

RGB 81 236 54

HSL 111.1, 0.83%, 0.57%

LAB 82.92, -71.24, 70.42

 

CMYK 77 / 4 / 0 / 7

HEX #36E3EC

RGB 54 227 236

HSL 182.97, 0.83%, 0.57%

LAB 82.8, -38.67, -16.63

 

CMYK 11 / 76 / 0 / 7

HEX #D238ED

RGB 210 56 237

HSL 291.05, 0.83%, 0.57%

LAB 54.7, 79.9, -60.21

 

CMYK 0 / 50 / 77 / 7

HEX #EC7636

RGB 236 118 54

HSL 21.1, 0.83%, 0.57%

LAB 62.55, 41.44, 54.25

 

CMYK 66 / 0 / 77 / 7

HEX #51EC36

RGB 81 236 54

HSL 111.1, 0.83%, 0.57%

LAB 82.92, -71.24, 70.42

 

CMYK 77 / 27 / 0 / 7

HEX #36ACEC

RGB 54 172 236

HSL 201.1, 0.83%, 0.57%

LAB 66.78, -11.12, -41.22

 

Description

Color code: RGB 210 56 237 | qconv.com Color code: RGB 210 56 237 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 56 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 56 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 76 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 76% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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