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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 93 72 it is the complementary color RGB 46 162 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 93 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 93 72 shade: RGB 214 93 67, RGB 231 111 86, RGB 248 129 105, RGB 255 147 124 and RGB 255 165 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 93 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 93 72 shade: RGB 209 93 72, RGB 192 75 53, RGB 175 57 34, RGB 158 39 15 and RGB 141 21 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 93 72 shade: RGB 209 92 71 and RGB 209 71 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 93 72 shade: RGB 209 92 71, RGB 209 129 71, RGB 209 166 71, RGB 209 203 71 and RGB 177 209 71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 93 72 shade matches the following richer shades: RGB 209 92 71, RGB 227 79 52 and RGB 246 66 34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 93 72 shade: RGB 209 92 71, RGB 190 105 89, RGB 171 118 108, RGB 153 131 127 and RGB 134 144 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 93 72 shade: RGB 209 71 124, RGB 209 71 87, RGB 209 92 71, RGB 209 128 71 and RGB 209 165 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 93 72 shade: RGB 158 57 39, RGB 191 69 47, RGB 209 92 71, RGB 217 121 104 and RGB 225 150 137

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 93 72 shade: RGB 209 93 72, RGB 160 209 71 and RGB 71 105 209

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 93 72 shade: RGB 209 93 72, RGB 71 209 92 and RGB 92 71 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 93 72 shade: RGB 209 93 72, RGB 160 209 71, RGB 71 188 209 and RGB 119 71 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 93 72 shade: RGB 209 93 72, RGB 119 209 71, RGB 71 188 209 and RGB 160 71 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 66 / 18

HEX #D15D48

RGB 209 93 72

HSL 9.2, 0.6%, 0.55%

LAB 53.87, 44.41, 34.34

 

Complementary color

CMYK 75 / 11 / 0 / 28

HEX #2EA2B7

RGB 46 162 183

HSL 189.2, 0.6%, 0.45%

LAB 61.52, -24.39, -20

 

CMYK 0 / 57 / 69 / 16

HEX #D65D43

RGB 214 93 67

HSL 10.61, 0.64%, 0.55%

LAB 54.58, 45.96, 38.15

 

CMYK 0 / 52 / 63 / 9

HEX #E76F56

RGB 231 111 86

HSL 10.34, 0.75%, 0.62%

LAB 60.81, 44.62, 35.79

 

CMYK 0 / 48 / 58 / 3

HEX #F88169

RGB 248 129 105

HSL 10.07, 0.91%, 0.69%

LAB 67.03, 43.32, 33.69

 

CMYK 0 / 42 / 51 / 0

HEX #FF937C

RGB 255 147 124

HSL 10.53, 1%, 0.74%

LAB 71.95, 38.35, 29.88

 

CMYK 0 / 35 / 44 / 0

HEX #FFA58F

RGB 255 165 143

HSL 11.79, 1%, 0.78%

LAB 76.16, 30.83, 25.21

 

CMYK 0 / 56 / 66 / 18

HEX #D15D48

RGB 209 93 72

HSL 9.2, 0.6%, 0.55%

LAB 53.87, 44.41, 34.34

 

CMYK 0 / 61 / 72 / 25

HEX #C04B35

RGB 192 75 53

HSL 9.5, 0.57%, 0.48%

LAB 47.62, 45.7, 36.94

 

CMYK 0 / 67 / 81 / 31

HEX #AF3922

RGB 175 57 34

HSL 9.79, 0.67%, 0.41%

LAB 41.46, 46.86, 39.79

 

CMYK 0 / 75 / 91 / 38

HEX #9E270F

RGB 158 39 15

HSL 10.07, 0.83%, 0.34%

LAB 35.51, 47.66, 42.45

 

CMYK 0 / 85 / 100 / 45

HEX #8D1500

RGB 141 21 0

HSL 8.94, 1%, 0.28%

LAB 29.91, 47.63, 42.94

 

