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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 66 195 it is the complementary color RGB 46 189 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 66 195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 66 195 shade: RGB 214 66 190, RGB 231 84 209, RGB 248 102 228, RGB 255 120 247 and RGB 255 138 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 66 195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 66 195 shade: RGB 209 66 195, RGB 192 48 176, RGB 175 30 157, RGB 158 12 138 and RGB 141 0 119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 66 195 shade: RGB 209 66 195, RGB 209 66 156, RGB 209 66 118, RGB 209 66 79 and RGB 209 66 66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 66 195 shade: RGB 209 66 195, RGB 184 66 209, RGB 146 66 209, RGB 107 66 209 and RGB 68 66 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 66 195 shade matches the following richer shades: RGB 209 66 195, RGB 228 47 210 and RGB 247 28 225

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 66 195 shade: RGB 209 66 195, RGB 190 85 179, RGB 171 104 164, RGB 152 123 149 and RGB 133 142 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 66 195 shade: RGB 144 66 209, RGB 183 66 209, RGB 209 66 197, RGB 209 66 159 and RGB 209 66 121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 66 195 shade: RGB 155 37 143, RGB 188 45 174, RGB 209 66 195, RGB 217 99 205 and RGB 225 132 216

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 66 195 shade: RGB 209 66 195, RGB 209 106 66 and RGB 66 209 163

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 66 195 shade: RGB 209 66 195, RGB 197 209 66 and RGB 66 197 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 66 195 shade: RGB 209 66 195, RGB 209 106 66, RGB 66 209 78 and RGB 66 168 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 66 195 shade: RGB 209 66 195, RGB 209 149 66, RGB 66 209 78 and RGB 66 125 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 7 / 18

HEX #D142C3

RGB 209 66 195

HSL 305.87, 0.61%, 0.54%

LAB 53.38, 69.61, -38.45

 

Complementary color

CMYK 76 / 0 / 68 / 26

HEX #2EBD3C

RGB 46 189 60

HSL 125.87, 0.61%, 0.46%

LAB 67.5, -61.84, 52.51

 

CMYK 0 / 69 / 11 / 16

HEX #D642BE

RGB 214 66 190

HSL 309.73, 0.64%, 0.55%

LAB 53.93, 70.03, -34.64

 

CMYK 0 / 64 / 10 / 9

HEX #E754D1

RGB 231 84 209

HSL 308.98, 0.75%, 0.62%

LAB 59.83, 70.31, -36.1

 

CMYK 0 / 59 / 8 / 3

HEX #F866E4

RGB 248 102 228

HSL 308.22, 0.91%, 0.69%

LAB 65.8, 70.23, -37.26

 

CMYK 0 / 53 / 3 / 0

HEX #FF78F7

RGB 255 120 247

HSL 303.56, 1%, 0.74%

LAB 70.46, 67.26, -40.4

 

CMYK 0 / 46 / 0 / 0

HEX #FF8AFF

RGB 255 138 255

HSL 300, 1%, 0.77%

LAB 73.97, 60.22, -39.29

 

CMYK 0 / 68 / 7 / 18

HEX #D142C3

RGB 209 66 195

HSL 305.87, 0.61%, 0.54%

LAB 53.38, 69.61, -38.45

 

CMYK 0 / 75 / 8 / 25

HEX #C030B0

RGB 192 48 176

HSL 306.67, 0.6%, 0.47%

LAB 47.57, 68.81, -36.72

 

CMYK 0 / 83 / 10 / 31

HEX #AF1E9D

RGB 175 30 157

HSL 307.45, 0.71%, 0.4%

LAB 41.96, 67.19, -34.44

 

CMYK 0 / 92 / 13 / 38

HEX #9E0C8A

RGB 158 12 138

HSL 308.22, 0.86%, 0.33%

LAB 36.68, 64.35, -31.41

 

CMYK 0 / 100 / 16 / 45

HEX #8D0077

RGB 141 0 119

HSL 309.36, 1%, 0.28%

LAB 31.79, 60.01, -27.46

 

CMYK 0 / 68 / 7 / 18

HEX #D142C3

RGB 209 66 195

HSL 305.87, 0.61%, 0.54%

LAB 53.38, 69.61, -38.45

 

