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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 152 155 it is the complementary color RGB 46 103 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 152 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 152 155 shade: RGB 214 152 150, RGB 231 170 169, RGB 248 188 188, RGB 255 206 207 and RGB 255 224 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 152 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 152 155 shade: RGB 209 152 155, RGB 192 134 136, RGB 175 116 117, RGB 158 98 98 and RGB 141 80 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 152 155 shade: RGB 209 152 155 and RGB 209 152 152

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 152 155 shade: RGB 209 152 155, RGB 209 152 171, RGB 209 152 186, RGB 209 152 201 and RGB 201 152 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 152 155 shade matches the following richer shades: RGB 209 152 155, RGB 221 140 145, RGB 233 129 134 and RGB 245 117 123

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 152 155 shade: RGB 209 152 155, RGB 197 164 166, RGB 185 176 177, RGB 173 188 188 and RGB 161 200 198

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 152 155 shade: RGB 209 152 186, RGB 209 152 171, RGB 209 152 156, RGB 209 164 152 and RGB 209 179 152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 152 155 shade: RGB 183 96 100, RGB 196 124 128, RGB 209 152 155, RGB 221 181 183 and RGB 234 209 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 152 155 shade: RGB 209 152 155, RGB 201 209 152 and RGB 152 179 209

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 152 155 shade: RGB 209 152 155, RGB 156 209 152 and RGB 152 156 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 152 155 shade: RGB 209 152 155, RGB 201 209 152, RGB 152 209 205 and RGB 160 152 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 152 155 shade: RGB 209 152 155, RGB 184 209 152, RGB 152 209 205 and RGB 177 152 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 26 / 18

HEX #D1989B

RGB 209 152 155

HSL 356.84, 0.38%, 0.71%

LAB 68.3, 21.78, 6.88

 

Complementary color

CMYK 55 / 0 / 3 / 60

HEX #2E6764

RGB 46 103 100

HSL 176.84, 0.38%, 0.29%

LAB 39.92, -19.4, -4.01

 

CMYK 0 / 29 / 30 / 16

HEX #D69896

RGB 214 152 150

HSL 1.87, 0.44%, 0.71%

LAB 68.72, 22.98, 10.34

 

CMYK 0 / 26 / 27 / 9

HEX #E7AAA9

RGB 231 170 169

HSL 0.97, 0.56%, 0.78%

LAB 75.2, 22.25, 9.33

 

CMYK 0 / 24 / 24 / 3

HEX #F8BCBC

RGB 248 188 188

HSL 0, 0.81%, 0.85%

LAB 81.6, 21.58, 8.4

 

CMYK 0 / 19 / 19 / 0

HEX #FFCECF

RGB 255 206 207

HSL 358.78, 1%, 0.9%

LAB 86.95, 17.4, 6.05

 

CMYK 0 / 12 / 11 / 0

HEX #FFE0E2

RGB 255 224 226

HSL 356.13, 1%, 0.94%

LAB 91.71, 10.98, 2.94

 

CMYK 0 / 27 / 26 / 18

HEX #D1989B

RGB 209 152 155

HSL 356.84, 0.38%, 0.71%

LAB 68.3, 21.78, 6.88

 

CMYK 0 / 30 / 29 / 25

HEX #C08688

RGB 192 134 136

HSL 357.93, 0.32%, 0.64%

LAB 61.68, 22.54, 7.88

 

CMYK 0 / 34 / 33 / 31

HEX #AF7475

RGB 175 116 117

HSL 358.98, 0.27%, 0.57%

LAB 54.96, 23.38, 9

 

CMYK 0 / 38 / 38 / 38

HEX #9E6262

RGB 158 98 98

HSL 0, 0.24%, 0.5%

LAB 48.12, 24.33, 10.27

 

CMYK 0 / 43 / 44 / 45

HEX #8D504F

RGB 141 80 79

HSL 0.97, 0.28%, 0.43%

LAB 41.16, 25.4, 11.75

 

