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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 210 125 140 it is the complementary color RGB 45 130 115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 210 125 140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 210 125 140 shade: RGB 215 125 135, RGB 232 143 154, RGB 249 161 173, RGB 255 179 192 and RGB 255 197 211

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 210 125 140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 210 125 140 shade: RGB 210 125 140, RGB 193 107 121, RGB 176 89 102, RGB 159 71 83 and RGB 142 53 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 210 125 140 shade: RGB 210 125 140 and RGB 210 125 125

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 210 125 140 shade: RGB 210 125 140, RGB 210 125 163, RGB 210 125 186, RGB 210 125 209 and RGB 189 125 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 210 125 140 shade matches the following richer shades: RGB 210 125 140, RGB 224 111 131, RGB 238 97 122 and RGB 252 83 113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 210 125 140 shade: RGB 210 125 140, RGB 196 139 149, RGB 182 153 158, RGB 168 167 168 and RGB 154 181 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 210 125 140 shade: RGB 210 125 186, RGB 210 125 164, RGB 210 125 141, RGB 210 132 125 and RGB 210 155 125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 210 125 140 shade: RGB 189 64 86, RGB 200 95 113, RGB 210 125 140, RGB 221 156 167 and RGB 231 187 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 210 125 140 shade: RGB 210 125 140, RGB 209 210 125 and RGB 125 175 210

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 210 125 140 shade: RGB 210 125 140, RGB 141 210 125 and RGB 125 141 210

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 210 125 140 shade: RGB 210 125 140, RGB 209 210 125, RGB 125 210 195 and RGB 127 125 210

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 210 125 140 shade: RGB 210 125 140, RGB 183 210 125, RGB 125 210 195 and RGB 152 125 210

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 33 / 18

HEX #D27D8C

RGB 210 125 140

HSL 349.41, 0.49%, 0.66%

LAB 61.88, 34.73, 6.17

 

Complementary color

CMYK 65 / 0 / 12 / 49

HEX #2D8273

RGB 45 130 115

HSL 169.41, 0.49%, 0.34%

LAB 49.2, -29.12, 0.65

 

CMYK 0 / 42 / 37 / 16

HEX #D77D87

RGB 215 125 135

HSL 353.33, 0.53%, 0.67%

LAB 62.39, 35.96, 9.84

 

CMYK 0 / 38 / 34 / 9

HEX #E88F9A

RGB 232 143 154

HSL 352.58, 0.66%, 0.74%

LAB 68.85, 35.01, 8.58

 

CMYK 0 / 35 / 31 / 2

HEX #F9A1AD

RGB 249 161 173

HSL 351.82, 0.88%, 0.8%

LAB 75.23, 34.14, 7.45

 

CMYK 0 / 30 / 25 / 0

HEX #FFB3C0

RGB 255 179 192

HSL 349.74, 1%, 0.85%

LAB 80.35, 29.4, 4.55

 

CMYK 0 / 23 / 17 / 0

HEX #FFC5D3

RGB 255 197 211

HSL 345.52, 1%, 0.89%

LAB 84.94, 22.72, 1.01

 

CMYK 0 / 40 / 33 / 18

HEX #D27D8C

RGB 210 125 140

HSL 349.41, 0.49%, 0.66%

LAB 61.88, 34.73, 6.17

 

CMYK 0 / 45 / 37 / 24

HEX #C16B79

RGB 193 107 121

HSL 350.23, 0.41%, 0.59%

LAB 55.31, 35.69, 7.48

 

CMYK 0 / 49 / 42 / 31

HEX #B05966

RGB 176 89 102

HSL 351.03, 0.36%, 0.52%

LAB 48.68, 36.69, 9.01

 

CMYK 0 / 55 / 48 / 38

HEX #9F4753

RGB 159 71 83

HSL 351.82, 0.38%, 0.45%

LAB 42, 37.72, 10.86

 

CMYK 0 / 63 / 55 / 44

HEX #8E3540

RGB 142 53 64

HSL 352.58, 0.46%, 0.38%

LAB 35.34, 38.66, 13.17

 

