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Color name
RGB 208 89 142

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 208 89 142 it is the complementary color RGB 47 166 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 208 89 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 208 89 142 shade: RGB 213 89 137, RGB 230 107 156, RGB 247 125 175, RGB 255 143 194 and RGB 255 161 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 208 89 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 208 89 142 shade: RGB 208 89 142, RGB 191 71 123, RGB 174 53 104, RGB 157 35 85 and RGB 140 17 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 208 89 142 shade: RGB 207 87 141, RGB 207 87 108 and RGB 207 87 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 208 89 142 shade: RGB 207 87 141, RGB 207 87 173, RGB 207 87 206, RGB 177 87 207 and RGB 145 87 207

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 208 89 142 shade matches the following richer shades: RGB 207 87 141, RGB 225 70 139 and RGB 242 53 137

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 208 89 142 shade: RGB 207 87 141, RGB 190 105 143, RGB 173 122 145, RGB 155 139 147 and RGB 138 157 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 208 89 142 shade: RGB 207 87 205, RGB 207 87 173, RGB 207 87 141, RGB 207 87 109 and RGB 207 97 87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 208 89 142 shade: RGB 166 46 100, RGB 198 55 119, RGB 207 87 141, RGB 216 120 163 and RGB 226 152 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 208 89 142 shade: RGB 208 89 142, RGB 207 177 87 and RGB 87 189 207

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 208 89 142 shade: RGB 208 89 142, RGB 141 207 87 and RGB 87 141 207

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 208 89 142 shade: RGB 208 89 142, RGB 207 177 87, RGB 87 207 153 and RGB 87 117 207

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 208 89 142 shade: RGB 208 89 142, RGB 201 207 87, RGB 87 207 153 and RGB 93 87 207

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 32 / 18

HEX #D0598E

RGB 208 89 142

HSL 333.28, 0.56%, 0.58%

LAB 54.56, 52.41, -5.71

 

Complementary color

CMYK 72 / 0 / 32 / 35

HEX #2FA671

RGB 47 166 113

HSL 153.28, 0.56%, 0.42%

LAB 60.84, -45.21, 18.24

 

CMYK 0 / 58 / 36 / 16

HEX #D55989

RGB 213 89 137

HSL 336.77, 0.6%, 0.59%

LAB 55.17, 53.4, -1.77

 

CMYK 0 / 53 / 32 / 10

HEX #E66B9C

RGB 230 107 156

HSL 336.1, 0.71%, 0.66%

LAB 61.43, 52.73, -3.35

 

CMYK 0 / 49 / 29 / 3

HEX #F77DAF

RGB 247 125 175

HSL 335.41, 0.88%, 0.73%

LAB 67.68, 51.97, -4.69

 

CMYK 0 / 44 / 24 / 0

HEX #FF8FC2

RGB 255 143 194

HSL 332.68, 1%, 0.78%

LAB 72.76, 48.23, -7.66

 

CMYK 0 / 37 / 16 / 0

HEX #FFA1D5

RGB 255 161 213

HSL 326.81, 1%, 0.82%

LAB 77.01, 41.83, -11.77

 

CMYK 0 / 57 / 32 / 18

HEX #D0598E

RGB 208 89 142

HSL 333.28, 0.56%, 0.58%

LAB 54.56, 52.41, -5.71

 

CMYK 0 / 63 / 36 / 25

HEX #BF477B

RGB 191 71 123

HSL 334, 0.48%, 0.51%

LAB 48.28, 52.9, -3.96

 

CMYK 0 / 70 / 40 / 32

HEX #AE3568

RGB 174 53 104

HSL 334.71, 0.53%, 0.45%

LAB 42.07, 53.06, -1.78

 

CMYK 0 / 78 / 46 / 38

HEX #9D2355

RGB 157 35 85

HSL 335.41, 0.64%, 0.38%

LAB 36.03, 52.62, 1.05

 

CMYK 0 / 88 / 53 / 45

HEX #8C1142

RGB 140 17 66

HSL 336.1, 0.78%, 0.31%

LAB 30.33, 51.14, 4.83

 

