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Color name
RGB 209 170 152

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 170 152 it is the complementary color RGB 46 85 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 170 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 170 152 shade: RGB 214 170 147, RGB 231 188 166, RGB 248 206 185, RGB 255 224 204 and RGB 255 242 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 170 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 170 152 shade: RGB 209 170 152, RGB 192 152 133, RGB 175 134 114, RGB 158 116 95 and RGB 141 98 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 170 152 shade: RGB 209 170 152, RGB 209 155 152 and RGB 209 152 152

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 170 152 shade: RGB 209 170 152, RGB 209 185 152, RGB 209 201 152, RGB 202 209 152 and RGB 186 209 152

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 170 152 shade matches the following richer shades: RGB 209 170 152, RGB 221 166 140, RGB 233 161 129 and RGB 245 157 117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 170 152 shade: RGB 209 170 152, RGB 197 175 164, RGB 185 179 176, RGB 173 183 188 and RGB 161 188 200

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 170 152 shade: RGB 209 152 166, RGB 209 154 152, RGB 209 169 152, RGB 209 184 152 and RGB 209 199 152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 170 152 shade: RGB 183 123 96, RGB 196 147 124, RGB 209 170 152, RGB 221 194 181 and RGB 234 217 209

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 170 152 shade: RGB 209 170 152, RGB 181 209 152 and RGB 152 158 209

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 170 152 shade: RGB 209 170 152, RGB 152 209 169 and RGB 169 152 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 170 152 shade: RGB 209 170 152, RGB 181 209 152, RGB 152 192 209 and RGB 181 152 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 170 152 shade: RGB 209 170 152, RGB 164 209 152, RGB 152 192 209 and RGB 197 152 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 27 / 18

HEX #D1AA98

RGB 209 170 152

HSL 18.95, 0.38%, 0.71%

LAB 72.61, 11.58, 14.65

 

Complementary color

CMYK 55 / 17 / 0 / 60

HEX #2E5567

RGB 46 85 103

HSL 198.95, 0.38%, 0.29%

LAB 34.1, -8.15, -14.63

 

CMYK 0 / 21 / 31 / 16

HEX #D6AA93

RGB 214 170 147

HSL 20.6, 0.45%, 0.71%

LAB 72.99, 12.84, 17.99

 

CMYK 0 / 19 / 28 / 9

HEX #E7BCA6

RGB 231 188 166

HSL 20.31, 0.58%, 0.78%

LAB 79.45, 12.25, 16.95

 

CMYK 0 / 17 / 25 / 3

HEX #F8CEB9

RGB 248 206 185

HSL 20, 0.82%, 0.85%

LAB 85.81, 11.72, 15.98

 

CMYK 0 / 12 / 20 / 0

HEX #FFE0CC

RGB 255 224 204

HSL 23.53, 1%, 0.9%

LAB 91.2, 7.62, 13.7

 

CMYK 0 / 5 / 13 / 0

HEX #FFF2DF

RGB 255 242 223

HSL 35.63, 1%, 0.94%

LAB 96.03, 1.28, 10.72

 

CMYK 0 / 19 / 27 / 18

HEX #D1AA98

RGB 209 170 152

HSL 18.95, 0.38%, 0.71%

LAB 72.61, 11.58, 14.65

 

CMYK 0 / 21 / 31 / 25

HEX #C09885

RGB 192 152 133

HSL 19.32, 0.32%, 0.64%

LAB 66.03, 12.18, 15.69

 

CMYK 0 / 23 / 35 / 31

HEX #AF8672

RGB 175 134 114

HSL 19.67, 0.28%, 0.57%

LAB 59.32, 12.87, 16.82

 

CMYK 0 / 27 / 40 / 38

HEX #9E745F

RGB 158 116 95

HSL 20, 0.25%, 0.5%

LAB 52.49, 13.67, 18.07

 

CMYK 0 / 30 / 46 / 45

HEX #8D624C

RGB 141 98 76

HSL 20.31, 0.3%, 0.43%

LAB 45.52, 14.61, 19.48

 

