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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 208 86 172 it is the complementary color RGB 47 169 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 208 86 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 208 86 172 shade: RGB 213 86 167, RGB 230 104 186, RGB 247 122 205, RGB 255 140 224 and RGB 255 158 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 208 86 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 208 86 172 shade: RGB 208 86 172, RGB 191 68 153, RGB 174 50 134, RGB 157 32 115 and RGB 140 14 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 208 86 172 shade: RGB 207 87 172, RGB 207 87 140, RGB 207 87 107 and RGB 207 87 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 208 86 172 shade: RGB 207 87 172, RGB 207 87 204, RGB 178 87 207, RGB 146 87 207 and RGB 113 87 207

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 208 86 172 shade matches the following richer shades: RGB 207 87 172, RGB 225 70 179 and RGB 242 53 186

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 208 86 172 shade: RGB 207 87 172, RGB 190 105 165, RGB 173 122 158, RGB 155 139 151 and RGB 138 157 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 208 86 172 shade: RGB 177 87 207, RGB 207 87 205, RGB 207 87 173, RGB 207 87 141 and RGB 207 87 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 208 86 172 shade: RGB 166 46 131, RGB 198 55 156, RGB 207 87 172, RGB 216 120 188 and RGB 226 152 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 208 86 172 shade: RGB 208 86 172, RGB 207 145 87 and RGB 87 207 193

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 208 86 172 shade: RGB 208 86 172, RGB 173 207 87 and RGB 87 173 207

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 208 86 172 shade: RGB 208 86 172, RGB 207 145 87, RGB 87 207 121 and RGB 87 149 207

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 208 86 172 shade: RGB 208 86 172, RGB 207 181 87, RGB 87 207 121 and RGB 87 113 207

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 17 / 18

HEX #D056AC

RGB 208 86 172

HSL 317.7, 0.56%, 0.58%

LAB 55.12, 57.84, -22.44

 

Complementary color

CMYK 72 / 0 / 51 / 34

HEX #2FA953

RGB 47 169 83

HSL 137.7, 0.56%, 0.42%

LAB 61.31, -51.96, 34.8

 

CMYK 0 / 60 / 22 / 16

HEX #D556A7

RGB 213 86 167

HSL 321.73, 0.6%, 0.59%

LAB 55.68, 58.56, -18.61

 

CMYK 0 / 55 / 19 / 10

HEX #E668BA

RGB 230 104 186

HSL 320.95, 0.72%, 0.65%

LAB 61.89, 58.12, -19.86

 

CMYK 0 / 51 / 17 / 3

HEX #F77ACD

RGB 247 122 205

HSL 320.16, 0.89%, 0.72%

LAB 68.09, 57.53, -20.91

 

CMYK 0 / 45 / 12 / 0

HEX #FF8CE0

RGB 255 140 224

HSL 316.17, 1%, 0.77%

LAB 73.15, 54.13, -23.63

 

CMYK 0 / 38 / 5 / 0

HEX #FF9EF3

RGB 255 158 243

HSL 307.42, 1%, 0.81%

LAB 77.39, 48.22, -27.51

 

CMYK 0 / 59 / 17 / 18

HEX #D056AC

RGB 208 86 172

HSL 317.7, 0.56%, 0.58%

LAB 55.12, 57.84, -22.44

 

CMYK 0 / 64 / 20 / 25

HEX #BF4499

RGB 191 68 153

HSL 318.54, 0.49%, 0.51%

LAB 48.9, 58.05, -21.04

 

CMYK 0 / 71 / 23 / 32

HEX #AE3286

RGB 174 50 134

HSL 319.35, 0.55%, 0.44%

LAB 42.76, 57.83, -19.25

 

CMYK 0 / 80 / 27 / 38

HEX #9D2073

RGB 157 32 115

HSL 320.16, 0.66%, 0.37%

LAB 36.82, 56.88, -16.88

 

CMYK 0 / 90 / 31 / 45

HEX #8C0E60

RGB 140 14 96

HSL 320.95, 0.82%, 0.3%

LAB 31.19, 54.75, -13.65

 

