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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 80 79 it is the complementary color RGB 46 175 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 80 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 80 79 shade: RGB 214 80 74, RGB 231 98 93, RGB 248 116 112, RGB 255 134 131 and RGB 255 152 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 80 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 80 79 shade: RGB 209 80 79, RGB 192 62 60, RGB 175 44 41, RGB 158 26 22 and RGB 141 8 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 80 79 shade: RGB 208 77 76 and RGB 208 76 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 80 79 shade: RGB 208 77 76, RGB 208 113 76, RGB 208 149 76, RGB 208 184 76 and RGB 197 208 76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 80 79 shade matches the following richer shades: RGB 208 77 76, RGB 227 59 58 and RGB 245 41 40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 80 79 shade: RGB 208 77 76, RGB 190 95 94, RGB 172 113 112, RGB 154 131 131 and RGB 136 149 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 80 79 shade: RGB 208 76 147, RGB 208 76 111, RGB 208 76 76, RGB 208 111 76 and RGB 208 147 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 80 79 shade: RGB 161 42 41, RGB 194 51 50, RGB 208 77 76, RGB 217 110 109 and RGB 225 142 142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 80 79 shade: RGB 209 80 79, RGB 182 208 76 and RGB 76 129 208

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 80 79 shade: RGB 209 80 79, RGB 76 208 76 and RGB 76 76 208

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 80 79 shade: RGB 209 80 79, RGB 182 208 76, RGB 76 208 208 and RGB 103 76 208

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 80 79 shade: RGB 209 80 79, RGB 142 208 76, RGB 76 208 208 and RGB 142 76 208

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 62 / 18

HEX #D1504F

RGB 209 80 79

HSL 0.46, 0.59%, 0.56%

LAB 51.68, 50.89, 27.61

 

Complementary color

CMYK 74 / 1 / 0 / 31

HEX #2EAFB0

RGB 46 175 176

HSL 180.46, 0.59%, 0.44%

LAB 65.26, -32.95, -10.43

 

CMYK 0 / 63 / 65 / 16

HEX #D6504A

RGB 214 80 74

HSL 2.57, 0.63%, 0.56%

LAB 52.43, 52.29, 31.63

 

CMYK 0 / 58 / 60 / 9

HEX #E7625D

RGB 231 98 93

HSL 2.17, 0.74%, 0.64%

LAB 58.52, 51.27, 29

 

CMYK 0 / 53 / 55 / 3

HEX #F87470

RGB 248 116 112

HSL 1.76, 0.91%, 0.71%

LAB 64.66, 50.18, 26.73

 

CMYK 0 / 47 / 49 / 0

HEX #FF8683

RGB 255 134 131

HSL 1.45, 1%, 0.76%

LAB 69.43, 45.52, 22.67

 

CMYK 0 / 40 / 41 / 0

HEX #FF9896

RGB 255 152 150

HSL 1.14, 1%, 0.79%

LAB 73.49, 38.29, 17.74

 

CMYK 0 / 62 / 62 / 18

HEX #D1504F

RGB 209 80 79

HSL 0.46, 0.59%, 0.56%

LAB 51.68, 50.89, 27.61

 

CMYK 0 / 68 / 69 / 25

HEX #C03E3C

RGB 192 62 60

HSL 0.91, 0.52%, 0.49%

LAB 45.6, 51.7, 30.59

 

CMYK 0 / 75 / 77 / 31

HEX #AF2C29

RGB 175 44 41

HSL 1.34, 0.62%, 0.42%

LAB 39.71, 52.13, 34.1

 

CMYK 0 / 84 / 86 / 38

HEX #9E1A16

RGB 158 26 22

HSL 1.76, 0.76%, 0.35%

LAB 34.12, 51.84, 37.99

 

CMYK 0 / 94 / 98 / 45

HEX #8D0803

RGB 141 8 3

HSL 2.17, 0.96%, 0.28%

LAB 29.01, 50.29, 41.02

 

