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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 20 23 159 it is the complementary color RGB 235 232 96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 20 23 159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 20 23 159 shade: RGB 25 23 154, RGB 42 41 173, RGB 59 59 192, RGB 76 77 211 and RGB 93 95 230

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 20 23 159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 20 23 159 shade: RGB 20 23 159, RGB 3 5 140, RGB 0 0 121, RGB 0 0 102 and RGB 0 0 83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 20 23 159 shade: RGB 19 22 158, RGB 54 19 158, RGB 91 19 158, RGB 129 19 158 and RGB 158 19 150

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 20 23 159 shade: RGB 19 22 158 and RGB 19 19 158

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 20 23 159 shade matches the following richer shades: RGB 19 22 158 and RGB 5 8 173

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 20 23 159 shade: RGB 19 22 158, RGB 34 36 144, RGB 48 50 129, RGB 62 64 115 and RGB 77 77 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 20 23 159 shade: RGB 19 98 158, RGB 19 61 158, RGB 19 24 158, RGB 52 19 158 and RGB 89 19 158

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 20 23 159 shade: RGB 10 12 85, RGB 15 17 122, RGB 19 22 158, RGB 24 27 195 and RGB 33 37 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 20 23 159 shade: RGB 20 23 159, RGB 158 19 135 and RGB 79 158 19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 20 23 159 shade: RGB 20 23 159, RGB 158 19 24 and RGB 24 158 19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 20 23 159 shade: RGB 20 23 159, RGB 158 19 135, RGB 158 154 19 and RGB 19 158 42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 20 23 159 shade: RGB 20 23 159, RGB 158 19 93, RGB 158 154 19 and RGB 19 158 84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 86 / 0 / 38

HEX #14179F

RGB 20 23 159

HSL 238.71, 0.78%, 0.35%

LAB 21.07, 48.3, -70.52

 

Complementary color

CMYK 0 / 1 / 59 / 8

HEX #EBE860

RGB 235 232 96

HSL 58.71, 0.78%, 0.65%

LAB 89.96, -15.7, 64.73

 

CMYK 84 / 85 / 0 / 40

HEX #19179A

RGB 25 23 154

HSL 240.92, 0.74%, 0.35%

LAB 20.64, 46.94, -68.16

 

CMYK 76 / 76 / 0 / 32

HEX #2A29AD

RGB 42 41 173

HSL 240.45, 0.62%, 0.42%

LAB 27, 44.96, -69.13

 

CMYK 69 / 69 / 0 / 25

HEX #3B3BC0

RGB 59 59 192

HSL 240, 0.53%, 0.49%

LAB 33.7, 42.62, -69.34

 

CMYK 64 / 64 / 0 / 17

HEX #4C4DD3

RGB 76 77 211

HSL 239.56, 0.61%, 0.56%

LAB 40.49, 40.38, -69.21

 

CMYK 60 / 59 / 0 / 10

HEX #5D5FE6

RGB 93 95 230

HSL 239.12, 0.73%, 0.63%

LAB 47.27, 38.37, -68.94

 

CMYK 87 / 86 / 0 / 38

HEX #14179F

RGB 20 23 159

HSL 238.71, 0.78%, 0.35%

LAB 21.07, 48.3, -70.52

 

CMYK 98 / 96 / 0 / 45

HEX #03058C

RGB 3 5 140

HSL 239.12, 0.96%, 0.28%

LAB 15.6, 48.94, -67.9

 

CMYK 100 / 100 / 0 / 53

HEX #000079

RGB 0 0 121

HSL 240, 1%, 0.24%

LAB 11.83, 45.63, -62.14

 

CMYK 100 / 100 / 0 / 60

HEX #000066

RGB 0 0 102

HSL 240, 1%, 0.2%

LAB 8.65, 40.41, -55.04

 

CMYK 100 / 100 / 0 / 67

HEX #000053

RGB 0 0 83

HSL 240, 1%, 0.16%

LAB 5.64, 33.82, -47.22

 

CMYK 88 / 86 / 0 / 38

HEX #13169E

RGB 19 22 158

HSL 238.71, 0.79%, 0.35%

LAB 20.75, 48.4, -70.44

 

CMYK 66 / 88 / 0 / 38

HEX #36139E

RGB 54 19 158

HSL 255.11, 0.79%, 0.35%

LAB 22.72, 51.55, -67.11

 

CMYK 42 / 88 / 0 / 38

HEX #5B139E

RGB 91 19 158

HSL 271.08, 0.79%, 0.35%

LAB 27.18, 55.44, -59.59

 

CMYK 18 / 88 / 0 / 38

HEX #81139E

RGB 129 19 158

HSL 287.48, 0.79%, 0.35%

LAB 33.14, 61.12, -49.62

 

CMYK 0 / 88 / 5 / 38

HEX #9E1396

RGB 158 19 150

HSL 303.45, 0.79%, 0.35%

LAB 37.73, 65, -37.11

 

CMYK 88 / 86 / 0 / 38

HEX #13169E

RGB 19 22 158

HSL 238.71, 0.79%, 0.35%

LAB 20.75, 48.4, -70.44

 

CMYK 88 / 88 / 0 / 38

HEX #13139E

RGB 19 19 158

HSL 240, 0.79%, 0.35%

LAB 20.33, 49.66, -71.14

 

CMYK 88 / 86 / 0 / 38

HEX #13169E

RGB 19 22 158

HSL 238.71, 0.79%, 0.35%

LAB 20.75, 48.4, -70.44

 

CMYK 97 / 95 / 0 / 32

HEX #0508AD

RGB 5 8 173

HSL 238.93, 0.94%, 0.35%

LAB 20.92, 57.16, -79.29

 