CMYK 0 / 58 / 17 / 19

HEX #CF57AC

RGB 207 87 172

HSL 317.5, 0.56%, 0.58%

LAB 55.13, 57.1, -22.42

 

CMYK 0 / 58 / 32 / 19

HEX #CF578C

RGB 207 87 140

HSL 333.5, 0.56%, 0.58%

LAB 54, 52.77, -5.37

 

CMYK 0 / 58 / 48 / 19

HEX #CF576B

RGB 207 87 107

HSL 350, 0.56%, 0.58%

LAB 53.11, 49.22, 12.92

 

CMYK 0 / 58 / 58 / 19

HEX #CF5757

RGB 207 87 87

HSL 0, 0.56%, 0.58%

LAB 52.7, 47.55, 24.18

 

CMYK 0 / 58 / 17 / 19

HEX #CF57AC

RGB 207 87 172

HSL 317.5, 0.56%, 0.58%

LAB 55.13, 57.1, -22.42

 

CMYK 0 / 58 / 1 / 19

HEX #CF57CC

RGB 207 87 204

HSL 301.5, 0.56%, 0.58%

LAB 56.53, 62.2, -38.68

 

CMYK 14 / 58 / 0 / 19

HEX #B257CF

RGB 178 87 207

HSL 285.5, 0.56%, 0.58%

LAB 52.71, 55.35, -46.67

 

CMYK 29 / 58 / 0 / 19

HEX #9257CF

RGB 146 87 207

HSL 269.5, 0.56%, 0.58%

LAB 48.8, 47.43, -53.15

 

CMYK 45 / 58 / 0 / 19

HEX #7157CF

RGB 113 87 207

HSL 253, 0.56%, 0.58%

LAB 45.4, 39.89, -58.79

 

CMYK 0 / 58 / 17 / 19

HEX #CF57AC

RGB 207 87 172

HSL 317.5, 0.56%, 0.58%

LAB 55.13, 57.1, -22.42

 

CMYK 0 / 69 / 20 / 12

HEX #E146B3

RGB 225 70 179

HSL 317.81, 0.72%, 0.58%

LAB 55.73, 69.78, -25.34

 

CMYK 0 / 78 / 23 / 5

HEX #F235BA

RGB 242 53 186

HSL 317.78, 0.88%, 0.58%

LAB 57.04, 79.85, -27.13

 

CMYK 0 / 58 / 17 / 19

HEX #CF57AC

RGB 207 87 172

HSL 317.5, 0.56%, 0.58%

LAB 55.13, 57.1, -22.42

 

CMYK 0 / 45 / 13 / 25

HEX #BE69A5

RGB 190 105 165

HSL 317.65, 0.4%, 0.58%

LAB 55.85, 41.99, -17.47

 

CMYK 0 / 29 / 9 / 32

HEX #AD7A9E

RGB 173 122 158

HSL 317.65, 0.24%, 0.58%

LAB 57.34, 25.69, -11.37

 

CMYK 0 / 10 / 3 / 39

HEX #9B8B97

RGB 155 139 151

HSL 315, 0.07%, 0.58%

LAB 59.59, 8.21, -4.19

 

CMYK 12 / 0 / 8 / 38

HEX #8A9D90

RGB 138 157 144

HSL 138.95, 0.09%, 0.58%

LAB 62.95, -9.33, 4.53

 

CMYK 14 / 58 / 0 / 19

HEX #B157CF

RGB 177 87 207

HSL 285, 0.56%, 0.58%

LAB 52.58, 55.09, -46.89

 

CMYK 0 / 58 / 1 / 19

HEX #CF57CD

RGB 207 87 205

HSL 301, 0.56%, 0.58%

LAB 56.57, 62.37, -39.17

 

CMYK 0 / 58 / 16 / 19

HEX #CF57AD

RGB 207 87 173

HSL 317, 0.56%, 0.58%

LAB 55.17, 57.25, -22.94

 

CMYK 0 / 58 / 32 / 19

HEX #CF578D

RGB 207 87 141

HSL 333, 0.56%, 0.58%

LAB 54.03, 52.89, -5.92

 

