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Color name
RGB 210 172 152

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 210 172 152 it is the complementary color RGB 45 83 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 210 172 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 210 172 152 shade: RGB 215 172 147, RGB 232 190 166, RGB 249 208 185, RGB 255 226 204 and RGB 255 244 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 210 172 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 210 172 152 shade: RGB 210 172 152, RGB 193 154 133, RGB 176 136 114, RGB 159 118 95 and RGB 142 100 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 210 172 152 shade: RGB 209 172 152, RGB 209 156 152 and RGB 209 152 152

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 210 172 152 shade: RGB 209 172 152, RGB 209 187 152, RGB 209 203 152, RGB 201 209 152 and RGB 185 209 152

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 210 172 152 shade matches the following richer shades: RGB 209 172 152, RGB 221 168 140, RGB 233 164 128 and RGB 245 160 116

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 210 172 152 shade: RGB 209 172 152, RGB 197 175 164, RGB 185 179 176, RGB 173 183 188 and RGB 162 186 200

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 210 172 152 shade: RGB 209 152 163, RGB 209 156 152, RGB 209 171 152, RGB 209 186 152 and RGB 209 202 152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 210 172 152 shade: RGB 184 125 94, RGB 197 148 123, RGB 209 172 152, RGB 222 195 180 and RGB 235 218 209

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 210 172 152 shade: RGB 210 172 152, RGB 179 209 152 and RGB 152 156 209

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 210 172 152 shade: RGB 210 172 152, RGB 152 209 171 and RGB 171 152 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 210 172 152 shade: RGB 210 172 152, RGB 179 209 152, RGB 152 190 209 and RGB 182 152 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 210 172 152 shade: RGB 210 172 152, RGB 161 209 152, RGB 152 190 209 and RGB 200 152 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 28 / 18

HEX #D2AC98

RGB 210 172 152

HSL 20.69, 0.39%, 0.71%

LAB 73.2, 10.89, 15.49

 

Complementary color

CMYK 56 / 19 / 0 / 60

HEX #2D5367

RGB 45 83 103

HSL 200.69, 0.39%, 0.29%

LAB 33.4, -7.18, -15.71

 

CMYK 0 / 20 / 32 / 16

HEX #D7AC93

RGB 215 172 147

HSL 22.06, 0.46%, 0.71%

LAB 73.58, 12.16, 18.82

 

CMYK 0 / 18 / 28 / 9

HEX #E8BEA6

RGB 232 190 166

HSL 21.82, 0.59%, 0.78%

LAB 80.03, 11.57, 17.77

 

CMYK 0 / 16 / 26 / 2

HEX #F9D0B9

RGB 249 208 185

HSL 21.56, 0.84%, 0.85%

LAB 86.38, 11.05, 16.8

 

CMYK 0 / 11 / 20 / 0

HEX #FFE2CC

RGB 255 226 204

HSL 25.88, 1%, 0.9%

LAB 91.69, 6.59, 14.39

 

CMYK 0 / 4 / 13 / 0

HEX #FFF4DF

RGB 255 244 223

HSL 39.38, 1%, 0.94%

LAB 96.53, 0.27, 11.43

 

CMYK 0 / 18 / 28 / 18

HEX #D2AC98

RGB 210 172 152

HSL 20.69, 0.39%, 0.71%

LAB 73.2, 10.89, 15.49

 

CMYK 0 / 20 / 31 / 24

HEX #C19A85

RGB 193 154 133

HSL 21, 0.33%, 0.64%

LAB 66.63, 11.48, 16.54

 

CMYK 0 / 23 / 35 / 31

HEX #B08872

RGB 176 136 114

HSL 21.29, 0.28%, 0.57%

LAB 59.94, 12.15, 17.68

 

CMYK 0 / 26 / 40 / 38

HEX #9F765F

RGB 159 118 95

HSL 21.56, 0.25%, 0.5%

LAB 53.12, 12.94, 18.94

 

CMYK 0 / 30 / 46 / 44

HEX #8E644C

RGB 142 100 76

HSL 21.82, 0.3%, 0.43%

LAB 46.16, 13.88, 20.34

 

