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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 20 183 99 it is the complementary color RGB 235 72 156. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 20 183 99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 20 183 99 shade: RGB 25 183 94, RGB 42 201 113, RGB 59 219 132, RGB 76 237 151 and RGB 93 255 170

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 20 183 99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 20 183 99 shade: RGB 20 183 99, RGB 3 165 80, RGB 0 147 61, RGB 0 129 42 and RGB 0 111 23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 20 183 99 shade: RGB 20 183 99, RGB 20 183 55, RGB 29 183 20, RGB 73 183 20 and RGB 117 183 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 20 183 99 shade: RGB 20 183 99, RGB 20 183 143, RGB 20 179 183, RGB 20 135 183 and RGB 20 91 183

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 20 183 99 shade matches the following richer shades: RGB 20 183 99 and RGB 3 200 98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 20 183 99 shade: RGB 20 183 99, RGB 36 167 100, RGB 53 150 100, RGB 69 134 101 and RGB 86 117 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 20 183 99 shade: RGB 28 183 20, RGB 20 183 55, RGB 20 183 99, RGB 20 183 142 and RGB 20 180 183

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 20 183 99 shade: RGB 12 109 59, RGB 16 146 79, RGB 20 183 99, RGB 24 220 119 and RGB 53 232 140

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 20 183 99 shade: RGB 20 183 99, RGB 20 72 183 and RGB 183 34 20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 20 183 99 shade: RGB 20 183 99, RGB 99 20 183 and RGB 183 99 20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 20 183 99 shade: RGB 20 183 99, RGB 20 72 183, RGB 183 20 104 and RGB 183 131 20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 20 183 99 shade: RGB 20 183 99, RGB 20 23 183, RGB 183 20 104 and RGB 183 180 20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 46 / 28

HEX #14B763

RGB 20 183 99

HSL 149.08, 0.8%, 0.4%

LAB 65.68, -57.32, 32.06

 

Complementary color

CMYK 0 / 69 / 34 / 8

HEX #EB489C

RGB 235 72 156

HSL 329.08, 0.8%, 0.6%

LAB 56.78, 68.88, -10.17

 

CMYK 86 / 0 / 49 / 28

HEX #19B75E

RGB 25 183 94

HSL 146.2, 0.76%, 0.41%

LAB 65.66, -57.81, 34.59

 

CMYK 79 / 0 / 44 / 21

HEX #2AC971

RGB 42 201 113

HSL 146.79, 0.65%, 0.48%

LAB 71.86, -59.13, 32.89

 

CMYK 73 / 0 / 40 / 14

HEX #3BDB84

RGB 59 219 132

HSL 147.38, 0.69%, 0.55%

LAB 78.03, -60.01, 31.31

 

CMYK 68 / 0 / 36 / 7

HEX #4CED97

RGB 76 237 151

HSL 147.95, 0.82%, 0.61%

LAB 84.14, -60.58, 29.84

 

CMYK 64 / 0 / 33 / 0

HEX #5DFFAA

RGB 93 255 170

HSL 148.52, 1%, 0.68%

LAB 90.21, -60.92, 28.47

 

CMYK 89 / 0 / 46 / 28

HEX #14B763

RGB 20 183 99

HSL 149.08, 0.8%, 0.4%

LAB 65.68, -57.32, 32.06

 

CMYK 98 / 0 / 52 / 35

HEX #03A550

RGB 3 165 80

HSL 148.52, 0.96%, 0.33%

LAB 59.44, -55.34, 33.89

 

CMYK 100 / 0 / 59 / 42

HEX #00933D

RGB 0 147 61

HSL 144.9, 1%, 0.29%

LAB 53.17, -52.47, 35.8

 

CMYK 100 / 0 / 67 / 49

HEX #00812A

RGB 0 129 42

HSL 139.53, 1%, 0.25%

LAB 46.8, -49.15, 37.54

 

CMYK 100 / 0 / 79 / 56

HEX #006F17

RGB 0 111 23

HSL 132.43, 1%, 0.22%

LAB 40.3, -45.37, 38.68

 