CMYK 0 / 40 / 33 / 18

HEX #D27D8C

RGB 210 125 140

HSL 349.41, 0.49%, 0.66%

LAB 61.88, 34.73, 6.17

 

CMYK 0 / 40 / 40 / 18

HEX #D27D7D

RGB 210 125 125

HSL 0, 0.49%, 0.66%

LAB 61.52, 32.93, 14.24

 

CMYK 0 / 40 / 33 / 18

HEX #D27D8C

RGB 210 125 140

HSL 349.41, 0.49%, 0.66%

LAB 61.88, 34.73, 6.17

 

CMYK 0 / 40 / 22 / 18

HEX #D27DA3

RGB 210 125 163

HSL 333.18, 0.49%, 0.66%

LAB 62.52, 37.88, -6.05

 

CMYK 0 / 40 / 11 / 18

HEX #D27DBA

RGB 210 125 186

HSL 316.94, 0.49%, 0.66%

LAB 63.27, 41.48, -17.99

 

CMYK 0 / 40 / 0 / 18

HEX #D27DD1

RGB 210 125 209

HSL 300.71, 0.49%, 0.66%

LAB 64.14, 45.48, -29.62

 

CMYK 10 / 40 / 0 / 18

HEX #BD7DD2

RGB 189 125 210

HSL 285.18, 0.49%, 0.66%

LAB 61.77, 39.31, -34.04

 

CMYK 0 / 40 / 33 / 18

HEX #D27D8C

RGB 210 125 140

HSL 349.41, 0.49%, 0.66%

LAB 61.88, 34.73, 6.17

 

CMYK 0 / 50 / 42 / 12

HEX #E06F83

RGB 224 111 131

HSL 349.38, 0.65%, 0.66%

LAB 60.65, 45.91, 9.85

 

CMYK 0 / 59 / 49 / 7

HEX #EE617A

RGB 238 97 122

HSL 349.36, 0.81%, 0.66%

LAB 60.01, 56.36, 14.45

 

CMYK 0 / 67 / 55 / 1

HEX #FC5371

RGB 252 83 113

HSL 349.35, 0.97%, 0.66%

LAB 59.96, 65.79, 19.97

 

CMYK 0 / 40 / 33 / 18

HEX #D27D8C

RGB 210 125 140

HSL 349.41, 0.49%, 0.66%

LAB 61.88, 34.73, 6.17

 

CMYK 0 / 29 / 24 / 23

HEX #C48B95

RGB 196 139 149

HSL 349.47, 0.33%, 0.66%

LAB 63.65, 23.16, 3.38

 

CMYK 0 / 16 / 13 / 29

HEX #B6999E

RGB 182 153 158

HSL 349.66, 0.17%, 0.66%

LAB 65.9, 11.58, 1.39

 

CMYK 0 / 1 / 0 / 34

HEX #A8A7A8

RGB 168 167 168

HSL 300, 0.01%, 0.66%

LAB 68.6, 0.55, -0.4

 

CMYK 15 / 0 / 2 / 29

HEX #9AB5B1

RGB 154 181 177

HSL 171.11, 0.15%, 0.66%

LAB 71.62, -10.01, -1.07

 

CMYK 0 / 40 / 11 / 18

HEX #D27DBA

RGB 210 125 186

HSL 316.94, 0.49%, 0.66%

LAB 63.27, 41.48, -17.99

 

CMYK 0 / 40 / 22 / 18

HEX #D27DA4

RGB 210 125 164

HSL 332.47, 0.49%, 0.66%

LAB 62.55, 38.02, -6.58

 

CMYK 0 / 40 / 33 / 18

HEX #D27D8D

RGB 210 125 141

HSL 348.71, 0.49%, 0.66%

LAB 61.91, 34.85, 5.63

 

CMYK 0 / 37 / 40 / 18

HEX #D2847D

RGB 210 132 125

HSL 4.94, 0.49%, 0.66%

LAB 63.08, 29.18, 16.4

 

