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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 210 244 199 it is the complementary color RGB 45 11 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 210 244 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 210 244 199 shade: RGB 215 244 194, RGB 232 255 213, RGB 249 255 232 and RGB 255 255 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 210 244 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 210 244 199 shade: RGB 210 244 199, RGB 193 226 180, RGB 176 208 161, RGB 159 190 142 and RGB 142 172 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 210 244 199 shade: RGB 210 244 199, RGB 222 244 199, RGB 234 244 199, RGB 244 241 199 and RGB 244 229 199

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 210 244 199 shade: RGB 210 244 199, RGB 199 244 200, RGB 199 244 212, RGB 199 244 224 and RGB 199 244 236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 210 244 199 shade matches the following richer shades: RGB 210 244 199, RGB 207 249 194 and RGB 205 254 188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 210 244 199 shade: RGB 210 244 199, RGB 213 238 205, RGB 215 233 210, RGB 218 227 215 and RGB 221 222 221

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 210 244 199 shade: RGB 234 244 199, RGB 222 244 199, RGB 210 244 199, RGB 199 244 200 and RGB 199 244 212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 210 244 199 shade: RGB 155 230 130, RGB 182 237 165, RGB 210 244 199 and RGB 238 250 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 210 244 199 shade: RGB 210 244 199, RGB 199 244 241 and RGB 244 199 228

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 210 244 199 shade: RGB 210 244 199, RGB 199 210 244 and RGB 244 199 210

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 210 244 199 shade: RGB 210 244 199, RGB 199 244 241, RGB 232 199 244 and RGB 244 199 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 210 244 199 shade: RGB 210 244 199, RGB 199 232 244, RGB 232 199 244 and RGB 244 210 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 18 / 4

HEX #D2F4C7

RGB 210 244 199

HSL 105.33, 0.67%, 0.87%

LAB 92.81, -19.11, 18.07

 

Complementary color

CMYK 20 / 80 / 0 / 78

HEX #2D0B38

RGB 45 11 56

HSL 285.33, 0.67%, 0.13%

LAB 9.66, 25.46, -21.39

 

CMYK 12 / 0 / 20 / 4

HEX #D7F4C2

RGB 215 244 194

HSL 94.8, 0.69%, 0.86%

LAB 93.03, -18.2, 21

 

CMYK 9 / 0 / 16 / 0

HEX #E8FFD5

RGB 232 255 213

HSL 92.86, 1%, 0.92%

LAB 97.42, -14.75, 17.58

 

CMYK 2 / 0 / 9 / 0

HEX #F9FFE8

RGB 249 255 232

HSL 75.65, 1%, 0.95%

LAB 99.02, -5.89, 10.3

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFB

RGB 255 255 251

HSL 60, 1%, 0.99%

LAB 99.9, -0.69, 1.9

 

CMYK 14 / 0 / 18 / 4

HEX #D2F4C7

RGB 210 244 199

HSL 105.33, 0.67%, 0.87%

LAB 92.81, -19.11, 18.07

 

CMYK 15 / 0 / 20 / 11

HEX #C1E2B4

RGB 193 226 180

HSL 103.04, 0.44%, 0.8%

LAB 86.52, -19.19, 18.96

 

CMYK 15 / 0 / 23 / 18

HEX #B0D0A1

RGB 176 208 161

HSL 100.85, 0.33%, 0.72%

LAB 80.13, -19.27, 19.89

 

CMYK 16 / 0 / 25 / 25

HEX #9FBE8E

RGB 159 190 142

HSL 98.75, 0.27%, 0.65%

LAB 73.64, -19.37, 20.87

 

CMYK 17 / 0 / 28 / 33

HEX #8EAC7B

RGB 142 172 123

HSL 96.73, 0.23%, 0.58%

LAB 67.04, -19.47, 21.92

 

CMYK 14 / 0 / 18 / 4

HEX #D2F4C7

RGB 210 244 199

HSL 105.33, 0.67%, 0.87%

LAB 92.81, -19.11, 18.07

 

