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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 199 101 it is the complementary color RGB 46 56 154. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 199 101. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 199 101 shade: RGB 214 199 96, RGB 231 217 115, RGB 248 235 134, RGB 255 253 153 and RGB 255 255 172

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 199 101. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 199 101 shade: RGB 209 199 101, RGB 192 181 82, RGB 175 163 63, RGB 158 145 44 and RGB 141 127 25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 199 101 shade: RGB 209 199 101, RGB 209 170 101, RGB 209 141 101, RGB 209 112 101 and RGB 209 101 101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 199 101 shade: RGB 209 199 101, RGB 190 209 101, RGB 161 209 101, RGB 132 209 101 and RGB 103 209 101

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 199 101 shade matches the following richer shades: RGB 209 199 101, RGB 225 212 85 and RGB 241 225 69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 199 101 shade: RGB 209 199 101, RGB 193 186 117, RGB 177 173 134, RGB 160 159 150 and RGB 144 146 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 199 101 shade: RGB 209 141 101, RGB 209 169 101, RGB 209 198 101, RGB 191 209 101 and RGB 162 209 101

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 199 101 shade: RGB 176 164 52, RGB 199 187 70, RGB 209 199 101, RGB 218 210 133 and RGB 228 222 165

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 199 101 shade: RGB 209 199 101, RGB 101 209 112 and RGB 155 101 209

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 199 101 shade: RGB 209 199 101, RGB 101 209 198 and RGB 198 101 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 199 101 shade: RGB 209 199 101, RGB 101 209 112, RGB 101 112 209 and RGB 209 101 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 199 101 shade: RGB 209 199 101, RGB 101 209 144, RGB 101 112 209 and RGB 209 101 166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 52 / 18

HEX #D1C765

RGB 209 199 101

HSL 54.44, 0.54%, 0.61%

LAB 79.24, -9.41, 49.75

 

Complementary color

CMYK 70 / 64 / 0 / 40

HEX #2E389A

RGB 46 56 154

HSL 234.44, 0.54%, 0.39%

LAB 28.75, 29.58, -54.75

 

CMYK 0 / 7 / 55 / 16

HEX #D6C760

RGB 214 199 96

HSL 52.37, 0.59%, 0.61%

LAB 79.61, -7.76, 52.64

 

CMYK 0 / 6 / 50 / 9

HEX #E7D973

RGB 231 217 115

HSL 52.76, 0.71%, 0.68%

LAB 85.93, -8.4, 51.49

 

CMYK 0 / 5 / 46 / 3

HEX #F8EB86

RGB 248 235 134

HSL 53.16, 0.89%, 0.75%

LAB 92.17, -8.95, 50.32

 

CMYK 0 / 1 / 40 / 0

HEX #FFFD99

RGB 255 253 153

HSL 58.82, 1%, 0.8%

LAB 97.56, -13.25, 48.02

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAC

RGB 255 255 172

HSL 60, 1%, 0.84%

LAB 98.34, -12.15, 39.74

 

CMYK 0 / 5 / 52 / 18

HEX #D1C765

RGB 209 199 101

HSL 54.44, 0.54%, 0.61%

LAB 79.24, -9.41, 49.75

 

CMYK 0 / 6 / 57 / 25

HEX #C0B552

RGB 192 181 82

HSL 54, 0.47%, 0.54%

LAB 72.8, -8.74, 50.87

 

CMYK 0 / 7 / 64 / 31

HEX #AFA33F

RGB 175 163 63

HSL 53.57, 0.47%, 0.47%

LAB 66.26, -7.94, 51.85

 

CMYK 0 / 8 / 72 / 38

HEX #9E912C

RGB 158 145 44

HSL 53.16, 0.56%, 0.4%

LAB 59.62, -6.95, 52.5

 

CMYK 0 / 10 / 82 / 45

HEX #8D7F19

RGB 141 127 25

HSL 52.76, 0.7%, 0.33%

LAB 52.85, -5.72, 52.4

 

CMYK 0 / 5 / 52 / 18

HEX #D1C765

RGB 209 199 101

HSL 54.44, 0.54%, 0.61%

LAB 79.24, -9.41, 49.75

 

