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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 20 137 193 it is the complementary color RGB 235 118 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 20 137 193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 20 137 193 shade: RGB 25 137 188, RGB 42 155 207, RGB 59 173 226, RGB 76 191 245 and RGB 93 209 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 20 137 193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 20 137 193 shade: RGB 20 137 193, RGB 3 119 174, RGB 0 101 155, RGB 0 83 136 and RGB 0 65 117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 20 137 193 shade: RGB 20 137 193, RGB 20 90 193, RGB 20 44 193, RGB 43 20 193 and RGB 90 20 193

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 20 137 193 shade: RGB 20 137 193, RGB 20 90 193, RGB 20 44 193 and RGB 20 20 193

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 20 137 193 shade matches the following richer shades: RGB 20 137 193 and RGB 3 143 211

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 20 137 193 shade: RGB 20 137 193, RGB 37 131 176, RGB 55 125 159, RGB 72 119 141 and RGB 89 113 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 20 137 193 shade: RGB 20 193 156, RGB 20 185 193, RGB 20 138 193, RGB 20 92 193 and RGB 20 46 193

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 20 137 193 shade: RGB 12 84 119, RGB 16 111 156, RGB 20 137 193, RGB 24 164 230 and RGB 61 178 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 20 137 193 shade: RGB 20 137 193, RGB 109 20 193 and RGB 193 179 20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 20 137 193 shade: RGB 20 137 193, RGB 193 20 138 and RGB 138 193 20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 20 137 193 shade: RGB 20 137 193, RGB 109 20 193, RGB 193 75 20 and RGB 104 193 20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 20 137 193 shade: RGB 20 137 193, RGB 162 20 193, RGB 193 75 20 and RGB 52 193 20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 29 / 0 / 24

HEX #1489C1

RGB 20 137 193

HSL 199.42, 0.81%, 0.42%

LAB 53.91, -9.71, -37.46

 

Complementary color

CMYK 0 / 50 / 74 / 8

HEX #EB763E

RGB 235 118 62

HSL 19.42, 0.81%, 0.58%

LAB 62.48, 41.38, 50.37

 

CMYK 87 / 27 / 0 / 26

HEX #1989BC

RGB 25 137 188

HSL 198.77, 0.77%, 0.42%

LAB 53.74, -11.23, -34.88

 

CMYK 80 / 25 / 0 / 19

HEX #2A9BCF

RGB 42 155 207

HSL 198.91, 0.66%, 0.49%

LAB 60.28, -13.05, -35.36

 

CMYK 74 / 23 / 0 / 11

HEX #3BADE2

RGB 59 173 226

HSL 199.04, 0.74%, 0.56%

LAB 66.75, -14.48, -35.78

 

CMYK 69 / 22 / 0 / 4

HEX #4CBFF5

RGB 76 191 245

HSL 199.17, 0.89%, 0.63%

LAB 73.15, -15.62, -36.15

 

CMYK 64 / 18 / 0 / 0

HEX #5DD1FF

RGB 93 209 255

HSL 197.04, 1%, 0.68%

LAB 79.13, -19.28, -32.23

 

CMYK 90 / 29 / 0 / 24

HEX #1489C1

RGB 20 137 193

HSL 199.42, 0.81%, 0.42%

LAB 53.91, -9.71, -37.46

 

CMYK 98 / 32 / 0 / 32

HEX #0377AE

RGB 3 119 174

HSL 199.3, 0.97%, 0.35%

LAB 47.33, -7.18, -36.9

 

CMYK 100 / 35 / 0 / 39

HEX #00659B

RGB 0 101 155

HSL 200.9, 1%, 0.3%

LAB 40.69, -3.92, -36.2

 

CMYK 100 / 39 / 0 / 47

HEX #005388

RGB 0 83 136

HSL 203.38, 1%, 0.27%

LAB 33.91, -0.31, -35.49

 

CMYK 100 / 44 / 0 / 54

HEX #004175

RGB 0 65 117

HSL 206.67, 1%, 0.23%

LAB 26.92, 3.61, -34.82

 

