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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 210 163 194 it is the complementary color RGB 45 92 61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 210 163 194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 210 163 194 shade: RGB 215 163 189, RGB 232 181 208, RGB 249 199 227, RGB 255 217 246 and RGB 255 235 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 210 163 194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 210 163 194 shade: RGB 210 163 194, RGB 193 145 175, RGB 176 127 156, RGB 159 109 137 and RGB 142 91 118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 210 163 194 shade: RGB 209 162 193, RGB 209 162 180, RGB 209 162 168 and RGB 209 162 162

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 210 163 194 shade: RGB 209 162 193, RGB 209 162 206, RGB 200 162 209, RGB 187 162 209 and RGB 174 162 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 210 163 194 shade matches the following richer shades: RGB 209 162 193, RGB 220 151 197, RGB 231 140 200, RGB 242 129 204 and RGB 254 118 207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 210 163 194 shade: RGB 209 162 193, RGB 198 173 190, RGB 187 185 186, RGB 176 196 182 and RGB 164 207 179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 210 163 194 shade: RGB 200 162 209, RGB 209 162 206, RGB 209 162 193, RGB 209 162 181 and RGB 209 162 168

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 210 163 194 shade: RGB 182 107 156, RGB 195 135 175, RGB 209 162 193, RGB 223 190 212 and RGB 236 218 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 210 163 194 shade: RGB 210 163 194, RGB 209 187 162 and RGB 162 209 206

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 210 163 194 shade: RGB 210 163 194, RGB 193 209 162 and RGB 162 193 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 210 163 194 shade: RGB 210 163 194, RGB 209 187 162, RGB 162 209 178 and RGB 162 184 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 210 163 194 shade: RGB 210 163 194, RGB 209 201 162, RGB 162 209 178 and RGB 162 170 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 8 / 18

HEX #D2A3C2

RGB 210 163 194

HSL 320.43, 0.34%, 0.73%

LAB 72.09, 22.35, -9.21

 

Complementary color

CMYK 51 / 0 / 34 / 64

HEX #2D5C3D

RGB 45 92 61

HSL 140.43, 0.34%, 0.27%

LAB 35.1, -23.96, 13.02

 

CMYK 0 / 24 / 12 / 16

HEX #D7A3BD

RGB 215 163 189

HSL 330, 0.39%, 0.74%

LAB 72.44, 23.25, -5.87

 

CMYK 0 / 22 / 10 / 9

HEX #E8B5D0

RGB 232 181 208

HSL 328.24, 0.53%, 0.81%

LAB 78.9, 22.67, -6.5

 

CMYK 0 / 20 / 9 / 2

HEX #F9C7E3

RGB 249 199 227

HSL 326.4, 0.81%, 0.88%

LAB 85.27, 22.14, -7.1

 

CMYK 0 / 15 / 4 / 0

HEX #FFD9F6

RGB 255 217 246

HSL 314.21, 1%, 0.93%

LAB 90.57, 17.96, -9.23

 

CMYK 0 / 8 / 0 / 0

HEX #FFEBFF

RGB 255 235 255

HSL 300, 1%, 0.96%

LAB 95.12, 10.21, -7.19

 

CMYK 0 / 22 / 8 / 18

HEX #D2A3C2

RGB 210 163 194

HSL 320.43, 0.34%, 0.73%

LAB 72.09, 22.35, -9.21

 

CMYK 0 / 25 / 9 / 24

HEX #C191AF

RGB 193 145 175

HSL 322.5, 0.28%, 0.66%

LAB 65.5, 22.94, -8.62

 

CMYK 0 / 28 / 11 / 31

HEX #B07F9C

RGB 176 127 156

HSL 324.49, 0.24%, 0.59%

LAB 58.8, 23.59, -8

 

CMYK 0 / 31 / 14 / 38

HEX #9F6D89

RGB 159 109 137

HSL 326.4, 0.21%, 0.53%

LAB 51.97, 24.3, -7.32

 

CMYK 0 / 36 / 17 / 44

HEX #8E5B76

RGB 142 91 118

HSL 328.24, 0.22%, 0.46%

LAB 45, 25.09, -6.57

 

CMYK 0 / 22 / 8 / 18

HEX #D1A2C1

RGB 209 162 193

HSL 320.43, 0.34%, 0.73%

LAB 71.72, 22.37, -9.21

 