CMYK 0 / 27 / 26 / 18

HEX #D1989B

RGB 209 152 155

HSL 356.84, 0.38%, 0.71%

LAB 68.3, 21.78, 6.88

 

CMYK 0 / 27 / 27 / 18

HEX #D19898

RGB 209 152 152

HSL 0, 0.38%, 0.71%

LAB 68.23, 21.36, 8.45

 

CMYK 0 / 27 / 26 / 18

HEX #D1989B

RGB 209 152 155

HSL 356.84, 0.38%, 0.71%

LAB 68.3, 21.78, 6.88

 

CMYK 0 / 27 / 18 / 18

HEX #D198AB

RGB 209 152 171

HSL 340, 0.38%, 0.71%

LAB 68.72, 24.17, -1.44

 

CMYK 0 / 27 / 11 / 18

HEX #D198BA

RGB 209 152 186

HSL 324.21, 0.38%, 0.71%

LAB 69.15, 26.62, -9.16

 

CMYK 0 / 27 / 4 / 18

HEX #D198C9

RGB 209 152 201

HSL 308.42, 0.38%, 0.71%

LAB 69.63, 29.25, -16.77

 

CMYK 4 / 27 / 0 / 18

HEX #C998D1

RGB 201 152 209

HSL 291.58, 0.38%, 0.71%

LAB 69.1, 28.1, -22.09

 

CMYK 0 / 27 / 26 / 18

HEX #D1989B

RGB 209 152 155

HSL 356.84, 0.38%, 0.71%

LAB 68.3, 21.78, 6.88

 

CMYK 0 / 37 / 34 / 13

HEX #DD8C91

RGB 221 140 145

HSL 356.3, 0.54%, 0.71%

LAB 66.65, 31.43, 10.32

 

CMYK 0 / 45 / 42 / 9

HEX #E98186

RGB 233 129 134

HSL 357.12, 0.7%, 0.71%

LAB 65.55, 40.36, 15.19

 

CMYK 0 / 52 / 50 / 4

HEX #F5757B

RGB 245 117 123

HSL 357.19, 0.86%, 0.71%

LAB 64.62, 49.56, 20.39

 

CMYK 0 / 27 / 26 / 18

HEX #D1989B

RGB 209 152 155

HSL 356.84, 0.38%, 0.71%

LAB 68.3, 21.78, 6.88

 

CMYK 0 / 17 / 16 / 23

HEX #C5A4A6

RGB 197 164 166

HSL 356.36, 0.22%, 0.71%

LAB 70.3, 12.41, 3.49

 

CMYK 0 / 5 / 4 / 27

HEX #B9B0B1

RGB 185 176 177

HSL 353.33, 0.06%, 0.71%

LAB 72.59, 3.38, 0.63

 

CMYK 8 / 0 / 0 / 26

HEX #ADBCBC

RGB 173 188 188

HSL 180, 0.1%, 0.71%

LAB 75.13, -5.14, -1.78

 

CMYK 20 / 0 / 1 / 22

HEX #A1C8C6

RGB 161 200 198

HSL 176.92, 0.26%, 0.71%

LAB 77.85, -13.27, -3.28

 

CMYK 0 / 27 / 11 / 18

HEX #D198BA

RGB 209 152 186

HSL 324.21, 0.38%, 0.71%

LAB 69.15, 26.62, -9.16

 

CMYK 0 / 27 / 18 / 18

HEX #D198AB

RGB 209 152 171

HSL 340, 0.38%, 0.71%

LAB 68.72, 24.17, -1.44

 

CMYK 0 / 27 / 25 / 18

HEX #D1989C

RGB 209 152 156

HSL 355.79, 0.38%, 0.71%

LAB 68.32, 21.93, 6.36

 

CMYK 0 / 22 / 27 / 18

HEX #D1A498

RGB 209 164 152

HSL 12.63, 0.38%, 0.71%

LAB 71.13, 14.83, 12.57

 