CMYK 89 / 0 / 46 / 28

HEX #14B763

RGB 20 183 99

HSL 149.08, 0.8%, 0.4%

LAB 65.68, -57.32, 32.06

 

CMYK 89 / 0 / 70 / 28

HEX #14B737

RGB 20 183 55

HSL 132.88, 0.8%, 0.4%

LAB 65.19, -63.31, 51.94

 

CMYK 84 / 0 / 89 / 28

HEX #1DB714

RGB 29 183 20

HSL 116.69, 0.8%, 0.4%

LAB 65.1, -64.78, 62.34

 

CMYK 60 / 0 / 89 / 28

HEX #49B714

RGB 73 183 20

HSL 100.49, 0.8%, 0.4%

LAB 66.01, -57.04, 63.48

 

CMYK 36 / 0 / 89 / 28

HEX #75B714

RGB 117 183 20

HSL 84.29, 0.8%, 0.4%

LAB 67.8, -43.44, 65.71

 

CMYK 89 / 0 / 46 / 28

HEX #14B763

RGB 20 183 99

HSL 149.08, 0.8%, 0.4%

LAB 65.68, -57.32, 32.06

 

CMYK 89 / 0 / 22 / 28

HEX #14B78F

RGB 20 183 143

HSL 165.28, 0.8%, 0.4%

LAB 66.52, -47.86, 9.63

 

CMYK 89 / 2 / 0 / 28

HEX #14B3B7

RGB 20 179 183

HSL 181.47, 0.8%, 0.4%

LAB 66.37, -34.88, -12.68

 

CMYK 89 / 26 / 0 / 28

HEX #1487B7

RGB 20 135 183

HSL 197.67, 0.8%, 0.4%

LAB 52.84, -12.26, -33.44

 

CMYK 89 / 50 / 0 / 28

HEX #145BB7

RGB 20 91 183

HSL 213.87, 0.8%, 0.4%

LAB 39.66, 14.86, -54.39

 

CMYK 89 / 0 / 46 / 28

HEX #14B763

RGB 20 183 99

HSL 149.08, 0.8%, 0.4%

LAB 65.68, -57.32, 32.06

 

CMYK 99 / 0 / 51 / 22

HEX #03C862

RGB 3 200 98

HSL 148.93, 0.97%, 0.4%

LAB 71.02, -63.96, 39.26

 

CMYK 89 / 0 / 46 / 28

HEX #14B763

RGB 20 183 99

HSL 149.08, 0.8%, 0.4%

LAB 65.68, -57.32, 32.06

 

CMYK 78 / 0 / 40 / 35

HEX #24A764

RGB 36 167 100

HSL 149.31, 0.65%, 0.4%

LAB 60.72, -49.84, 25.11

 

CMYK 65 / 0 / 33 / 41

HEX #359664

RGB 53 150 100

HSL 149.07, 0.48%, 0.4%

LAB 55.57, -40.27, 18.27

 

CMYK 49 / 0 / 25 / 47

HEX #458665

RGB 69 134 101

HSL 149.54, 0.32%, 0.4%

LAB 50.98, -28.96, 11.45

 

CMYK 26 / 0 / 14 / 54

HEX #567565

RGB 86 117 101

HSL 149.03, 0.15%, 0.4%

LAB 46.5, -14.8, 5.23

 

CMYK 85 / 0 / 89 / 28

HEX #1CB714

RGB 28 183 20

HSL 117.06, 0.8%, 0.4%

LAB 65.09, -64.88, 62.33

 

CMYK 89 / 0 / 70 / 28

HEX #14B737

RGB 20 183 55

HSL 132.88, 0.8%, 0.4%

LAB 65.19, -63.31, 51.94

 

CMYK 89 / 0 / 46 / 28

HEX #14B763

RGB 20 183 99

HSL 149.08, 0.8%, 0.4%

LAB 65.68, -57.32, 32.06

 

CMYK 89 / 0 / 22 / 28

HEX #14B78E

RGB 20 183 142

HSL 164.91, 0.8%, 0.4%

LAB 66.5, -48.11, 10.14

 