CMYK 0 / 58 / 32 / 19

HEX #CF578D

RGB 207 87 141

HSL 333, 0.56%, 0.58%

LAB 54.03, 52.89, -5.92

 

CMYK 0 / 58 / 48 / 19

HEX #CF576C

RGB 207 87 108

HSL 349.5, 0.56%, 0.58%

LAB 53.13, 49.31, 12.36

 

CMYK 0 / 58 / 58 / 19

HEX #CF5757

RGB 207 87 87

HSL 0, 0.56%, 0.58%

LAB 52.7, 47.55, 24.18

 

CMYK 0 / 58 / 32 / 19

HEX #CF578D

RGB 207 87 141

HSL 333, 0.56%, 0.58%

LAB 54.03, 52.89, -5.92

 

CMYK 0 / 58 / 16 / 19

HEX #CF57AD

RGB 207 87 173

HSL 317, 0.56%, 0.58%

LAB 55.17, 57.25, -22.94

 

CMYK 0 / 58 / 0 / 19

HEX #CF57CE

RGB 207 87 206

HSL 300.5, 0.56%, 0.58%

LAB 56.62, 62.54, -39.67

 

CMYK 14 / 58 / 0 / 19

HEX #B157CF

RGB 177 87 207

HSL 285, 0.56%, 0.58%

LAB 52.58, 55.09, -46.89

 

CMYK 30 / 58 / 0 / 19

HEX #9157CF

RGB 145 87 207

HSL 269, 0.56%, 0.58%

LAB 48.69, 47.19, -53.34

 

CMYK 0 / 58 / 32 / 19

HEX #CF578D

RGB 207 87 141

HSL 333, 0.56%, 0.58%

LAB 54.03, 52.89, -5.92

 

CMYK 0 / 69 / 38 / 12

HEX #E1468B

RGB 225 70 139

HSL 333.29, 0.72%, 0.58%

LAB 54.29, 65.04, -4.02

 

CMYK 0 / 78 / 43 / 5

HEX #F23589

RGB 242 53 137

HSL 333.33, 0.88%, 0.58%

LAB 55.31, 74.7, -1

 

CMYK 0 / 58 / 32 / 19

HEX #CF578D

RGB 207 87 141

HSL 333, 0.56%, 0.58%

LAB 54.03, 52.89, -5.92

 

CMYK 0 / 45 / 25 / 25

HEX #BE698F

RGB 190 105 143

HSL 333.18, 0.4%, 0.58%

LAB 55.11, 38.58, -5.76

 

CMYK 0 / 29 / 16 / 32

HEX #AD7A91

RGB 173 122 145

HSL 332.94, 0.24%, 0.58%

LAB 56.93, 23.44, -4.46

 

CMYK 0 / 10 / 5 / 39

HEX #9B8B93

RGB 155 139 147

HSL 330, 0.07%, 0.58%

LAB 59.47, 7.45, -2.07

 

CMYK 12 / 0 / 6 / 38

HEX #8A9D94

RGB 138 157 148

HSL 151.58, 0.09%, 0.58%

LAB 63.06, -8.53, 2.43

 

CMYK 0 / 58 / 1 / 19

HEX #CF57CD

RGB 207 87 205

HSL 301, 0.56%, 0.58%

LAB 56.57, 62.37, -39.17

 

CMYK 0 / 58 / 16 / 19

HEX #CF57AD

RGB 207 87 173

HSL 317, 0.56%, 0.58%

LAB 55.17, 57.25, -22.94

 

CMYK 0 / 58 / 32 / 19

HEX #CF578D

RGB 207 87 141

HSL 333, 0.56%, 0.58%

LAB 54.03, 52.89, -5.92

 

CMYK 0 / 58 / 47 / 19

HEX #CF576D

RGB 207 87 109

HSL 349, 0.56%, 0.58%

LAB 53.15, 49.4, 11.8

 