CMYK 0 / 19 / 27 / 18

HEX #D1AA98

RGB 209 170 152

HSL 18.95, 0.38%, 0.71%

LAB 72.61, 11.58, 14.65

 

CMYK 0 / 26 / 27 / 18

HEX #D19B98

RGB 209 155 152

HSL 3.16, 0.38%, 0.71%

LAB 68.94, 19.73, 9.47

 

CMYK 0 / 27 / 27 / 18

HEX #D19898

RGB 209 152 152

HSL 0, 0.38%, 0.71%

LAB 68.23, 21.36, 8.45

 

CMYK 0 / 19 / 27 / 18

HEX #D1AA98

RGB 209 170 152

HSL 18.95, 0.38%, 0.71%

LAB 72.61, 11.58, 14.65

 

CMYK 0 / 11 / 27 / 18

HEX #D1B998

RGB 209 185 152

HSL 34.74, 0.38%, 0.71%

LAB 76.39, 3.54, 19.9

 

CMYK 0 / 4 / 27 / 18

HEX #D1C998

RGB 209 201 152

HSL 51.58, 0.38%, 0.71%

LAB 80.51, -4.85, 25.54

 

CMYK 3 / 0 / 27 / 18

HEX #CAD198

RGB 202 209 152

HSL 67.37, 0.38%, 0.71%

LAB 82.07, -11.62, 27.55

 

CMYK 11 / 0 / 27 / 18

HEX #BAD198

RGB 186 209 152

HSL 84.21, 0.38%, 0.71%

LAB 80.91, -17.57, 25.79

 

CMYK 0 / 19 / 27 / 18

HEX #D1AA98

RGB 209 170 152

HSL 18.95, 0.38%, 0.71%

LAB 72.61, 11.58, 14.65

 

CMYK 0 / 25 / 37 / 13

HEX #DDA68C

RGB 221 166 140

HSL 19.26, 0.54%, 0.71%

LAB 72.59, 16.85, 21.35

 

CMYK 0 / 31 / 45 / 9

HEX #E9A181

RGB 233 161 129

HSL 18.46, 0.7%, 0.71%

LAB 72.49, 23.02, 27.41

 

CMYK 0 / 36 / 52 / 4

HEX #F59D75

RGB 245 157 117

HSL 18.75, 0.86%, 0.71%

LAB 72.77, 28.73, 34.47

 

CMYK 0 / 19 / 27 / 18

HEX #D1AA98

RGB 209 170 152

HSL 18.95, 0.38%, 0.71%

LAB 72.61, 11.58, 14.65

 

CMYK 0 / 11 / 17 / 23

HEX #C5AFA4

RGB 197 175 164

HSL 20, 0.22%, 0.71%

LAB 73.03, 6.11, 8.52

 

CMYK 0 / 3 / 5 / 27

HEX #B9B3B0

RGB 185 179 176

HSL 20, 0.06%, 0.71%

LAB 73.34, 1.58, 2.27

 

CMYK 8 / 3 / 0 / 26

HEX #ADB7BC

RGB 173 183 188

HSL 200, 0.1%, 0.71%

LAB 73.79, -2.48, -3.74

 

CMYK 20 / 6 / 0 / 22

HEX #A1BCC8

RGB 161 188 200

HSL 198.46, 0.26%, 0.71%

LAB 74.64, -6.55, -9.11

 

CMYK 0 / 27 / 21 / 18

HEX #D198A6

RGB 209 152 166

HSL 345.26, 0.38%, 0.71%

LAB 68.58, 23.4, 1.15

 

CMYK 0 / 26 / 27 / 18

HEX #D19A98

RGB 209 154 152

HSL 2.11, 0.38%, 0.71%

LAB 68.7, 20.27, 9.13

 

CMYK 0 / 19 / 27 / 18

HEX #D1A998

RGB 209 169 152

HSL 17.89, 0.38%, 0.71%

LAB 72.36, 12.12, 14.3

 

CMYK 0 / 12 / 27 / 18

HEX #D1B898

RGB 209 184 152

HSL 33.68, 0.38%, 0.71%

LAB 76.13, 4.07, 19.55

 