CMYK 90 / 29 / 0 / 24

HEX #1489C1

RGB 20 137 193

HSL 199.42, 0.81%, 0.42%

LAB 53.91, -9.71, -37.46

 

CMYK 90 / 53 / 0 / 24

HEX #145AC1

RGB 20 90 193

HSL 215.72, 0.81%, 0.42%

LAB 40.1, 19.52, -59.53

 

CMYK 90 / 77 / 0 / 24

HEX #142CC1

RGB 20 44 193

HSL 231.68, 0.81%, 0.42%

LAB 28.9, 48.74, -77.9

 

CMYK 78 / 90 / 0 / 24

HEX #2B14C1

RGB 43 20 193

HSL 247.98, 0.81%, 0.42%

LAB 26.34, 60.2, -82.13

 

CMYK 53 / 90 / 0 / 24

HEX #5A14C1

RGB 90 20 193

HSL 264.28, 0.81%, 0.42%

LAB 30.7, 63.35, -74.78

 

CMYK 90 / 29 / 0 / 24

HEX #1489C1

RGB 20 137 193

HSL 199.42, 0.81%, 0.42%

LAB 53.91, -9.71, -37.46

 

CMYK 90 / 53 / 0 / 24

HEX #145AC1

RGB 20 90 193

HSL 215.72, 0.81%, 0.42%

LAB 40.1, 19.52, -59.53

 

CMYK 90 / 77 / 0 / 24

HEX #142CC1

RGB 20 44 193

HSL 231.68, 0.81%, 0.42%

LAB 28.9, 48.74, -77.9

 

CMYK 90 / 90 / 0 / 24

HEX #1414C1

RGB 20 20 193

HSL 240, 0.81%, 0.42%

LAB 25.26, 59.49, -83.97

 

CMYK 90 / 29 / 0 / 24

HEX #1489C1

RGB 20 137 193

HSL 199.42, 0.81%, 0.42%

LAB 53.91, -9.71, -37.46

 

CMYK 99 / 32 / 0 / 17

HEX #038FD3

RGB 3 143 211

HSL 199.62, 0.97%, 0.42%

LAB 56.45, -7.09, -43.65

 

CMYK 90 / 29 / 0 / 24

HEX #1489C1

RGB 20 137 193

HSL 199.42, 0.81%, 0.42%

LAB 53.91, -9.71, -37.46

 

CMYK 79 / 26 / 0 / 31

HEX #2583B0

RGB 37 131 176

HSL 199.42, 0.65%, 0.42%

LAB 51.57, -11.1, -31.38

 

CMYK 65 / 21 / 0 / 38

HEX #377D9F

RGB 55 125 159

HSL 199.62, 0.49%, 0.42%

LAB 49.48, -11.02, -24.73

 

CMYK 49 / 16 / 0 / 45

HEX #48778D

RGB 72 119 141

HSL 199.13, 0.32%, 0.42%

LAB 47.62, -9.67, -16.95

 

CMYK 28 / 9 / 0 / 51

HEX #59717C

RGB 89 113 124

HSL 198.86, 0.16%, 0.42%

LAB 46.16, -6.02, -8.96

 

CMYK 90 / 0 / 19 / 24

HEX #14C19C

RGB 20 193 156

HSL 167.17, 0.81%, 0.42%

LAB 69.96, -48.62, 7.43

 

CMYK 90 / 4 / 0 / 24

HEX #14B9C1

RGB 20 185 193

HSL 182.77, 0.81%, 0.42%

LAB 68.53, -34.61, -14.96

 

CMYK 90 / 28 / 0 / 24

HEX #148AC1

RGB 20 138 193

HSL 199.08, 0.81%, 0.42%

LAB 54.21, -10.28, -36.99

 

CMYK 90 / 52 / 0 / 24

HEX #145CC1

RGB 20 92 193

HSL 215.03, 0.81%, 0.42%

LAB 40.66, 18.2, -58.62

 