CMYK 0 / 22 / 14 / 18

HEX #D1A2B4

RGB 209 162 180

HSL 337.02, 0.34%, 0.73%

LAB 71.34, 20.17, -2.59

 

CMYK 0 / 22 / 20 / 18

HEX #D1A2A8

RGB 209 162 168

HSL 352.34, 0.34%, 0.73%

LAB 71.02, 18.26, 3.59

 

CMYK 0 / 22 / 22 / 18

HEX #D1A2A2

RGB 209 162 162

HSL 0, 0.34%, 0.73%

LAB 70.87, 17.35, 6.69

 

CMYK 0 / 22 / 8 / 18

HEX #D1A2C1

RGB 209 162 193

HSL 320.43, 0.34%, 0.73%

LAB 71.72, 22.37, -9.21

 

CMYK 0 / 22 / 1 / 18

HEX #D1A2CE

RGB 209 162 206

HSL 303.83, 0.34%, 0.73%

LAB 72.13, 24.71, -15.76

 

CMYK 4 / 22 / 0 / 18

HEX #C8A2D1

RGB 200 162 209

HSL 288.51, 0.34%, 0.73%

LAB 71.37, 22.28, -18.65

 

CMYK 11 / 22 / 0 / 18

HEX #BBA2D1

RGB 187 162 209

HSL 271.91, 0.34%, 0.73%

LAB 70.18, 18, -20.56

 

CMYK 17 / 22 / 0 / 18

HEX #AEA2D1

RGB 174 162 209

HSL 255.32, 0.34%, 0.73%

LAB 69.07, 13.8, -22.35

 

CMYK 0 / 22 / 8 / 18

HEX #D1A2C1

RGB 209 162 193

HSL 320.43, 0.34%, 0.73%

LAB 71.72, 22.37, -9.21

 

CMYK 0 / 31 / 10 / 14

HEX #DC97C5

RGB 220 151 197

HSL 320, 0.5%, 0.73%

LAB 70.44, 32.8, -13.22

 

CMYK 0 / 39 / 13 / 9

HEX #E78CC8

RGB 231 140 200

HSL 320.44, 0.65%, 0.73%

LAB 69.41, 42.77, -16.32

 

CMYK 0 / 47 / 16 / 5

HEX #F281CC

RGB 242 129 204

HSL 320.18, 0.81%, 0.73%

LAB 68.71, 52.47, -19.48

 

CMYK 0 / 54 / 19 / 0

HEX #FE76CF

RGB 254 118 207

HSL 320.74, 0.99%, 0.73%

LAB 68.41, 61.75, -21.45

 

CMYK 0 / 22 / 8 / 18

HEX #D1A2C1

RGB 209 162 193

HSL 320.43, 0.34%, 0.73%

LAB 71.72, 22.37, -9.21

 

CMYK 0 / 13 / 4 / 22

HEX #C6ADBE

RGB 198 173 190

HSL 319.2, 0.18%, 0.73%

LAB 73.29, 11.98, -5.34

 

CMYK 0 / 1 / 1 / 27

HEX #BBB9BA

RGB 187 185 186

HSL 330, 0.01%, 0.73%

LAB 75.33, 0.89, -0.27

 

CMYK 10 / 0 / 7 / 23

HEX #B0C4B6

RGB 176 196 182

HSL 138, 0.14%, 0.73%

LAB 77.33, -9.48, 4.71

 

CMYK 21 / 0 / 14 / 19

HEX #A4CFB3

RGB 164 207 179

HSL 140.93, 0.31%, 0.73%

LAB 79.48, -19.69, 9.3

 

CMYK 4 / 22 / 0 / 18

HEX #C8A2D1

RGB 200 162 209

HSL 288.51, 0.34%, 0.73%

LAB 71.37, 22.28, -18.65

 

CMYK 0 / 22 / 1 / 18

HEX #D1A2CE

RGB 209 162 206

HSL 303.83, 0.34%, 0.73%

LAB 72.13, 24.71, -15.76

 

CMYK 0 / 22 / 8 / 18

HEX #D1A2C1

RGB 209 162 193

HSL 320.43, 0.34%, 0.73%

LAB 71.72, 22.37, -9.21

 

