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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 210 130 169 it is the complementary color RGB 45 125 86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 210 130 169. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 210 130 169 shade: RGB 215 130 164, RGB 232 148 183, RGB 249 166 202, RGB 255 184 221 and RGB 255 202 240

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 210 130 169. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 210 130 169 shade: RGB 210 130 169, RGB 193 112 150, RGB 176 94 131, RGB 159 76 112 and RGB 142 58 93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 210 130 169 shade: RGB 210 131 169, RGB 210 131 148 and RGB 210 131 131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 210 130 169 shade: RGB 210 131 169, RGB 210 131 191, RGB 208 131 210, RGB 186 131 210 and RGB 165 131 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 210 130 169 shade matches the following richer shades: RGB 210 131 169, RGB 224 117 169, RGB 237 104 169 and RGB 251 90 168

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 210 130 169 shade: RGB 210 131 169, RGB 196 144 170, RGB 183 158 170, RGB 169 172 170 and RGB 155 185 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 210 130 169 shade: RGB 207 131 210, RGB 210 131 191, RGB 210 131 170, RGB 210 131 149 and RGB 210 133 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 210 130 169 shade: RGB 188 70 128, RGB 199 100 148, RGB 210 131 169, RGB 221 161 190 and RGB 232 191 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 210 130 169 shade: RGB 210 130 169, RGB 210 186 131 and RGB 131 202 210

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 210 130 169 shade: RGB 210 130 169, RGB 170 210 131 and RGB 131 170 210

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 210 130 169 shade: RGB 210 130 169, RGB 210 186 131, RGB 131 210 170 and RGB 131 155 210

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 210 130 169 shade: RGB 210 130 169, RGB 210 210 131, RGB 131 210 170 and RGB 131 131 210

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 20 / 18

HEX #D282A9

RGB 210 130 169

HSL 330.75, 0.47%, 0.67%

LAB 63.78, 36.12, -7.59

 

Complementary color

CMYK 64 / 0 / 31 / 51

HEX #2D7D56

RGB 45 125 86

HSL 150.75, 0.47%, 0.33%

LAB 46.84, -34.07, 14.24

 

CMYK 0 / 40 / 24 / 16

HEX #D782A4

RGB 215 130 164

HSL 336, 0.52%, 0.68%

LAB 64.24, 37.12, -4.01

 

CMYK 0 / 36 / 21 / 9

HEX #E894B7

RGB 232 148 183

HSL 335, 0.65%, 0.75%

LAB 70.7, 36.31, -4.91

 

CMYK 0 / 33 / 19 / 2

HEX #F9A6CA

RGB 249 166 202

HSL 333.98, 0.87%, 0.81%

LAB 77.09, 35.55, -5.73

 

CMYK 0 / 28 / 13 / 0

HEX #FFB8DD

RGB 255 184 221

HSL 328.73, 1%, 0.86%

LAB 82.25, 31.1, -8.3

 

CMYK 0 / 21 / 6 / 0

HEX #FFCAF0

RGB 255 202 240

HSL 316.98, 1%, 0.9%

LAB 86.89, 24.78, -11.53

 

CMYK 0 / 38 / 20 / 18

HEX #D282A9

RGB 210 130 169

HSL 330.75, 0.47%, 0.67%

LAB 63.78, 36.12, -7.59

 

CMYK 0 / 42 / 22 / 24

HEX #C17096

RGB 193 112 150

HSL 331.85, 0.4%, 0.6%

LAB 57.2, 36.94, -6.7

 

CMYK 0 / 47 / 26 / 31

HEX #B05E83

RGB 176 94 131

HSL 332.93, 0.34%, 0.53%

LAB 50.54, 37.78, -5.66

 

CMYK 0 / 52 / 30 / 38

HEX #9F4C70

RGB 159 76 112

HSL 333.98, 0.35%, 0.46%

LAB 43.81, 38.62, -4.42

 

CMYK 0 / 59 / 35 / 44

HEX #8E3A5D

RGB 142 58 93

HSL 335, 0.42%, 0.39%

LAB 37.05, 39.37, -2.88

 

