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Color name
RGB 209 141 148

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 141 148 it is the complementary color RGB 46 114 107. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 141 148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 141 148 shade: RGB 214 141 143, RGB 231 159 162, RGB 248 177 181, RGB 255 195 200 and RGB 255 213 219

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 141 148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 141 148 shade: RGB 209 141 148, RGB 192 123 129, RGB 175 105 110, RGB 158 87 91 and RGB 141 69 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 141 148 shade: RGB 209 141 148 and RGB 209 141 141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 141 148 shade: RGB 209 141 148, RGB 209 141 167, RGB 209 141 185, RGB 209 141 203 and RGB 197 141 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 141 148 shade matches the following richer shades: RGB 209 141 148, RGB 222 129 138, RGB 235 116 128 and RGB 248 103 118

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 141 148 shade: RGB 209 141 148, RGB 197 154 159, RGB 184 167 169, RGB 171 180 179 and RGB 158 193 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 141 148 shade: RGB 209 141 186, RGB 209 141 168, RGB 209 141 149, RGB 209 152 141 and RGB 209 170 141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 141 148 shade: RGB 186 82 93, RGB 198 112 121, RGB 209 141 148, RGB 221 171 176 and RGB 233 200 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 141 148 shade: RGB 209 141 148, RGB 204 209 141 and RGB 141 177 209

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 141 148 shade: RGB 209 141 148, RGB 149 209 141 and RGB 141 149 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 141 148 shade: RGB 209 141 148, RGB 204 209 141, RGB 141 209 202 and RGB 147 141 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 141 148 shade: RGB 209 141 148, RGB 183 209 141, RGB 141 209 202 and RGB 168 141 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 29 / 18

HEX #D18D94

RGB 209 141 148

HSL 353.82, 0.43%, 0.69%

LAB 65.55, 26.8, 6.87

 

Complementary color

CMYK 60 / 0 / 6 / 55

HEX #2E726B

RGB 46 114 107

HSL 173.82, 0.43%, 0.31%

LAB 43.77, -23.17, -2.57

 

CMYK 0 / 34 / 33 / 16

HEX #D68D8F

RGB 214 141 143

HSL 358.36, 0.47%, 0.7%

LAB 66, 28.02, 10.41

 

CMYK 0 / 31 / 30 / 9

HEX #E79FA2

RGB 231 159 162

HSL 357.5, 0.6%, 0.76%

LAB 72.49, 27.18, 9.31

 

CMYK 0 / 29 / 27 / 3

HEX #F8B1B5

RGB 248 177 181

HSL 356.62, 0.84%, 0.83%

LAB 78.89, 26.42, 8.31

 

CMYK 0 / 24 / 22 / 0

HEX #FFC3C8

RGB 255 195 200

HSL 355, 1%, 0.88%

LAB 84.2, 22.14, 5.82

 

CMYK 0 / 16 / 14 / 0

HEX #FFD5DB

RGB 255 213 219

HSL 351.43, 1%, 0.92%

LAB 88.9, 15.58, 2.54

 

CMYK 0 / 33 / 29 / 18

HEX #D18D94

RGB 209 141 148

HSL 353.82, 0.43%, 0.69%

LAB 65.55, 26.8, 6.87

 

CMYK 0 / 36 / 33 / 25

HEX #C07B81

RGB 192 123 129

HSL 354.78, 0.35%, 0.62%

LAB 58.93, 27.66, 7.98

 

CMYK 0 / 40 / 37 / 31

HEX #AF696E

RGB 175 105 110

HSL 355.71, 0.3%, 0.55%

LAB 52.22, 28.61, 9.23

 

CMYK 0 / 45 / 42 / 38

HEX #9E575B

RGB 158 87 91

HSL 356.62, 0.29%, 0.48%

LAB 45.42, 29.65, 10.7

 

CMYK 0 / 51 / 49 / 45

HEX #8D4548

RGB 141 69 72

HSL 357.5, 0.34%, 0.41%

LAB 38.53, 30.79, 12.46

 

