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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 20 146 188 it is the complementary color RGB 235 109 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 20 146 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 20 146 188 shade: RGB 25 146 183, RGB 42 164 202, RGB 59 182 221, RGB 76 200 240 and RGB 93 218 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 20 146 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 20 146 188 shade: RGB 20 146 188, RGB 3 128 169, RGB 0 110 150, RGB 0 92 131 and RGB 0 74 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 20 146 188 shade: RGB 19 146 189, RGB 19 101 189, RGB 19 55 189, RGB 29 19 189 and RGB 75 19 189

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 20 146 188 shade: RGB 19 146 189, RGB 19 101 189, RGB 19 55 189 and RGB 19 19 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 20 146 188 shade matches the following richer shades: RGB 19 146 189 and RGB 2 155 206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 20 146 188 shade: RGB 19 146 189, RGB 36 138 172, RGB 53 129 155, RGB 70 121 138 and RGB 87 113 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 20 146 188 shade: RGB 19 189 141, RGB 19 189 186, RGB 19 146 189, RGB 19 101 189 and RGB 19 56 189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 20 146 188 shade: RGB 12 88 114, RGB 15 117 151, RGB 19 146 189, RGB 23 175 226 and RGB 57 190 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 20 146 188 shade: RGB 20 146 188, RGB 96 19 189 and RGB 189 163 19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 20 146 188 shade: RGB 20 146 188, RGB 189 19 146 and RGB 146 189 19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 20 146 188 shade: RGB 20 146 188, RGB 96 19 189, RGB 189 62 19 and RGB 113 189 19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 20 146 188 shade: RGB 20 146 188, RGB 146 19 189, RGB 189 62 19 and RGB 62 189 19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 22 / 0 / 26

HEX #1492BC

RGB 20 146 188

HSL 195, 0.81%, 0.41%

LAB 56.42, -16.55, -30.7

 

Complementary color

CMYK 0 / 54 / 71 / 8

HEX #EB6D43

RGB 235 109 67

HSL 15, 0.81%, 0.59%

LAB 60.79, 46.03, 46.05

 

CMYK 86 / 20 / 0 / 28

HEX #1992B7

RGB 25 146 183

HSL 194.05, 0.76%, 0.41%

LAB 56.27, -18, -28.09

 

CMYK 79 / 19 / 0 / 21

HEX #2AA4CA

RGB 42 164 202

HSL 194.25, 0.66%, 0.48%

LAB 62.77, -19.62, -28.72

 

CMYK 73 / 18 / 0 / 13

HEX #3BB6DD

RGB 59 182 221

HSL 194.44, 0.7%, 0.55%

LAB 69.19, -20.87, -29.27

 

CMYK 68 / 17 / 0 / 6

HEX #4CC8F0

RGB 76 200 240

HSL 194.63, 0.85%, 0.62%

LAB 75.54, -21.86, -29.77

 

CMYK 64 / 15 / 0 / 0

HEX #5DDAFF

RGB 93 218 255

HSL 193.7, 1%, 0.68%

LAB 81.67, -23.83, -28.33

 

CMYK 89 / 22 / 0 / 26

HEX #1492BC

RGB 20 146 188

HSL 195, 0.81%, 0.41%

LAB 56.42, -16.55, -30.7

 

CMYK 98 / 24 / 0 / 34

HEX #0380A9

RGB 3 128 169

HSL 194.82, 0.97%, 0.34%

LAB 49.88, -14.28, -29.99

 

CMYK 100 / 27 / 0 / 41

HEX #006E96

RGB 0 110 150

HSL 196, 1%, 0.29%

LAB 43.29, -11.31, -29.13

 

CMYK 100 / 30 / 0 / 49

HEX #005C83

RGB 0 92 131

HSL 197.86, 1%, 0.26%

LAB 36.54, -8.05, -28.26

 

CMYK 100 / 34 / 0 / 56

HEX #004A70

RGB 0 74 112

HSL 200.36, 1%, 0.22%

LAB 29.58, -4.57, -27.43

 

