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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 208 78 61 it is the complementary color RGB 47 177 194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 208 78 61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 208 78 61 shade: RGB 213 78 56, RGB 230 96 75, RGB 247 114 94, RGB 255 132 113 and RGB 255 150 132

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 208 78 61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 208 78 61 shade: RGB 208 78 61, RGB 191 60 42, RGB 174 42 23, RGB 157 24 4 and RGB 140 6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 208 78 61 shade: RGB 208 78 62 and RGB 208 62 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 208 78 61 shade: RGB 208 78 62, RGB 208 118 62, RGB 208 157 62, RGB 208 197 62 and RGB 179 208 62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 208 78 61 shade matches the following richer shades: RGB 208 78 62, RGB 227 64 42 and RGB 247 49 23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 208 78 61 shade: RGB 208 78 62, RGB 188 93 81, RGB 169 108 100, RGB 150 123 120 and RGB 130 138 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 208 78 61 shade: RGB 208 62 125, RGB 208 62 86, RGB 208 76 62, RGB 208 115 62 and RGB 208 154 62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 208 78 61 shade: RGB 151 49 36, RGB 184 60 44, RGB 208 78 62, RGB 216 109 95 and RGB 224 139 128

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 208 78 61 shade: RGB 208 78 61, RGB 164 208 62 and RGB 62 105 208

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 208 78 61 shade: RGB 208 78 61, RGB 62 208 76 and RGB 76 62 208

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 208 78 61 shade: RGB 208 78 61, RGB 164 208 62, RGB 62 193 208 and RGB 105 62 208

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 208 78 61 shade: RGB 208 78 61, RGB 120 208 62, RGB 62 193 208 and RGB 149 62 208

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 71 / 18

HEX #D04E3D

RGB 208 78 61

HSL 6.94, 0.61%, 0.53%

LAB 50.92, 50.41, 36.96

 

Complementary color

CMYK 76 / 9 / 0 / 24

HEX #2FB1C2

RGB 47 177 194

HSL 186.94, 0.61%, 0.47%

LAB 66.48, -28.32, -18.58

 

CMYK 0 / 63 / 74 / 16

HEX #D54E38

RGB 213 78 56

HSL 8.41, 0.65%, 0.53%

LAB 51.7, 51.91, 40.83

 

CMYK 0 / 58 / 67 / 10

HEX #E6604B

RGB 230 96 75

HSL 8.13, 0.76%, 0.6%

LAB 57.75, 50.74, 38.11

 

CMYK 0 / 54 / 62 / 3

HEX #F7725E

RGB 247 114 94

HSL 7.84, 0.91%, 0.67%

LAB 63.85, 49.51, 35.68

 

CMYK 0 / 48 / 56 / 0

HEX #FF8471

RGB 255 132 113

HSL 8.03, 1%, 0.72%

LAB 68.72, 45.01, 31.67

 

CMYK 0 / 41 / 48 / 0

HEX #FF9684

RGB 255 150 132

HSL 8.78, 1%, 0.76%

LAB 72.72, 37.53, 26.55

 

CMYK 0 / 63 / 71 / 18

HEX #D04E3D

RGB 208 78 61

HSL 6.94, 0.61%, 0.53%

LAB 50.92, 50.41, 36.96

 

CMYK 0 / 69 / 78 / 25

HEX #BF3C2A

RGB 191 60 42

HSL 7.25, 0.64%, 0.46%

LAB 44.91, 51.38, 39.97

 

CMYK 0 / 76 / 87 / 32

HEX #AE2A17

RGB 174 42 23

HSL 7.55, 0.77%, 0.39%

LAB 39.1, 51.95, 43.06

 

CMYK 0 / 85 / 97 / 38

HEX #9D1804

RGB 157 24 4

HSL 7.84, 0.95%, 0.32%

LAB 33.63, 51.73, 45.46

 

CMYK 0 / 96 / 100 / 45

HEX #8C0600

RGB 140 6 0

HSL 2.57, 1%, 0.27%

LAB 28.66, 50.29, 41.86

 