CMYK 9 / 0 / 18 / 4

HEX #DEF4C7

RGB 222 244 199

HSL 89.33, 0.67%, 0.87%

LAB 93.6, -14.99, 19.3

 

CMYK 4 / 0 / 18 / 4

HEX #EAF4C7

RGB 234 244 199

HSL 73.33, 0.67%, 0.87%

LAB 94.45, -10.79, 20.61

 

CMYK 0 / 1 / 18 / 4

HEX #F4F1C7

RGB 244 241 199

HSL 56, 0.67%, 0.87%

LAB 94.43, -5.72, 20.69

 

CMYK 0 / 6 / 18 / 4

HEX #F4E5C7

RGB 244 229 199

HSL 40, 0.67%, 0.87%

LAB 91.41, 0.35, 16.47

 

CMYK 14 / 0 / 18 / 4

HEX #D2F4C7

RGB 210 244 199

HSL 105.33, 0.67%, 0.87%

LAB 92.81, -19.11, 18.07

 

CMYK 18 / 0 / 18 / 4

HEX #C7F4C8

RGB 199 244 200

HSL 121.33, 0.67%, 0.87%

LAB 92.14, -22.61, 16.51

 

CMYK 18 / 0 / 13 / 4

HEX #C7F4D4

RGB 199 244 212

HSL 137.33, 0.67%, 0.87%

LAB 92.4, -20.5, 10.68

 

CMYK 18 / 0 / 8 / 4

HEX #C7F4E0

RGB 199 244 224

HSL 153.33, 0.67%, 0.87%

LAB 92.67, -18.27, 4.86

 

CMYK 18 / 0 / 3 / 4

HEX #C7F4EC

RGB 199 244 236

HSL 169.33, 0.67%, 0.87%

LAB 92.97, -15.93, -0.93

 

CMYK 14 / 0 / 18 / 4

HEX #D2F4C7

RGB 210 244 199

HSL 105.33, 0.67%, 0.87%

LAB 92.81, -19.11, 18.07

 

CMYK 17 / 0 / 22 / 2

HEX #CFF9C2

RGB 207 249 194

HSL 105.82, 0.82%, 0.87%

LAB 93.85, -23.35, 22.05

 

CMYK 19 / 0 / 26 / 0

HEX #CDFEBC

RGB 205 254 188

HSL 104.55, 0.97%, 0.87%

LAB 94.95, -27.34, 26.6

 

CMYK 14 / 0 / 18 / 4

HEX #D2F4C7

RGB 210 244 199

HSL 105.33, 0.67%, 0.87%

LAB 92.81, -19.11, 18.07

 

CMYK 11 / 0 / 14 / 7

HEX #D5EECD

RGB 213 238 205

HSL 105.45, 0.49%, 0.87%

LAB 91.55, -14.14, 13.23

 

CMYK 8 / 0 / 10 / 9

HEX #D7E9D2

RGB 215 233 210

HSL 106.96, 0.34%, 0.87%

LAB 90.5, -10.1, 9.14

 

CMYK 4 / 0 / 5 / 11

HEX #DAE3D7

RGB 218 227 215

HSL 105, 0.18%, 0.87%

LAB 89.28, -5.17, 4.8

 

CMYK 0 / 0 / 0 / 13

HEX #DDDEDD

RGB 221 222 221

HSL 120, 0.01%, 0.87%

LAB 88.37, -0.51, 0.36

 

CMYK 4 / 0 / 18 / 4

HEX #EAF4C7

RGB 234 244 199

HSL 73.33, 0.67%, 0.87%

LAB 94.45, -10.79, 20.61

 

CMYK 9 / 0 / 18 / 4

HEX #DEF4C7

RGB 222 244 199

HSL 89.33, 0.67%, 0.87%

LAB 93.6, -14.99, 19.3

 

CMYK 14 / 0 / 18 / 4

HEX #D2F4C7

RGB 210 244 199

HSL 105.33, 0.67%, 0.87%

LAB 92.81, -19.11, 18.07

 

