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Color name
RGB 209 104 46

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 104 46 it is the complementary color RGB 46 151 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 104 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 104 46 shade: RGB 214 104 41, RGB 231 122 60, RGB 248 140 79, RGB 255 158 98 and RGB 255 176 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 104 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 104 46 shade: RGB 209 104 46, RGB 192 86 27, RGB 175 68 8, RGB 158 50 0 and RGB 141 32 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 104 46 shade: RGB 209 103 45, RGB 209 59 45 and RGB 209 45 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 104 46 shade: RGB 209 103 45, RGB 209 147 45, RGB 209 191 45, RGB 182 209 45 and RGB 138 209 45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 104 46 shade matches the following richer shades: RGB 209 103 45, RGB 229 98 25 and RGB 250 92 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 104 46 shade: RGB 209 103 45, RGB 188 109 66, RGB 167 115 87, RGB 147 121 107 and RGB 126 127 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 104 46 shade: RGB 209 45 75, RGB 209 59 45, RGB 209 103 45, RGB 209 146 45 and RGB 209 190 45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 104 46 shade: RGB 141 70 31, RGB 175 87 38, RGB 209 103 45, RGB 216 128 79 and RGB 223 152 113

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 104 46 shade: RGB 209 104 46, RGB 119 209 45 and RGB 45 54 209

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 104 46 shade: RGB 209 104 46, RGB 45 209 103 and RGB 103 45 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 104 46 shade: RGB 209 104 46, RGB 119 209 45, RGB 45 151 209 and RGB 135 45 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 104 46 shade: RGB 209 104 46, RGB 70 209 45, RGB 45 151 209 and RGB 184 45 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 78 / 18

HEX #D1682E

RGB 209 104 46

HSL 21.35, 0.64%, 0.5%

LAB 55.74, 37.66, 49.86

 

Complementary color

CMYK 78 / 28 / 0 / 18

HEX #2E97D1

RGB 46 151 209

HSL 201.35, 0.64%, 0.5%

LAB 59.27, -9.71, -38.06

 

CMYK 0 / 51 / 81 / 16

HEX #D66829

RGB 214 104 41

HSL 21.85, 0.68%, 0.5%

LAB 56.44, 39.46, 53.02

 

CMYK 0 / 47 / 74 / 9

HEX #E77A3C

RGB 231 122 60

HSL 21.75, 0.78%, 0.57%

LAB 62.7, 37.72, 51.39

 

CMYK 0 / 44 / 68 / 3

HEX #F88C4F

RGB 248 140 79

HSL 21.66, 0.92%, 0.64%

LAB 68.95, 36.11, 49.6

 

CMYK 0 / 38 / 62 / 0

HEX #FF9E62

RGB 255 158 98

HSL 22.93, 1%, 0.69%

LAB 73.93, 30.71, 46.07

 

CMYK 0 / 31 / 54 / 0

HEX #FFB075

RGB 255 176 117

HSL 25.65, 1%, 0.73%

LAB 78.22, 22.72, 41.62

 

CMYK 0 / 50 / 78 / 18

HEX #D1682E

RGB 209 104 46

HSL 21.35, 0.64%, 0.5%

LAB 55.74, 37.66, 49.86

 

CMYK 0 / 55 / 86 / 25

HEX #C0561B

RGB 192 86 27

HSL 21.45, 0.75%, 0.43%

LAB 49.42, 39.48, 51.29

 

CMYK 0 / 61 / 95 / 31

HEX #AF4408

RGB 175 68 8

HSL 21.56, 0.91%, 0.36%

LAB 43.16, 41.35, 51.56

 

CMYK 0 / 68 / 100 / 38

HEX #9E3200

RGB 158 50 0

HSL 18.99, 1%, 0.31%

LAB 37.02, 43.09, 48.98

 

CMYK 0 / 77 / 100 / 45

HEX #8D2000

RGB 141 32 0

HSL 13.62, 1%, 0.28%

LAB 31.1, 44.27, 43.81

 

