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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 190 243 it is the complementary color RGB 46 65 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 190 243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 190 243 shade: RGB 214 190 238, RGB 231 208 255, RGB 248 226 255 and RGB 255 244 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 190 243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 190 243 shade: RGB 209 190 243, RGB 192 172 224, RGB 175 154 205, RGB 158 136 186 and RGB 141 118 167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 190 243 shade: RGB 209 190 243, RGB 223 190 243, RGB 237 190 243, RGB 243 190 234 and RGB 243 190 220

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 190 243 shade: RGB 209 190 243, RGB 195 190 243 and RGB 190 190 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 190 243 shade matches the following richer shades: RGB 209 190 243 and RGB 207 184 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 190 243 shade: RGB 209 190 243, RGB 211 196 236, RGB 212 202 230, RGB 214 208 224 and RGB 216 215 218

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 190 243 shade: RGB 190 200 243, RGB 194 190 243, RGB 208 190 243, RGB 222 190 243 and RGB 236 190 243

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 190 243 shade: RGB 159 120 230, RGB 184 155 236, RGB 209 190 243 and RGB 233 225 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 190 243 shade: RGB 209 190 243, RGB 243 190 214 and RGB 192 243 190

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 190 243 shade: RGB 209 190 243, RGB 243 208 190 and RGB 190 243 208

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 190 243 shade: RGB 209 190 243, RGB 243 190 214, RGB 224 243 190 and RGB 190 243 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 190 243 shade: RGB 209 190 243, RGB 243 190 198, RGB 224 243 190 and RGB 190 243 235

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 22 / 0 / 5

HEX #D1BEF3

RGB 209 190 243

HSL 261.51, 0.69%, 0.85%

LAB 80.1, 16.81, -23.77

 

Complementary color

CMYK 29 / 0 / 82 / 75

HEX #2E410C

RGB 46 65 12

HSL 81.51, 0.69%, 0.15%

LAB 24.91, -16.89, 28.21

 

CMYK 10 / 20 / 0 / 7

HEX #D6BEEE

RGB 214 190 238

HSL 270, 0.59%, 0.84%

LAB 80.35, 17.36, -20.68

 

CMYK 9 / 18 / 0 / 0

HEX #E7D0FF

RGB 231 208 255

HSL 269.36, 1%, 0.91%

LAB 86.66, 16.55, -20.03

 

CMYK 3 / 11 / 0 / 0

HEX #F8E2FF

RGB 248 226 255

HSL 285.52, 1%, 0.94%

LAB 92.38, 12.57, -11.3

 

CMYK 0 / 4 / 0 / 0

HEX #FFF4FF

RGB 255 244 255

HSL 300, 1%, 0.98%

LAB 97.3, 5.59, -3.97

 

CMYK 14 / 22 / 0 / 5

HEX #D1BEF3

RGB 209 190 243

HSL 261.51, 0.69%, 0.85%

LAB 80.1, 16.81, -23.77

 

CMYK 14 / 23 / 0 / 12

HEX #C0ACE0

RGB 192 172 224

HSL 263.08, 0.46%, 0.78%

LAB 73.61, 17.25, -23.53

 

CMYK 15 / 25 / 0 / 20

HEX #AF9ACD

RGB 175 154 205

HSL 264.71, 0.34%, 0.7%

LAB 67, 17.72, -23.29

 

CMYK 15 / 27 / 0 / 27

HEX #9E88BA

RGB 158 136 186

HSL 266.4, 0.27%, 0.63%

LAB 60.27, 18.25, -23.08

 

CMYK 16 / 29 / 0 / 35

HEX #8D76A7

RGB 141 118 167

HSL 268.16, 0.22%, 0.56%

LAB 53.39, 18.82, -22.88

 

CMYK 14 / 22 / 0 / 5

HEX #D1BEF3

RGB 209 190 243

HSL 261.51, 0.69%, 0.85%

LAB 80.1, 16.81, -23.77

 

CMYK 8 / 22 / 0 / 5

HEX #DFBEF3

RGB 223 190 243

HSL 277.36, 0.69%, 0.85%

LAB 81.28, 21.24, -21.86

 

CMYK 2 / 22 / 0 / 5

HEX #EDBEF3

RGB 237 190 243

HSL 293.21, 0.69%, 0.85%

LAB 82.54, 25.74, -19.84

 

CMYK 0 / 22 / 4 / 5

HEX #F3BEEA

RGB 243 190 234

HSL 310.19, 0.69%, 0.85%

LAB 82.82, 26.08, -14.55

 

CMYK 0 / 22 / 9 / 5

HEX #F3BEDC

RGB 243 190 220

HSL 326.04, 0.69%, 0.85%

LAB 82.41, 23.68, -7.67

 

CMYK 14 / 22 / 0 / 5

HEX #D1BEF3

RGB 209 190 243

HSL 261.51, 0.69%, 0.85%

LAB 80.1, 16.81, -23.77

 

CMYK 20 / 22 / 0 / 5

HEX #C3BEF3

RGB 195 190 243

HSL 245.66, 0.69%, 0.85%

LAB 78.98, 12.47, -25.57

 

CMYK 22 / 22 / 0 / 5

HEX #BEBEF3

RGB 190 190 243

HSL 240, 0.69%, 0.85%

LAB 78.6, 10.95, -26.19

 

CMYK 14 / 22 / 0 / 5

HEX #D1BEF3

RGB 209 190 243

HSL 261.51, 0.69%, 0.85%

LAB 80.1, 16.81, -23.77

 

CMYK 17 / 26 / 0 / 2

HEX #CFB8F9

RGB 207 184 249

HSL 261.23, 0.84%, 0.85%

LAB 78.69, 20.72, -29.16

 