CMYK 0 / 63 / 63 / 18

HEX #D04D4C

RGB 208 77 76

HSL 0.45, 0.58%, 0.56%

LAB 50.97, 51.67, 28.43

 

CMYK 0 / 63 / 63 / 18

HEX #D04C4C

RGB 208 76 76

HSL 0, 0.58%, 0.56%

LAB 50.8, 52.11, 28.23

 

CMYK 0 / 63 / 63 / 18

HEX #D04D4C

RGB 208 77 76

HSL 0.45, 0.58%, 0.56%

LAB 50.97, 51.67, 28.43

 

CMYK 0 / 46 / 63 / 18

HEX #D0714C

RGB 208 113 76

HSL 16.82, 0.58%, 0.56%

LAB 57.79, 34.14, 36.83

 

CMYK 0 / 28 / 63 / 18

HEX #D0954C

RGB 208 149 76

HSL 33.18, 0.58%, 0.56%

LAB 66.08, 14.76, 46.52

 

CMYK 0 / 12 / 63 / 18

HEX #D0B84C

RGB 208 184 76

HSL 49.09, 0.58%, 0.56%

LAB 74.96, -3.94, 56.36

 

CMYK 5 / 0 / 63 / 18

HEX #C5D04C

RGB 197 208 76

HSL 65, 0.58%, 0.56%

LAB 80.46, -20.72, 61.96

 

CMYK 0 / 63 / 63 / 18

HEX #D04D4C

RGB 208 77 76

HSL 0.45, 0.58%, 0.56%

LAB 50.97, 51.67, 28.43

 

CMYK 0 / 74 / 74 / 11

HEX #E33B3A

RGB 227 59 58

HSL 0.36, 0.75%, 0.56%

LAB 51.57, 63.71, 40.28

 

CMYK 0 / 83 / 84 / 4

HEX #F52928

RGB 245 41 40

HSL 0.29, 0.91%, 0.56%

LAB 53.11, 73.1, 52.44

 

CMYK 0 / 63 / 63 / 18

HEX #D04D4C

RGB 208 77 76

HSL 0.45, 0.58%, 0.56%

LAB 50.97, 51.67, 28.43

 

CMYK 0 / 50 / 51 / 25

HEX #BE5F5E

RGB 190 95 94

HSL 0.62, 0.42%, 0.56%

LAB 51.77, 37.98, 18.37

 

CMYK 0 / 34 / 35 / 33

HEX #AC7170

RGB 172 113 112

HSL 1, 0.27%, 0.56%

LAB 53.76, 23.22, 10.18

 

CMYK 0 / 15 / 15 / 40

HEX #9A8383

RGB 154 131 131

HSL 0, 0.1%, 0.56%

LAB 56.82, 8.76, 3.25

 

CMYK 9 / 0 / 0 / 42

HEX #889595

RGB 136 149 149

HSL 180, 0.06%, 0.56%

LAB 60.69, -4.65, -1.6

 

CMYK 0 / 63 / 29 / 18

HEX #D04C93

RGB 208 76 147

HSL 327.73, 0.58%, 0.56%

LAB 52.6, 58.76, -11.59

 

CMYK 0 / 63 / 47 / 18

HEX #D04C6F

RGB 208 76 111

HSL 344.09, 0.58%, 0.56%

LAB 51.53, 54.83, 8.34

 

CMYK 0 / 63 / 63 / 18

HEX #D04C4C

RGB 208 76 76

HSL 0, 0.58%, 0.56%

LAB 50.8, 52.11, 28.23

 

CMYK 0 / 47 / 63 / 18

HEX #D06F4C

RGB 208 111 76

HSL 15.91, 0.58%, 0.56%

LAB 57.37, 35.19, 36.32

 

CMYK 0 / 29 / 63 / 18

HEX #D0934C

RGB 208 147 76

HSL 32.27, 0.58%, 0.56%

LAB 65.59, 15.85, 45.96

 

