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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 20 149 242 it is the complementary color RGB 235 106 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 20 149 242. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 20 149 242 shade: RGB 25 149 237, RGB 42 167 255, RGB 59 185 255, RGB 76 203 255 and RGB 93 221 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 20 149 242. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 20 149 242 shade: RGB 20 149 242, RGB 3 131 223, RGB 0 113 204, RGB 0 95 185 and RGB 0 77 166

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 20 149 242 shade: RGB 17 148 242, RGB 17 87 242, RGB 17 26 242, RGB 68 17 242 and RGB 129 17 242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 20 149 242 shade: RGB 17 148 242, RGB 17 87 242, RGB 17 26 242 and RGB 17 17 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 20 149 242 shade matches the following richer shades: RGB 17 148 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 20 149 242 shade: RGB 17 148 242, RGB 37 144 222, RGB 58 141 202, RGB 78 138 181 and RGB 98 135 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 20 149 242 shade: RGB 17 242 216, RGB 17 208 242, RGB 17 148 242, RGB 17 88 242 and RGB 17 28 242

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 20 149 242 shade: RGB 8 101 168, RGB 10 125 207, RGB 17 148 242, RGB 56 165 244 and RGB 95 183 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 20 149 242 shade: RGB 20 149 242, RGB 156 17 242 and RGB 238 242 17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 20 149 242 shade: RGB 20 149 242, RGB 242 17 148 and RGB 148 242 17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 20 149 242 shade: RGB 20 149 242, RGB 156 17 242, RGB 242 111 17 and RGB 103 242 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 20 149 242 shade: RGB 20 149 242, RGB 223 17 242, RGB 242 111 17 and RGB 36 242 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 38 / 0 / 5

HEX #1495F2

RGB 20 149 242

HSL 205.14, 0.9%, 0.51%

LAB 59.94, 1.62, -55.36

 

Complementary color

CMYK 0 / 55 / 94 / 8

HEX #EB6A0D

RGB 235 106 13

HSL 25.14, 0.9%, 0.49%

LAB 59.89, 45.98, 66.04

 

CMYK 89 / 37 / 0 / 7

HEX #1995ED

RGB 25 149 237

HSL 204.91, 0.85%, 0.51%

LAB 59.72, -0.02, -52.94

 

CMYK 84 / 35 / 0 / 0

HEX #2AA7FF

RGB 42 167 255

HSL 204.79, 1%, 0.58%

LAB 66.02, -2.74, -52.8

 

CMYK 77 / 27 / 0 / 0

HEX #3BB9FF

RGB 59 185 255

HSL 201.43, 1%, 0.62%

LAB 71.45, -11.2, -44.22

 

CMYK 70 / 20 / 0 / 0

HEX #4CCBFF

RGB 76 203 255

HSL 197.43, 1%, 0.65%

LAB 76.96, -18.7, -35.61

 

CMYK 64 / 13 / 0 / 0

HEX #5DDDFF

RGB 93 221 255

HSL 192.59, 1%, 0.68%

LAB 82.52, -25.32, -27.03

 

CMYK 92 / 38 / 0 / 5

HEX #1495F2

RGB 20 149 242

HSL 205.14, 0.9%, 0.51%

LAB 59.94, 1.62, -55.36

 

CMYK 99 / 41 / 0 / 13

HEX #0383DF

RGB 3 131 223

HSL 205.09, 0.97%, 0.44%

LAB 53.58, 4.62, -54.96

 

CMYK 100 / 45 / 0 / 20

HEX #0071CC

RGB 0 113 204

HSL 206.76, 1%, 0.4%

LAB 47.2, 8.23, -54.43

 

CMYK 100 / 49 / 0 / 27

HEX #005FB9

RGB 0 95 185

HSL 209.19, 1%, 0.36%

LAB 40.71, 12.16, -53.88

 

CMYK 100 / 54 / 0 / 35

HEX #004DA6

RGB 0 77 166

HSL 212.17, 1%, 0.33%

LAB 34.11, 16.35, -53.33

 

