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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 20 43 173 it is the complementary color RGB 235 212 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 20 43 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 20 43 173 shade: RGB 25 43 168, RGB 42 61 187, RGB 59 79 206, RGB 76 97 225 and RGB 93 115 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 20 43 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 20 43 173 shade: RGB 20 43 173, RGB 3 25 154, RGB 0 7 135, RGB 0 0 116 and RGB 0 0 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 20 43 173 shade: RGB 20 43 173, RGB 38 20 173, RGB 79 20 173, RGB 121 20 173 and RGB 162 20 173

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 20 43 173 shade: RGB 20 43 173 and RGB 20 20 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 20 43 173 shade matches the following richer shades: RGB 20 43 173 and RGB 4 32 189

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 20 43 173 shade: RGB 20 43 173, RGB 36 54 157, RGB 51 65 142, RGB 67 76 126 and RGB 83 87 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 20 43 173 shade: RGB 20 127 173, RGB 20 86 173, RGB 20 45 173, RGB 35 20 173 and RGB 76 20 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 20 43 173 shade: RGB 11 24 99, RGB 16 34 136, RGB 20 43 173, RGB 24 52 210 and RGB 45 73 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 20 43 173 shade: RGB 20 43 173, RGB 173 20 168 and RGB 107 173 20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 20 43 173 shade: RGB 20 43 173, RGB 173 20 45 and RGB 45 173 20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 20 43 173 shade: RGB 20 43 173, RGB 173 20 168, RGB 173 147 20 and RGB 20 173 25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 20 43 173 shade: RGB 20 43 173, RGB 173 20 122, RGB 173 147 20 and RGB 20 173 71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 75 / 0 / 32

HEX #142BAD

RGB 20 43 173

HSL 230.98, 0.79%, 0.38%

LAB 26.43, 42.41, -70.11

 

Complementary color

CMYK 0 / 10 / 65 / 8

HEX #EBD452

RGB 235 212 82

HSL 50.98, 0.79%, 0.62%

LAB 84.67, -6.6, 64.89

 

CMYK 85 / 74 / 0 / 34

HEX #192BA8

RGB 25 43 168

HSL 232.45, 0.74%, 0.38%

LAB 26.04, 40.89, -67.73

 

CMYK 78 / 67 / 0 / 27

HEX #2A3DBB

RGB 42 61 187

HSL 232.14, 0.63%, 0.45%

LAB 32.74, 37.88, -68.01

 

CMYK 71 / 62 / 0 / 19

HEX #3B4FCE

RGB 59 79 206

HSL 231.84, 0.6%, 0.52%

LAB 39.54, 35.16, -67.91

 

CMYK 66 / 57 / 0 / 12

HEX #4C61E1

RGB 76 97 225

HSL 231.54, 0.71%, 0.59%

LAB 46.34, 32.82, -67.67

 

CMYK 62 / 53 / 0 / 4

HEX #5D73F4

RGB 93 115 244

HSL 231.26, 0.87%, 0.66%

LAB 53.08, 30.82, -67.36

 

CMYK 88 / 75 / 0 / 32

HEX #142BAD

RGB 20 43 173

HSL 230.98, 0.79%, 0.38%

LAB 26.43, 42.41, -70.11

 

CMYK 98 / 84 / 0 / 40

HEX #03199A

RGB 3 25 154

HSL 231.26, 0.96%, 0.31%

LAB 20.23, 45.29, -68.86

 

CMYK 100 / 95 / 0 / 47

HEX #000787

RGB 0 7 135

HSL 236.89, 1%, 0.26%

LAB 14.96, 46.75, -65.83

 

CMYK 100 / 100 / 0 / 55

HEX #000074

RGB 0 0 116

HSL 240, 1%, 0.23%

LAB 11, 44.27, -60.29

 

CMYK 100 / 100 / 0 / 62

HEX #000061

RGB 0 0 97

HSL 240, 1%, 0.19%

LAB 7.8, 39.01, -53.13

 

CMYK 88 / 75 / 0 / 32

HEX #142BAD

RGB 20 43 173

HSL 230.98, 0.79%, 0.38%

LAB 26.43, 42.41, -70.11

 

CMYK 78 / 88 / 0 / 32

HEX #2614AD

RGB 38 20 173

HSL 247.06, 0.79%, 0.38%

LAB 23.44, 54.42, -75.05

 

CMYK 54 / 88 / 0 / 32

HEX #4F14AD

RGB 79 20 173

HSL 263.14, 0.79%, 0.38%

LAB 27.24, 57.41, -68.63

 

CMYK 30 / 88 / 0 / 32

HEX #7914AD

RGB 121 20 173

HSL 279.61, 0.79%, 0.38%

LAB 33.1, 62.59, -58.79

 

CMYK 6 / 88 / 0 / 32

HEX #A214AD

RGB 162 20 173

HSL 295.69, 0.79%, 0.38%

LAB 39.91, 69.18, -47.43

 

CMYK 88 / 75 / 0 / 32

HEX #142BAD

RGB 20 43 173

HSL 230.98, 0.79%, 0.38%

LAB 26.43, 42.41, -70.11

 

CMYK 88 / 88 / 0 / 32

HEX #1414AD

RGB 20 20 173

HSL 240, 0.79%, 0.38%

LAB 22.54, 53.76, -76.58

 

CMYK 88 / 75 / 0 / 32

HEX #142BAD

RGB 20 43 173

HSL 230.98, 0.79%, 0.38%

LAB 26.43, 42.41, -70.11

 

CMYK 98 / 83 / 0 / 26

HEX #0420BD

RGB 4 32 189

HSL 230.92, 0.96%, 0.38%

LAB 25.96, 53.21, -80.44

 