CMYK 90 / 23 / 0 / 26

HEX #1392BD

RGB 19 146 189

HSL 195.18, 0.82%, 0.41%

LAB 56.46, -16.25, -31.21

 

CMYK 90 / 47 / 0 / 26

HEX #1365BD

RGB 19 101 189

HSL 211.06, 0.82%, 0.41%

LAB 42.94, 10.67, -52.6

 

CMYK 90 / 71 / 0 / 26

HEX #1337BD

RGB 19 55 189

HSL 227.29, 0.82%, 0.41%

LAB 30.75, 40.83, -72.5

 

CMYK 85 / 90 / 0 / 26

HEX #1D13BD

RGB 29 19 189

HSL 243.53, 0.82%, 0.41%

LAB 24.96, 58.92, -82.1

 

CMYK 60 / 90 / 0 / 26

HEX #4B13BD

RGB 75 19 189

HSL 259.76, 0.82%, 0.41%

LAB 28.47, 61.34, -76.15

 

CMYK 90 / 23 / 0 / 26

HEX #1392BD

RGB 19 146 189

HSL 195.18, 0.82%, 0.41%

LAB 56.46, -16.25, -31.21

 

CMYK 90 / 47 / 0 / 26

HEX #1365BD

RGB 19 101 189

HSL 211.06, 0.82%, 0.41%

LAB 42.94, 10.67, -52.6

 

CMYK 90 / 71 / 0 / 26

HEX #1337BD

RGB 19 55 189

HSL 227.29, 0.82%, 0.41%

LAB 30.75, 40.83, -72.5

 

CMYK 90 / 90 / 0 / 26

HEX #1313BD

RGB 19 19 189

HSL 240, 0.82%, 0.41%

LAB 24.57, 58.68, -82.75

 

CMYK 90 / 23 / 0 / 26

HEX #1392BD

RGB 19 146 189

HSL 195.18, 0.82%, 0.41%

LAB 56.46, -16.25, -31.21

 

CMYK 99 / 25 / 0 / 19

HEX #029BCE

RGB 2 155 206

HSL 195, 0.98%, 0.41%

LAB 59.81, -15.7, -35.58

 

CMYK 90 / 23 / 0 / 26

HEX #1392BD

RGB 19 146 189

HSL 195.18, 0.82%, 0.41%

LAB 56.46, -16.25, -31.21

 

CMYK 79 / 20 / 0 / 33

HEX #248AAC

RGB 36 138 172

HSL 195, 0.65%, 0.41%

LAB 53.53, -16.52, -26.03

 

CMYK 66 / 17 / 0 / 39

HEX #35819B

RGB 53 129 155

HSL 195.29, 0.49%, 0.41%

LAB 50.48, -14.95, -20.85

 

CMYK 49 / 12 / 0 / 46

HEX #46798A

RGB 70 121 138

HSL 195, 0.33%, 0.41%

LAB 48.02, -12.21, -14.57

 

CMYK 28 / 7 / 0 / 53

HEX #577179

RGB 87 113 121

HSL 194.12, 0.16%, 0.41%

LAB 45.93, -7.44, -7.53

 

CMYK 90 / 0 / 25 / 26

HEX #13BD8D

RGB 19 189 141

HSL 163.06, 0.82%, 0.41%

LAB 68.36, -50.79, 13.31

 

CMYK 90 / 0 / 2 / 26

HEX #13BDBA

RGB 19 189 186

HSL 178.94, 0.82%, 0.41%

LAB 69.53, -38.63, -9.62

 

CMYK 90 / 23 / 0 / 26

HEX #1392BD

RGB 19 146 189

HSL 195.18, 0.82%, 0.41%

LAB 56.46, -16.25, -31.21

 

CMYK 90 / 47 / 0 / 26

HEX #1365BD

RGB 19 101 189

HSL 211.06, 0.82%, 0.41%

LAB 42.94, 10.67, -52.6

 