CMYK 18 / 0 / 18 / 4

HEX #C7F4C8

RGB 199 244 200

HSL 121.33, 0.67%, 0.87%

LAB 92.14, -22.61, 16.51

 

CMYK 18 / 0 / 13 / 4

HEX #C7F4D4

RGB 199 244 212

HSL 137.33, 0.67%, 0.87%

LAB 92.4, -20.5, 10.68

 

CMYK 33 / 0 / 43 / 10

HEX #9BE682

RGB 155 230 130

HSL 105, 0.67%, 0.71%

LAB 84.57, -41.39, 41.43

 

CMYK 23 / 0 / 30 / 7

HEX #B6EDA5

RGB 182 237 165

HSL 105.83, 0.67%, 0.79%

LAB 88.56, -30.6, 29.38

 

CMYK 14 / 0 / 18 / 4

HEX #D2F4C7

RGB 210 244 199

HSL 105.33, 0.67%, 0.87%

LAB 92.81, -19.11, 18.07

 

CMYK 5 / 0 / 6 / 2

HEX #EEFAEA

RGB 238 250 234

HSL 105, 0.62%, 0.95%

LAB 97.02, -6.76, 6.3

 

CMYK 14 / 0 / 18 / 4

HEX #D2F4C7

RGB 210 244 199

HSL 105.33, 0.67%, 0.87%

LAB 92.81, -19.11, 18.07

 

CMYK 18 / 0 / 1 / 4

HEX #C7F4F1

RGB 199 244 241

HSL 176, 0.67%, 0.87%

LAB 93.1, -14.93, -3.34

 

CMYK 0 / 18 / 7 / 4

HEX #F4C7E4

RGB 244 199 228

HSL 321.33, 0.67%, 0.87%

LAB 84.83, 20.61, -8.33

 

CMYK 14 / 0 / 18 / 4

HEX #D2F4C7

RGB 210 244 199

HSL 105.33, 0.67%, 0.87%

LAB 92.81, -19.11, 18.07

 

CMYK 18 / 14 / 0 / 4

HEX #C7D2F4

RGB 199 210 244

HSL 225.33, 0.67%, 0.87%

LAB 84.36, 3.19, -17.92

 

CMYK 0 / 18 / 14 / 4

HEX #F4C7D2

RGB 244 199 210

HSL 345.33, 0.67%, 0.87%

LAB 84.35, 17.64, 0.55

 

CMYK 14 / 0 / 18 / 4

HEX #D2F4C7

RGB 210 244 199

HSL 105.33, 0.67%, 0.87%

LAB 92.81, -19.11, 18.07

 

CMYK 18 / 0 / 1 / 4

HEX #C7F4F1

RGB 199 244 241

HSL 176, 0.67%, 0.87%

LAB 93.1, -14.93, -3.34

 

CMYK 5 / 18 / 0 / 4

HEX #E8C7F4

RGB 232 199 244

HSL 284, 0.67%, 0.87%

LAB 84.24, 19.52, -17.84

 

CMYK 0 / 18 / 18 / 4

HEX #F4C7C9

RGB 244 199 201

HSL 357.33, 0.67%, 0.87%

LAB 84.12, 16.24, 5.03

 

CMYK 14 / 0 / 18 / 4

HEX #D2F4C7

RGB 210 244 199

HSL 105.33, 0.67%, 0.87%

LAB 92.81, -19.11, 18.07

 

CMYK 18 / 5 / 0 / 4

HEX #C7E8F4

RGB 199 232 244

HSL 196, 0.67%, 0.87%

LAB 90.04, -8.26, -9.42

 

CMYK 5 / 18 / 0 / 4

HEX #E8C7F4

RGB 232 199 244

HSL 284, 0.67%, 0.87%

LAB 84.24, 19.52, -17.84

 

CMYK 0 / 14 / 18 / 4

HEX #F4D2C7

RGB 244 210 199

HSL 14.67, 0.67%, 0.87%

LAB 86.73, 10.17, 9.83

 

Description

Color code: RGB 210 244 199 | qconv.com Color code: RGB 210 244 199 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 244 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 244 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 18 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 18% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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