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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 118 82 it is the complementary color RGB 46 137 173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 118 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 118 82 shade: RGB 214 118 77, RGB 231 136 96, RGB 248 154 115, RGB 255 172 134 and RGB 255 190 153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 118 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 118 82 shade: RGB 209 118 82, RGB 192 100 63, RGB 175 82 44, RGB 158 64 25 and RGB 141 46 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 118 82 shade: RGB 208 117 81, RGB 208 83 81 and RGB 208 81 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 118 82 shade: RGB 208 117 81, RGB 208 152 81, RGB 208 186 81, RGB 197 208 81 and RGB 162 208 81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 118 82 shade matches the following richer shades: RGB 208 117 81, RGB 226 110 64 and RGB 244 102 46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 118 82 shade: RGB 208 117 81, RGB 191 125 99, RGB 173 133 117, RGB 155 140 134 and RGB 137 148 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 118 82 shade: RGB 208 81 113, RGB 208 83 81, RGB 208 117 81, RGB 208 151 81 and RGB 208 185 81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 118 82 shade: RGB 164 77 43, RGB 197 93 52, RGB 208 117 81, RGB 217 143 114 and RGB 226 169 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 118 82 shade: RGB 209 118 82, RGB 147 208 81 and RGB 81 96 208

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 118 82 shade: RGB 209 118 82, RGB 81 208 117 and RGB 117 81 208

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 118 82 shade: RGB 209 118 82, RGB 147 208 81, RGB 81 172 208 and RGB 143 81 208

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 118 82 shade: RGB 209 118 82, RGB 109 208 81, RGB 81 172 208 and RGB 181 81 208

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 61 / 18

HEX #D17652

RGB 209 118 82

HSL 17.01, 0.58%, 0.57%

LAB 59.09, 32.31, 35.17

 

Complementary color

CMYK 73 / 21 / 0 / 32

HEX #2E89AD

RGB 46 137 173

HSL 197.01, 0.58%, 0.43%

LAB 53.48, -14.42, -26.66

 

CMYK 0 / 45 / 64 / 16

HEX #D6764D

RGB 214 118 77

HSL 17.96, 0.63%, 0.57%

LAB 59.7, 33.97, 38.77

 

CMYK 0 / 41 / 58 / 9

HEX #E78860

RGB 231 136 96

HSL 17.78, 0.74%, 0.64%

LAB 66.09, 32.57, 36.89

 

CMYK 0 / 38 / 54 / 3

HEX #F89A73

RGB 248 154 115

HSL 17.59, 0.9%, 0.71%

LAB 72.43, 31.3, 35.18

 

CMYK 0 / 33 / 47 / 0

HEX #FFAC86

RGB 255 172 134

HSL 18.84, 1%, 0.76%

LAB 77.57, 26.3, 31.9

 

CMYK 0 / 25 / 40 / 0

HEX #FFBE99

RGB 255 190 153

HSL 21.76, 1%, 0.8%

LAB 82.05, 18.8, 27.81

 

CMYK 0 / 44 / 61 / 18

HEX #D17652

RGB 209 118 82

HSL 17.01, 0.58%, 0.57%

LAB 59.09, 32.31, 35.17

 

CMYK 0 / 48 / 67 / 25

HEX #C0643F

RGB 192 100 63

HSL 17.21, 0.51%, 0.5%

LAB 52.6, 33.79, 37.17

 

CMYK 0 / 53 / 75 / 31

HEX #AF522C

RGB 175 82 44

HSL 17.4, 0.6%, 0.43%

LAB 46.08, 35.39, 39.32

 

CMYK 0 / 59 / 84 / 38

HEX #9E4019

RGB 158 64 25

HSL 17.59, 0.73%, 0.36%

LAB 39.59, 37.09, 41.41

 

CMYK 0 / 67 / 96 / 45

HEX #8D2E06

RGB 141 46 6

HSL 17.78, 0.92%, 0.29%

LAB 33.2, 38.73, 42.77

 

