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Color name
RGB 209 225 59

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 225 59 it is the complementary color RGB 46 30 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 225 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 225 59 shade: RGB 214 225 54, RGB 231 243 73, RGB 248 255 92, RGB 255 255 111 and RGB 255 255 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 225 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 225 59 shade: RGB 209 225 59, RGB 192 207 40, RGB 175 189 21, RGB 158 171 2 and RGB 141 153 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 225 59 shade: RGB 208 224 60, RGB 224 196 60, RGB 224 152 60, RGB 224 107 60 and RGB 224 63 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 225 59 shade: RGB 208 224 60, RGB 164 224 60, RGB 120 224 60, RGB 76 224 60 and RGB 60 224 89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 225 59 shade matches the following richer shades: RGB 208 224 60 and RGB 223 242 42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 225 59 shade: RGB 208 224 60, RGB 194 206 79, RGB 179 188 97, RGB 164 170 115 and RGB 150 152 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 225 59 shade: RGB 224 150 60, RGB 224 194 60, RGB 211 224 60, RGB 167 224 60 and RGB 123 224 60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 225 59 shade: RGB 161 175 27, RGB 194 211 32, RGB 208 224 60, RGB 217 230 96 and RGB 225 235 132

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 225 59 shade: RGB 209 225 59, RGB 60 224 107 and RGB 172 60 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 225 59 shade: RGB 209 225 59, RGB 60 211 224 and RGB 224 60 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 225 59 shade: RGB 209 225 59, RGB 60 224 107, RGB 74 60 224 and RGB 224 60 178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 225 59 shade: RGB 209 225 59, RGB 60 224 156, RGB 74 60 224 and RGB 224 60 129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 74 / 12

HEX #D1E13B

RGB 209 225 59

HSL 65.78, 0.73%, 0.56%

LAB 85.87, -24.94, 73.82

 

Complementary color

CMYK 77 / 85 / 0 / 23

HEX #2E1EC4

RGB 46 30 196

HSL 245.78, 0.73%, 0.44%

LAB 28.1, 57.6, -80.97

 

CMYK 5 / 0 / 76 / 12

HEX #D6E136

RGB 214 225 54

HSL 63.86, 0.74%, 0.55%

LAB 86.21, -23.1, 75.82

 

CMYK 5 / 0 / 70 / 5

HEX #E7F349

RGB 231 243 73

HSL 64.24, 0.88%, 0.62%

LAB 92.39, -23.95, 75.98

 

CMYK 3 / 0 / 64 / 0

HEX #F8FF5C

RGB 248 255 92

HSL 62.58, 1%, 0.68%

LAB 96.92, -21.83, 74.04

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF6F

RGB 255 255 111

HSL 60, 1%, 0.72%

LAB 97.6, -17.84, 67.25

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF82

RGB 255 255 130

HSL 60, 1%, 0.75%

LAB 97.79, -16.37, 59.1

 

CMYK 7 / 0 / 74 / 12

HEX #D1E13B

RGB 209 225 59

HSL 65.78, 0.73%, 0.56%

LAB 85.87, -24.94, 73.82

 

CMYK 7 / 0 / 81 / 19

HEX #C0CF28

RGB 192 207 40

HSL 65.39, 0.68%, 0.48%

LAB 79.61, -24.04, 73.2

 

CMYK 7 / 0 / 89 / 26

HEX #AFBD15

RGB 175 189 21

HSL 65, 0.8%, 0.41%

LAB 73.26, -22.94, 71.53

 

CMYK 8 / 0 / 99 / 33

HEX #9EAB02

RGB 158 171 2

HSL 64.62, 0.98%, 0.34%

LAB 66.82, -21.66, 68.55

 

CMYK 8 / 0 / 100 / 40

HEX #8D9900

RGB 141 153 0

HSL 64.71, 1%, 0.3%

LAB 60.29, -20.1, 63.37

 

CMYK 7 / 0 / 73 / 12

HEX #D0E03C

RGB 208 224 60

HSL 65.85, 0.73%, 0.56%

LAB 85.53, -24.83, 73.16

 

