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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 140 20 it is the complementary color RGB 46 115 235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 140 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 140 20 shade: RGB 214 140 15, RGB 231 158 34, RGB 248 176 53, RGB 255 194 72 and RGB 255 212 91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 140 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 140 20 shade: RGB 209 140 20, RGB 192 122 1, RGB 175 104 0, RGB 158 86 0 and RGB 141 68 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 140 20 shade: RGB 209 140 19, RGB 209 89 19, RGB 209 37 19 and RGB 209 19 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 140 20 shade: RGB 209 140 19, RGB 209 191 19, RGB 176 209 19, RGB 125 209 19 and RGB 74 209 19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 140 20 shade matches the following richer shades: RGB 209 140 19 and RGB 228 145 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 140 20 shade: RGB 209 140 19, RGB 191 135 38, RGB 172 130 56, RGB 154 125 75 and RGB 135 120 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 140 20 shade: RGB 209 38 19, RGB 209 89 19, RGB 209 140 19, RGB 209 190 19 and RGB 178 209 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 140 20 shade: RGB 134 89 12, RGB 172 115 16, RGB 209 140 19, RGB 234 162 36 and RGB 238 178 73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 140 20 shade: RGB 209 140 20, RGB 51 209 19 and RGB 63 19 209

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 140 20 shade: RGB 209 140 20, RGB 19 209 140 and RGB 140 19 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 140 20 shade: RGB 209 140 20, RGB 51 209 19, RGB 19 89 209 and RGB 178 19 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 140 20 shade: RGB 209 140 20, RGB 19 209 44, RGB 19 89 209 and RGB 209 19 184

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 90 / 18

HEX #D18C14

RGB 209 140 20

HSL 38.1, 0.83%, 0.45%

LAB 63.64, 17.81, 65.59

 

Complementary color

CMYK 80 / 51 / 0 / 8

HEX #2E73EB

RGB 46 115 235

HSL 218.1, 0.83%, 0.55%

LAB 50.5, 21.53, -66.61

 

CMYK 0 / 35 / 93 / 16

HEX #D68C0F

RGB 214 140 15

HSL 37.69, 0.87%, 0.45%

LAB 64.23, 19.9, 67.3

 

CMYK 0 / 32 / 85 / 9

HEX #E79E22

RGB 231 158 34

HSL 37.77, 0.8%, 0.52%

LAB 70.57, 17.93, 68.61

 

CMYK 0 / 29 / 79 / 3

HEX #F8B035

RGB 248 176 53

HSL 37.85, 0.93%, 0.59%

LAB 76.84, 16.18, 68.73

 

CMYK 0 / 24 / 72 / 0

HEX #FFC248

RGB 255 194 72

HSL 40, 1%, 0.64%

LAB 82.01, 10.49, 66.8

 

CMYK 0 / 17 / 64 / 0

HEX #FFD45B

RGB 255 212 91

HSL 44.27, 1%, 0.68%

LAB 86.55, 2.21, 63.66

 

CMYK 0 / 33 / 90 / 18

HEX #D18C14

RGB 209 140 20

HSL 38.1, 0.83%, 0.45%

LAB 63.64, 17.81, 65.59

 

CMYK 0 / 36 / 99 / 25

HEX #C07A01

RGB 192 122 1

HSL 38.01, 0.99%, 0.38%

LAB 57.2, 19.94, 63.44

 

CMYK 0 / 41 / 100 / 31

HEX #AF6800

RGB 175 104 0

HSL 35.66, 1%, 0.34%

LAB 50.7, 22.38, 58.33

 

CMYK 0 / 46 / 100 / 38

HEX #9E5600

RGB 158 86 0

HSL 32.66, 1%, 0.31%

LAB 44.12, 24.9, 53.01

 

CMYK 0 / 52 / 100 / 45

HEX #8D4400

RGB 141 68 0

HSL 28.94, 1%, 0.28%

LAB 37.48, 27.46, 47.65

 

