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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 208 9 240 it is the complementary color RGB 47 246 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 208 9 240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 208 9 240 shade: RGB 213 9 235, RGB 230 27 254, RGB 247 45 255, RGB 255 63 255 and RGB 255 81 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 208 9 240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 208 9 240 shade: RGB 208 9 240, RGB 191 0 221, RGB 174 0 202, RGB 157 0 183 and RGB 140 0 164

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 208 9 240 shade: RGB 208 8 241, RGB 241 8 210, RGB 241 8 147, RGB 241 8 85 and RGB 241 8 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 208 9 240 shade: RGB 208 8 241, RGB 146 8 241, RGB 83 8 241, RGB 20 8 241 and RGB 8 8 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 208 9 240 shade matches the following richer shades: RGB 208 8 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 208 9 240 shade: RGB 208 8 241, RGB 194 28 220, RGB 179 49 200, RGB 165 69 180 and RGB 150 89 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 208 9 240 shade: RGB 82 8 241, RGB 144 8 241, RGB 206 8 241, RGB 241 8 214 and RGB 241 8 152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 208 9 240 shade: RGB 139 5 161, RGB 174 7 201, RGB 208 8 241, RGB 219 43 247 and RGB 225 83 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 208 9 240 shade: RGB 208 9 240, RGB 241 20 8 and RGB 8 241 113

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 208 9 240 shade: RGB 208 9 240, RGB 241 206 8 and RGB 8 241 206

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 208 9 240 shade: RGB 208 9 240, RGB 241 20 8, RGB 43 241 8 and RGB 8 229 241

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 208 9 240 shade: RGB 208 9 240, RGB 241 90 8, RGB 43 241 8 and RGB 8 159 241

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 96 / 0 / 6

HEX #D009F0

RGB 208 9 240

HSL 291.69, 0.93%, 0.49%

LAB 51.72, 88.45, -66.72

 

Complementary color

CMYK 81 / 0 / 94 / 4

HEX #2FF60F

RGB 47 246 15

HSL 111.69, 0.93%, 0.51%

LAB 85.28, -80.86, 80.09

 

CMYK 9 / 96 / 0 / 8

HEX #D509EB

RGB 213 9 235

HSL 294.16, 0.93%, 0.48%

LAB 52.22, 88.4, -63.06

 

CMYK 9 / 89 / 0 / 0

HEX #E61BFE

RGB 230 27 254

HSL 293.66, 0.99%, 0.55%

LAB 56.84, 92.09, -66.09

 

CMYK 3 / 82 / 0 / 0

HEX #F72DFF

RGB 247 45 255

HSL 297.71, 1%, 0.59%

LAB 60.67, 92.04, -60.36

 

CMYK 0 / 75 / 0 / 0

HEX #FF3FFF

RGB 255 63 255

HSL 300, 1%, 0.62%

LAB 63.37, 89.33, -55.97

 

CMYK 0 / 68 / 0 / 0

HEX #FF51FF

RGB 255 81 255

HSL 300, 1%, 0.66%

LAB 65.25, 83.95, -52.99

 

CMYK 13 / 96 / 0 / 6

HEX #D009F0

RGB 208 9 240

HSL 291.69, 0.93%, 0.49%

LAB 51.72, 88.45, -66.72

 

CMYK 14 / 100 / 0 / 13

HEX #BF00DD

RGB 191 0 221

HSL 291.86, 1%, 0.43%

LAB 47.36, 83.68, -63.15

 

CMYK 14 / 100 / 0 / 21

HEX #AE00CA

RGB 174 0 202

HSL 291.68, 1%, 0.4%

LAB 43.16, 78.17, -59.15

 

CMYK 14 / 100 / 0 / 28

HEX #9D00B7

RGB 157 0 183

HSL 291.48, 1%, 0.36%

LAB 38.88, 72.55, -55.09

 

CMYK 15 / 100 / 0 / 36

HEX #8C00A4

RGB 140 0 164

HSL 291.22, 1%, 0.32%

LAB 34.51, 66.82, -50.94

 