CMYK 93 / 39 / 0 / 5

HEX #1194F2

RGB 17 148 242

HSL 205.07, 0.9%, 0.51%

LAB 59.63, 2.09, -55.86

 

CMYK 93 / 64 / 0 / 5

HEX #1157F2

RGB 17 87 242

HSL 221.33, 0.9%, 0.51%

LAB 43.28, 40.21, -82.34

 

CMYK 93 / 89 / 0 / 5

HEX #111AF2

RGB 17 26 242

HSL 237.6, 0.9%, 0.51%

LAB 32.41, 70.97, -100.35

 

CMYK 72 / 93 / 0 / 5

HEX #4411F2

RGB 68 17 242

HSL 253.6, 0.9%, 0.51%

LAB 34.07, 74.54, -97.52

 

CMYK 47 / 93 / 0 / 5

HEX #8111F2

RGB 129 17 242

HSL 269.87, 0.9%, 0.51%

LAB 40.38, 78.56, -86.87

 

CMYK 93 / 39 / 0 / 5

HEX #1194F2

RGB 17 148 242

HSL 205.07, 0.9%, 0.51%

LAB 59.63, 2.09, -55.86

 

CMYK 93 / 64 / 0 / 5

HEX #1157F2

RGB 17 87 242

HSL 221.33, 0.9%, 0.51%

LAB 43.28, 40.21, -82.34

 

CMYK 93 / 89 / 0 / 5

HEX #111AF2

RGB 17 26 242

HSL 237.6, 0.9%, 0.51%

LAB 32.41, 70.97, -100.35

 

CMYK 93 / 93 / 0 / 5

HEX #1111F2

RGB 17 17 242

HSL 240, 0.9%, 0.51%

LAB 31.65, 73.31, -101.62

 

CMYK 93 / 39 / 0 / 5

HEX #1194F2

RGB 17 148 242

HSL 205.07, 0.9%, 0.51%

LAB 59.63, 2.09, -55.86

 

CMYK 93 / 39 / 0 / 5

HEX #1194F2

RGB 17 148 242

HSL 205.07, 0.9%, 0.51%

LAB 59.63, 2.09, -55.86

 

CMYK 83 / 35 / 0 / 13

HEX #2590DE

RGB 37 144 222

HSL 205.3, 0.74%, 0.51%

LAB 57.67, -1.85, -47.86

 

CMYK 71 / 30 / 0 / 21

HEX #3A8DCA

RGB 58 141 202

HSL 205.42, 0.58%, 0.51%

LAB 56.3, -4.97, -38.76

 

CMYK 57 / 24 / 0 / 29

HEX #4E8AB5

RGB 78 138 181

HSL 205.05, 0.41%, 0.51%

LAB 55.21, -6.74, -28.48

 

CMYK 39 / 16 / 0 / 37

HEX #6287A1

RGB 98 135 161

HSL 204.76, 0.25%, 0.51%

LAB 54.55, -6.04, -17.92

 

CMYK 93 / 0 / 11 / 5

HEX #11F2D8

RGB 17 242 216

HSL 173.07, 0.9%, 0.51%

LAB 86.3, -53.04, -0.93

 

CMYK 93 / 14 / 0 / 5

HEX #11D0F2

RGB 17 208 242

HSL 189.07, 0.9%, 0.51%

LAB 77.07, -30.19, -28.57

 

CMYK 93 / 39 / 0 / 5

HEX #1194F2

RGB 17 148 242

HSL 205.07, 0.9%, 0.51%

LAB 59.63, 2.09, -55.86

 

CMYK 93 / 64 / 0 / 5

HEX #1158F2

RGB 17 88 242

HSL 221.07, 0.9%, 0.51%

LAB 43.52, 39.58, -81.94

 

CMYK 93 / 88 / 0 / 5

HEX #111CF2

RGB 17 28 242

HSL 237.07, 0.9%, 0.51%

LAB 32.61, 70.35, -100.01

 