CMYK 0 / 19 / 52 / 18

HEX #D1AA65

RGB 209 170 101

HSL 38.33, 0.54%, 0.61%

LAB 71.72, 5.79, 40.69

 

CMYK 0 / 33 / 52 / 18

HEX #D18D65

RGB 209 141 101

HSL 22.22, 0.54%, 0.61%

LAB 64.6, 21.47, 31.75

 

CMYK 0 / 46 / 52 / 18

HEX #D17065

RGB 209 112 101

HSL 6.11, 0.54%, 0.61%

LAB 58.12, 36.99, 23.29

 

CMYK 0 / 52 / 52 / 18

HEX #D16565

RGB 209 101 101

HSL 0, 0.54%, 0.61%

LAB 55.89, 42.61, 20.31

 

CMYK 0 / 5 / 52 / 18

HEX #D1C765

RGB 209 199 101

HSL 54.44, 0.54%, 0.61%

LAB 79.24, -9.41, 49.75

 

CMYK 9 / 0 / 52 / 18

HEX #BED165

RGB 190 209 101

HSL 70.56, 0.54%, 0.61%

LAB 80.45, -22.09, 50.81

 

CMYK 23 / 0 / 52 / 18

HEX #A1D165

RGB 161 209 101

HSL 86.67, 0.54%, 0.61%

LAB 78.53, -33.24, 48.06

 

CMYK 37 / 0 / 52 / 18

HEX #84D165

RGB 132 209 101

HSL 102.78, 0.54%, 0.61%

LAB 76.95, -43.4, 45.79

 

CMYK 51 / 0 / 52 / 18

HEX #67D165

RGB 103 209 101

HSL 118.89, 0.54%, 0.61%

LAB 75.71, -52.1, 44

 

CMYK 0 / 5 / 52 / 18

HEX #D1C765

RGB 209 199 101

HSL 54.44, 0.54%, 0.61%

LAB 79.24, -9.41, 49.75

 

CMYK 0 / 6 / 62 / 12

HEX #E1D455

RGB 225 212 85

HSL 54.43, 0.7%, 0.61%

LAB 83.84, -10.58, 62.5

 

CMYK 0 / 7 / 71 / 5

HEX #F1E145

RGB 241 225 69

HSL 54.42, 0.86%, 0.61%

LAB 88.44, -11.29, 73.81

 

CMYK 0 / 5 / 52 / 18

HEX #D1C765

RGB 209 199 101

HSL 54.44, 0.54%, 0.61%

LAB 79.24, -9.41, 49.75

 

CMYK 0 / 4 / 39 / 24

HEX #C1BA75

RGB 193 186 117

HSL 54.47, 0.38%, 0.61%

LAB 74.66, -7.65, 35.85

 

CMYK 0 / 2 / 24 / 31

HEX #B1AD86

RGB 177 173 134

HSL 54.42, 0.22%, 0.61%

LAB 70.14, -4.99, 20.61

 

CMYK 0 / 1 / 6 / 37

HEX #A09F96

RGB 160 159 150

HSL 54, 0.05%, 0.61%

LAB 65.34, -1.3, 4.81

 

CMYK 13 / 12 / 0 / 35

HEX #9092A6

RGB 144 146 166

HSL 234.55, 0.11%, 0.61%

LAB 60.99, 3.43, -10.74

 

CMYK 0 / 33 / 52 / 18

HEX #D18D65

RGB 209 141 101

HSL 22.22, 0.54%, 0.61%

LAB 64.6, 21.47, 31.75

 

CMYK 0 / 19 / 52 / 18

HEX #D1A965

RGB 209 169 101

HSL 37.78, 0.54%, 0.61%

LAB 71.47, 6.32, 40.37

 

CMYK 0 / 5 / 52 / 18

HEX #D1C665

RGB 209 198 101

HSL 53.89, 0.54%, 0.61%

LAB 78.97, -8.9, 49.43

 

CMYK 9 / 0 / 52 / 18

HEX #BFD165

RGB 191 209 101

HSL 70, 0.54%, 0.61%

LAB 80.53, -21.7, 50.92

 