CMYK 0 / 18 / 27 / 18

HEX #D1AC98

RGB 209 172 152

HSL 21.05, 0.38%, 0.71%

LAB 73.11, 10.5, 15.35

 

CMYK 0 / 25 / 27 / 18

HEX #D19C98

RGB 209 156 152

HSL 4.21, 0.38%, 0.71%

LAB 69.18, 19.18, 9.81

 

CMYK 0 / 27 / 27 / 18

HEX #D19898

RGB 209 152 152

HSL 0, 0.38%, 0.71%

LAB 68.23, 21.36, 8.45

 

CMYK 0 / 18 / 27 / 18

HEX #D1AC98

RGB 209 172 152

HSL 21.05, 0.38%, 0.71%

LAB 73.11, 10.5, 15.35

 

CMYK 0 / 11 / 27 / 18

HEX #D1BB98

RGB 209 187 152

HSL 36.84, 0.38%, 0.71%

LAB 76.9, 2.48, 20.61

 

CMYK 0 / 3 / 27 / 18

HEX #D1CB98

RGB 209 203 152

HSL 53.68, 0.38%, 0.71%

LAB 81.03, -5.89, 26.25

 

CMYK 4 / 0 / 27 / 18

HEX #C9D198

RGB 201 209 152

HSL 68.42, 0.38%, 0.71%

LAB 81.99, -11.99, 27.44

 

CMYK 11 / 0 / 27 / 18

HEX #B9D198

RGB 185 209 152

HSL 85.26, 0.38%, 0.71%

LAB 80.84, -17.93, 25.68

 

CMYK 0 / 18 / 27 / 18

HEX #D1AC98

RGB 209 172 152

HSL 21.05, 0.38%, 0.71%

LAB 73.11, 10.5, 15.35

 

CMYK 0 / 24 / 37 / 13

HEX #DDA88C

RGB 221 168 140

HSL 20.74, 0.54%, 0.71%

LAB 73.07, 15.78, 22.01

 

CMYK 0 / 30 / 45 / 9

HEX #E9A480

RGB 233 164 128

HSL 20.57, 0.7%, 0.71%

LAB 73.18, 21.32, 28.86

 

CMYK 0 / 35 / 53 / 4

HEX #F5A074

RGB 245 160 116

HSL 20.47, 0.87%, 0.71%

LAB 73.43, 27.07, 35.85

 

CMYK 0 / 18 / 27 / 18

HEX #D1AC98

RGB 209 172 152

HSL 21.05, 0.38%, 0.71%

LAB 73.11, 10.5, 15.35

 

CMYK 0 / 11 / 17 / 23

HEX #C5AFA4

RGB 197 175 164

HSL 20, 0.22%, 0.71%

LAB 73.03, 6.11, 8.52

 

CMYK 0 / 3 / 5 / 27

HEX #B9B3B0

RGB 185 179 176

HSL 20, 0.06%, 0.71%

LAB 73.34, 1.58, 2.27

 

CMYK 8 / 3 / 0 / 26

HEX #ADB7BC

RGB 173 183 188

HSL 200, 0.1%, 0.71%

LAB 73.79, -2.48, -3.74

 

CMYK 19 / 7 / 0 / 22

HEX #A2BAC8

RGB 162 186 200

HSL 202.11, 0.26%, 0.71%

LAB 74.17, -5.17, -9.81

 

CMYK 0 / 27 / 22 / 18

HEX #D198A3

RGB 209 152 163

HSL 348.42, 0.38%, 0.71%

LAB 68.5, 22.95, 2.71

 

CMYK 0 / 25 / 27 / 18

HEX #D19C98

RGB 209 156 152

HSL 4.21, 0.38%, 0.71%

LAB 69.18, 19.18, 9.81

 

CMYK 0 / 18 / 27 / 18

HEX #D1AB98

RGB 209 171 152

HSL 20, 0.38%, 0.71%

LAB 72.86, 11.04, 15

 

CMYK 0 / 11 / 27 / 18

HEX #D1BA98

RGB 209 186 152

HSL 35.79, 0.38%, 0.71%

LAB 76.64, 3.01, 20.25

 