CMYK 0 / 56 / 66 / 18

HEX #D15C47

RGB 209 92 71

HSL 9.13, 0.6%, 0.55%

LAB 53.67, 44.83, 34.66

 

CMYK 0 / 66 / 66 / 18

HEX #D14747

RGB 209 71 71

HSL 0, 0.6%, 0.55%

LAB 50.12, 54.25, 30.33

 

CMYK 0 / 56 / 66 / 18

HEX #D15C47

RGB 209 92 71

HSL 9.13, 0.6%, 0.55%

LAB 53.67, 44.83, 34.66

 

CMYK 0 / 38 / 66 / 18

HEX #D18147

RGB 209 129 71

HSL 25.22, 0.6%, 0.55%

LAB 61.4, 25.71, 43.71

 

CMYK 0 / 21 / 66 / 18

HEX #D1A647

RGB 209 166 71

HSL 41.3, 0.6%, 0.55%

LAB 70.37, 5.7, 53.66

 

CMYK 0 / 3 / 66 / 18

HEX #D1CB47

RGB 209 203 71

HSL 57.39, 0.6%, 0.55%

LAB 80.02, -13.55, 63.81

 

CMYK 15 / 0 / 66 / 18

HEX #B1D147

RGB 177 209 71

HSL 73.91, 0.6%, 0.55%

LAB 79.27, -29.61, 62.28

 

CMYK 0 / 56 / 66 / 18

HEX #D15C47

RGB 209 92 71

HSL 9.13, 0.6%, 0.55%

LAB 53.67, 44.83, 34.66

 

CMYK 0 / 65 / 77 / 11

HEX #E34F34

RGB 227 79 52

HSL 9.26, 0.76%, 0.55%

LAB 54.21, 56.08, 46.32

 

CMYK 0 / 73 / 86 / 4

HEX #F64222

RGB 246 66 34

HSL 9.06, 0.92%, 0.55%

LAB 55.69, 66.44, 57.4

 

CMYK 0 / 56 / 66 / 18

HEX #D15C47

RGB 209 92 71

HSL 9.13, 0.6%, 0.55%

LAB 53.67, 44.83, 34.66

 

CMYK 0 / 45 / 53 / 25

HEX #BE6959

RGB 190 105 89

HSL 9.5, 0.44%, 0.55%

LAB 53.78, 32.26, 23.97

 

CMYK 0 / 31 / 37 / 33

HEX #AB766C

RGB 171 118 108

HSL 9.52, 0.27%, 0.55%

LAB 54.76, 19.49, 13.89

 

CMYK 0 / 14 / 17 / 40

HEX #99837F

RGB 153 131 127

HSL 9.23, 0.11%, 0.55%

LAB 56.62, 7.69, 5.25

 

CMYK 8 / 1 / 0 / 43

HEX #869091

RGB 134 144 145

HSL 185.45, 0.05%, 0.55%

LAB 59.03, -3.4, -1.78

 

CMYK 0 / 66 / 41 / 18

HEX #D1477C

RGB 209 71 124

HSL 336.96, 0.6%, 0.55%

LAB 51.29, 58.48, 0.2

 

CMYK 0 / 66 / 58 / 18

HEX #D14757

RGB 209 71 87

HSL 353.04, 0.6%, 0.55%

LAB 50.39, 55.27, 21.21

 

CMYK 0 / 56 / 66 / 18

HEX #D15C47

RGB 209 92 71

HSL 9.13, 0.6%, 0.55%

LAB 53.67, 44.83, 34.66

 

CMYK 0 / 39 / 66 / 18

HEX #D18047

RGB 209 128 71

HSL 24.78, 0.6%, 0.55%

LAB 61.18, 26.24, 43.45

 

CMYK 0 / 21 / 66 / 18

HEX #D1A547

RGB 209 165 71

HSL 40.87, 0.6%, 0.55%

LAB 70.12, 6.24, 53.39

 

