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Color name
RGB 209 92 159

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 92 159 it is the complementary color RGB 46 163 96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 92 159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 92 159 shade: RGB 214 92 154, RGB 231 110 173, RGB 248 128 192, RGB 255 146 211 and RGB 255 164 230

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 92 159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 92 159 shade: RGB 209 92 159, RGB 192 74 140, RGB 175 56 121, RGB 158 38 102 and RGB 141 20 83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 92 159 shade: RGB 208 91 158, RGB 208 91 127, RGB 208 91 95 and RGB 208 91 91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 92 159 shade: RGB 208 91 158, RGB 208 91 190, RGB 195 91 208, RGB 164 91 208 and RGB 132 91 208

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 92 159 shade matches the following richer shades: RGB 208 91 158, RGB 225 74 161 and RGB 242 58 163

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 92 159 shade: RGB 208 91 158, RGB 192 108 156, RGB 175 125 154, RGB 158 142 151 and RGB 141 159 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 92 159 shade: RGB 195 91 208, RGB 208 91 191, RGB 208 91 160, RGB 208 91 128 and RGB 208 91 97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 92 159 shade: RGB 170 48 118, RGB 199 59 140, RGB 208 91 158, RGB 218 124 177 and RGB 227 156 196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 92 159 shade: RGB 209 92 159, RGB 208 164 91 and RGB 91 207 208

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 92 159 shade: RGB 209 92 159, RGB 160 208 91 and RGB 91 160 208

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 92 159 shade: RGB 209 92 159, RGB 208 164 91, RGB 91 208 140 and RGB 91 136 208

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 92 159 shade: RGB 209 92 159, RGB 208 199 91, RGB 91 208 140 and RGB 91 101 208

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 24 / 18

HEX #D15C9F

RGB 209 92 159

HSL 325.64, 0.56%, 0.59%

LAB 55.8, 53.55, -13.81

 

Complementary color

CMYK 72 / 0 / 41 / 36

HEX #2EA360

RGB 46 163 96

HSL 145.64, 0.56%, 0.41%

LAB 59.54, -47.63, 25.74

 

CMYK 0 / 57 / 28 / 16

HEX #D65C9A

RGB 214 92 154

HSL 329.51, 0.6%, 0.6%

LAB 56.37, 54.42, -9.96

 

CMYK 0 / 52 / 25 / 9

HEX #E76EAD

RGB 231 110 173

HSL 328.76, 0.72%, 0.67%

LAB 62.64, 53.8, -11.28

 

CMYK 0 / 48 / 23 / 3

HEX #F880C0

RGB 248 128 192

HSL 328, 0.9%, 0.74%

LAB 68.9, 53.1, -12.41

 

CMYK 0 / 43 / 17 / 0

HEX #FF92D3

RGB 255 146 211

HSL 324.22, 1%, 0.79%

LAB 73.88, 49.16, -15.37

 

CMYK 0 / 36 / 10 / 0

HEX #FFA4E6

RGB 255 164 230

HSL 316.48, 1%, 0.82%

LAB 78.18, 42.97, -19.26

 

CMYK 0 / 56 / 24 / 18

HEX #D15C9F

RGB 209 92 159

HSL 325.64, 0.56%, 0.59%

LAB 55.8, 53.55, -13.81

 

CMYK 0 / 61 / 27 / 25

HEX #C04A8C

RGB 192 74 140

HSL 326.44, 0.48%, 0.52%

LAB 49.49, 54, -12.36

 

CMYK 0 / 68 / 31 / 31

HEX #AF3879

RGB 175 56 121

HSL 327.23, 0.52%, 0.45%

LAB 43.25, 54.14, -10.53

 

CMYK 0 / 76 / 35 / 38

HEX #9E2666

RGB 158 38 102

HSL 328, 0.61%, 0.38%

LAB 37.14, 53.71, -8.15

 

CMYK 0 / 86 / 41 / 45

HEX #8D1453

RGB 141 20 83

HSL 328.76, 0.75%, 0.32%

LAB 31.32, 52.3, -4.95

 