CMYK 0 / 33 / 29 / 18

HEX #D18D94

RGB 209 141 148

HSL 353.82, 0.43%, 0.69%

LAB 65.55, 26.8, 6.87

 

CMYK 0 / 33 / 33 / 18

HEX #D18D8D

RGB 209 141 141

HSL 0, 0.43%, 0.69%

LAB 65.38, 25.87, 10.57

 

CMYK 0 / 33 / 29 / 18

HEX #D18D94

RGB 209 141 148

HSL 353.82, 0.43%, 0.69%

LAB 65.55, 26.8, 6.87

 

CMYK 0 / 33 / 20 / 18

HEX #D18DA7

RGB 209 141 167

HSL 337.06, 0.43%, 0.69%

LAB 66.06, 29.54, -3.11

 

CMYK 0 / 33 / 11 / 18

HEX #D18DB9

RGB 209 141 185

HSL 321.18, 0.43%, 0.69%

LAB 66.6, 32.43, -12.41

 

CMYK 0 / 33 / 3 / 18

HEX #D18DCB

RGB 209 141 203

HSL 305.29, 0.43%, 0.69%

LAB 67.21, 35.58, -21.55

 

CMYK 6 / 33 / 0 / 18

HEX #C58DD1

RGB 197 141 209

HSL 289.41, 0.43%, 0.69%

LAB 66.15, 32.85, -26.63

 

CMYK 0 / 33 / 29 / 18

HEX #D18D94

RGB 209 141 148

HSL 353.82, 0.43%, 0.69%

LAB 65.55, 26.8, 6.87

 

CMYK 0 / 42 / 38 / 13

HEX #DE818A

RGB 222 129 138

HSL 354.19, 0.58%, 0.69%

LAB 64.21, 36.78, 10.84

 

CMYK 0 / 51 / 46 / 8

HEX #EB7480

RGB 235 116 128

HSL 353.95, 0.75%, 0.69%

LAB 63.1, 47, 15.23

 

CMYK 0 / 58 / 52 / 3

HEX #F86776

RGB 248 103 118

HSL 353.79, 0.91%, 0.69%

LAB 62.48, 56.65, 20.4

 

CMYK 0 / 33 / 29 / 18

HEX #D18D94

RGB 209 141 148

HSL 353.82, 0.43%, 0.69%

LAB 65.55, 26.8, 6.87

 

CMYK 0 / 22 / 19 / 23

HEX #C59A9F

RGB 197 154 159

HSL 353.02, 0.27%, 0.69%

LAB 67.64, 16.78, 3.54

 

CMYK 0 / 9 / 8 / 28

HEX #B8A7A9

RGB 184 167 169

HSL 352.94, 0.11%, 0.69%

LAB 69.96, 6.5, 1.2

 

CMYK 5 / 0 / 1 / 29

HEX #ABB4B3

RGB 171 180 179

HSL 173.33, 0.06%, 0.69%

LAB 72.6, -3.32, -0.59

 

CMYK 18 / 0 / 2 / 24

HEX #9EC1BD

RGB 158 193 189

HSL 173.14, 0.22%, 0.69%

LAB 75.5, -12.5, -1.89

 

CMYK 0 / 33 / 11 / 18

HEX #D18DBA

RGB 209 141 186

HSL 320.29, 0.43%, 0.69%

LAB 66.63, 32.6, -12.93

 

CMYK 0 / 33 / 20 / 18

HEX #D18DA8

RGB 209 141 168

HSL 336.18, 0.43%, 0.69%

LAB 66.08, 29.69, -3.63

 

CMYK 0 / 33 / 29 / 18

HEX #D18D95

RGB 209 141 149

HSL 352.94, 0.43%, 0.69%

LAB 65.57, 26.93, 6.34

 

CMYK 0 / 27 / 33 / 18

HEX #D1988D

RGB 209 152 141

HSL 9.71, 0.43%, 0.69%

LAB 67.97, 19.88, 14.22

 

