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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 20 240 126 it is the complementary color RGB 235 15 129. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 20 240 126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 20 240 126 shade: RGB 25 240 121, RGB 42 255 140, RGB 59 255 159, RGB 76 255 178 and RGB 93 255 197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 20 240 126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 20 240 126 shade: RGB 20 240 126, RGB 3 222 107, RGB 0 204 88, RGB 0 186 69 and RGB 0 168 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 20 240 126 shade: RGB 20 240 126, RGB 20 240 66, RGB 32 240 20, RGB 92 240 20 and RGB 151 240 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 20 240 126 shade: RGB 20 240 126, RGB 20 240 185, RGB 20 235 240, RGB 20 176 240 and RGB 20 116 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 20 240 126 shade matches the following richer shades: RGB 20 240 126

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 20 240 126 shade: RGB 20 240 126, RGB 40 219 126, RGB 60 199 127, RGB 80 179 128 and RGB 100 159 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 20 240 126 shade: RGB 34 240 20, RGB 20 240 64, RGB 20 240 122, RGB 20 240 181 and RGB 20 240 240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 20 240 126 shade: RGB 10 166 85, RGB 13 205 105, RGB 20 240 126, RGB 58 242 147 and RGB 97 244 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 20 240 126 shade: RGB 20 240 126, RGB 20 93 240 and RGB 240 34 20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 20 240 126 shade: RGB 20 240 126, RGB 122 20 240 and RGB 240 122 20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 20 240 126 shade: RGB 20 240 126, RGB 20 93 240, RGB 240 20 137 and RGB 240 166 20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 20 240 126 shade: RGB 20 240 126, RGB 20 27 240, RGB 240 20 137 and RGB 240 232 20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 48 / 6

HEX #14F07E

RGB 20 240 126

HSL 148.91, 0.88%, 0.51%

LAB 83.95, -71.72, 41.86

 

Complementary color

CMYK 0 / 94 / 45 / 8

HEX #EB0F81

RGB 235 15 129

HSL 328.91, 0.88%, 0.49%

LAB 51.37, 79.23, -2.13

 

CMYK 90 / 0 / 50 / 6

HEX #19F079

RGB 25 240 121

HSL 146.79, 0.88%, 0.52%

LAB 83.92, -72.25, 44.22

 

CMYK 84 / 0 / 45 / 0

HEX #2AFF8C

RGB 42 255 140

HSL 147.61, 1%, 0.58%

LAB 88.88, -72.9, 41.4

 

CMYK 77 / 0 / 38 / 0

HEX #3BFF9F

RGB 59 255 159

HSL 150.61, 1%, 0.62%

LAB 89.37, -67.92, 32.74

 

CMYK 70 / 0 / 30 / 0

HEX #4CFFB2

RGB 76 255 178

HSL 154.19, 1%, 0.65%

LAB 89.98, -62.07, 24.06

 

CMYK 64 / 0 / 23 / 0

HEX #5DFFC5

RGB 93 255 197

HSL 158.52, 1%, 0.68%

LAB 90.72, -55.45, 15.43

 

CMYK 92 / 0 / 48 / 6

HEX #14F07E

RGB 20 240 126

HSL 148.91, 0.88%, 0.51%

LAB 83.95, -71.72, 41.86

 

CMYK 99 / 0 / 52 / 13

HEX #03DE6B

RGB 3 222 107

HSL 148.49, 0.97%, 0.44%

LAB 78.07, -69.57, 43.62

 

CMYK 100 / 0 / 57 / 20

HEX #00CC58

RGB 0 204 88

HSL 145.88, 1%, 0.4%

LAB 72.16, -66.81, 45.42

 

CMYK 100 / 0 / 63 / 27

HEX #00BA45

RGB 0 186 69

HSL 142.26, 1%, 0.36%

LAB 66.17, -63.73, 47.11

 

CMYK 100 / 0 / 70 / 34

HEX #00A832

RGB 0 168 50

HSL 137.86, 1%, 0.33%

LAB 60.1, -60.38, 48.5

 