CMYK 14 / 22 / 0 / 5

HEX #D1BEF3

RGB 209 190 243

HSL 261.51, 0.69%, 0.85%

LAB 80.1, 16.81, -23.77

 

CMYK 11 / 17 / 0 / 7

HEX #D3C4EC

RGB 211 196 236

HSL 262.5, 0.51%, 0.85%

LAB 81.5, 12.76, -17.88

 

CMYK 8 / 12 / 0 / 10

HEX #D4CAE6

RGB 212 202 230

HSL 261.43, 0.36%, 0.85%

LAB 82.89, 8.68, -12.59

 

CMYK 4 / 7 / 0 / 12

HEX #D6D0E0

RGB 214 208 224

HSL 262.5, 0.21%, 0.85%

LAB 84.38, 5, -7.16

 

CMYK 1 / 1 / 0 / 15

HEX #D8D7DA

RGB 216 215 218

HSL 260, 0.04%, 0.85%

LAB 86.14, 0.89, -1.36

 

CMYK 22 / 18 / 0 / 5

HEX #BEC8F3

RGB 190 200 243

HSL 228.68, 0.69%, 0.85%

LAB 81.14, 5.55, -22.32

 

CMYK 20 / 22 / 0 / 5

HEX #C2BEF3

RGB 194 190 243

HSL 244.53, 0.69%, 0.85%

LAB 78.91, 12.17, -25.7

 

CMYK 14 / 22 / 0 / 5

HEX #D0BEF3

RGB 208 190 243

HSL 260.38, 0.69%, 0.85%

LAB 80.02, 16.49, -23.91

 

CMYK 9 / 22 / 0 / 5

HEX #DEBEF3

RGB 222 190 243

HSL 276.23, 0.69%, 0.85%

LAB 81.2, 20.92, -22

 

CMYK 3 / 22 / 0 / 5

HEX #ECBEF3

RGB 236 190 243

HSL 292.08, 0.69%, 0.85%

LAB 82.45, 25.42, -19.98

 

CMYK 31 / 48 / 0 / 10

HEX #9F78E6

RGB 159 120 230

HSL 261.27, 0.69%, 0.69%

LAB 58.52, 38.17, -50.56

 

CMYK 22 / 34 / 0 / 7

HEX #B89BEC

RGB 184 155 236

HSL 261.48, 0.68%, 0.77%

LAB 69.25, 26.9, -36.86

 

CMYK 14 / 22 / 0 / 5

HEX #D1BEF3

RGB 209 190 243

HSL 261.51, 0.69%, 0.85%

LAB 80.1, 16.81, -23.77

 

CMYK 6 / 10 / 0 / 2

HEX #E9E1F9

RGB 233 225 249

HSL 260, 0.67%, 0.93%

LAB 90.79, 7.09, -10.67

 

CMYK 14 / 22 / 0 / 5

HEX #D1BEF3

RGB 209 190 243

HSL 261.51, 0.69%, 0.85%

LAB 80.1, 16.81, -23.77

 

CMYK 0 / 22 / 12 / 5

HEX #F3BED6

RGB 243 190 214

HSL 332.83, 0.69%, 0.85%

LAB 82.24, 22.69, -4.69

 

CMYK 21 / 0 / 22 / 5

HEX #C0F3BE

RGB 192 243 190

HSL 117.74, 0.69%, 0.85%

LAB 91.25, -26.12, 20.35

 

CMYK 14 / 22 / 0 / 5

HEX #D1BEF3

RGB 209 190 243

HSL 261.51, 0.69%, 0.85%

LAB 80.1, 16.81, -23.77

 

CMYK 0 / 14 / 22 / 5

HEX #F3D0BE

RGB 243 208 190

HSL 20.38, 0.69%, 0.85%

LAB 85.95, 9.53, 13.47

 

CMYK 22 / 0 / 14 / 5

HEX #BEF3D0

RGB 190 243 208

HSL 140.38, 0.69%, 0.85%

LAB 91.51, -23.62, 11.41

 

CMYK 14 / 22 / 0 / 5

HEX #D1BEF3

RGB 209 190 243

HSL 261.51, 0.69%, 0.85%

LAB 80.1, 16.81, -23.77

 

CMYK 0 / 22 / 12 / 5

HEX #F3BED6

RGB 243 190 214

HSL 332.83, 0.69%, 0.85%

LAB 82.24, 22.69, -4.69

 

CMYK 8 / 0 / 22 / 5

HEX #E0F3BE

RGB 224 243 190

HSL 81.51, 0.69%, 0.85%

LAB 93.31, -15.17, 23.52

 

CMYK 22 / 0 / 10 / 5

HEX #BEF3DB

RGB 190 243 219

HSL 152.83, 0.69%, 0.85%

LAB 91.76, -21.55, 6.07

 

CMYK 14 / 22 / 0 / 5

HEX #D1BEF3

RGB 209 190 243

HSL 261.51, 0.69%, 0.85%

LAB 80.1, 16.81, -23.77

 

CMYK 0 / 22 / 19 / 5

HEX #F3BEC6

RGB 243 190 198

HSL 350.94, 0.69%, 0.85%

LAB 81.82, 20.18, 3.29

 

CMYK 8 / 0 / 22 / 5

HEX #E0F3BE

RGB 224 243 190

HSL 81.51, 0.69%, 0.85%

LAB 93.31, -15.17, 23.52

 

CMYK 22 / 0 / 3 / 5

HEX #BEF3EB

RGB 190 243 235

HSL 170.94, 0.69%, 0.85%

LAB 92.15, -18.37, -1.67

 

Description

Color code: RGB 209 190 243 | qconv.com Color code: RGB 209 190 243 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 190 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 190 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 22 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 22% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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