CMYK 0 / 14 / 27 / 18

HEX #D1B398

RGB 209 179 152

HSL 28.42, 0.38%, 0.71%

LAB 74.86, 6.74, 17.79

 

CMYK 0 / 48 / 45 / 28

HEX #B76064

RGB 183 96 100

HSL 357.24, 0.38%, 0.55%

LAB 51.1, 35.41, 13.74

 

CMYK 0 / 37 / 35 / 23

HEX #C47C80

RGB 196 124 128

HSL 356.67, 0.38%, 0.63%

LAB 59.63, 28.51, 9.6

 

CMYK 0 / 27 / 26 / 18

HEX #D1989B

RGB 209 152 155

HSL 356.84, 0.38%, 0.71%

LAB 68.3, 21.78, 6.88

 

CMYK 0 / 18 / 17 / 13

HEX #DDB5B7

RGB 221 181 183

HSL 357, 0.37%, 0.79%

LAB 77.18, 14.72, 4.42

 

CMYK 0 / 11 / 10 / 8

HEX #EAD1D3

RGB 234 209 211

HSL 355.2, 0.37%, 0.87%

LAB 85.9, 9.02, 2.18

 

CMYK 0 / 27 / 26 / 18

HEX #D1989B

RGB 209 152 155

HSL 356.84, 0.38%, 0.71%

LAB 68.3, 21.78, 6.88

 

CMYK 4 / 0 / 27 / 18

HEX #C9D198

RGB 201 209 152

HSL 68.42, 0.38%, 0.71%

LAB 81.99, -11.99, 27.44

 

CMYK 27 / 14 / 0 / 18

HEX #98B3D1

RGB 152 179 209

HSL 211.58, 0.38%, 0.71%

LAB 71.91, -2.42, -18.2

 

CMYK 0 / 27 / 26 / 18

HEX #D1989B

RGB 209 152 155

HSL 356.84, 0.38%, 0.71%

LAB 68.3, 21.78, 6.88

 

CMYK 25 / 0 / 27 / 18

HEX #9CD198

RGB 156 209 152

HSL 115.79, 0.38%, 0.71%

LAB 79, -28.13, 22.88

 

CMYK 27 / 25 / 0 / 18

HEX #989CD1

RGB 152 156 209

HSL 235.79, 0.38%, 0.71%

LAB 65.79, 10.37, -27.53

 

CMYK 0 / 27 / 26 / 18

HEX #D1989B

RGB 209 152 155

HSL 356.84, 0.38%, 0.71%

LAB 68.3, 21.78, 6.88

 

CMYK 4 / 0 / 27 / 18

HEX #C9D198

RGB 201 209 152

HSL 68.42, 0.38%, 0.71%

LAB 81.99, -11.99, 27.44

 

CMYK 27 / 0 / 2 / 18

HEX #98D1CD

RGB 152 209 205

HSL 175.79, 0.38%, 0.71%

LAB 80, -19.06, -3.94

 

CMYK 23 / 27 / 0 / 18

HEX #A098D1

RGB 160 152 209

HSL 248.42, 0.38%, 0.71%

LAB 65.38, 15.06, -28.11

 

CMYK 0 / 27 / 26 / 18

HEX #D1989B

RGB 209 152 155

HSL 356.84, 0.38%, 0.71%

LAB 68.3, 21.78, 6.88

 

CMYK 12 / 0 / 27 / 18

HEX #B8D198

RGB 184 209 152

HSL 86.32, 0.38%, 0.71%

LAB 80.77, -18.3, 25.58

 

CMYK 27 / 0 / 2 / 18

HEX #98D1CD

RGB 152 209 205

HSL 175.79, 0.38%, 0.71%

LAB 80, -19.06, -3.94

 

CMYK 15 / 27 / 0 / 18

HEX #B198D1

RGB 177 152 209

HSL 266.32, 0.38%, 0.71%

LAB 66.83, 20.36, -25.76

 

Description

Color code: RGB 209 152 155 | qconv.com Color code: RGB 209 152 155 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 152 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 152 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 26 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 26% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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