CMYK 88 / 75 / 0 / 32

HEX #142BAD

RGB 20 43 173

HSL 230.98, 0.79%, 0.38%

LAB 26.43, 42.41, -70.11

 

CMYK 77 / 66 / 0 / 38

HEX #24369D

RGB 36 54 157

HSL 231.07, 0.63%, 0.38%

LAB 27.97, 30.78, -57.87

 

CMYK 64 / 54 / 0 / 44

HEX #33418E

RGB 51 65 142

HSL 230.77, 0.47%, 0.38%

LAB 30.49, 19.99, -44.56

 

CMYK 47 / 40 / 0 / 51

HEX #434C7E

RGB 67 76 126

HSL 230.85, 0.31%, 0.38%

LAB 33.71, 10.78, -29.48

 

CMYK 25 / 21 / 0 / 57

HEX #53576E

RGB 83 87 110

HSL 231.11, 0.14%, 0.38%

LAB 37.45, 4, -13.66

 

CMYK 88 / 27 / 0 / 32

HEX #147FAD

RGB 20 127 173

HSL 198.04, 0.79%, 0.38%

LAB 49.91, -11.4, -32.25

 

CMYK 88 / 50 / 0 / 32

HEX #1456AD

RGB 20 86 173

HSL 214.12, 0.79%, 0.38%

LAB 37.52, 14.14, -51.96

 

CMYK 88 / 74 / 0 / 32

HEX #142DAD

RGB 20 45 173

HSL 230.2, 0.79%, 0.38%

LAB 26.86, 41.21, -69.41

 

CMYK 80 / 88 / 0 / 32

HEX #2314AD

RGB 35 20 173

HSL 245.88, 0.79%, 0.38%

LAB 23.25, 54.28, -75.37

 

CMYK 56 / 88 / 0 / 32

HEX #4C14AD

RGB 76 20 173

HSL 261.96, 0.79%, 0.38%

LAB 26.89, 57.12, -69.23

 

CMYK 89 / 76 / 0 / 61

HEX #0B1863

RGB 11 24 99

HSL 231.14, 0.8%, 0.22%

LAB 13.38, 26.23, -45.16

 

CMYK 88 / 75 / 0 / 47

HEX #102288

RGB 16 34 136

HSL 231, 0.79%, 0.3%

LAB 20.17, 34.26, -57.78

 

CMYK 88 / 75 / 0 / 32

HEX #142BAD

RGB 20 43 173

HSL 230.98, 0.79%, 0.38%

LAB 26.43, 42.41, -70.11

 

CMYK 89 / 75 / 0 / 18

HEX #1834D2

RGB 24 52 210

HSL 230.97, 0.79%, 0.46%

LAB 32.49, 50.18, -81.89

 

CMYK 80 / 68 / 0 / 10

HEX #2D49E6

RGB 45 73 230

HSL 230.92, 0.79%, 0.54%

LAB 39.64, 45.95, -81.52

 

CMYK 88 / 75 / 0 / 32

HEX #142BAD

RGB 20 43 173

HSL 230.98, 0.79%, 0.38%

LAB 26.43, 42.41, -70.11

 

CMYK 0 / 88 / 3 / 32

HEX #AD14A8

RGB 173 20 168

HSL 301.96, 0.79%, 0.38%

LAB 41.55, 70.37, -41.72

 

CMYK 38 / 0 / 88 / 32

HEX #6BAD14

RGB 107 173 20

HSL 85.88, 0.79%, 0.38%

LAB 64.21, -42.83, 62.49

 

CMYK 88 / 75 / 0 / 32

HEX #142BAD

RGB 20 43 173

HSL 230.98, 0.79%, 0.38%

LAB 26.43, 42.41, -70.11

 

CMYK 0 / 88 / 74 / 32

HEX #AD142D

RGB 173 20 45

HSL 350.2, 0.79%, 0.38%

LAB 37.07, 58.17, 28.61

 

CMYK 74 / 0 / 88 / 32

HEX #2DAD14

RGB 45 173 20

HSL 110.2, 0.79%, 0.38%

LAB 62.08, -59.6, 59.82

 

CMYK 88 / 75 / 0 / 32

HEX #142BAD

RGB 20 43 173

HSL 230.98, 0.79%, 0.38%

LAB 26.43, 42.41, -70.11

 

CMYK 0 / 88 / 3 / 32

HEX #AD14A8

RGB 173 20 168

HSL 301.96, 0.79%, 0.38%

LAB 41.55, 70.37, -41.72

 

CMYK 0 / 15 / 88 / 32

HEX #AD9314

RGB 173 147 20

HSL 49.8, 0.79%, 0.38%

LAB 61.48, -2.11, 62.21

 

CMYK 88 / 0 / 86 / 32

HEX #14AD19

RGB 20 173 25

HSL 121.96, 0.79%, 0.38%

LAB 61.75, -62.48, 58.28

 

CMYK 88 / 75 / 0 / 32

HEX #142BAD

RGB 20 43 173

HSL 230.98, 0.79%, 0.38%

LAB 26.43, 42.41, -70.11

 

CMYK 0 / 88 / 29 / 32

HEX #AD147A

RGB 173 20 122

HSL 320, 0.79%, 0.38%

LAB 39.22, 64.22, -17.3

 

CMYK 0 / 15 / 88 / 32

HEX #AD9314

RGB 173 147 20

HSL 49.8, 0.79%, 0.38%

LAB 61.48, -2.11, 62.21

 

CMYK 88 / 0 / 59 / 32

HEX #14AD47

RGB 20 173 71

HSL 140, 0.79%, 0.38%

LAB 62.08, -58.35, 41.51

 

Description

Color code: RGB 20 43 173 | qconv.com Color code: RGB 20 43 173 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 43 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 43 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 75 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 75% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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