CMYK 95 / 40 / 0 / 34

HEX #0865A8

RGB 8 101 168

HSL 205.13, 0.91%, 0.35%

LAB 41.51, 1.69, -42.61

 

CMYK 95 / 40 / 0 / 19

HEX #0A7DCF

RGB 10 125 207

HSL 204.97, 0.91%, 0.43%

LAB 50.96, 2.28, -50.1

 

CMYK 93 / 39 / 0 / 5

HEX #1194F2

RGB 17 148 242

HSL 205.07, 0.9%, 0.51%

LAB 59.63, 2.09, -55.86

 

CMYK 77 / 32 / 0 / 4

HEX #38A5F4

RGB 56 165 244

HSL 205.21, 0.9%, 0.59%

LAB 65.19, -4.24, -48.1

 

CMYK 61 / 26 / 0 / 4

HEX #5FB7F6

RGB 95 183 246

HSL 205.03, 0.89%, 0.67%

LAB 71.52, -7.99, -39.17

 

CMYK 92 / 38 / 0 / 5

HEX #1495F2

RGB 20 149 242

HSL 205.14, 0.9%, 0.51%

LAB 59.94, 1.62, -55.36

 

CMYK 36 / 93 / 0 / 5

HEX #9C11F2

RGB 156 17 242

HSL 277.07, 0.9%, 0.51%

LAB 44.06, 81.32, -80.68

 

CMYK 2 / 0 / 93 / 5

HEX #EEF211

RGB 238 242 17

HSL 61.07, 0.9%, 0.51%

LAB 92.45, -22.23, 89.1

 

CMYK 92 / 38 / 0 / 5

HEX #1495F2

RGB 20 149 242

HSL 205.14, 0.9%, 0.51%

LAB 59.94, 1.62, -55.36

 

CMYK 0 / 93 / 39 / 5

HEX #F21194

RGB 242 17 148

HSL 325.07, 0.9%, 0.51%

LAB 53.4, 82.19, -10.38

 

CMYK 39 / 0 / 93 / 5

HEX #94F211

RGB 148 242 17

HSL 85.07, 0.9%, 0.51%

LAB 86.92, -56.63, 82.39

 

CMYK 92 / 38 / 0 / 5

HEX #1495F2

RGB 20 149 242

HSL 205.14, 0.9%, 0.51%

LAB 59.94, 1.62, -55.36

 

CMYK 36 / 93 / 0 / 5

HEX #9C11F2

RGB 156 17 242

HSL 277.07, 0.9%, 0.51%

LAB 44.06, 81.32, -80.68

 

CMYK 0 / 54 / 93 / 5

HEX #F26F11

RGB 242 111 17

HSL 25.07, 0.9%, 0.51%

LAB 61.9, 46.27, 67.05

 

CMYK 57 / 0 / 93 / 5

HEX #67F211

RGB 103 242 17

HSL 97.07, 0.9%, 0.51%

LAB 85.21, -69.72, 80.3

 

CMYK 92 / 38 / 0 / 5

HEX #1495F2

RGB 20 149 242

HSL 205.14, 0.9%, 0.51%

LAB 59.94, 1.62, -55.36

 

CMYK 8 / 93 / 0 / 5

HEX #DF11F2

RGB 223 17 242

HSL 294.93, 0.9%, 0.51%

LAB 54.55, 90.32, -63.15

 

CMYK 0 / 54 / 93 / 5

HEX #F26F11

RGB 242 111 17

HSL 25.07, 0.9%, 0.51%

LAB 61.9, 46.27, 67.05

 

CMYK 85 / 0 / 93 / 5

HEX #24F211

RGB 36 242 17

HSL 114.93, 0.9%, 0.51%

LAB 83.92, -80.78, 78.71

 

Description

Color code: RGB 20 149 242 | qconv.com Color code: RGB 20 149 242 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 149 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 149 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 38 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 38% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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