CMYK 0 / 53 / 58 / 19

HEX #CF6157

RGB 207 97 87

HSL 5, 0.56%, 0.58%

LAB 54.56, 42.72, 26.6

 

CMYK 0 / 72 / 40 / 35

HEX #A62E64

RGB 166 46 100

HSL 333, 0.57%, 0.42%

LAB 39.55, 52.94, -3.15

 

CMYK 0 / 72 / 40 / 22

HEX #C63777

RGB 198 55 119

HSL 333.15, 0.57%, 0.5%

LAB 47.07, 60.79, -3.18

 

CMYK 0 / 58 / 32 / 19

HEX #CF578D

RGB 207 87 141

HSL 333, 0.56%, 0.58%

LAB 54.03, 52.89, -5.92

 

CMYK 0 / 44 / 25 / 15

HEX #D878A3

RGB 216 120 163

HSL 333.13, 0.55%, 0.66%

LAB 62.23, 42.55, -6.39

 

CMYK 0 / 33 / 18 / 11

HEX #E298B9

RGB 226 152 185

HSL 333.24, 0.56%, 0.74%

LAB 70.96, 32.4, -5.72

 

CMYK 0 / 57 / 32 / 18

HEX #D0598E

RGB 208 89 142

HSL 333.28, 0.56%, 0.58%

LAB 54.56, 52.41, -5.71

 

CMYK 0 / 14 / 58 / 19

HEX #CFB157

RGB 207 177 87

HSL 45, 0.56%, 0.58%

LAB 73.15, 0.08, 49.27

 

CMYK 58 / 9 / 0 / 19

HEX #57BDCF

RGB 87 189 207

HSL 189, 0.56%, 0.58%

LAB 71.51, -24.37, -18.01

 

CMYK 0 / 57 / 32 / 18

HEX #D0598E

RGB 208 89 142

HSL 333.28, 0.56%, 0.58%

LAB 54.56, 52.41, -5.71

 

CMYK 32 / 0 / 58 / 19

HEX #8DCF57

RGB 141 207 87

HSL 93, 0.56%, 0.58%

LAB 76.66, -40.97, 52.05

 

CMYK 58 / 32 / 0 / 19

HEX #578DCF

RGB 87 141 207

HSL 213, 0.56%, 0.58%

LAB 57.64, 1.75, -39.4

 

CMYK 0 / 57 / 32 / 18

HEX #D0598E

RGB 208 89 142

HSL 333.28, 0.56%, 0.58%

LAB 54.56, 52.41, -5.71

 

CMYK 0 / 14 / 58 / 19

HEX #CFB157

RGB 207 177 87

HSL 45, 0.56%, 0.58%

LAB 73.15, 0.08, 49.27

 

CMYK 58 / 0 / 26 / 19

HEX #57CF99

RGB 87 207 153

HSL 153, 0.56%, 0.58%

LAB 75.42, -46.25, 16.94

 

CMYK 58 / 43 / 0 / 19

HEX #5775CF

RGB 87 117 207

HSL 225, 0.56%, 0.58%

LAB 50.98, 16.19, -49.94

 

CMYK 0 / 57 / 32 / 18

HEX #D0598E

RGB 208 89 142

HSL 333.28, 0.56%, 0.58%

LAB 54.56, 52.41, -5.71

 

CMYK 3 / 0 / 58 / 19

HEX #C9CF57

RGB 201 207 87

HSL 63, 0.56%, 0.58%

LAB 80.59, -17.83, 57.54

 

CMYK 58 / 0 / 26 / 19

HEX #57CF99

RGB 87 207 153

HSL 153, 0.56%, 0.58%

LAB 75.42, -46.25, 16.94

 

CMYK 55 / 58 / 0 / 19

HEX #5D57CF

RGB 93 87 207

HSL 243, 0.56%, 0.58%

LAB 43.72, 35.87, -61.59

 

Description

Color code: RGB 208 89 142 | qconv.com Color code: RGB 208 89 142 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 89 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 89 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 32 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 32% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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