CMYK 0 / 63 / 70 / 18

HEX #D04E3E

RGB 208 78 62

HSL 6.58, 0.61%, 0.53%

LAB 50.93, 50.45, 36.42

 

CMYK 0 / 70 / 70 / 18

HEX #D03E3E

RGB 208 62 62

HSL 0, 0.61%, 0.53%

LAB 48.51, 56.99, 33.59

 

CMYK 0 / 63 / 70 / 18

HEX #D04E3E

RGB 208 78 62

HSL 6.58, 0.61%, 0.53%

LAB 50.93, 50.45, 36.42

 

CMYK 0 / 43 / 70 / 18

HEX #D0763E

RGB 208 118 62

HSL 23.01, 0.61%, 0.53%

LAB 58.71, 30.67, 45.2

 

CMYK 0 / 25 / 70 / 18

HEX #D09D3E

RGB 208 157 62

HSL 39.04, 0.61%, 0.53%

LAB 67.93, 9.6, 55.02

 

CMYK 0 / 5 / 70 / 18

HEX #D0C53E

RGB 208 197 62

HSL 55.48, 0.61%, 0.53%

LAB 78.28, -11.42, 65.48

 

CMYK 14 / 0 / 70 / 18

HEX #B3D03E

RGB 179 208 62

HSL 71.92, 0.61%, 0.53%

LAB 79.07, -28.88, 65.51

 

CMYK 0 / 63 / 70 / 18

HEX #D04E3E

RGB 208 78 62

HSL 6.58, 0.61%, 0.53%

LAB 50.93, 50.45, 36.42

 

CMYK 0 / 72 / 81 / 11

HEX #E3402A

RGB 227 64 42

HSL 7.14, 0.77%, 0.53%

LAB 52.02, 61.49, 49.2

 

CMYK 0 / 80 / 91 / 3

HEX #F73117

RGB 247 49 23

HSL 6.96, 0.93%, 0.53%

LAB 54.06, 71.49, 60.55

 

CMYK 0 / 63 / 70 / 18

HEX #D04E3E

RGB 208 78 62

HSL 6.58, 0.61%, 0.53%

LAB 50.93, 50.45, 36.42

 

CMYK 0 / 51 / 57 / 26

HEX #BC5D51

RGB 188 93 81

HSL 6.73, 0.44%, 0.53%

LAB 50.82, 37.13, 24.68

 

CMYK 0 / 36 / 41 / 34

HEX #A96C64

RGB 169 108 100

HSL 6.96, 0.29%, 0.53%

LAB 51.93, 23.35, 14.6

 

CMYK 0 / 18 / 20 / 41

HEX #967B78

RGB 150 123 120

HSL 6, 0.13%, 0.53%

LAB 54.03, 9.94, 5.56

 

CMYK 6 / 1 / 0 / 45

HEX #828A8B

RGB 130 138 139

HSL 186.67, 0.04%, 0.53%

LAB 56.87, -2.71, -1.55

 

CMYK 0 / 70 / 40 / 18

HEX #D03E7D

RGB 208 62 125

HSL 334.11, 0.61%, 0.53%

LAB 49.9, 61.73, -2.45

 

CMYK 0 / 70 / 59 / 18

HEX #D03E56

RGB 208 62 86

HSL 350.14, 0.61%, 0.53%

LAB 48.92, 58.39, 19.81

 

CMYK 0 / 63 / 70 / 18

HEX #D04C3E

RGB 208 76 62

HSL 5.75, 0.61%, 0.53%

LAB 50.6, 51.33, 36.04

 

CMYK 0 / 45 / 70 / 18

HEX #D0733E

RGB 208 115 62

HSL 21.78, 0.61%, 0.53%

LAB 58.06, 32.26, 44.48

 

CMYK 0 / 26 / 70 / 18

HEX #D09A3E

RGB 208 154 62

HSL 37.81, 0.61%, 0.53%

LAB 67.18, 11.22, 54.25

 