CMYK 0 / 38 / 20 / 18

HEX #D283A9

RGB 210 131 169

HSL 331.14, 0.47%, 0.67%

LAB 64, 35.58, -7.27

 

CMYK 0 / 38 / 30 / 18

HEX #D28394

RGB 210 131 148

HSL 347.09, 0.47%, 0.67%

LAB 63.4, 32.57, 3.79

 

CMYK 0 / 38 / 38 / 18

HEX #D28383

RGB 210 131 131

HSL 0, 0.47%, 0.67%

LAB 62.99, 30.41, 12.87

 

CMYK 0 / 38 / 20 / 18

HEX #D283A9

RGB 210 131 169

HSL 331.14, 0.47%, 0.67%

LAB 64, 35.58, -7.27

 

CMYK 0 / 38 / 9 / 18

HEX #D283BF

RGB 210 131 191

HSL 314.43, 0.47%, 0.67%

LAB 64.72, 39.15, -18.62

 

CMYK 1 / 38 / 0 / 18

HEX #D083D2

RGB 208 131 210

HSL 298.48, 0.47%, 0.67%

LAB 65.2, 41.9, -28.56

 

CMYK 11 / 38 / 0 / 18

HEX #BA83D2

RGB 186 131 210

HSL 281.77, 0.47%, 0.67%

LAB 62.78, 35.12, -32.5

 

CMYK 21 / 38 / 0 / 18

HEX #A583D2

RGB 165 131 210

HSL 265.82, 0.47%, 0.67%

LAB 60.68, 28.77, -35.93

 

CMYK 0 / 38 / 20 / 18

HEX #D283A9

RGB 210 131 169

HSL 331.14, 0.47%, 0.67%

LAB 64, 35.58, -7.27

 

CMYK 0 / 48 / 25 / 12

HEX #E075A9

RGB 224 117 169

HSL 330.84, 0.63%, 0.67%

LAB 62.87, 47.59, -8.75

 

CMYK 0 / 56 / 29 / 7

HEX #ED68A9

RGB 237 104 169

HSL 330.68, 0.79%, 0.67%

LAB 62.31, 57.94, -9.4

 

CMYK 0 / 64 / 33 / 2

HEX #FB5AA8

RGB 251 90 168

HSL 330.93, 0.95%, 0.67%

LAB 62.21, 67.88, -8.75

 

CMYK 0 / 38 / 20 / 18

HEX #D283A9

RGB 210 131 169

HSL 331.14, 0.47%, 0.67%

LAB 64, 35.58, -7.27

 

CMYK 0 / 27 / 13 / 23

HEX #C490AA

RGB 196 144 170

HSL 330, 0.31%, 0.67%

LAB 65.42, 23.71, -5.89

 

CMYK 0 / 14 / 7 / 28

HEX #B79EAA

RGB 183 158 170

HSL 331.2, 0.15%, 0.67%

LAB 67.59, 11.26, -2.83

 

CMYK 2 / 0 / 1 / 33

HEX #A9ACAA

RGB 169 172 170

HSL 140, 0.02%, 0.67%

LAB 70.07, -1.44, 0.65

 

CMYK 16 / 0 / 8 / 27

HEX #9BB9AB

RGB 155 185 171

HSL 152, 0.18%, 0.67%

LAB 72.63, -12.99, 3.7

 

CMYK 1 / 38 / 0 / 18

HEX #CF83D2

RGB 207 131 210

HSL 297.72, 0.47%, 0.67%

LAB 65.08, 41.59, -28.75

 

CMYK 0 / 38 / 9 / 18

HEX #D283BF

RGB 210 131 191

HSL 314.43, 0.47%, 0.67%

LAB 64.72, 39.15, -18.62

 

CMYK 0 / 38 / 19 / 18

HEX #D283AA

RGB 210 131 170

HSL 330.38, 0.47%, 0.67%

LAB 64.03, 35.74, -7.79

 

CMYK 0 / 38 / 29 / 18

HEX #D28395

RGB 210 131 149

HSL 346.33, 0.47%, 0.67%

LAB 63.43, 32.7, 3.26

 