CMYK 0 / 51 / 78 / 18

HEX #D1672D

RGB 209 103 45

HSL 21.22, 0.65%, 0.5%

LAB 55.53, 38.14, 50.11

 

CMYK 0 / 72 / 78 / 18

HEX #D13B2D

RGB 209 59 45

HSL 5.12, 0.65%, 0.5%

LAB 48.1, 57.71, 42.69

 

CMYK 0 / 78 / 78 / 18

HEX #D12D2D

RGB 209 45 45

HSL 0, 0.65%, 0.5%

LAB 46.47, 62.24, 41.02

 

CMYK 0 / 51 / 78 / 18

HEX #D1672D

RGB 209 103 45

HSL 21.22, 0.65%, 0.5%

LAB 55.53, 38.14, 50.11

 

CMYK 0 / 30 / 78 / 18

HEX #D1932D

RGB 209 147 45

HSL 37.32, 0.65%, 0.5%

LAB 65.45, 14.69, 59.54

 

CMYK 0 / 9 / 78 / 18

HEX #D1BF2D

RGB 209 191 45

HSL 53.41, 0.65%, 0.5%

LAB 76.68, -8.65, 69.76

 

CMYK 13 / 0 / 78 / 18

HEX #B6D12D

RGB 182 209 45

HSL 69.88, 0.65%, 0.5%

LAB 79.46, -28.94, 71.45

 

CMYK 34 / 0 / 78 / 18

HEX #8AD12D

RGB 138 209 45

HSL 85.98, 0.65%, 0.5%

LAB 76.8, -45.9, 68.03

 

CMYK 0 / 51 / 78 / 18

HEX #D1672D

RGB 209 103 45

HSL 21.22, 0.65%, 0.5%

LAB 55.53, 38.14, 50.11

 

CMYK 0 / 57 / 89 / 10

HEX #E56219

RGB 229 98 25

HSL 21.47, 0.8%, 0.5%

LAB 57.52, 47.69, 60.88

 

CMYK 0 / 63 / 98 / 2

HEX #FA5C04

RGB 250 92 4

HSL 21.46, 0.97%, 0.5%

LAB 59.88, 57.59, 68.87

 

CMYK 0 / 51 / 78 / 18

HEX #D1672D

RGB 209 103 45

HSL 21.22, 0.65%, 0.5%

LAB 55.53, 38.14, 50.11

 

CMYK 0 / 42 / 65 / 26

HEX #BC6D42

RGB 188 109 66

HSL 21.15, 0.48%, 0.5%

LAB 54.05, 27.52, 37.11

 

CMYK 0 / 31 / 48 / 35

HEX #A77357

RGB 167 115 87

HSL 21, 0.31%, 0.5%

LAB 53.13, 17.12, 23.71

 

CMYK 0 / 18 / 27 / 42

HEX #93796B

RGB 147 121 107

HSL 21, 0.16%, 0.5%

LAB 52.88, 7.85, 11.46

 

CMYK 2 / 1 / 0 / 50

HEX #7E7F80

RGB 126 127 128

HSL 210, 0.01%, 0.5%

LAB 53.14, -0.17, -0.68

 

CMYK 0 / 78 / 64 / 18

HEX #D12D4B

RGB 209 45 75

HSL 349.02, 0.65%, 0.5%

LAB 46.9, 63.57, 23.88

 

CMYK 0 / 72 / 78 / 18

HEX #D13B2D

RGB 209 59 45

HSL 5.12, 0.65%, 0.5%

LAB 48.1, 57.71, 42.69

 

CMYK 0 / 51 / 78 / 18

HEX #D1672D

RGB 209 103 45

HSL 21.22, 0.65%, 0.5%

LAB 55.53, 38.14, 50.11

 

CMYK 0 / 30 / 78 / 18

HEX #D1922D

RGB 209 146 45

HSL 36.95, 0.65%, 0.5%

LAB 65.2, 15.23, 59.31

 