CMYK 0 / 33 / 91 / 18

HEX #D18C13

RGB 209 140 19

HSL 38.21, 0.83%, 0.45%

LAB 63.64, 17.79, 65.8

 

CMYK 0 / 57 / 91 / 18

HEX #D15913

RGB 209 89 19

HSL 22.11, 0.83%, 0.45%

LAB 52.67, 44.38, 57.72

 

CMYK 0 / 82 / 91 / 18

HEX #D12513

RGB 209 37 19

HSL 5.68, 0.83%, 0.45%

LAB 45.53, 63.76, 52.71

 

CMYK 0 / 91 / 91 / 18

HEX #D11313

RGB 209 19 19

HSL 0, 0.83%, 0.45%

LAB 44.33, 67.19, 51.9

 

CMYK 0 / 33 / 91 / 18

HEX #D18C13

RGB 209 140 19

HSL 38.21, 0.83%, 0.45%

LAB 63.64, 17.79, 65.8

 

CMYK 0 / 9 / 91 / 18

HEX #D1BF13

RGB 209 191 19

HSL 54.32, 0.83%, 0.45%

LAB 76.6, -9.3, 75.67

 

CMYK 16 / 0 / 91 / 18

HEX #B0D113

RGB 176 209 19

HSL 70.42, 0.83%, 0.45%

LAB 78.97, -32.11, 76.44

 

CMYK 40 / 0 / 91 / 18

HEX #7DD113

RGB 125 209 19

HSL 86.53, 0.83%, 0.45%

LAB 76.07, -51.31, 72.89

 

CMYK 65 / 0 / 91 / 18

HEX #4AD113

RGB 74 209 19

HSL 102.63, 0.83%, 0.45%

LAB 74.26, -65.54, 70.64

 

CMYK 0 / 33 / 91 / 18

HEX #D18C13

RGB 209 140 19

HSL 38.21, 0.83%, 0.45%

LAB 63.64, 17.79, 65.8

 

CMYK 0 / 36 / 100 / 11

HEX #E49100

RGB 228 145 0

HSL 38.16, 1%, 0.45%

LAB 67.09, 23.08, 72.24

 

CMYK 0 / 33 / 91 / 18

HEX #D18C13

RGB 209 140 19

HSL 38.21, 0.83%, 0.45%

LAB 63.64, 17.79, 65.8

 

CMYK 0 / 29 / 80 / 25

HEX #BF8726

RGB 191 135 38

HSL 38.04, 0.67%, 0.45%

LAB 60.38, 13.1, 56.71

 

CMYK 0 / 24 / 67 / 33

HEX #AC8238

RGB 172 130 56

HSL 38.28, 0.51%, 0.45%

LAB 57.1, 8.29, 45.09

 

CMYK 0 / 19 / 51 / 40

HEX #9A7D4B

RGB 154 125 75

HSL 37.97, 0.34%, 0.45%

LAB 54.07, 4.62, 31.32

 

CMYK 0 / 11 / 31 / 47

HEX #87785D

RGB 135 120 93

HSL 38.57, 0.18%, 0.45%

LAB 51.12, 1.4, 16.97

 

CMYK 0 / 82 / 91 / 18

HEX #D12613

RGB 209 38 19

HSL 6, 0.83%, 0.45%

LAB 45.62, 63.51, 52.77

 

CMYK 0 / 57 / 91 / 18

HEX #D15913

RGB 209 89 19

HSL 22.11, 0.83%, 0.45%

LAB 52.67, 44.38, 57.72

 

CMYK 0 / 33 / 91 / 18

HEX #D18C13

RGB 209 140 19

HSL 38.21, 0.83%, 0.45%

LAB 63.64, 17.79, 65.8

 

CMYK 0 / 9 / 91 / 18

HEX #D1BE13

RGB 209 190 19

HSL 54, 0.83%, 0.45%

LAB 76.33, -8.79, 75.47

 