CMYK 0 / 64 / 75 / 38

HEX #9E3927

RGB 158 57 39

HSL 9.08, 0.6%, 0.39%

LAB 38.45, 40.98, 32.97

 

CMYK 0 / 64 / 75 / 25

HEX #BF452F

RGB 191 69 47

HSL 9.17, 0.61%, 0.47%

LAB 46.36, 47.78, 38.8

 

CMYK 0 / 56 / 66 / 18

HEX #D15C47

RGB 209 92 71

HSL 9.13, 0.6%, 0.55%

LAB 53.67, 44.83, 34.66

 

CMYK 0 / 44 / 52 / 15

HEX #D97968

RGB 217 121 104

HSL 9.03, 0.6%, 0.63%

LAB 61.16, 35.62, 25.81

 

CMYK 0 / 33 / 39 / 12

HEX #E19689

RGB 225 150 137

HSL 8.86, 0.59%, 0.71%

LAB 69.2, 26.65, 18.42

 

CMYK 0 / 56 / 66 / 18

HEX #D15D48

RGB 209 93 72

HSL 9.2, 0.6%, 0.55%

LAB 53.87, 44.41, 34.34

 

CMYK 23 / 0 / 66 / 18

HEX #A0D147

RGB 160 209 71

HSL 81.3, 0.6%, 0.55%

LAB 78.19, -36.23, 60.81

 

CMYK 66 / 50 / 0 / 18

HEX #4769D1

RGB 71 105 209

HSL 225.22, 0.6%, 0.55%

LAB 47.04, 21.46, -57.45

 

CMYK 0 / 56 / 66 / 18

HEX #D15D48

RGB 209 93 72

HSL 9.2, 0.6%, 0.55%

LAB 53.87, 44.41, 34.34

 

CMYK 66 / 0 / 56 / 18

HEX #47D15C

RGB 71 209 92

HSL 129.13, 0.6%, 0.55%

LAB 74.64, -60.68, 46.73

 

CMYK 56 / 66 / 0 / 18

HEX #5C47D1

RGB 92 71 209

HSL 249.13, 0.6%, 0.55%

LAB 40.22, 45.73, -68.44

 

CMYK 0 / 56 / 66 / 18

HEX #D15D48

RGB 209 93 72

HSL 9.2, 0.6%, 0.55%

LAB 53.87, 44.41, 34.34

 

CMYK 23 / 0 / 66 / 18

HEX #A0D147

RGB 160 209 71

HSL 81.3, 0.6%, 0.55%

LAB 78.19, -36.23, 60.81

 

CMYK 66 / 10 / 0 / 18

HEX #47BCD1

RGB 71 188 209

HSL 189.13, 0.6%, 0.55%

LAB 70.81, -26.01, -20.2

 

CMYK 43 / 66 / 0 / 18

HEX #7747D1

RGB 119 71 209

HSL 260.87, 0.6%, 0.55%

LAB 42.81, 50.54, -64.11

 

CMYK 0 / 56 / 66 / 18

HEX #D15D48

RGB 209 93 72

HSL 9.2, 0.6%, 0.55%

LAB 53.87, 44.41, 34.34

 

CMYK 43 / 0 / 66 / 18

HEX #77D147

RGB 119 209 71

HSL 99.13, 0.6%, 0.55%

LAB 76.06, -50.61, 57.9

 

CMYK 66 / 10 / 0 / 18

HEX #47BCD1

RGB 71 188 209

HSL 189.13, 0.6%, 0.55%

LAB 70.81, -26.01, -20.2

 

CMYK 23 / 66 / 0 / 18

HEX #A047D1

RGB 160 71 209

HSL 278.7, 0.6%, 0.55%

LAB 47.73, 59.01, -55.92

 

Description

Color code: RGB 209 93 72 | qconv.com Color code: RGB 209 93 72 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 93 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 93 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 66 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 66% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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