CMYK 89 / 2 / 0 / 28

HEX #14B4B7

RGB 20 180 183

HSL 181.1, 0.8%, 0.4%

LAB 66.68, -35.35, -12.22

 

CMYK 89 / 0 / 46 / 57

HEX #0C6D3B

RGB 12 109 59

HSL 149.07, 0.8%, 0.24%

LAB 40.13, -38.43, 20.73

 

CMYK 89 / 0 / 46 / 43

HEX #10924F

RGB 16 146 79

HSL 149.08, 0.8%, 0.32%

LAB 53.2, -48.13, 26.54

 

CMYK 89 / 0 / 46 / 28

HEX #14B763

RGB 20 183 99

HSL 149.08, 0.8%, 0.4%

LAB 65.68, -57.32, 32.06

 

CMYK 89 / 0 / 46 / 14

HEX #18DC77

RGB 24 220 119

HSL 149.08, 0.8%, 0.48%

LAB 77.7, -66.14, 37.35

 

CMYK 77 / 0 / 40 / 9

HEX #35E88C

RGB 53 232 140

HSL 149.16, 0.8%, 0.56%

LAB 82.04, -63.98, 32.53

 

CMYK 89 / 0 / 46 / 28

HEX #14B763

RGB 20 183 99

HSL 149.08, 0.8%, 0.4%

LAB 65.68, -57.32, 32.06

 

CMYK 89 / 61 / 0 / 28

HEX #1448B7

RGB 20 72 183

HSL 220.86, 0.8%, 0.4%

LAB 34.4, 27.54, -62.95

 

CMYK 0 / 81 / 89 / 28

HEX #B72214

RGB 183 34 20

HSL 5.15, 0.8%, 0.4%

LAB 40.02, 57.06, 45.92

 

CMYK 89 / 0 / 46 / 28

HEX #14B763

RGB 20 183 99

HSL 149.08, 0.8%, 0.4%

LAB 65.68, -57.32, 32.06

 

CMYK 46 / 89 / 0 / 28

HEX #6314B7

RGB 99 20 183

HSL 269.08, 0.8%, 0.4%

LAB 30.81, 61.93, -68.63

 

CMYK 0 / 46 / 89 / 28

HEX #B76314

RGB 183 99 20

HSL 29.08, 0.8%, 0.4%

LAB 50.74, 28.89, 54.21

 

CMYK 89 / 0 / 46 / 28

HEX #14B763

RGB 20 183 99

HSL 149.08, 0.8%, 0.4%

LAB 65.68, -57.32, 32.06

 

CMYK 89 / 61 / 0 / 28

HEX #1448B7

RGB 20 72 183

HSL 220.86, 0.8%, 0.4%

LAB 34.4, 27.54, -62.95

 

CMYK 0 / 89 / 43 / 28

HEX #B71468

RGB 183 20 104

HSL 329.08, 0.8%, 0.4%

LAB 40.52, 64.66, -3.87

 

CMYK 0 / 28 / 89 / 28

HEX #B78314

RGB 183 131 20

HSL 40.86, 0.8%, 0.4%

LAB 58.37, 11.23, 60.2

 

CMYK 89 / 0 / 46 / 28

HEX #14B763

RGB 20 183 99

HSL 149.08, 0.8%, 0.4%

LAB 65.68, -57.32, 32.06

 

CMYK 89 / 87 / 0 / 28

HEX #1417B7

RGB 20 23 183

HSL 238.9, 0.8%, 0.4%

LAB 24.26, 55.56, -79.7

 

CMYK 0 / 89 / 43 / 28

HEX #B71468

RGB 183 20 104

HSL 329.08, 0.8%, 0.4%

LAB 40.52, 64.66, -3.87

 

CMYK 0 / 2 / 89 / 28

HEX #B7B414

RGB 183 180 20

HSL 58.9, 0.8%, 0.4%

LAB 71.39, -15.01, 70.48

 

Description

Color code: RGB 20 183 99 | qconv.com Color code: RGB 20 183 99 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 183 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 183 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 46 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 46% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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