CMYK 14 / 97 / 0 / 5

HEX #D008F1

RGB 208 8 241

HSL 291.5, 0.94%, 0.49%

LAB 51.76, 88.68, -67.22

 

CMYK 0 / 97 / 13 / 5

HEX #F108D2

RGB 241 8 210

HSL 307.98, 0.94%, 0.49%

LAB 55.61, 89.49, -43.17

 

CMYK 0 / 97 / 39 / 5

HEX #F10893

RGB 241 8 147

HSL 324.21, 0.94%, 0.49%

LAB 52.93, 82.61, -10.51

 

CMYK 0 / 97 / 65 / 5

HEX #F10855

RGB 241 8 85

HSL 340.17, 0.94%, 0.49%

LAB 51.3, 78.25, 24.73

 

CMYK 0 / 97 / 91 / 5

HEX #F10816

RGB 241 8 22

HSL 356.39, 0.94%, 0.49%

LAB 50.61, 76.35, 58.08

 

CMYK 14 / 97 / 0 / 5

HEX #D008F1

RGB 208 8 241

HSL 291.5, 0.94%, 0.49%

LAB 51.76, 88.68, -67.22

 

CMYK 39 / 97 / 0 / 5

HEX #9208F1

RGB 146 8 241

HSL 275.54, 0.94%, 0.49%

LAB 42.21, 81.07, -83.21

 

CMYK 66 / 97 / 0 / 5

HEX #5308F1

RGB 83 8 241

HSL 259.31, 0.94%, 0.49%

LAB 34.73, 76.39, -95.82

 

CMYK 92 / 97 / 0 / 5

HEX #1408F1

RGB 20 8 241

HSL 243.09, 0.94%, 0.49%

LAB 31.05, 74.72, -102.05

 

CMYK 97 / 97 / 0 / 5

HEX #0808F1

RGB 8 8 241

HSL 240, 0.94%, 0.49%

LAB 30.82, 74.63, -102.44

 

CMYK 14 / 97 / 0 / 5

HEX #D008F1

RGB 208 8 241

HSL 291.5, 0.94%, 0.49%

LAB 51.76, 88.68, -67.22

 

CMYK 14 / 97 / 0 / 5

HEX #D008F1

RGB 208 8 241

HSL 291.5, 0.94%, 0.49%

LAB 51.76, 88.68, -67.22

 

CMYK 12 / 87 / 0 / 14

HEX #C21CDC

RGB 194 28 220

HSL 291.88, 0.77%, 0.49%

LAB 48.84, 80.86, -60.16

 

CMYK 11 / 76 / 0 / 22

HEX #B331C8

RGB 179 49 200

HSL 291.66, 0.61%, 0.49%

LAB 46.91, 69.7, -51.9

 

CMYK 8 / 62 / 0 / 29

HEX #A545B4

RGB 165 69 180

HSL 291.89, 0.45%, 0.49%

LAB 46.38, 55.21, -41.22

 

CMYK 6 / 44 / 0 / 37

HEX #9659A0

RGB 150 89 160

HSL 291.55, 0.29%, 0.49%

LAB 47.19, 36.9, -28.3

 

CMYK 66 / 97 / 0 / 5

HEX #5208F1

RGB 82 8 241

HSL 259.06, 0.94%, 0.49%

LAB 34.64, 76.35, -95.98

 

CMYK 40 / 97 / 0 / 5

HEX #9008F1

RGB 144 8 241

HSL 275.02, 0.94%, 0.49%

LAB 41.93, 80.87, -83.68

 

CMYK 15 / 97 / 0 / 5

HEX #CE08F1

RGB 206 8 241

HSL 290.99, 0.94%, 0.49%

LAB 51.43, 88.4, -67.76

 

CMYK 0 / 97 / 11 / 5

HEX #F108D6

RGB 241 8 214

HSL 306.95, 0.94%, 0.49%

LAB 55.82, 90, -45.13

 

