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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 214 65 it is the complementary color RGB 46 41 190. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 214 65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 214 65 shade: RGB 214 214 60, RGB 231 232 79, RGB 248 250 98, RGB 255 255 117 and RGB 255 255 136

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 214 65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 214 65 shade: RGB 209 214 65, RGB 192 196 46, RGB 175 178 27, RGB 158 160 8 and RGB 141 142 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 214 65 shade: RGB 209 214 65, RGB 214 179 65, RGB 214 139 65, RGB 214 99 65 and RGB 214 65 65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 214 65 shade: RGB 209 214 65, RGB 169 214 65, RGB 129 214 65, RGB 89 214 65 and RGB 65 214 82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 214 65 shade matches the following richer shades: RGB 209 214 65, RGB 227 233 47 and RGB 244 251 28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 214 65 shade: RGB 209 214 65, RGB 192 196 84, RGB 175 177 102, RGB 157 159 121 and RGB 140 140 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 214 65 shade: RGB 214 140 65, RGB 214 180 65, RGB 209 214 65, RGB 170 214 65 and RGB 130 214 65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 214 65 shade: RGB 159 163 34, RGB 192 197 41, RGB 209 214 65, RGB 217 222 99 and RGB 226 229 133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 214 65 shade: RGB 209 214 65, RGB 65 214 100 and RGB 160 65 214

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 214 65 shade: RGB 209 214 65, RGB 65 209 214 and RGB 214 65 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 214 65 shade: RGB 209 214 65, RGB 65 214 100, RGB 70 65 214 and RGB 214 65 180

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 214 65 shade: RGB 209 214 65, RGB 65 214 145, RGB 70 65 214 and RGB 214 65 135

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 70 / 16

HEX #D1D641

RGB 209 214 65

HSL 62.01, 0.65%, 0.55%

LAB 82.93, -19.34, 68.98

 

Complementary color

CMYK 76 / 78 / 0 / 25

HEX #2E29BE

RGB 46 41 190

HSL 242.01, 0.65%, 0.45%

LAB 29.12, 50.75, -75.74

 

CMYK 0 / 0 / 72 / 16

HEX #D6D63C

RGB 214 214 60

HSL 60, 0.65%, 0.54%

LAB 83.29, -17.5, 71.2

 

CMYK 0 / 0 / 66 / 9

HEX #E7E84F

RGB 231 232 79

HSL 60.39, 0.77%, 0.61%

LAB 89.52, -18.35, 70.97

 

CMYK 1 / 0 / 61 / 2

HEX #F8FA62

RGB 248 250 98

HSL 60.79, 0.94%, 0.68%

LAB 95.67, -19.08, 70.36

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF75

RGB 255 255 117

HSL 60, 1%, 0.73%

LAB 97.66, -17.4, 64.73

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF88

RGB 255 255 136

HSL 60, 1%, 0.77%

LAB 97.86, -15.85, 56.42

 

CMYK 2 / 0 / 70 / 16

HEX #D1D641

RGB 209 214 65

HSL 62.01, 0.65%, 0.55%

LAB 82.93, -19.34, 68.98

 

CMYK 2 / 0 / 77 / 23

HEX #C0C42E

RGB 192 196 46

HSL 61.6, 0.62%, 0.47%

LAB 76.61, -18.42, 68.85

 

CMYK 2 / 0 / 85 / 30

HEX #AFB21B

RGB 175 178 27

HSL 61.19, 0.74%, 0.4%

LAB 70.2, -17.32, 67.83

 

CMYK 1 / 0 / 95 / 37

HEX #9EA008

RGB 158 160 8

HSL 60.79, 0.9%, 0.33%

LAB 63.7, -15.99, 65.4

 

CMYK 1 / 0 / 100 / 44

HEX #8D8E00

RGB 141 142 0

HSL 60.42, 1%, 0.28%

LAB 57.08, -14.4, 61

 

CMYK 2 / 0 / 70 / 16

HEX #D1D641

RGB 209 214 65

HSL 62.01, 0.65%, 0.55%

LAB 82.93, -19.34, 68.98

 