CMYK 0 / 19 / 33 / 18

HEX #D1AA8D

RGB 209 170 141

HSL 25.59, 0.43%, 0.69%

LAB 72.38, 10.12, 20.33

 

CMYK 0 / 56 / 50 / 27

HEX #BA525D

RGB 186 82 93

HSL 353.65, 0.43%, 0.53%

LAB 48.59, 42.98, 14.53

 

CMYK 0 / 43 / 39 / 22

HEX #C67079

RGB 198 112 121

HSL 353.72, 0.43%, 0.61%

LAB 57.05, 34.89, 10.04

 

CMYK 0 / 33 / 29 / 18

HEX #D18D94

RGB 209 141 148

HSL 353.82, 0.43%, 0.69%

LAB 65.55, 26.8, 6.87

 

CMYK 0 / 23 / 20 / 13

HEX #DDABB0

RGB 221 171 176

HSL 354, 0.42%, 0.77%

LAB 74.59, 19.02, 4.49

 

CMYK 0 / 14 / 12 / 9

HEX #E9C8CC

RGB 233 200 204

HSL 352.73, 0.43%, 0.85%

LAB 83.44, 12.26, 2.31

 

CMYK 0 / 33 / 29 / 18

HEX #D18D94

RGB 209 141 148

HSL 353.82, 0.43%, 0.69%

LAB 65.55, 26.8, 6.87

 

CMYK 2 / 0 / 33 / 18

HEX #CCD18D

RGB 204 209 141

HSL 64.41, 0.43%, 0.69%

LAB 82.03, -12.29, 33.23

 

CMYK 33 / 15 / 0 / 18

HEX #8DB1D1

RGB 141 177 209

HSL 208.24, 0.43%, 0.69%

LAB 70.67, -4.54, -20.13

 

CMYK 0 / 33 / 29 / 18

HEX #D18D94

RGB 209 141 148

HSL 353.82, 0.43%, 0.69%

LAB 65.55, 26.8, 6.87

 

CMYK 29 / 0 / 33 / 18

HEX #95D18D

RGB 149 209 141

HSL 112.94, 0.43%, 0.69%

LAB 78.41, -32.24, 27.76

 

CMYK 33 / 29 / 0 / 18

HEX #8D95D1

RGB 141 149 209

HSL 232.94, 0.43%, 0.69%

LAB 63.14, 11.13, -31.69

 

CMYK 0 / 33 / 29 / 18

HEX #D18D94

RGB 209 141 148

HSL 353.82, 0.43%, 0.69%

LAB 65.55, 26.8, 6.87

 

CMYK 2 / 0 / 33 / 18

HEX #CCD18D

RGB 204 209 141

HSL 64.41, 0.43%, 0.69%

LAB 82.03, -12.29, 33.23

 

CMYK 33 / 0 / 3 / 18

HEX #8DD1CA

RGB 141 209 202

HSL 173.82, 0.43%, 0.69%

LAB 79.34, -22.88, -3.37

 

CMYK 30 / 33 / 0 / 18

HEX #938DD1

RGB 147 141 209

HSL 245.29, 0.43%, 0.69%

LAB 61.53, 17.48, -34.16

 

CMYK 0 / 33 / 29 / 18

HEX #D18D94

RGB 209 141 148

HSL 353.82, 0.43%, 0.69%

LAB 65.55, 26.8, 6.87

 

CMYK 12 / 0 / 33 / 18

HEX #B7D18D

RGB 183 209 141

HSL 82.94, 0.43%, 0.69%

LAB 80.51, -20.23, 30.94

 

CMYK 33 / 0 / 3 / 18

HEX #8DD1CA

RGB 141 209 202

HSL 173.82, 0.43%, 0.69%

LAB 79.34, -22.88, -3.37

 

CMYK 20 / 33 / 0 / 18

HEX #A88DD1

RGB 168 141 209

HSL 263.82, 0.43%, 0.69%

LAB 63.32, 23.76, -31.23

 

Description

Color code: RGB 209 141 148 | qconv.com Color code: RGB 209 141 148 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 141 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 141 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 29 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 29% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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