CMYK 92 / 0 / 48 / 6

HEX #14F07E

RGB 20 240 126

HSL 148.91, 0.88%, 0.51%

LAB 83.95, -71.72, 41.86

 

CMYK 92 / 0 / 73 / 6

HEX #14F042

RGB 20 240 66

HSL 132.55, 0.88%, 0.51%

LAB 83.37, -78.92, 66.72

 

CMYK 87 / 0 / 92 / 6

HEX #20F014

RGB 32 240 20

HSL 116.73, 0.88%, 0.51%

LAB 83.27, -80.49, 77.79

 

CMYK 62 / 0 / 92 / 6

HEX #5CF014

RGB 92 240 20

HSL 100.36, 0.88%, 0.51%

LAB 84.3, -71.58, 79.06

 

CMYK 37 / 0 / 92 / 6

HEX #97F014

RGB 151 240 20

HSL 84.27, 0.88%, 0.51%

LAB 86.48, -54.79, 81.74

 

CMYK 92 / 0 / 48 / 6

HEX #14F07E

RGB 20 240 126

HSL 148.91, 0.88%, 0.51%

LAB 83.95, -71.72, 41.86

 

CMYK 92 / 0 / 23 / 6

HEX #14F0B9

RGB 20 240 185

HSL 165, 0.88%, 0.51%

LAB 84.98, -59.93, 13.38

 

CMYK 92 / 2 / 0 / 6

HEX #14EBF0

RGB 20 235 240

HSL 181.36, 0.88%, 0.51%

LAB 84.92, -43.23, -15.58

 

CMYK 92 / 27 / 0 / 6

HEX #14B0F0

RGB 20 176 240

HSL 197.45, 0.88%, 0.51%

LAB 67.64, -14.36, -42.09

 

CMYK 92 / 52 / 0 / 6

HEX #1474F0

RGB 20 116 240

HSL 213.82, 0.88%, 0.51%

LAB 50.61, 21.11, -69.26

 

CMYK 92 / 0 / 48 / 6

HEX #14F07E

RGB 20 240 126

HSL 148.91, 0.88%, 0.51%

LAB 83.95, -71.72, 41.86

 

CMYK 92 / 0 / 48 / 6

HEX #14F07E

RGB 20 240 126

HSL 148.91, 0.88%, 0.51%

LAB 83.95, -71.72, 41.86

 

CMYK 82 / 0 / 42 / 14

HEX #28DB7E

RGB 40 219 126

HSL 148.83, 0.71%, 0.51%

LAB 77.65, -63.34, 33.81

 

CMYK 70 / 0 / 36 / 22

HEX #3CC77F

RGB 60 199 127

HSL 148.92, 0.55%, 0.51%

LAB 71.79, -53.32, 25.6

 

CMYK 55 / 0 / 28 / 30

HEX #50B380

RGB 80 179 128

HSL 149.09, 0.39%, 0.51%

LAB 66.14, -41.01, 17.47

 

CMYK 37 / 0 / 19 / 38

HEX #649F80

RGB 100 159 128

HSL 148.47, 0.24%, 0.51%

LAB 60.84, -26.31, 10.18

 

CMYK 86 / 0 / 92 / 6

HEX #22F014

RGB 34 240 20

HSL 116.18, 0.88%, 0.51%

LAB 83.29, -80.33, 77.81

 

CMYK 92 / 0 / 73 / 6

HEX #14F040

RGB 20 240 64

HSL 132, 0.88%, 0.51%

LAB 83.36, -79.08, 67.39

 

CMYK 92 / 0 / 49 / 6

HEX #14F07A

RGB 20 240 122

HSL 147.82, 0.88%, 0.51%

LAB 83.9, -72.35, 43.71

 

CMYK 92 / 0 / 25 / 6

HEX #14F0B5

RGB 20 240 181

HSL 163.91, 0.88%, 0.51%

LAB 84.9, -60.87, 15.34

 