CMYK 0 / 16 / 70 / 16

HEX #D6B341

RGB 214 179 65

HSL 45.91, 0.65%, 0.55%

LAB 74.14, 0.61, 60.34

 

CMYK 0 / 35 / 70 / 16

HEX #D68B41

RGB 214 139 65

HSL 29.8, 0.65%, 0.55%

LAB 64.28, 22.06, 50.02

 

CMYK 0 / 54 / 70 / 16

HEX #D66341

RGB 214 99 65

HSL 13.69, 0.65%, 0.55%

LAB 55.69, 42.95, 40.5

 

CMYK 0 / 70 / 70 / 16

HEX #D64141

RGB 214 65 65

HSL 0, 0.65%, 0.55%

LAB 50.05, 57.91, 33.94

 

CMYK 2 / 0 / 70 / 16

HEX #D1D641

RGB 209 214 65

HSL 62.01, 0.65%, 0.55%

LAB 82.93, -19.34, 68.98

 

CMYK 21 / 0 / 70 / 16

HEX #A9D641

RGB 169 214 65

HSL 78.12, 0.65%, 0.55%

LAB 80.13, -35.45, 65.26

 

CMYK 40 / 0 / 70 / 16

HEX #81D641

RGB 129 214 65

HSL 94.23, 0.65%, 0.55%

LAB 77.96, -49.87, 62.36

 

CMYK 58 / 0 / 70 / 16

HEX #59D641

RGB 89 214 65

HSL 110.34, 0.65%, 0.55%

LAB 76.44, -61.36, 60.3

 

CMYK 70 / 0 / 62 / 16

HEX #41D652

RGB 65 214 82

HSL 126.85, 0.65%, 0.55%

LAB 75.96, -64.69, 52.71

 

CMYK 2 / 0 / 70 / 16

HEX #D1D641

RGB 209 214 65

HSL 62.01, 0.65%, 0.55%

LAB 82.93, -19.34, 68.98

 

CMYK 3 / 0 / 80 / 9

HEX #E3E92F

RGB 227 233 47

HSL 61.94, 0.81%, 0.55%

LAB 89.31, -21.84, 80.86

 

CMYK 3 / 0 / 89 / 2

HEX #F4FB1C

RGB 244 251 28

HSL 61.88, 0.97%, 0.55%

LAB 95.29, -23.88, 90.11

 

CMYK 2 / 0 / 70 / 16

HEX #D1D641

RGB 209 214 65

HSL 62.01, 0.65%, 0.55%

LAB 82.93, -19.34, 68.98

 

CMYK 2 / 0 / 57 / 23

HEX #C0C454

RGB 192 196 84

HSL 62.14, 0.49%, 0.55%

LAB 76.88, -16.26, 54.54

 

CMYK 1 / 0 / 42 / 31

HEX #AFB166

RGB 175 177 102

HSL 61.6, 0.32%, 0.55%

LAB 70.54, -11.91, 38.04

 

CMYK 1 / 0 / 24 / 38

HEX #9D9F79

RGB 157 159 121

HSL 63.16, 0.17%, 0.55%

LAB 64.44, -7.22, 19.65

 

CMYK 0 / 0 / 1 / 45

HEX #8C8C8B

RGB 140 140 139

HSL 60, 0%, 0.55%

LAB 58.22, -0.19, 0.53

 

CMYK 0 / 35 / 70 / 16

HEX #D68C41

RGB 214 140 65

HSL 30.2, 0.65%, 0.55%

LAB 64.51, 21.52, 50.27

 

CMYK 0 / 16 / 70 / 16

HEX #D6B441

RGB 214 180 65

HSL 46.31, 0.65%, 0.55%

LAB 74.39, 0.09, 60.6

 

CMYK 2 / 0 / 70 / 16

HEX #D1D641

RGB 209 214 65

HSL 62.01, 0.65%, 0.55%

LAB 82.93, -19.34, 68.98

 

CMYK 21 / 0 / 70 / 16

HEX #AAD641

RGB 170 214 65

HSL 77.72, 0.65%, 0.55%

LAB 80.19, -35.06, 65.35

 