CMYK 88 / 86 / 0 / 38

HEX #13169E

RGB 19 22 158

HSL 238.71, 0.79%, 0.35%

LAB 20.75, 48.4, -70.44

 

CMYK 76 / 75 / 0 / 44

HEX #222490

RGB 34 36 144

HSL 238.91, 0.62%, 0.35%

LAB 22.36, 37.28, -59.13

 

CMYK 63 / 61 / 0 / 49

HEX #303281

RGB 48 50 129

HSL 238.52, 0.46%, 0.35%

LAB 25.24, 24.81, -45

 

CMYK 46 / 44 / 0 / 55

HEX #3E4073

RGB 62 64 115

HSL 237.74, 0.3%, 0.35%

LAB 29.23, 13.76, -29.71

 

CMYK 24 / 24 / 0 / 60

HEX #4D4D65

RGB 77 77 101

HSL 240, 0.13%, 0.35%

LAB 33.62, 5.84, -13.93

 

CMYK 88 / 38 / 0 / 38

HEX #13629E

RGB 19 98 158

HSL 205.9, 0.79%, 0.35%

LAB 40.15, 0.2, -38.83

 

CMYK 88 / 61 / 0 / 38

HEX #133D9E

RGB 19 61 158

HSL 221.87, 0.79%, 0.35%

LAB 29.27, 24.97, -56.38

 

CMYK 88 / 85 / 0 / 38

HEX #13189E

RGB 19 24 158

HSL 237.84, 0.79%, 0.35%

LAB 21.06, 47.5, -69.93

 

CMYK 67 / 88 / 0 / 38

HEX #34139E

RGB 52 19 158

HSL 254.24, 0.79%, 0.35%

LAB 22.53, 51.4, -67.43

 

CMYK 44 / 88 / 0 / 38

HEX #59139E

RGB 89 19 158

HSL 270.22, 0.79%, 0.35%

LAB 26.9, 55.18, -60.06

 

CMYK 88 / 86 / 0 / 67

HEX #0A0C55

RGB 10 12 85

HSL 238.4, 0.79%, 0.19%

LAB 8.85, 28.49, -43.24

 

CMYK 88 / 86 / 0 / 52

HEX #0F117A

RGB 15 17 122

HSL 238.88, 0.78%, 0.27%

LAB 14.99, 39.01, -57.48

 

CMYK 88 / 86 / 0 / 38

HEX #13169E

RGB 19 22 158

HSL 238.71, 0.79%, 0.35%

LAB 20.75, 48.4, -70.44

 

CMYK 88 / 86 / 0 / 24

HEX #181BC3

RGB 24 27 195

HSL 238.95, 0.78%, 0.43%

LAB 26.5, 57.62, -83.07

 

CMYK 85 / 84 / 0 / 11

HEX #2125E3

RGB 33 37 227

HSL 238.76, 0.78%, 0.51%

LAB 32.24, 63.19, -92.08

 

CMYK 87 / 86 / 0 / 38

HEX #14179F

RGB 20 23 159

HSL 238.71, 0.78%, 0.35%

LAB 21.07, 48.3, -70.52

 

CMYK 0 / 88 / 15 / 38

HEX #9E1387

RGB 158 19 135

HSL 309.93, 0.79%, 0.35%

LAB 36.9, 62.82, -29.21

 

CMYK 50 / 0 / 88 / 38

HEX #4F9E13

RGB 79 158 19

HSL 94.1, 0.79%, 0.35%

LAB 58.19, -46.22, 57.04

 

CMYK 87 / 86 / 0 / 38

HEX #14179F

RGB 20 23 159

HSL 238.71, 0.78%, 0.35%

LAB 21.07, 48.3, -70.52

 

CMYK 0 / 88 / 85 / 38

HEX #9E1318

RGB 158 19 24

HSL 357.84, 0.79%, 0.35%

LAB 33.56, 53.51, 36.41

 

CMYK 85 / 0 / 88 / 38

HEX #189E13

RGB 24 158 19

HSL 117.84, 0.79%, 0.35%

LAB 56.78, -57.93, 55.26

 

CMYK 87 / 86 / 0 / 38

HEX #14179F

RGB 20 23 159

HSL 238.71, 0.78%, 0.35%

LAB 21.07, 48.3, -70.52

 

CMYK 0 / 88 / 15 / 38

HEX #9E1387

RGB 158 19 135

HSL 309.93, 0.79%, 0.35%

LAB 36.9, 62.82, -29.21

 

CMYK 0 / 3 / 88 / 38

HEX #9E9A13

RGB 158 154 19

HSL 58.27, 0.79%, 0.35%

LAB 62.02, -12.67, 62.28

 

CMYK 88 / 0 / 73 / 38

HEX #139E2A

RGB 19 158 42

HSL 129.93, 0.79%, 0.35%

LAB 56.84, -56.92, 48.28

 

CMYK 87 / 86 / 0 / 38

HEX #14179F

RGB 20 23 159

HSL 238.71, 0.78%, 0.35%

LAB 21.07, 48.3, -70.52

 

CMYK 0 / 88 / 41 / 38

HEX #9E135D

RGB 158 19 93

HSL 328.06, 0.79%, 0.35%

LAB 35.05, 57.79, -5.52

 

CMYK 0 / 3 / 88 / 38

HEX #9E9A13

RGB 158 154 19

HSL 58.27, 0.79%, 0.35%

LAB 62.02, -12.67, 62.28

 

CMYK 88 / 0 / 47 / 38

HEX #139E54

RGB 19 158 84

HSL 148.06, 0.79%, 0.35%

LAB 57.3, -51.29, 29.14

 

Description

Color code: RGB 20 23 159 | qconv.com Color code: RGB 20 23 159 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 23 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 23 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 86 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 86% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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