CMYK 0 / 3 / 27 / 18

HEX #D1CA98

RGB 209 202 152

HSL 52.63, 0.38%, 0.71%

LAB 80.77, -5.37, 25.9

 

CMYK 0 / 32 / 49 / 28

HEX #B87D5E

RGB 184 125 94

HSL 20.67, 0.39%, 0.55%

LAB 57.72, 19.32, 26.13

 

CMYK 0 / 25 / 38 / 23

HEX #C5947B

RGB 197 148 123

HSL 20.27, 0.39%, 0.63%

LAB 65.34, 15.1, 20.39

 

CMYK 0 / 18 / 27 / 18

HEX #D1AC98

RGB 209 172 152

HSL 21.05, 0.38%, 0.71%

LAB 73.11, 10.5, 15.35

 

CMYK 0 / 12 / 19 / 13

HEX #DEC3B4

RGB 222 195 180

HSL 21.43, 0.39%, 0.79%

LAB 80.66, 7.17, 11.03

 

CMYK 0 / 7 / 11 / 8

HEX #EBDAD1

RGB 235 218 209

HSL 20.77, 0.39%, 0.87%

LAB 88.16, 4.35, 6.52

 

CMYK 0 / 18 / 28 / 18

HEX #D2AC98

RGB 210 172 152

HSL 20.69, 0.39%, 0.71%

LAB 73.2, 10.89, 15.49

 

CMYK 14 / 0 / 27 / 18

HEX #B3D198

RGB 179 209 152

HSL 91.58, 0.38%, 0.71%

LAB 80.43, -20.11, 25.06

 

CMYK 27 / 25 / 0 / 18

HEX #989CD1

RGB 152 156 209

HSL 235.79, 0.38%, 0.71%

LAB 65.79, 10.37, -27.53

 

CMYK 0 / 18 / 28 / 18

HEX #D2AC98

RGB 210 172 152

HSL 20.69, 0.39%, 0.71%

LAB 73.2, 10.89, 15.49

 

CMYK 27 / 0 / 18 / 18

HEX #98D1AB

RGB 152 209 171

HSL 140, 0.38%, 0.71%

LAB 79.17, -26.06, 13.02

 

CMYK 18 / 27 / 0 / 18

HEX #AB98D1

RGB 171 152 209

HSL 260, 0.38%, 0.71%

LAB 66.3, 18.47, -26.61

 

CMYK 0 / 18 / 28 / 18

HEX #D2AC98

RGB 210 172 152

HSL 20.69, 0.39%, 0.71%

LAB 73.2, 10.89, 15.49

 

CMYK 14 / 0 / 27 / 18

HEX #B3D198

RGB 179 209 152

HSL 91.58, 0.38%, 0.71%

LAB 80.43, -20.11, 25.06

 

CMYK 27 / 9 / 0 / 18

HEX #98BED1

RGB 152 190 209

HSL 200, 0.38%, 0.71%

LAB 74.89, -8.32, -13.7

 

CMYK 13 / 27 / 0 / 18

HEX #B698D1

RGB 182 152 209

HSL 271.58, 0.38%, 0.71%

LAB 67.28, 21.95, -25.03

 

CMYK 0 / 18 / 28 / 18

HEX #D2AC98

RGB 210 172 152

HSL 20.69, 0.39%, 0.71%

LAB 73.2, 10.89, 15.49

 

CMYK 23 / 0 / 27 / 18

HEX #A1D198

RGB 161 209 152

HSL 110.53, 0.38%, 0.71%

LAB 79.3, -26.43, 23.33

 

CMYK 27 / 9 / 0 / 18

HEX #98BED1

RGB 152 190 209

HSL 200, 0.38%, 0.71%

LAB 74.89, -8.32, -13.7

 

CMYK 4 / 27 / 0 / 18

HEX #C898D1

RGB 200 152 209

HSL 290.53, 0.38%, 0.71%

LAB 69, 27.78, -22.25

 

Description

Color code: RGB 210 172 152 | qconv.com Color code: RGB 210 172 152 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 172 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 172 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 28 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 28% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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