CMYK 0 / 56 / 24 / 18

HEX #D05B9E

RGB 208 91 158

HSL 325.64, 0.55%, 0.59%

LAB 55.44, 53.57, -13.78

 

CMYK 0 / 56 / 39 / 18

HEX #D05B7F

RGB 208 91 127

HSL 341.54, 0.55%, 0.59%

LAB 54.47, 49.71, 3.03

 

CMYK 0 / 56 / 54 / 18

HEX #D05B5F

RGB 208 91 95

HSL 357.95, 0.55%, 0.59%

LAB 53.73, 46.63, 20.88

 

CMYK 0 / 56 / 56 / 18

HEX #D05B5B

RGB 208 91 91

HSL 0, 0.55%, 0.59%

LAB 53.65, 46.31, 23.12

 

CMYK 0 / 56 / 24 / 18

HEX #D05B9E

RGB 208 91 158

HSL 325.64, 0.55%, 0.59%

LAB 55.44, 53.57, -13.78

 

CMYK 0 / 56 / 9 / 18

HEX #D05BBE

RGB 208 91 190

HSL 309.23, 0.55%, 0.59%

LAB 56.69, 58.36, -30.4

 

CMYK 6 / 56 / 0 / 18

HEX #C35BD0

RGB 195 91 208

HSL 293.33, 0.55%, 0.59%

LAB 55.72, 57.99, -42.33

 

CMYK 21 / 56 / 0 / 18

HEX #A45BD0

RGB 164 91 208

HSL 277.44, 0.55%, 0.59%

LAB 51.76, 50.02, -48.87

 

CMYK 37 / 56 / 0 / 18

HEX #845BD0

RGB 132 91 208

HSL 261.03, 0.55%, 0.59%

LAB 48.19, 42.16, -54.79

 

CMYK 0 / 56 / 24 / 18

HEX #D05B9E

RGB 208 91 158

HSL 325.64, 0.55%, 0.59%

LAB 55.44, 53.57, -13.78

 

CMYK 0 / 67 / 28 / 12

HEX #E14AA1

RGB 225 74 161

HSL 325.43, 0.72%, 0.59%

LAB 55.56, 66.03, -15.1

 

CMYK 0 / 76 / 33 / 5

HEX #F23AA3

RGB 242 58 163

HSL 325.76, 0.88%, 0.59%

LAB 56.63, 75.88, -14.38

 

CMYK 0 / 56 / 24 / 18

HEX #D05B9E

RGB 208 91 158

HSL 325.64, 0.55%, 0.59%

LAB 55.44, 53.57, -13.78

 

CMYK 0 / 44 / 19 / 25

HEX #C06C9C

RGB 192 108 156

HSL 325.71, 0.4%, 0.59%

LAB 56.42, 39.63, -11.36

 

CMYK 0 / 29 / 12 / 31

HEX #AF7D9A

RGB 175 125 154

HSL 325.2, 0.24%, 0.59%

LAB 58.15, 24.01, -7.83

 

CMYK 0 / 10 / 4 / 38

HEX #9E8E97

RGB 158 142 151

HSL 326.25, 0.08%, 0.59%

LAB 60.65, 7.61, -2.6

 

CMYK 11 / 0 / 6 / 38

HEX #8D9F95

RGB 141 159 149

HSL 146.67, 0.09%, 0.59%

LAB 63.86, -8.36, 3.06

 

CMYK 6 / 56 / 0 / 18

HEX #C35BD0

RGB 195 91 208

HSL 293.33, 0.55%, 0.59%

LAB 55.72, 57.99, -42.33

 

CMYK 0 / 56 / 8 / 18

HEX #D05BBF

RGB 208 91 191

HSL 308.72, 0.55%, 0.59%

LAB 56.74, 58.53, -30.91

 

CMYK 0 / 56 / 23 / 18

HEX #D05BA0

RGB 208 91 160

HSL 324.62, 0.55%, 0.59%

LAB 55.51, 53.85, -14.84

 

CMYK 0 / 56 / 38 / 18

HEX #D05B80

RGB 208 91 128

HSL 341.03, 0.55%, 0.59%

LAB 54.5, 49.83, 2.47

 