CMYK 0 / 5 / 27 / 18

HEX #D1C798

RGB 209 199 152

HSL 49.47, 0.38%, 0.71%

LAB 79.99, -3.82, 24.84

 

CMYK 0 / 33 / 48 / 28

HEX #B77B60

RGB 183 123 96

HSL 18.62, 0.38%, 0.55%

LAB 57.15, 20.22, 24.24

 

CMYK 0 / 25 / 37 / 23

HEX #C4937C

RGB 196 147 124

HSL 19.17, 0.38%, 0.63%

LAB 65.01, 15.37, 19.36

 

CMYK 0 / 19 / 27 / 18

HEX #D1AA98

RGB 209 170 152

HSL 18.95, 0.38%, 0.71%

LAB 72.61, 11.58, 14.65

 

CMYK 0 / 12 / 18 / 13

HEX #DDC2B5

RGB 221 194 181

HSL 19.5, 0.37%, 0.79%

LAB 80.34, 7.48, 10.03

 

CMYK 0 / 7 / 11 / 8

HEX #EAD9D1

RGB 234 217 209

HSL 19.2, 0.37%, 0.87%

LAB 87.83, 4.51, 6.03

 

CMYK 0 / 19 / 27 / 18

HEX #D1AA98

RGB 209 170 152

HSL 18.95, 0.38%, 0.71%

LAB 72.61, 11.58, 14.65

 

CMYK 13 / 0 / 27 / 18

HEX #B5D198

RGB 181 209 152

HSL 89.47, 0.38%, 0.71%

LAB 80.57, -19.39, 25.27

 

CMYK 27 / 24 / 0 / 18

HEX #989ED1

RGB 152 158 209

HSL 233.68, 0.38%, 0.71%

LAB 66.32, 9.24, -26.73

 

CMYK 0 / 19 / 27 / 18

HEX #D1AA98

RGB 209 170 152

HSL 18.95, 0.38%, 0.71%

LAB 72.61, 11.58, 14.65

 

CMYK 27 / 0 / 19 / 18

HEX #98D1A9

RGB 152 209 169

HSL 137.89, 0.38%, 0.71%

LAB 79.12, -26.44, 14.02

 

CMYK 19 / 27 / 0 / 18

HEX #A998D1

RGB 169 152 209

HSL 257.89, 0.38%, 0.71%

LAB 66.13, 17.84, -26.89

 

CMYK 0 / 19 / 27 / 18

HEX #D1AA98

RGB 209 170 152

HSL 18.95, 0.38%, 0.71%

LAB 72.61, 11.58, 14.65

 

CMYK 13 / 0 / 27 / 18

HEX #B5D198

RGB 181 209 152

HSL 89.47, 0.38%, 0.71%

LAB 80.57, -19.39, 25.27

 

CMYK 27 / 8 / 0 / 18

HEX #98C0D1

RGB 152 192 209

HSL 197.89, 0.38%, 0.71%

LAB 75.44, -9.38, -12.88

 

CMYK 13 / 27 / 0 / 18

HEX #B598D1

RGB 181 152 209

HSL 270.53, 0.38%, 0.71%

LAB 67.19, 21.63, -25.18

 

CMYK 0 / 19 / 27 / 18

HEX #D1AA98

RGB 209 170 152

HSL 18.95, 0.38%, 0.71%

LAB 72.61, 11.58, 14.65

 

CMYK 22 / 0 / 27 / 18

HEX #A4D198

RGB 164 209 152

HSL 107.37, 0.38%, 0.71%

LAB 79.48, -25.4, 23.61

 

CMYK 27 / 8 / 0 / 18

HEX #98C0D1

RGB 152 192 209

HSL 197.89, 0.38%, 0.71%

LAB 75.44, -9.38, -12.88

 

CMYK 6 / 27 / 0 / 18

HEX #C598D1

RGB 197 152 209

HSL 287.37, 0.38%, 0.71%

LAB 68.7, 26.8, -22.73

 

Description

Color code: RGB 209 170 152 | qconv.com Color code: RGB 209 170 152 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 170 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 170 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 27 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 27% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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