CMYK 0 / 9 / 78 / 18

HEX #D1BE2D

RGB 209 190 45

HSL 53.05, 0.65%, 0.5%

LAB 76.42, -8.14, 69.52

 

CMYK 0 / 50 / 78 / 45

HEX #8D461F

RGB 141 70 31

HSL 21.27, 0.64%, 0.34%

LAB 38.1, 27.2, 36.07

 

CMYK 0 / 50 / 78 / 31

HEX #AF5726

RGB 175 87 38

HSL 21.46, 0.64%, 0.42%

LAB 47.07, 32.52, 43.34

 

CMYK 0 / 51 / 78 / 18

HEX #D1672D

RGB 209 103 45

HSL 21.22, 0.65%, 0.5%

LAB 55.53, 38.14, 50.11

 

CMYK 0 / 41 / 63 / 15

HEX #D8804F

RGB 216 128 79

HSL 21.46, 0.64%, 0.58%

LAB 62.17, 29.61, 40.71

 

CMYK 0 / 32 / 49 / 13

HEX #DF9871

RGB 223 152 113

HSL 21.27, 0.63%, 0.66%

LAB 68.99, 22.3, 31.24

 

CMYK 0 / 50 / 78 / 18

HEX #D1682E

RGB 209 104 46

HSL 21.35, 0.64%, 0.5%

LAB 55.74, 37.66, 49.86

 

CMYK 43 / 0 / 78 / 18

HEX #77D12D

RGB 119 209 45

HSL 92.93, 0.65%, 0.5%

LAB 75.89, -52.35, 66.86

 

CMYK 78 / 74 / 0 / 18

HEX #2D36D1

RGB 45 54 209

HSL 236.71, 0.65%, 0.5%

LAB 33.56, 49.86, -79.51

 

CMYK 0 / 50 / 78 / 18

HEX #D1682E

RGB 209 104 46

HSL 21.35, 0.64%, 0.5%

LAB 55.74, 37.66, 49.86

 

CMYK 78 / 0 / 51 / 18

HEX #2DD167

RGB 45 209 103

HSL 141.22, 0.65%, 0.5%

LAB 74.28, -63.18, 40.94

 

CMYK 51 / 78 / 0 / 18

HEX #672DD1

RGB 103 45 209

HSL 261.22, 0.65%, 0.5%

LAB 36.68, 60.3, -74.21

 

CMYK 0 / 50 / 78 / 18

HEX #D1682E

RGB 209 104 46

HSL 21.35, 0.64%, 0.5%

LAB 55.74, 37.66, 49.86

 

CMYK 43 / 0 / 78 / 18

HEX #77D12D

RGB 119 209 45

HSL 92.93, 0.65%, 0.5%

LAB 75.89, -52.35, 66.86

 

CMYK 78 / 28 / 0 / 18

HEX #2D97D1

RGB 45 151 209

HSL 201.22, 0.65%, 0.5%

LAB 59.25, -9.82, -38.1

 

CMYK 35 / 78 / 0 / 18

HEX #872DD1

RGB 135 45 209

HSL 272.93, 0.65%, 0.5%

LAB 40.62, 64.95, -67.59

 

CMYK 0 / 50 / 78 / 18

HEX #D1682E

RGB 209 104 46

HSL 21.35, 0.64%, 0.5%

LAB 55.74, 37.66, 49.86

 

CMYK 67 / 0 / 78 / 18

HEX #46D12D

RGB 70 209 45

HSL 110.85, 0.65%, 0.5%

LAB 74.25, -65.26, 64.73

 

CMYK 78 / 28 / 0 / 18

HEX #2D97D1

RGB 45 151 209

HSL 201.22, 0.65%, 0.5%

LAB 59.25, -9.82, -38.1

 

CMYK 12 / 78 / 0 / 18

HEX #B82DD1

RGB 184 45 209

HSL 290.85, 0.65%, 0.5%

LAB 47.84, 73.43, -55.56

 

Description

Color code: RGB 209 104 46 | qconv.com Color code: RGB 209 104 46 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 104 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 104 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 78 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 78% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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