CMYK 0 / 68 / 76 / 41

HEX #973124

RGB 151 49 36

HSL 6.78, 0.61%, 0.37%

LAB 35.8, 41.92, 31.42

 

CMYK 0 / 67 / 76 / 28

HEX #B83C2C

RGB 184 60 44

HSL 6.86, 0.61%, 0.45%

LAB 43.66, 49.09, 37.17

 

CMYK 0 / 63 / 70 / 18

HEX #D04E3E

RGB 208 78 62

HSL 6.58, 0.61%, 0.53%

LAB 50.93, 50.45, 36.42

 

CMYK 0 / 50 / 56 / 15

HEX #D86D5F

RGB 216 109 95

HSL 6.94, 0.61%, 0.61%

LAB 58.38, 40.67, 27.23

 

CMYK 0 / 38 / 43 / 12

HEX #E08B80

RGB 224 139 128

HSL 6.87, 0.61%, 0.69%

LAB 66.42, 31.14, 19.58

 

CMYK 0 / 63 / 71 / 18

HEX #D04E3D

RGB 208 78 61

HSL 6.94, 0.61%, 0.53%

LAB 50.92, 50.41, 36.96

 

CMYK 21 / 0 / 70 / 18

HEX #A4D03E

RGB 164 208 62

HSL 78.08, 0.61%, 0.53%

LAB 78.08, -34.82, 64.2

 

CMYK 70 / 50 / 0 / 18

HEX #3E69D0

RGB 62 105 208

HSL 222.33, 0.61%, 0.53%

LAB 46.55, 19.74, -57.68

 

CMYK 0 / 63 / 71 / 18

HEX #D04E3D

RGB 208 78 61

HSL 6.94, 0.61%, 0.53%

LAB 50.92, 50.41, 36.96

 

CMYK 70 / 0 / 63 / 18

HEX #3ED04C

RGB 62 208 76

HSL 125.75, 0.61%, 0.53%

LAB 73.97, -63.87, 53.03

 

CMYK 63 / 70 / 0 / 18

HEX #4C3ED0

RGB 76 62 208

HSL 245.75, 0.61%, 0.53%

LAB 37, 48.15, -73.2

 

CMYK 0 / 63 / 71 / 18

HEX #D04E3D

RGB 208 78 61

HSL 6.94, 0.61%, 0.53%

LAB 50.92, 50.41, 36.96

 

CMYK 21 / 0 / 70 / 18

HEX #A4D03E

RGB 164 208 62

HSL 78.08, 0.61%, 0.53%

LAB 78.08, -34.82, 64.2

 

CMYK 70 / 7 / 0 / 18

HEX #3EC1D0

RGB 62 193 208

HSL 186.16, 0.61%, 0.53%

LAB 72.04, -30.05, -17.81

 

CMYK 50 / 70 / 0 / 18

HEX #693ED0

RGB 105 62 208

HSL 257.67, 0.61%, 0.53%

LAB 39.58, 52.42, -68.86

 

CMYK 0 / 63 / 71 / 18

HEX #D04E3D

RGB 208 78 61

HSL 6.94, 0.61%, 0.53%

LAB 50.92, 50.41, 36.96

 

CMYK 42 / 0 / 70 / 18

HEX #78D03E

RGB 120 208 62

HSL 96.16, 0.61%, 0.53%

LAB 75.73, -50.59, 61.06

 

CMYK 70 / 7 / 0 / 18

HEX #3EC1D0

RGB 62 193 208

HSL 186.16, 0.61%, 0.53%

LAB 72.04, -30.05, -17.81

 

CMYK 28 / 70 / 0 / 18

HEX #953ED0

RGB 149 62 208

HSL 275.75, 0.61%, 0.53%

LAB 44.79, 60.48, -60.17

 

Description

Color code: RGB 208 78 61 | qconv.com Color code: RGB 208 78 61 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 78 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 78 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 71 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 71% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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