CMYK 0 / 26 / 40 / 18

HEX #D29B7D

RGB 210 155 125

HSL 21.18, 0.49%, 0.66%

LAB 68.48, 16.71, 23.77

 

CMYK 0 / 66 / 54 / 26

HEX #BD4056

RGB 189 64 86

HSL 349.44, 0.49%, 0.5%

LAB 45.85, 51.62, 15.1

 

CMYK 0 / 53 / 44 / 22

HEX #C85F71

RGB 200 95 113

HSL 349.71, 0.49%, 0.58%

LAB 53.66, 43.52, 9.98

 

CMYK 0 / 40 / 33 / 18

HEX #D27D8C

RGB 210 125 140

HSL 349.41, 0.49%, 0.66%

LAB 61.88, 34.73, 6.17

 

CMYK 0 / 29 / 24 / 13

HEX #DD9CA7

RGB 221 156 167

HSL 349.85, 0.49%, 0.74%

LAB 70.83, 25.79, 4.01

 

CMYK 0 / 19 / 16 / 9

HEX #E7BBC3

RGB 231 187 195

HSL 349.09, 0.48%, 0.82%

LAB 79.88, 17.01, 1.95

 

CMYK 0 / 40 / 33 / 18

HEX #D27D8C

RGB 210 125 140

HSL 349.41, 0.49%, 0.66%

LAB 61.88, 34.73, 6.17

 

CMYK 0 / 0 / 40 / 18

HEX #D1D27D

RGB 209 210 125

HSL 60.71, 0.49%, 0.66%

LAB 82.45, -12.69, 41.94

 

CMYK 40 / 17 / 0 / 18

HEX #7DAFD2

RGB 125 175 210

HSL 204.71, 0.49%, 0.66%

LAB 69.24, -7.59, -22.95

 

CMYK 0 / 40 / 33 / 18

HEX #D27D8C

RGB 210 125 140

HSL 349.41, 0.49%, 0.66%

LAB 61.88, 34.73, 6.17

 

CMYK 33 / 0 / 40 / 18

HEX #8DD27D

RGB 141 210 125

HSL 108.71, 0.49%, 0.66%

LAB 78.01, -37.76, 35.38

 

CMYK 40 / 33 / 0 / 18

HEX #7D8DD2

RGB 125 141 210

HSL 228.71, 0.49%, 0.66%

LAB 59.95, 11.62, -37.31

 

CMYK 0 / 40 / 33 / 18

HEX #D27D8C

RGB 210 125 140

HSL 349.41, 0.49%, 0.66%

LAB 61.88, 34.73, 6.17

 

CMYK 0 / 0 / 40 / 18

HEX #D1D27D

RGB 209 210 125

HSL 60.71, 0.49%, 0.66%

LAB 82.45, -12.69, 41.94

 

CMYK 40 / 0 / 7 / 18

HEX #7DD2C3

RGB 125 210 195

HSL 169.41, 0.49%, 0.66%

LAB 78.69, -29.27, -0.66

 

CMYK 40 / 40 / 0 / 18

HEX #7F7DD2

RGB 127 125 210

HSL 241.41, 0.49%, 0.66%

LAB 55.92, 21.58, -43.63

 

CMYK 0 / 40 / 33 / 18

HEX #D27D8C

RGB 210 125 140

HSL 349.41, 0.49%, 0.66%

LAB 61.88, 34.73, 6.17

 

CMYK 13 / 0 / 40 / 18

HEX #B7D27D

RGB 183 210 125

HSL 79.06, 0.49%, 0.66%

LAB 80.54, -22.77, 39.13

 

CMYK 40 / 0 / 7 / 18

HEX #7DD2C3

RGB 125 210 195

HSL 169.41, 0.49%, 0.66%

LAB 78.69, -29.27, -0.66

 

CMYK 28 / 40 / 0 / 18

HEX #987DD2

RGB 152 125 210

HSL 259.06, 0.49%, 0.66%

LAB 58.03, 28.42, -40.16

 

Description

Color code: RGB 210 125 140 | qconv.com Color code: RGB 210 125 140 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 125 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 125 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 33 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 33% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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