CMYK 0 / 56 / 53 / 18

HEX #D05B61

RGB 208 91 97

HSL 356.92, 0.55%, 0.59%

LAB 53.77, 46.8, 19.76

 

CMYK 0 / 72 / 31 / 33

HEX #AA3076

RGB 170 48 118

HSL 325.57, 0.56%, 0.43%

LAB 41.17, 55.41, -11.91

 

CMYK 0 / 70 / 30 / 22

HEX #C73B8C

RGB 199 59 140

HSL 325.29, 0.56%, 0.51%

LAB 48.47, 62, -13.8

 

CMYK 0 / 56 / 24 / 18

HEX #D05B9E

RGB 208 91 158

HSL 325.64, 0.55%, 0.59%

LAB 55.44, 53.57, -13.78

 

CMYK 0 / 43 / 19 / 15

HEX #DA7CB1

RGB 218 124 177

HSL 326.17, 0.56%, 0.67%

LAB 63.75, 43.21, -12.07

 

CMYK 0 / 31 / 14 / 11

HEX #E39CC4

RGB 227 156 196

HSL 326.2, 0.56%, 0.75%

LAB 72.29, 32.35, -9.82

 

CMYK 0 / 56 / 24 / 18

HEX #D15C9F

RGB 209 92 159

HSL 325.64, 0.56%, 0.59%

LAB 55.8, 53.55, -13.81

 

CMYK 0 / 21 / 56 / 18

HEX #D0A45B

RGB 208 164 91

HSL 37.44, 0.55%, 0.59%

LAB 69.98, 7.74, 43.61

 

CMYK 56 / 0 / 0 / 18

HEX #5BCFD0

RGB 91 207 208

HSL 180.51, 0.55%, 0.59%

LAB 76.92, -32.15, -10.4

 

CMYK 0 / 56 / 24 / 18

HEX #D15C9F

RGB 209 92 159

HSL 325.64, 0.56%, 0.59%

LAB 55.8, 53.55, -13.81

 

CMYK 23 / 0 / 56 / 18

HEX #A0D05B

RGB 160 208 91

HSL 84.62, 0.55%, 0.59%

LAB 78.08, -34.14, 52.15

 

CMYK 56 / 23 / 0 / 18

HEX #5BA0D0

RGB 91 160 208

HSL 204.62, 0.55%, 0.59%

LAB 63.28, -7.95, -31.15

 

CMYK 0 / 56 / 24 / 18

HEX #D15C9F

RGB 209 92 159

HSL 325.64, 0.56%, 0.59%

LAB 55.8, 53.55, -13.81

 

CMYK 0 / 21 / 56 / 18

HEX #D0A45B

RGB 208 164 91

HSL 37.44, 0.55%, 0.59%

LAB 69.98, 7.74, 43.61

 

CMYK 56 / 0 / 33 / 18

HEX #5BD08C

RGB 91 208 140

HSL 145.13, 0.55%, 0.59%

LAB 75.59, -48.41, 24.06

 

CMYK 56 / 35 / 0 / 18

HEX #5B88D0

RGB 91 136 208

HSL 216.92, 0.55%, 0.59%

LAB 56.47, 5.84, -41.78

 

CMYK 0 / 56 / 24 / 18

HEX #D15C9F

RGB 209 92 159

HSL 325.64, 0.56%, 0.59%

LAB 55.8, 53.55, -13.81

 

CMYK 0 / 4 / 56 / 18

HEX #D0C75B

RGB 208 199 91

HSL 55.38, 0.55%, 0.59%

LAB 79.05, -10.62, 54.17

 

CMYK 56 / 0 / 33 / 18

HEX #5BD08C

RGB 91 208 140

HSL 145.13, 0.55%, 0.59%

LAB 75.59, -48.41, 24.06

 

CMYK 56 / 51 / 0 / 18

HEX #5B65D0

RGB 91 101 208

HSL 234.87, 0.55%, 0.59%

LAB 47.09, 27.21, -56.74

 

Description

Color code: RGB 209 92 159 | qconv.com Color code: RGB 209 92 159 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 92 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 92 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 24 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 24% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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