CMYK 0 / 68 / 25 / 18

HEX #D1429C

RGB 209 66 156

HSL 322.24, 0.61%, 0.54%

LAB 51.67, 64.1, -18.32

 

CMYK 0 / 68 / 44 / 18

HEX #D14276

RGB 209 66 118

HSL 338.18, 0.61%, 0.54%

LAB 50.4, 59.83, 2.53

 

CMYK 0 / 68 / 62 / 18

HEX #D1424F

RGB 209 66 79

HSL 354.55, 0.61%, 0.54%

LAB 49.52, 56.72, 24.84

 

CMYK 0 / 68 / 68 / 18

HEX #D14242

RGB 209 66 66

HSL 0, 0.61%, 0.54%

LAB 49.31, 55.98, 32.26

 

CMYK 0 / 68 / 7 / 18

HEX #D142C3

RGB 209 66 195

HSL 305.87, 0.61%, 0.54%

LAB 53.38, 69.61, -38.45

 

CMYK 12 / 68 / 0 / 18

HEX #B842D1

RGB 184 66 209

HSL 289.51, 0.61%, 0.54%

LAB 50.32, 66.34, -51.58

 

CMYK 30 / 68 / 0 / 18

HEX #9242D1

RGB 146 66 209

HSL 273.57, 0.61%, 0.54%

LAB 45.1, 58.33, -60.26

 

CMYK 49 / 68 / 0 / 18

HEX #6B42D1

RGB 107 66 209

HSL 257.2, 0.61%, 0.54%

LAB 40.61, 50.97, -67.74

 

CMYK 67 / 68 / 0 / 18

HEX #4442D1

RGB 68 66 209

HSL 240.84, 0.61%, 0.54%

LAB 37.35, 45.2, -73.22

 

CMYK 0 / 68 / 7 / 18

HEX #D142C3

RGB 209 66 195

HSL 305.87, 0.61%, 0.54%

LAB 53.38, 69.61, -38.45

 

CMYK 0 / 79 / 8 / 11

HEX #E42FD2

RGB 228 47 210

HSL 305.97, 0.77%, 0.54%

LAB 55.26, 81.52, -43.88

 

CMYK 0 / 89 / 9 / 3

HEX #F71CE1

RGB 247 28 225

HSL 306.03, 0.93%, 0.54%

LAB 58.08, 90.6, -47.73

 

CMYK 0 / 68 / 7 / 18

HEX #D142C3

RGB 209 66 195

HSL 305.87, 0.61%, 0.54%

LAB 53.38, 69.61, -38.45

 

CMYK 0 / 55 / 6 / 25

HEX #BE55B3

RGB 190 85 179

HSL 306.29, 0.45%, 0.54%

LAB 52.62, 54.3, -30.58

 

CMYK 0 / 39 / 4 / 33

HEX #AB68A4

RGB 171 104 164

HSL 306.27, 0.29%, 0.54%

LAB 53.21, 36.13, -21.14

 

CMYK 0 / 19 / 2 / 40

HEX #987B95

RGB 152 123 149

HSL 306.21, 0.12%, 0.54%

LAB 55.08, 15.9, -9.76

 

CMYK 6 / 0 / 6 / 44

HEX #858E86

RGB 133 142 134

HSL 126.67, 0.04%, 0.54%

LAB 58.09, -4.86, 3.12

 

CMYK 31 / 68 / 0 / 18

HEX #9042D1

RGB 144 66 209

HSL 272.73, 0.61%, 0.54%

LAB 44.84, 57.93, -60.68

 

CMYK 12 / 68 / 0 / 18

HEX #B742D1

RGB 183 66 209

HSL 289.09, 0.61%, 0.54%

LAB 50.18, 66.12, -51.82

 

CMYK 0 / 68 / 6 / 18

HEX #D142C5

RGB 209 66 197

HSL 305.03, 0.61%, 0.54%

LAB 53.47, 69.92, -39.45

 

CMYK 0 / 68 / 24 / 18

HEX #D1429F

RGB 209 66 159

HSL 320.98, 0.61%, 0.54%

LAB 51.79, 64.49, -19.91

 