CMYK 0 / 13 / 73 / 12

HEX #E0C43C

RGB 224 196 60

HSL 49.76, 0.73%, 0.56%

LAB 79.42, -4.19, 67.79

 

CMYK 0 / 32 / 73 / 12

HEX #E0983C

RGB 224 152 60

HSL 33.66, 0.73%, 0.56%

LAB 68.48, 19.05, 57.03

 

CMYK 0 / 52 / 73 / 12

HEX #E06B3C

RGB 224 107 60

HSL 17.2, 0.73%, 0.56%

LAB 58.69, 42.55, 46.83

 

CMYK 0 / 72 / 73 / 12

HEX #E03F3C

RGB 224 63 60

HSL 1.1, 0.73%, 0.56%

LAB 51.53, 61.53, 38.97

 

CMYK 7 / 0 / 73 / 12

HEX #D0E03C

RGB 208 224 60

HSL 65.85, 0.73%, 0.56%

LAB 85.53, -24.83, 73.16

 

CMYK 27 / 0 / 73 / 12

HEX #A4E03C

RGB 164 224 60

HSL 81.95, 0.73%, 0.56%

LAB 82.66, -42.09, 69.41

 

CMYK 46 / 0 / 73 / 12

HEX #78E03C

RGB 120 224 60

HSL 98.05, 0.73%, 0.56%

LAB 80.53, -56.97, 66.6

 

CMYK 66 / 0 / 73 / 12

HEX #4CE03C

RGB 76 224 60

HSL 114.15, 0.73%, 0.56%

LAB 79.14, -67.96, 64.75

 

CMYK 73 / 0 / 60 / 12

HEX #3CE059

RGB 60 224 89

HSL 130.61, 0.73%, 0.56%

LAB 79.04, -68, 53.15

 

CMYK 7 / 0 / 73 / 12

HEX #D0E03C

RGB 208 224 60

HSL 65.85, 0.73%, 0.56%

LAB 85.53, -24.83, 73.16

 

CMYK 8 / 0 / 83 / 5

HEX #DFF22A

RGB 223 242 42

HSL 65.7, 0.88%, 0.56%

LAB 91.4, -27.89, 83.72

 

CMYK 7 / 0 / 73 / 12

HEX #D0E03C

RGB 208 224 60

HSL 65.85, 0.73%, 0.56%

LAB 85.53, -24.83, 73.16

 

CMYK 6 / 0 / 62 / 19

HEX #C2CE4F

RGB 194 206 79

HSL 65.67, 0.56%, 0.56%

LAB 79.71, -20.77, 59.86

 

CMYK 5 / 0 / 48 / 26

HEX #B3BC61

RGB 179 188 97

HSL 65.93, 0.4%, 0.56%

LAB 73.81, -16.43, 44.63

 

CMYK 4 / 0 / 32 / 33

HEX #A4AA73

RGB 164 170 115

HSL 66.55, 0.24%, 0.56%

LAB 67.93, -11.14, 27.7

 

CMYK 1 / 0 / 13 / 40

HEX #969885

RGB 150 152 133

HSL 66.32, 0.08%, 0.56%

LAB 62.2, -4.21, 9.76

 

CMYK 0 / 33 / 73 / 12

HEX #E0963C

RGB 224 150 60

HSL 32.93, 0.73%, 0.56%

LAB 68.01, 20.12, 56.55

 

CMYK 0 / 13 / 73 / 12

HEX #E0C23C

RGB 224 194 60

HSL 49.02, 0.73%, 0.56%

LAB 78.9, -3.16, 67.3

 

CMYK 6 / 0 / 73 / 12

HEX #D3E03C

RGB 211 224 60

HSL 64.76, 0.73%, 0.56%

LAB 85.75, -23.6, 73.44

 

CMYK 25 / 0 / 73 / 12

HEX #A7E03C

RGB 167 224 60

HSL 80.85, 0.73%, 0.56%

LAB 82.84, -40.97, 69.64

 