CMYK 0 / 22 / 13 / 18

HEX #D1A2B5

RGB 209 162 181

HSL 335.74, 0.34%, 0.73%

LAB 71.37, 20.33, -3.1

 

CMYK 0 / 22 / 20 / 18

HEX #D1A2A8

RGB 209 162 168

HSL 352.34, 0.34%, 0.73%

LAB 71.02, 18.26, 3.59

 

CMYK 0 / 41 / 14 / 29

HEX #B66B9C

RGB 182 107 156

HSL 320.8, 0.34%, 0.57%

LAB 54.93, 36.77, -13.73

 

CMYK 0 / 31 / 10 / 24

HEX #C387AF

RGB 195 135 175

HSL 320, 0.33%, 0.65%

LAB 63.36, 29.17, -11.8

 

CMYK 0 / 22 / 8 / 18

HEX #D1A2C1

RGB 209 162 193

HSL 320.43, 0.34%, 0.73%

LAB 71.72, 22.37, -9.21

 

CMYK 0 / 15 / 5 / 13

HEX #DFBED4

RGB 223 190 212

HSL 320, 0.34%, 0.81%

LAB 80.33, 15.43, -6.64

 

CMYK 0 / 8 / 3 / 7

HEX #ECDAE6

RGB 236 218 230

HSL 320, 0.32%, 0.89%

LAB 88.78, 8.25, -3.64

 

CMYK 0 / 22 / 8 / 18

HEX #D2A3C2

RGB 210 163 194

HSL 320.43, 0.34%, 0.73%

LAB 72.09, 22.35, -9.21

 

CMYK 0 / 11 / 22 / 18

HEX #D1BBA2

RGB 209 187 162

HSL 31.91, 0.34%, 0.73%

LAB 77.1, 3.89, 15.52

 

CMYK 22 / 0 / 1 / 18

HEX #A2D1CE

RGB 162 209 206

HSL 176.17, 0.34%, 0.73%

LAB 80.59, -15.86, -3.54

 

CMYK 0 / 22 / 8 / 18

HEX #D2A3C2

RGB 210 163 194

HSL 320.43, 0.34%, 0.73%

LAB 72.09, 22.35, -9.21

 

CMYK 8 / 0 / 22 / 18

HEX #C1D1A2

RGB 193 209 162

HSL 80.43, 0.34%, 0.73%

LAB 81.59, -13.52, 21.56

 

CMYK 22 / 8 / 0 / 18

HEX #A2C1D1

RGB 162 193 209

HSL 200.43, 0.34%, 0.73%

LAB 76.33, -6.9, -11.48

 

CMYK 0 / 22 / 8 / 18

HEX #D2A3C2

RGB 210 163 194

HSL 320.43, 0.34%, 0.73%

LAB 72.09, 22.35, -9.21

 

CMYK 0 / 11 / 22 / 18

HEX #D1BBA2

RGB 209 187 162

HSL 31.91, 0.34%, 0.73%

LAB 77.1, 3.89, 15.52

 

CMYK 22 / 0 / 15 / 18

HEX #A2D1B2

RGB 162 209 178

HSL 140.43, 0.34%, 0.73%

LAB 79.9, -21.53, 10.41

 

CMYK 22 / 12 / 0 / 18

HEX #A2B8D1

RGB 162 184 209

HSL 211.91, 0.34%, 0.73%

LAB 73.91, -2.08, -15.1

 

CMYK 0 / 22 / 8 / 18

HEX #D2A3C2

RGB 210 163 194

HSL 320.43, 0.34%, 0.73%

LAB 72.09, 22.35, -9.21

 

CMYK 0 / 4 / 22 / 18

HEX #D1C9A2

RGB 209 201 162

HSL 49.79, 0.34%, 0.73%

LAB 80.7, -3.47, 20.53

 

CMYK 22 / 0 / 15 / 18

HEX #A2D1B2

RGB 162 209 178

HSL 140.43, 0.34%, 0.73%

LAB 79.9, -21.53, 10.41

 

CMYK 22 / 19 / 0 / 18

HEX #A2AAD1

RGB 162 170 209

HSL 229.79, 0.34%, 0.73%

LAB 70.2, 5.57, -20.72

 

Description

Color code: RGB 210 163 194 | qconv.com Color code: RGB 210 163 194 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 163 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 163 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 8 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 8% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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