CMYK 0 / 68 / 42 / 18

HEX #D14279

RGB 209 66 121

HSL 336.92, 0.61%, 0.54%

LAB 50.49, 60.13, 0.85

 

CMYK 0 / 76 / 8 / 39

HEX #9B258F

RGB 155 37 143

HSL 306.1, 0.61%, 0.38%

LAB 38.33, 58.87, -31.92

 

CMYK 0 / 76 / 7 / 26

HEX #BC2DAE

RGB 188 45 174

HSL 305.87, 0.61%, 0.46%

LAB 46.48, 68.53, -37.31

 

CMYK 0 / 68 / 7 / 18

HEX #D142C3

RGB 209 66 195

HSL 305.87, 0.61%, 0.54%

LAB 53.38, 69.61, -38.45

 

CMYK 0 / 54 / 6 / 15

HEX #D963CD

RGB 217 99 205

HSL 306.1, 0.61%, 0.62%

LAB 59.96, 59.64, -33.77

 

CMYK 0 / 41 / 4 / 12

HEX #E184D8

RGB 225 132 216

HSL 305.81, 0.61%, 0.7%

LAB 67.63, 47.68, -28

 

CMYK 0 / 68 / 7 / 18

HEX #D142C3

RGB 209 66 195

HSL 305.87, 0.61%, 0.54%

LAB 53.38, 69.61, -38.45

 

CMYK 0 / 49 / 68 / 18

HEX #D16A42

RGB 209 106 66

HSL 16.78, 0.61%, 0.54%

LAB 56.34, 37.57, 40.52

 

CMYK 68 / 0 / 22 / 18

HEX #42D1A3

RGB 66 209 163

HSL 160.7, 0.61%, 0.54%

LAB 75.7, -48.67, 11.92

 

CMYK 0 / 68 / 7 / 18

HEX #D142C3

RGB 209 66 195

HSL 305.87, 0.61%, 0.54%

LAB 53.38, 69.61, -38.45

 

CMYK 6 / 0 / 68 / 18

HEX #C5D142

RGB 197 209 66

HSL 65.03, 0.61%, 0.54%

LAB 80.66, -21.8, 66.06

 

CMYK 68 / 6 / 0 / 18

HEX #42C5D1

RGB 66 197 209

HSL 185.03, 0.61%, 0.54%

LAB 73.35, -31.15, -16.37

 

CMYK 0 / 68 / 7 / 18

HEX #D142C3

RGB 209 66 195

HSL 305.87, 0.61%, 0.54%

LAB 53.38, 69.61, -38.45

 

CMYK 0 / 49 / 68 / 18

HEX #D16A42

RGB 209 106 66

HSL 16.78, 0.61%, 0.54%

LAB 56.34, 37.57, 40.52

 

CMYK 68 / 0 / 63 / 18

HEX #42D14E

RGB 66 209 78

HSL 125.03, 0.61%, 0.54%

LAB 74.39, -63.28, 52.67

 

CMYK 68 / 20 / 0 / 18

HEX #42A8D1

RGB 66 168 209

HSL 197.2, 0.61%, 0.54%

LAB 64.78, -16.45, -29.46

 

CMYK 0 / 68 / 7 / 18

HEX #D142C3

RGB 209 66 195

HSL 305.87, 0.61%, 0.54%

LAB 53.38, 69.61, -38.45

 

CMYK 0 / 29 / 68 / 18

HEX #D19542

RGB 209 149 66

HSL 34.83, 0.61%, 0.54%

LAB 66.09, 14.58, 51.33

 

CMYK 68 / 0 / 63 / 18

HEX #42D14E

RGB 66 209 78

HSL 125.03, 0.61%, 0.54%

LAB 74.39, -63.28, 52.67

 

CMYK 68 / 40 / 0 / 18

HEX #427DD1

RGB 66 125 209

HSL 215.24, 0.61%, 0.54%

LAB 52.32, 8.22, -49

 

Description

Color code: RGB 209 66 195 | qconv.com Color code: RGB 209 66 195 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 66 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 66 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 7 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 7% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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