CMYK 15 / 0 / 91 / 18

HEX #B2D113

RGB 178 209 19

HSL 69.79, 0.83%, 0.45%

LAB 79.11, -31.3, 76.6

 

CMYK 0 / 34 / 91 / 47

HEX #86590C

RGB 134 89 12

HSL 37.87, 0.84%, 0.29%

LAB 41.59, 12.43, 46.53

 

CMYK 0 / 33 / 91 / 33

HEX #AC7310

RGB 172 115 16

HSL 38.08, 0.83%, 0.37%

LAB 53.03, 15.12, 56.45

 

CMYK 0 / 33 / 91 / 18

HEX #D18C13

RGB 209 140 19

HSL 38.21, 0.83%, 0.45%

LAB 63.64, 17.79, 65.8

 

CMYK 0 / 31 / 85 / 8

HEX #EAA224

RGB 234 162 36

HSL 38.18, 0.83%, 0.53%

LAB 71.87, 17.13, 69.25

 

CMYK 0 / 25 / 69 / 7

HEX #EEB249

RGB 238 178 73

HSL 38.18, 0.83%, 0.61%

LAB 76.37, 11.77, 60.06

 

CMYK 0 / 33 / 90 / 18

HEX #D18C14

RGB 209 140 20

HSL 38.1, 0.83%, 0.45%

LAB 63.64, 17.81, 65.59

 

CMYK 76 / 0 / 91 / 18

HEX #33D113

RGB 51 209 19

HSL 109.89, 0.83%, 0.45%

LAB 73.77, -69.69, 70.04

 

CMYK 70 / 91 / 0 / 18

HEX #3F13D1

RGB 63 19 209

HSL 253.89, 0.83%, 0.45%

LAB 29.73, 65.64, -85.83

 

CMYK 0 / 33 / 90 / 18

HEX #D18C14

RGB 209 140 20

HSL 38.1, 0.83%, 0.45%

LAB 63.64, 17.81, 65.59

 

CMYK 91 / 0 / 33 / 18

HEX #13D18C

RGB 19 209 140

HSL 158.21, 0.83%, 0.45%

LAB 74.59, -58.58, 22.48

 

CMYK 33 / 91 / 0 / 18

HEX #8C13D1

RGB 140 19 209

HSL 278.21, 0.83%, 0.45%

LAB 38.98, 72.6, -70.26

 

CMYK 0 / 33 / 90 / 18

HEX #D18C14

RGB 209 140 20

HSL 38.1, 0.83%, 0.45%

LAB 63.64, 17.81, 65.59

 

CMYK 76 / 0 / 91 / 18

HEX #33D113

RGB 51 209 19

HSL 109.89, 0.83%, 0.45%

LAB 73.77, -69.69, 70.04

 

CMYK 91 / 57 / 0 / 18

HEX #1359D1

RGB 19 89 209

HSL 217.89, 0.83%, 0.45%

LAB 41.04, 26.44, -67.26

 

CMYK 15 / 91 / 0 / 18

HEX #B213D1

RGB 178 19 209

HSL 290.21, 0.83%, 0.45%

LAB 44.99, 77.93, -60.21

 

CMYK 0 / 33 / 90 / 18

HEX #D18C14

RGB 209 140 20

HSL 38.1, 0.83%, 0.45%

LAB 63.64, 17.81, 65.59

 

CMYK 91 / 0 / 79 / 18

HEX #13D12C

RGB 19 209 44

HSL 127.89, 0.83%, 0.45%

LAB 73.49, -71.83, 64.05

 

CMYK 91 / 57 / 0 / 18

HEX #1359D1

RGB 19 89 209

HSL 217.89, 0.83%, 0.45%

LAB 41.04, 26.44, -67.26

 

CMYK 0 / 91 / 12 / 18

HEX #D113B8

RGB 209 19 184

HSL 307.89, 0.83%, 0.45%

LAB 48.86, 79.42, -39.18

 

Description

Color code: RGB 209 140 20 | qconv.com Color code: RGB 209 140 20 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 140 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 140 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 90 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 90% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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