CMYK 90 / 70 / 0 / 26

HEX #1338BD

RGB 19 56 189

HSL 226.94, 0.82%, 0.41%

LAB 30.98, 40.21, -72.12

 

CMYK 89 / 23 / 0 / 55

HEX #0C5872

RGB 12 88 114

HSL 195.29, 0.81%, 0.25%

LAB 34.54, -11.54, -20.9

 

CMYK 90 / 23 / 0 / 41

HEX #0F7597

RGB 15 117 151

HSL 195, 0.82%, 0.33%

LAB 45.71, -14.18, -25.93

 

CMYK 90 / 23 / 0 / 26

HEX #1392BD

RGB 19 146 189

HSL 195.18, 0.82%, 0.41%

LAB 56.46, -16.25, -31.21

 

CMYK 90 / 23 / 0 / 11

HEX #17AFE2

RGB 23 175 226

HSL 195.07, 0.82%, 0.49%

LAB 66.77, -18.59, -35.79

 

CMYK 76 / 19 / 0 / 8

HEX #39BEEA

RGB 57 190 234

HSL 194.92, 0.81%, 0.57%

LAB 71.99, -21.03, -32.04

 

CMYK 89 / 22 / 0 / 26

HEX #1492BC

RGB 20 146 188

HSL 195, 0.81%, 0.41%

LAB 56.42, -16.55, -30.7

 

CMYK 49 / 90 / 0 / 26

HEX #6013BD

RGB 96 19 189

HSL 267.18, 0.82%, 0.41%

LAB 30.94, 63.24, -71.99

 

CMYK 0 / 14 / 90 / 26

HEX #BDA313

RGB 189 163 19

HSL 50.82, 0.82%, 0.41%

LAB 67.32, -3.51, 67.69

 

CMYK 89 / 22 / 0 / 26

HEX #1492BC

RGB 20 146 188

HSL 195, 0.81%, 0.41%

LAB 56.42, -16.55, -30.7

 

CMYK 0 / 90 / 23 / 26

HEX #BD1392

RGB 189 19 146

HSL 315.18, 0.82%, 0.41%

LAB 43.3, 70.66, -25.51

 

CMYK 23 / 0 / 90 / 26

HEX #92BD13

RGB 146 189 19

HSL 75.18, 0.82%, 0.41%

LAB 71.25, -35.01, 69.41

 

CMYK 89 / 22 / 0 / 26

HEX #1492BC

RGB 20 146 188

HSL 195, 0.81%, 0.41%

LAB 56.42, -16.55, -30.7

 

CMYK 49 / 90 / 0 / 26

HEX #6013BD

RGB 96 19 189

HSL 267.18, 0.82%, 0.41%

LAB 30.94, 63.24, -71.99

 

CMYK 0 / 67 / 90 / 26

HEX #BD3E13

RGB 189 62 19

HSL 15.18, 0.82%, 0.41%

LAB 44.68, 49.26, 50.34

 

CMYK 40 / 0 / 90 / 26

HEX #71BD13

RGB 113 189 19

HSL 86.82, 0.82%, 0.41%

LAB 69.44, -47.37, 67.17

 

CMYK 89 / 22 / 0 / 26

HEX #1492BC

RGB 20 146 188

HSL 195, 0.81%, 0.41%

LAB 56.42, -16.55, -30.7

 

CMYK 23 / 90 / 0 / 26

HEX #9213BD

RGB 146 19 189

HSL 284.82, 0.82%, 0.41%

LAB 38.29, 69.57, -59.66

 

CMYK 0 / 67 / 90 / 26

HEX #BD3E13

RGB 189 62 19

HSL 15.18, 0.82%, 0.41%

LAB 44.68, 49.26, 50.34

 

CMYK 67 / 0 / 90 / 26

HEX #3EBD13

RGB 62 189 19

HSL 104.82, 0.82%, 0.41%

LAB 67.63, -61.57, 64.92

 

Description

Color code: RGB 20 146 188 | qconv.com Color code: RGB 20 146 188 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 146 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 146 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 22 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 22% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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