CMYK 22 / 0 / 52 / 18

HEX #A2D165

RGB 162 209 101

HSL 86.11, 0.54%, 0.61%

LAB 78.59, -32.87, 48.15

 

CMYK 0 / 7 / 70 / 31

HEX #B0A434

RGB 176 164 52

HSL 54.19, 0.54%, 0.45%

LAB 66.54, -8.68, 56.75

 

CMYK 0 / 6 / 65 / 22

HEX #C7BB46

RGB 199 187 70

HSL 54.42, 0.54%, 0.53%

LAB 74.9, -9.7, 58.64

 

CMYK 0 / 5 / 52 / 18

HEX #D1C765

RGB 209 199 101

HSL 54.44, 0.54%, 0.61%

LAB 79.24, -9.41, 49.75

 

CMYK 0 / 4 / 39 / 15

HEX #DAD285

RGB 218 210 133

HSL 54.35, 0.53%, 0.69%

LAB 83.28, -8.28, 39.14

 

CMYK 0 / 3 / 28 / 11

HEX #E4DEA5

RGB 228 222 165

HSL 54.29, 0.54%, 0.77%

LAB 87.7, -6.7, 28.77

 

CMYK 0 / 5 / 52 / 18

HEX #D1C765

RGB 209 199 101

HSL 54.44, 0.54%, 0.61%

LAB 79.24, -9.41, 49.75

 

CMYK 52 / 0 / 46 / 18

HEX #65D170

RGB 101 209 112

HSL 126.11, 0.54%, 0.61%

LAB 75.78, -51.11, 38.7

 

CMYK 26 / 52 / 0 / 18

HEX #9B65D1

RGB 155 101 209

HSL 270, 0.54%, 0.61%

LAB 52.82, 42.59, -47.82

 

CMYK 0 / 5 / 52 / 18

HEX #D1C765

RGB 209 199 101

HSL 54.44, 0.54%, 0.61%

LAB 79.24, -9.41, 49.75

 

CMYK 52 / 0 / 5 / 18

HEX #65D1C6

RGB 101 209 198

HSL 173.89, 0.54%, 0.61%

LAB 77.55, -33.71, -4.06

 

CMYK 5 / 52 / 0 / 18

HEX #C665D1

RGB 198 101 209

HSL 293.89, 0.54%, 0.61%

LAB 57.96, 54.19, -39.36

 

CMYK 0 / 5 / 52 / 18

HEX #D1C765

RGB 209 199 101

HSL 54.44, 0.54%, 0.61%

LAB 79.24, -9.41, 49.75

 

CMYK 52 / 0 / 46 / 18

HEX #65D170

RGB 101 209 112

HSL 126.11, 0.54%, 0.61%

LAB 75.78, -51.11, 38.7

 

CMYK 52 / 46 / 0 / 18

HEX #6570D1

RGB 101 112 209

HSL 233.89, 0.54%, 0.61%

LAB 50.64, 22.84, -51.57

 

CMYK 0 / 52 / 5 / 18

HEX #D165C6

RGB 209 101 198

HSL 306.11, 0.54%, 0.61%

LAB 58.92, 55.3, -31.51

 

CMYK 0 / 5 / 52 / 18

HEX #D1C765

RGB 209 199 101

HSL 54.44, 0.54%, 0.61%

LAB 79.24, -9.41, 49.75

 

CMYK 52 / 0 / 31 / 18

HEX #65D190

RGB 101 209 144

HSL 143.89, 0.54%, 0.61%

LAB 76.3, -45.72, 22.98

 

CMYK 52 / 46 / 0 / 18

HEX #6570D1

RGB 101 112 209

HSL 233.89, 0.54%, 0.61%

LAB 50.64, 22.84, -51.57

 

CMYK 0 / 52 / 21 / 18

HEX #D165A6

RGB 209 101 166

HSL 323.89, 0.54%, 0.61%

LAB 57.67, 50.25, -15.05

 

Description

Color code: RGB 209 199 101 | qconv.com Color code: RGB 209 199 101 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 199 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 199 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 52 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 52% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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