CMYK 0 / 74 / 75 / 37

HEX #A12A29

RGB 161 42 41

HSL 0.5, 0.59%, 0.4%

LAB 36.73, 48.37, 30.03

 

CMYK 0 / 74 / 74 / 24

HEX #C23332

RGB 194 51 50

HSL 0.42, 0.59%, 0.48%

LAB 44.33, 56.02, 35.03

 

CMYK 0 / 63 / 63 / 18

HEX #D04D4C

RGB 208 77 76

HSL 0.45, 0.58%, 0.56%

LAB 50.97, 51.67, 28.43

 

CMYK 0 / 49 / 50 / 15

HEX #D96E6D

RGB 217 110 109

HSL 0.56, 0.59%, 0.64%

LAB 58.98, 41.73, 20.06

 

CMYK 0 / 37 / 37 / 12

HEX #E18E8E

RGB 225 142 142

HSL 0, 0.58%, 0.72%

LAB 67.51, 31.5, 13.28

 

CMYK 0 / 62 / 62 / 18

HEX #D1504F

RGB 209 80 79

HSL 0.46, 0.59%, 0.56%

LAB 51.68, 50.89, 27.61

 

CMYK 13 / 0 / 63 / 18

HEX #B6D04C

RGB 182 208 76

HSL 71.82, 0.58%, 0.56%

LAB 79.37, -26.8, 60.48

 

CMYK 63 / 38 / 0 / 18

HEX #4C81D0

RGB 76 129 208

HSL 215.91, 0.58%, 0.56%

LAB 53.8, 7.11, -46.05

 

CMYK 0 / 62 / 62 / 18

HEX #D1504F

RGB 209 80 79

HSL 0.46, 0.59%, 0.56%

LAB 51.68, 50.89, 27.61

 

CMYK 63 / 0 / 63 / 18

HEX #4CD04C

RGB 76 208 76

HSL 120, 0.58%, 0.56%

LAB 74.3, -61.18, 53.49

 

CMYK 63 / 63 / 0 / 18

HEX #4C4CD0

RGB 76 76 208

HSL 240, 0.58%, 0.56%

LAB 40.01, 40, -68.26

 

CMYK 0 / 62 / 62 / 18

HEX #D1504F

RGB 209 80 79

HSL 0.46, 0.59%, 0.56%

LAB 51.68, 50.89, 27.61

 

CMYK 13 / 0 / 63 / 18

HEX #B6D04C

RGB 182 208 76

HSL 71.82, 0.58%, 0.56%

LAB 79.37, -26.8, 60.48

 

CMYK 63 / 0 / 0 / 18

HEX #4CD0D0

RGB 76 208 208

HSL 180, 0.58%, 0.56%

LAB 76.8, -35.18, -10.63

 

CMYK 50 / 63 / 0 / 18

HEX #674CD0

RGB 103 76 208

HSL 252.27, 0.58%, 0.56%

LAB 42.16, 44.51, -64.66

 

CMYK 0 / 62 / 62 / 18

HEX #D1504F

RGB 209 80 79

HSL 0.46, 0.59%, 0.56%

LAB 51.68, 50.89, 27.61

 

CMYK 32 / 0 / 63 / 18

HEX #8ED04C

RGB 142 208 76

HSL 90, 0.58%, 0.56%

LAB 76.91, -42.04, 57.1

 

CMYK 63 / 0 / 0 / 18

HEX #4CD0D0

RGB 76 208 208

HSL 180, 0.58%, 0.56%

LAB 76.8, -35.18, -10.63

 

CMYK 32 / 63 / 0 / 18

HEX #8E4CD0

RGB 142 76 208

HSL 270, 0.58%, 0.56%

LAB 46.28, 52.46, -57.8

 

Description

Color code: RGB 209 80 79 | qconv.com Color code: RGB 209 80 79 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 80 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 80 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 62 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 62% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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