CMYK 0 / 44 / 61 / 18

HEX #D07551

RGB 208 117 81

HSL 17.01, 0.57%, 0.57%

LAB 58.72, 32.37, 35.23

 

CMYK 0 / 60 / 61 / 18

HEX #D05351

RGB 208 83 81

HSL 0.94, 0.57%, 0.57%

LAB 52.05, 49.33, 26.89

 

CMYK 0 / 61 / 61 / 18

HEX #D05151

RGB 208 81 81

HSL 0, 0.57%, 0.57%

LAB 51.71, 50.23, 26.45

 

CMYK 0 / 44 / 61 / 18

HEX #D07551

RGB 208 117 81

HSL 17.01, 0.57%, 0.57%

LAB 58.72, 32.37, 35.23

 

CMYK 0 / 27 / 61 / 18

HEX #D09851

RGB 208 152 81

HSL 33.54, 0.57%, 0.57%

LAB 66.87, 13.47, 44.95

 

CMYK 0 / 11 / 61 / 18

HEX #D0BA51

RGB 208 186 81

HSL 49.61, 0.57%, 0.57%

LAB 75.53, -4.65, 54.76

 

CMYK 5 / 0 / 61 / 18

HEX #C5D051

RGB 197 208 81

HSL 65.2, 0.57%, 0.57%

LAB 80.5, -20.38, 59.93

 

CMYK 22 / 0 / 61 / 18

HEX #A2D051

RGB 162 208 81

HSL 81.73, 0.57%, 0.57%

LAB 78.1, -34.26, 56.63

 

CMYK 0 / 44 / 61 / 18

HEX #D07551

RGB 208 117 81

HSL 17.01, 0.57%, 0.57%

LAB 58.72, 32.37, 35.23

 

CMYK 0 / 51 / 72 / 11

HEX #E26E40

RGB 226 110 64

HSL 17.04, 0.74%, 0.57%

LAB 59.61, 42.01, 45.9

 

CMYK 0 / 58 / 81 / 4

HEX #F4662E

RGB 244 102 46

HSL 16.97, 0.9%, 0.57%

LAB 60.72, 51.8, 56.48

 

CMYK 0 / 44 / 61 / 18

HEX #D07551

RGB 208 117 81

HSL 17.01, 0.57%, 0.57%

LAB 58.72, 32.37, 35.23

 

CMYK 0 / 35 / 48 / 25

HEX #BF7D63

RGB 191 125 99

HSL 16.96, 0.42%, 0.57%

LAB 58.64, 22.7, 24.7

 

CMYK 0 / 23 / 32 / 32

HEX #AD8575

RGB 173 133 117

HSL 17.14, 0.25%, 0.57%

LAB 58.92, 13.02, 14.53

 

CMYK 0 / 10 / 14 / 39

HEX #9B8C86

RGB 155 140 134

HSL 17.14, 0.1%, 0.57%

LAB 59.38, 4.55, 5.23

 

CMYK 10 / 3 / 0 / 40

HEX #899498

RGB 137 148 152

HSL 196, 0.07%, 0.57%

LAB 60.57, -3.11, -3.47

 

CMYK 0 / 61 / 46 / 18

HEX #D05171

RGB 208 81 113

HSL 344.88, 0.57%, 0.57%

LAB 52.38, 52.85, 8.35

 

CMYK 0 / 60 / 61 / 18

HEX #D05351

RGB 208 83 81

HSL 0.94, 0.57%, 0.57%

LAB 52.05, 49.33, 26.89

 

CMYK 0 / 44 / 61 / 18

HEX #D07551

RGB 208 117 81

HSL 17.01, 0.57%, 0.57%

LAB 58.72, 32.37, 35.23

 

CMYK 0 / 27 / 61 / 18

HEX #D09751

RGB 208 151 81

HSL 33.07, 0.57%, 0.57%

LAB 66.62, 14.02, 44.67

 