CMYK 90 / 76 / 0 / 24

HEX #142EC1

RGB 20 46 193

HSL 230.98, 0.81%, 0.42%

LAB 29.29, 47.63, -77.26

 

CMYK 90 / 29 / 0 / 53

HEX #0C5477

RGB 12 84 119

HSL 199.63, 0.82%, 0.26%

LAB 33.46, -7.13, -25.7

 

CMYK 90 / 29 / 0 / 39

HEX #106F9C

RGB 16 111 156

HSL 199.29, 0.81%, 0.34%

LAB 44.06, -8.75, -31.47

 

CMYK 90 / 29 / 0 / 24

HEX #1489C1

RGB 20 137 193

HSL 199.42, 0.81%, 0.42%

LAB 53.91, -9.71, -37.46

 

CMYK 90 / 29 / 0 / 10

HEX #18A4E6

RGB 24 164 230

HSL 199.22, 0.81%, 0.5%

LAB 63.72, -11.18, -42.76

 

CMYK 74 / 24 / 0 / 8

HEX #3DB2EA

RGB 61 178 234

HSL 199.42, 0.8%, 0.58%

LAB 68.59, -14.26, -37.3

 

CMYK 90 / 29 / 0 / 24

HEX #1489C1

RGB 20 137 193

HSL 199.42, 0.81%, 0.42%

LAB 53.91, -9.71, -37.46

 

CMYK 44 / 90 / 0 / 24

HEX #6D14C1

RGB 109 20 193

HSL 270.87, 0.81%, 0.42%

LAB 33.14, 65.32, -70.67

 

CMYK 0 / 7 / 90 / 24

HEX #C1B314

RGB 193 179 20

HSL 55.14, 0.81%, 0.42%

LAB 71.98, -10.11, 71.31

 

CMYK 90 / 29 / 0 / 24

HEX #1489C1

RGB 20 137 193

HSL 199.42, 0.81%, 0.42%

LAB 53.91, -9.71, -37.46

 

CMYK 0 / 90 / 28 / 24

HEX #C1148A

RGB 193 20 138

HSL 319.08, 0.81%, 0.42%

LAB 43.76, 70.41, -19.87

 

CMYK 28 / 0 / 90 / 24

HEX #8AC114

RGB 138 193 20

HSL 79.08, 0.81%, 0.42%

LAB 71.96, -39.91, 69.62

 

CMYK 90 / 29 / 0 / 24

HEX #1489C1

RGB 20 137 193

HSL 199.42, 0.81%, 0.42%

LAB 53.91, -9.71, -37.46

 

CMYK 44 / 90 / 0 / 24

HEX #6D14C1

RGB 109 20 193

HSL 270.87, 0.81%, 0.42%

LAB 33.14, 65.32, -70.67

 

CMYK 0 / 61 / 90 / 24

HEX #C14B14

RGB 193 75 20

HSL 19.08, 0.81%, 0.42%

LAB 47.52, 44.99, 52.43

 

CMYK 46 / 0 / 90 / 24

HEX #68C114

RGB 104 193 20

HSL 90.87, 0.81%, 0.42%

LAB 70.27, -51.9, 67.53

 

CMYK 90 / 29 / 0 / 24

HEX #1489C1

RGB 20 137 193

HSL 199.42, 0.81%, 0.42%

LAB 53.91, -9.71, -37.46

 

CMYK 16 / 90 / 0 / 24

HEX #A214C1

RGB 162 20 193

HSL 289.25, 0.81%, 0.42%

LAB 41.27, 72.56, -57.06

 

CMYK 0 / 61 / 90 / 24

HEX #C14B14

RGB 193 75 20

HSL 19.08, 0.81%, 0.42%

LAB 47.52, 44.99, 52.43

 

CMYK 73 / 0 / 90 / 24

HEX #34C114

RGB 52 193 20

HSL 108.9, 0.81%, 0.42%

LAB 68.69, -64.66, 65.57

 

Description

Color code: RGB 20 137 193 | qconv.com Color code: RGB 20 137 193 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 137 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 137 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 29 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 29% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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