CMYK 92 / 0 / 0 / 6

HEX #14F0F0

RGB 20 240 240

HSL 180, 0.88%, 0.51%

LAB 86.39, -45.43, -13.39

 

CMYK 94 / 0 / 49 / 35

HEX #0AA655

RGB 10 166 85

HSL 148.85, 0.89%, 0.35%

LAB 59.88, -54.49, 31.88

 

CMYK 94 / 0 / 49 / 20

HEX #0DCD69

RGB 13 205 105

HSL 148.75, 0.88%, 0.43%

LAB 72.74, -64.08, 37.98

 

CMYK 92 / 0 / 48 / 6

HEX #14F07E

RGB 20 240 126

HSL 148.91, 0.88%, 0.51%

LAB 83.95, -71.72, 41.86

 

CMYK 76 / 0 / 39 / 5

HEX #3AF293

RGB 58 242 147

HSL 149.02, 0.88%, 0.59%

LAB 85.26, -65.66, 33.28

 

CMYK 60 / 0 / 31 / 4

HEX #61F4A8

RGB 97 244 168

HSL 148.98, 0.87%, 0.67%

LAB 87.03, -56.29, 25.18

 

CMYK 92 / 0 / 48 / 6

HEX #14F07E

RGB 20 240 126

HSL 148.91, 0.88%, 0.51%

LAB 83.95, -71.72, 41.86

 

CMYK 92 / 61 / 0 / 6

HEX #145DF0

RGB 20 93 240

HSL 220.09, 0.88%, 0.51%

LAB 44.62, 35.78, -79.02

 

CMYK 0 / 86 / 92 / 6

HEX #F02214

RGB 240 34 20

HSL 3.82, 0.88%, 0.51%

LAB 51.52, 72.84, 59.29

 

CMYK 92 / 0 / 48 / 6

HEX #14F07E

RGB 20 240 126

HSL 148.91, 0.88%, 0.51%

LAB 83.95, -71.72, 41.86

 

CMYK 49 / 92 / 0 / 6

HEX #7A14F0

RGB 122 20 240

HSL 267.82, 0.88%, 0.51%

LAB 39.46, 76.99, -87.28

 

CMYK 0 / 49 / 92 / 6

HEX #F07A14

RGB 240 122 20

HSL 27.82, 0.88%, 0.51%

LAB 63.75, 40.15, 67.51

 

CMYK 92 / 0 / 48 / 6

HEX #14F07E

RGB 20 240 126

HSL 148.91, 0.88%, 0.51%

LAB 83.95, -71.72, 41.86

 

CMYK 92 / 61 / 0 / 6

HEX #145DF0

RGB 20 93 240

HSL 220.09, 0.88%, 0.51%

LAB 44.62, 35.78, -79.02

 

CMYK 0 / 92 / 43 / 6

HEX #F01489

RGB 240 20 137

HSL 328.09, 0.88%, 0.51%

LAB 52.76, 80.47, -4.79

 

CMYK 0 / 31 / 92 / 6

HEX #F0A614

RGB 240 166 20

HSL 39.82, 0.88%, 0.51%

LAB 73.45, 17.27, 74.51

 

CMYK 92 / 0 / 48 / 6

HEX #14F07E

RGB 20 240 126

HSL 148.91, 0.88%, 0.51%

LAB 83.95, -71.72, 41.86

 

CMYK 92 / 89 / 0 / 6

HEX #141BF0

RGB 20 27 240

HSL 238.09, 0.88%, 0.51%

LAB 32.31, 70.17, -99.38

 

CMYK 0 / 92 / 43 / 6

HEX #F01489

RGB 240 20 137

HSL 328.09, 0.88%, 0.51%

LAB 52.76, 80.47, -4.79

 

CMYK 0 / 3 / 92 / 6

HEX #F0E814

RGB 240 232 20

HSL 57.82, 0.88%, 0.51%

LAB 89.99, -16.54, 86.95

 

Description

Color code: RGB 20 240 126 | qconv.com Color code: RGB 20 240 126 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 240 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 240 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 48 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 48% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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