CMYK 45 / 0 / 73 / 12

HEX #7BE03C

RGB 123 224 60

HSL 96.95, 0.73%, 0.56%

LAB 80.65, -56.06, 66.76

 

CMYK 8 / 0 / 85 / 31

HEX #A1AF1B

RGB 161 175 27

HSL 65.68, 0.73%, 0.4%

LAB 68.25, -21.88, 65.76

 

CMYK 8 / 0 / 85 / 17

HEX #C2D320

RGB 194 211 32

HSL 65.7, 0.74%, 0.48%

LAB 80.83, -25.36, 76.18

 

CMYK 7 / 0 / 73 / 12

HEX #D0E03C

RGB 208 224 60

HSL 65.85, 0.73%, 0.56%

LAB 85.53, -24.83, 73.16

 

CMYK 6 / 0 / 58 / 10

HEX #D9E660

RGB 217 230 96

HSL 65.82, 0.73%, 0.64%

LAB 88.06, -21.96, 62.25

 

CMYK 4 / 0 / 44 / 8

HEX #E1EB84

RGB 225 235 132

HSL 65.83, 0.72%, 0.72%

LAB 90.36, -18.12, 48.65

 

CMYK 7 / 0 / 74 / 12

HEX #D1E13B

RGB 209 225 59

HSL 65.78, 0.73%, 0.56%

LAB 85.87, -24.94, 73.82

 

CMYK 73 / 0 / 52 / 12

HEX #3CE06B

RGB 60 224 107

HSL 137.2, 0.73%, 0.56%

LAB 79.23, -65.67, 45.17

 

CMYK 23 / 73 / 0 / 12

HEX #AC3CE0

RGB 172 60 224

HSL 280.98, 0.73%, 0.56%

LAB 48.74, 69.08, -62.77

 

CMYK 7 / 0 / 74 / 12

HEX #D1E13B

RGB 209 225 59

HSL 65.78, 0.73%, 0.56%

LAB 85.87, -24.94, 73.82

 

CMYK 73 / 6 / 0 / 12

HEX #3CD3E0

RGB 60 211 224

HSL 184.76, 0.73%, 0.56%

LAB 77.83, -34.15, -17.71

 

CMYK 0 / 73 / 6 / 12

HEX #E03CD3

RGB 224 60 211

HSL 304.76, 0.73%, 0.56%

LAB 55.87, 77.34, -43.53

 

CMYK 7 / 0 / 74 / 12

HEX #D1E13B

RGB 209 225 59

HSL 65.78, 0.73%, 0.56%

LAB 85.87, -24.94, 73.82

 

CMYK 73 / 0 / 52 / 12

HEX #3CE06B

RGB 60 224 107

HSL 137.2, 0.73%, 0.56%

LAB 79.23, -65.67, 45.17

 

CMYK 67 / 73 / 0 / 12

HEX #4A3CE0

RGB 74 60 224

HSL 245.12, 0.73%, 0.56%

LAB 37.97, 53.95, -80.81

 

CMYK 0 / 73 / 21 / 12

HEX #E03CB2

RGB 224 60 178

HSL 316.83, 0.73%, 0.56%

LAB 54.34, 72.74, -26.92

 

CMYK 7 / 0 / 74 / 12

HEX #D1E13B

RGB 209 225 59

HSL 65.78, 0.73%, 0.56%

LAB 85.87, -24.94, 73.82

 

CMYK 73 / 0 / 30 / 12

HEX #3CE09C

RGB 60 224 156

HSL 155.12, 0.73%, 0.56%

LAB 79.99, -57.04, 21.59

 

CMYK 67 / 73 / 0 / 12

HEX #4A3CE0

RGB 74 60 224

HSL 245.12, 0.73%, 0.56%

LAB 37.97, 53.95, -80.81

 

CMYK 0 / 73 / 42 / 12

HEX #E03C81

RGB 224 60 129

HSL 334.76, 0.73%, 0.56%

LAB 52.58, 67.23, -0.6

 

Description

Color code: RGB 209 225 59 | qconv.com Color code: RGB 209 225 59 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 225 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 225 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 74 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 74% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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