CMYK 39 / 0 / 70 / 16

HEX #82D641

RGB 130 214 65

HSL 93.83, 0.65%, 0.55%

LAB 78.01, -49.54, 62.42

 

CMYK 2 / 0 / 79 / 36

HEX #9FA322

RGB 159 163 34

HSL 61.86, 0.65%, 0.39%

LAB 64.71, -16.44, 60.77

 

CMYK 3 / 0 / 79 / 23

HEX #C0C529

RGB 192 197 41

HSL 61.92, 0.66%, 0.47%

LAB 76.86, -19.1, 70.53

 

CMYK 2 / 0 / 70 / 16

HEX #D1D641

RGB 209 214 65

HSL 62.01, 0.65%, 0.55%

LAB 82.93, -19.34, 68.98

 

CMYK 2 / 0 / 55 / 13

HEX #D9DE63

RGB 217 222 99

HSL 62.44, 0.65%, 0.63%

LAB 85.95, -17.84, 58.59

 

CMYK 1 / 0 / 42 / 10

HEX #E2E585

RGB 226 229 133

HSL 61.88, 0.65%, 0.71%

LAB 88.88, -14.68, 46.34

 

CMYK 2 / 0 / 70 / 16

HEX #D1D641

RGB 209 214 65

HSL 62.01, 0.65%, 0.55%

LAB 82.93, -19.34, 68.98

 

CMYK 70 / 0 / 53 / 16

HEX #41D664

RGB 65 214 100

HSL 134.09, 0.65%, 0.55%

LAB 76.15, -62.45, 44.76

 

CMYK 25 / 70 / 0 / 16

HEX #A041D6

RGB 160 65 214

HSL 278.26, 0.65%, 0.55%

LAB 47.12, 62.7, -59.77

 

CMYK 2 / 0 / 70 / 16

HEX #D1D641

RGB 209 214 65

HSL 62.01, 0.65%, 0.55%

LAB 82.93, -19.34, 68.98

 

CMYK 70 / 2 / 0 / 16

HEX #41D1D6

RGB 65 209 214

HSL 182.01, 0.65%, 0.55%

LAB 77.03, -35.52, -13.54

 

CMYK 0 / 70 / 2 / 16

HEX #D641D1

RGB 214 65 209

HSL 302.01, 0.65%, 0.55%

LAB 54.74, 73.27, -44.27

 

CMYK 2 / 0 / 70 / 16

HEX #D1D641

RGB 209 214 65

HSL 62.01, 0.65%, 0.55%

LAB 82.93, -19.34, 68.98

 

CMYK 70 / 0 / 53 / 16

HEX #41D664

RGB 65 214 100

HSL 134.09, 0.65%, 0.55%

LAB 76.15, -62.45, 44.76

 

CMYK 67 / 70 / 0 / 16

HEX #4641D6

RGB 70 65 214

HSL 242.01, 0.65%, 0.55%

LAB 37.73, 47.63, -75.47

 

CMYK 0 / 70 / 16 / 16

HEX #D641B4

RGB 214 65 180

HSL 313.69, 0.65%, 0.55%

LAB 53.35, 68.95, -29.74

 

CMYK 2 / 0 / 70 / 16

HEX #D1D641

RGB 209 214 65

HSL 62.01, 0.65%, 0.55%

LAB 82.93, -19.34, 68.98

 

CMYK 70 / 0 / 32 / 16

HEX #41D691

RGB 65 214 145

HSL 152.21, 0.65%, 0.55%

LAB 76.84, -54.74, 23.02

 

CMYK 67 / 70 / 0 / 16

HEX #4641D6

RGB 70 65 214

HSL 242.01, 0.65%, 0.55%

LAB 37.73, 47.63, -75.47

 

CMYK 0 / 70 / 37 / 16

HEX #D64187

RGB 214 65 135

HSL 331.81, 0.65%, 0.55%

LAB 51.64, 63.37, -5.78

 

Description

Color code: RGB 209 214 65 | qconv.com Color code: RGB 209 214 65 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 214 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 214 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 70 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 70% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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