CMYK 0 / 97 / 37 / 5

HEX #F10898

RGB 241 8 152

HSL 322.92, 0.94%, 0.49%

LAB 53.1, 83.07, -13.23

 

CMYK 14 / 97 / 0 / 37

HEX #8B05A1

RGB 139 5 161

HSL 291.54, 0.94%, 0.33%

LAB 34.34, 65.49, -49.42

 

CMYK 13 / 97 / 0 / 21

HEX #AE07C9

RGB 174 7 201

HSL 291.65, 0.93%, 0.41%

LAB 43.31, 77.33, -58.32

 

CMYK 14 / 97 / 0 / 5

HEX #D008F1

RGB 208 8 241

HSL 291.5, 0.94%, 0.49%

LAB 51.76, 88.68, -67.22

 

CMYK 11 / 83 / 0 / 3

HEX #DB2BF7

RGB 219 43 247

HSL 291.76, 0.93%, 0.57%

LAB 55.59, 86.45, -64.31

 

CMYK 9 / 67 / 0 / 3

HEX #E153F8

RGB 225 83 248

HSL 291.64, 0.92%, 0.65%

LAB 60.76, 75.69, -56.54

 

CMYK 13 / 96 / 0 / 6

HEX #D009F0

RGB 208 9 240

HSL 291.69, 0.93%, 0.49%

LAB 51.72, 88.45, -66.72

 

CMYK 0 / 92 / 97 / 5

HEX #F11408

RGB 241 20 8

HSL 3.09, 0.94%, 0.49%

LAB 50.94, 75.12, 62.54

 

CMYK 97 / 0 / 53 / 5

HEX #08F171

RGB 8 241 113

HSL 147.04, 0.94%, 0.49%

LAB 84.05, -74.44, 48.12

 

CMYK 13 / 96 / 0 / 6

HEX #D009F0

RGB 208 9 240

HSL 291.69, 0.93%, 0.49%

LAB 51.72, 88.45, -66.72

 

CMYK 0 / 15 / 97 / 5

HEX #F1CE08

RGB 241 206 8

HSL 50.99, 0.94%, 0.49%

LAB 83.37, -3.27, 83.29

 

CMYK 97 / 0 / 15 / 5

HEX #08F1CE

RGB 8 241 206

HSL 170.99, 0.94%, 0.49%

LAB 85.71, -55.5, 3.45

 

CMYK 13 / 96 / 0 / 6

HEX #D009F0

RGB 208 9 240

HSL 291.69, 0.93%, 0.49%

LAB 51.72, 88.45, -66.72

 

CMYK 0 / 92 / 97 / 5

HEX #F11408

RGB 241 20 8

HSL 3.09, 0.94%, 0.49%

LAB 50.94, 75.12, 62.54

 

CMYK 82 / 0 / 97 / 5

HEX #2BF108

RGB 43 241 8

HSL 110.99, 0.94%, 0.49%

LAB 83.67, -80.01, 79.38

 

CMYK 97 / 5 / 0 / 5

HEX #08E5F1

RGB 8 229 241

HSL 183.09, 0.94%, 0.49%

LAB 83.15, -40.58, -18.78

 

CMYK 13 / 96 / 0 / 6

HEX #D009F0

RGB 208 9 240

HSL 291.69, 0.93%, 0.49%

LAB 51.72, 88.45, -66.72

 

CMYK 0 / 63 / 97 / 5

HEX #F15A08

RGB 241 90 8

HSL 21.12, 0.94%, 0.49%

LAB 58.07, 55.37, 66.32

 

CMYK 82 / 0 / 97 / 5

HEX #2BF108

RGB 43 241 8

HSL 110.99, 0.94%, 0.49%

LAB 83.67, -80.01, 79.38

 

CMYK 97 / 34 / 0 / 5

HEX #089FF1

RGB 8 159 241

HSL 201.12, 0.94%, 0.49%

LAB 62.68, -4.94, -50.47

 

Description

Color code: RGB 208 9 240 | qconv.com Color code: RGB 208 9 240 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 9 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 9 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 96 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 96% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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