CMYK 0 / 58 / 47 / 19

HEX #CF576D

RGB 207 87 109

HSL 349, 0.56%, 0.58%

LAB 53.15, 49.4, 11.8

 

CMYK 0 / 72 / 21 / 35

HEX #A62E83

RGB 166 46 131

HSL 317.5, 0.57%, 0.42%

LAB 40.73, 56.76, -20.66

 

CMYK 0 / 72 / 21 / 22

HEX #C6379C

RGB 198 55 156

HSL 317.62, 0.57%, 0.5%

LAB 48.43, 65.16, -23.45

 

CMYK 0 / 58 / 17 / 19

HEX #CF57AC

RGB 207 87 172

HSL 317.5, 0.56%, 0.58%

LAB 55.13, 57.1, -22.42

 

CMYK 0 / 44 / 13 / 15

HEX #D878BC

RGB 216 120 188

HSL 317.5, 0.55%, 0.66%

LAB 63.06, 46.33, -19.37

 

CMYK 0 / 33 / 10 / 11

HEX #E298CC

RGB 226 152 204

HSL 317.84, 0.56%, 0.74%

LAB 71.54, 35.46, -15.37

 

CMYK 0 / 59 / 17 / 18

HEX #D056AC

RGB 208 86 172

HSL 317.7, 0.56%, 0.58%

LAB 55.12, 57.84, -22.44

 

CMYK 0 / 30 / 58 / 19

HEX #CF9157

RGB 207 145 87

HSL 29, 0.56%, 0.58%

LAB 65.12, 17.3, 39.8

 

CMYK 58 / 0 / 7 / 19

HEX #57CFC1

RGB 87 207 193

HSL 173, 0.56%, 0.58%

LAB 76.38, -36.85, -3.14

 

CMYK 0 / 59 / 17 / 18

HEX #D056AC

RGB 208 86 172

HSL 317.7, 0.56%, 0.58%

LAB 55.12, 57.84, -22.44

 

CMYK 16 / 0 / 58 / 19

HEX #ADCF57

RGB 173 207 87

HSL 77, 0.56%, 0.58%

LAB 78.58, -29.05, 54.73

 

CMYK 58 / 16 / 0 / 19

HEX #57ADCF

RGB 87 173 207

HSL 197, 0.56%, 0.58%

LAB 66.84, -16.11, -25.12

 

CMYK 0 / 59 / 17 / 18

HEX #D056AC

RGB 208 86 172

HSL 317.7, 0.56%, 0.58%

LAB 55.12, 57.84, -22.44

 

CMYK 0 / 30 / 58 / 19

HEX #CF9157

RGB 207 145 87

HSL 29, 0.56%, 0.58%

LAB 65.12, 17.3, 39.8

 

CMYK 58 / 0 / 42 / 19

HEX #57CF79

RGB 87 207 121

HSL 137, 0.56%, 0.58%

LAB 74.85, -52.3, 32.88

 

CMYK 58 / 28 / 0 / 19

HEX #5795CF

RGB 87 149 207

HSL 209, 0.56%, 0.58%

LAB 59.91, -2.88, -35.84

 

CMYK 0 / 59 / 17 / 18

HEX #D056AC

RGB 208 86 172

HSL 317.7, 0.56%, 0.58%

LAB 55.12, 57.84, -22.44

 

CMYK 0 / 13 / 58 / 19

HEX #CFB557

RGB 207 181 87

HSL 47, 0.56%, 0.58%

LAB 74.19, -2.03, 50.47

 

CMYK 58 / 0 / 42 / 19

HEX #57CF79

RGB 87 207 121

HSL 137, 0.56%, 0.58%

LAB 74.85, -52.3, 32.88

 

CMYK 58 / 45 / 0 / 19

HEX #5771CF

RGB 87 113 207

HSL 227, 0.56%, 0.58%

LAB 49.91, 18.66, -51.65

 

Description

Color code: RGB 208 86 172 | qconv.com Color code: RGB 208 86 172 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 86 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 86 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 17 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 17% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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