CMYK 0 / 11 / 61 / 18

HEX #D0B951

RGB 208 185 81

HSL 49.13, 0.57%, 0.57%

LAB 75.27, -4.13, 54.47

 

CMYK 0 / 53 / 74 / 36

HEX #A44D2B

RGB 164 77 43

HSL 16.86, 0.58%, 0.41%

LAB 43.32, 33.54, 36.37

 

CMYK 0 / 53 / 74 / 23

HEX #C55D34

RGB 197 93 52

HSL 16.97, 0.58%, 0.49%

LAB 51.78, 38.8, 42.28

 

CMYK 0 / 44 / 61 / 18

HEX #D07551

RGB 208 117 81

HSL 17.01, 0.57%, 0.57%

LAB 58.72, 32.37, 35.23

 

CMYK 0 / 34 / 47 / 15

HEX #D98F72

RGB 217 143 114

HSL 16.89, 0.58%, 0.65%

LAB 66.22, 24.84, 26.93

 

CMYK 0 / 25 / 35 / 11

HEX #E2A992

RGB 226 169 146

HSL 17.25, 0.58%, 0.73%

LAB 73.95, 17.91, 20.04

 

CMYK 0 / 44 / 61 / 18

HEX #D17652

RGB 209 118 82

HSL 17.01, 0.58%, 0.57%

LAB 59.09, 32.31, 35.17

 

CMYK 29 / 0 / 61 / 18

HEX #93D051

RGB 147 208 81

HSL 88.82, 0.57%, 0.57%

LAB 77.23, -39.83, 55.41

 

CMYK 61 / 54 / 0 / 18

HEX #5160D0

RGB 81 96 208

HSL 232.91, 0.57%, 0.57%

LAB 45.18, 28.46, -59.85

 

CMYK 0 / 44 / 61 / 18

HEX #D17652

RGB 209 118 82

HSL 17.01, 0.58%, 0.57%

LAB 59.09, 32.31, 35.17

 

CMYK 61 / 0 / 44 / 18

HEX #51D075

RGB 81 208 117

HSL 137.01, 0.57%, 0.57%

LAB 74.92, -54.66, 34.96

 

CMYK 44 / 61 / 0 / 18

HEX #7551D0

RGB 117 81 208

HSL 257.01, 0.57%, 0.57%

LAB 44.55, 44.44, -60.73

 

CMYK 0 / 44 / 61 / 18

HEX #D17652

RGB 209 118 82

HSL 17.01, 0.58%, 0.57%

LAB 59.09, 32.31, 35.17

 

CMYK 29 / 0 / 61 / 18

HEX #93D051

RGB 147 208 81

HSL 88.82, 0.57%, 0.57%

LAB 77.23, -39.83, 55.41

 

CMYK 61 / 17 / 0 / 18

HEX #51ACD0

RGB 81 172 208

HSL 197.01, 0.57%, 0.57%

LAB 66.37, -16.41, -26.4

 

CMYK 31 / 61 / 0 / 18

HEX #8F51D0

RGB 143 81 208

HSL 269.29, 0.57%, 0.57%

LAB 47.34, 50.13, -56.09

 

CMYK 0 / 44 / 61 / 18

HEX #D17652

RGB 209 118 82

HSL 17.01, 0.58%, 0.57%

LAB 59.09, 32.31, 35.17

 

CMYK 48 / 0 / 61 / 18

HEX #6DD051

RGB 109 208 81

HSL 106.77, 0.57%, 0.57%

LAB 75.42, -52.33, 52.9

 

CMYK 61 / 17 / 0 / 18

HEX #51ACD0

RGB 81 172 208

HSL 197.01, 0.57%, 0.57%

LAB 66.37, -16.41, -26.4

 

CMYK 13 / 61 / 0 / 18

HEX #B551D0

RGB 181 81 208

HSL 287.24, 0.57%, 0.57%

LAB 52.13, 59.1, -48.14

 

Description

Color code: RGB 209 118 82 | qconv.com Color code: RGB 209 118 82 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 118 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 118 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 61 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 61% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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