CMYK 0 / 37 / 38 / 18

HEX #D28583

RGB 210 133 131

HSL 1.52, 0.47%, 0.67%

LAB 63.44, 29.34, 13.5

 

CMYK 0 / 63 / 32 / 26

HEX #BC4680

RGB 188 70 128

HSL 330.51, 0.47%, 0.51%

LAB 47.79, 53.01, -7.76

 

CMYK 0 / 50 / 26 / 22

HEX #C76494

RGB 199 100 148

HSL 330.91, 0.47%, 0.59%

LAB 55.48, 44.94, -8.01

 

CMYK 0 / 38 / 20 / 18

HEX #D283A9

RGB 210 131 169

HSL 331.14, 0.47%, 0.67%

LAB 64, 35.58, -7.27

 

CMYK 0 / 27 / 14 / 13

HEX #DDA1BE

RGB 221 161 190

HSL 331, 0.47%, 0.75%

LAB 72.61, 26.61, -6.1

 

CMYK 0 / 18 / 9 / 9

HEX #E8BFD3

RGB 232 191 211

HSL 330.73, 0.47%, 0.83%

LAB 81.36, 17.84, -4.5

 

CMYK 0 / 38 / 20 / 18

HEX #D282A9

RGB 210 130 169

HSL 330.75, 0.47%, 0.67%

LAB 63.78, 36.12, -7.59

 

CMYK 0 / 11 / 38 / 18

HEX #D2BA83

RGB 210 186 131

HSL 41.77, 0.47%, 0.67%

LAB 76.35, 0.76, 31.03

RGB 210 186 131

CMYK 38 / 4 / 0 / 18

HEX #83CAD2

RGB 131 202 210

HSL 186.08, 0.47%, 0.67%

LAB 77.11, -20.17, -11.03

RGB 131 202 210

CMYK 0 / 38 / 20 / 18

HEX #D282A9

RGB 210 130 169

HSL 330.75, 0.47%, 0.67%

LAB 63.78, 36.12, -7.59

 

CMYK 19 / 0 / 38 / 18

HEX #AAD283

RGB 170 210 131

HSL 90.38, 0.47%, 0.67%

LAB 79.77, -26.84, 34.94

 

CMYK 38 / 19 / 0 / 18

HEX #83AAD2

RGB 131 170 210

HSL 210.38, 0.47%, 0.67%

LAB 68.19, -3.25, -24.52

 

CMYK 0 / 38 / 20 / 18

HEX #D282A9

RGB 210 130 169

HSL 330.75, 0.47%, 0.67%

LAB 63.78, 36.12, -7.59

 

CMYK 0 / 11 / 38 / 18

HEX #D2BA83

RGB 210 186 131

HSL 41.77, 0.47%, 0.67%

LAB 76.35, 0.76, 31.03

RGB 210 186 131

CMYK 38 / 0 / 19 / 18

HEX #83D2AA

RGB 131 210 170

HSL 149.62, 0.47%, 0.67%

LAB 78.36, -33.07, 12.26

RGB 131 210 170

CMYK 38 / 26 / 0 / 18

HEX #839BD2

RGB 131 155 210

HSL 221.77, 0.47%, 0.67%

LAB 64.1, 5.16, -30.82

RGB 131 155 210

CMYK 0 / 38 / 20 / 18

HEX #D282A9

RGB 210 130 169

HSL 330.75, 0.47%, 0.67%

LAB 63.78, 36.12, -7.59

 

CMYK 0 / 0 / 38 / 18

HEX #D2D283

RGB 210 210 131

HSL 60, 0.47%, 0.67%

LAB 82.61, -11.65, 39.16

 

CMYK 38 / 0 / 19 / 18

HEX #83D2AA

RGB 131 210 170

HSL 149.62, 0.47%, 0.67%

LAB 78.36, -33.07, 12.26

 

CMYK 38 / 38 / 0 / 18

HEX #8383D2

RGB 131 131 210

HSL 240, 0.47%, 0.67%

LAB 57.76, 19.09, -40.71

 

Description

Color code: RGB 210 130 169 | qconv.com Color code: RGB 210 130 169 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 130 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 130 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 20 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 20% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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