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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 208 41 150 it is the complementary color RGB 47 214 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 208 41 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 208 41 150 shade: RGB 213 41 145, RGB 230 59 164, RGB 247 77 183, RGB 255 95 202 and RGB 255 113 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 208 41 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 208 41 150 shade: RGB 208 41 150, RGB 191 23 131, RGB 174 5 112, RGB 157 0 93 and RGB 140 0 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 208 41 150 shade: RGB 208 41 150, RGB 208 41 105, RGB 208 41 60 and RGB 208 41 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 208 41 150 shade: RGB 208 41 150, RGB 208 41 195, RGB 176 41 208, RGB 131 41 208 and RGB 86 41 208

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 208 41 150 shade matches the following richer shades: RGB 208 41 150, RGB 228 21 156 and RGB 249 0 162

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 208 41 150 shade: RGB 208 41 150, RGB 188 61 144, RGB 168 81 138, RGB 148 101 131 and RGB 127 122 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 208 41 150 shade: RGB 175 41 208, RGB 208 41 197, RGB 208 41 152, RGB 208 41 108 and RGB 208 41 63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 208 41 150 shade: RGB 139 27 100, RGB 174 34 125, RGB 208 41 150, RGB 218 72 167 and RGB 225 106 184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 208 41 150 shade: RGB 208 41 150, RGB 208 130 41 and RGB 41 208 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 208 41 150 shade: RGB 208 41 150, RGB 152 208 41 and RGB 41 152 208

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 208 41 150 shade: RGB 208 41 150, RGB 208 130 41, RGB 41 208 97 and RGB 41 119 208

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 208 41 150 shade: RGB 208 41 150, RGB 208 180 41, RGB 41 208 97 and RGB 41 69 208

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 28 / 18

HEX #D02996

RGB 208 41 150

HSL 320.84, 0.67%, 0.49%

LAB 48.51, 70.9, -19.6

 

Complementary color

CMYK 78 / 0 / 51 / 16

HEX #2FD669

RGB 47 214 105

HSL 140.84, 0.67%, 0.51%

LAB 75.9, -64.33, 41.98

 

CMYK 0 / 81 / 32 / 16

HEX #D52991

RGB 213 41 145

HSL 323.72, 0.68%, 0.5%

LAB 49.22, 71.5, -15.42

 

CMYK 0 / 74 / 29 / 10

HEX #E63BA4

RGB 230 59 164

HSL 323.16, 0.77%, 0.57%

LAB 54.69, 72.78, -18.1

 

CMYK 0 / 69 / 26 / 3

HEX #F74DB7

RGB 247 77 183

HSL 322.59, 0.91%, 0.64%

LAB 60.34, 73.39, -20.27

 

CMYK 0 / 63 / 21 / 0

HEX #FF5FCA

RGB 255 95 202

HSL 319.88, 1%, 0.69%

LAB 64.73, 71.17, -24.26

 

CMYK 0 / 56 / 13 / 0

HEX #FF71DD

RGB 255 113 221

HSL 314.37, 1%, 0.72%

LAB 68.23, 66.31, -29.51

 

CMYK 0 / 80 / 28 / 18

HEX #D02996

RGB 208 41 150

HSL 320.84, 0.67%, 0.49%

LAB 48.51, 70.9, -19.6

 

CMYK 0 / 88 / 31 / 25

HEX #BF1783

RGB 191 23 131

HSL 321.43, 0.79%, 0.42%

LAB 43.25, 68.71, -16.4

 

CMYK 0 / 97 / 36 / 32

HEX #AE0570

RGB 174 5 112

HSL 322.01, 0.94%, 0.35%

LAB 38.34, 65.33, -12.37

 

CMYK 0 / 100 / 41 / 38

HEX #9D005D

RGB 157 0 93

HSL 324.46, 1%, 0.31%

LAB 33.9, 60.32, -7.28

 

CMYK 0 / 100 / 47 / 45

HEX #8C004A

RGB 140 0 74

HSL 328.29, 1%, 0.27%

LAB 29.59, 54.69, -1.58

 

CMYK 0 / 80 / 28 / 18

HEX #D02996

RGB 208 41 150

HSL 320.84, 0.67%, 0.49%

LAB 48.51, 70.9, -19.6

 

CMYK 0 / 80 / 50 / 18

HEX #D02969

RGB 208 41 105

HSL 337.01, 0.67%, 0.49%

LAB 47, 66.45, 5.53

 

CMYK 0 / 80 / 71 / 18

HEX #D0293C

RGB 208 41 60

HSL 353.17, 0.67%, 0.49%

LAB 46.07, 63.63, 31.87

 

CMYK 0 / 80 / 80 / 18

HEX #D02929

RGB 208 41 41

HSL 0, 0.67%, 0.49%

LAB 45.85, 62.93, 42.5

 

CMYK 0 / 80 / 28 / 18

HEX #D02996

RGB 208 41 150

HSL 320.84, 0.67%, 0.49%

LAB 48.51, 70.9, -19.6

 

CMYK 0 / 80 / 6 / 18

HEX #D029C3

RGB 208 41 195

HSL 304.67, 0.67%, 0.49%

LAB 50.61, 76.83, -42.83

 

CMYK 15 / 80 / 0 / 18

HEX #B029D0

RGB 176 41 208

HSL 288.5, 0.67%, 0.49%

LAB 46.14, 72.91, -57.79

 

CMYK 37 / 80 / 0 / 18

HEX #8329D0

RGB 131 41 208

HSL 272.34, 0.67%, 0.49%

LAB 39.52, 65.51, -68.84

 

CMYK 59 / 80 / 0 / 18

HEX #5629D0

RGB 86 41 208

HSL 256.17, 0.67%, 0.49%

LAB 34.23, 59.67, -77.73

 

CMYK 0 / 80 / 28 / 18

HEX #D02996

RGB 208 41 150

HSL 320.84, 0.67%, 0.49%

LAB 48.51, 70.9, -19.6

 

CMYK 0 / 91 / 32 / 11

HEX #E4159C

RGB 228 21 156

HSL 320.87, 0.83%, 0.49%

LAB 51.19, 79.59, -18.76

 

CMYK 0 / 100 / 35 / 2

HEX #F900A2

RGB 249 0 162

HSL 320.96, 1%, 0.49%

LAB 54.81, 86.16, -16.42

 

CMYK 0 / 80 / 28 / 18

HEX #D02996

RGB 208 41 150

HSL 320.84, 0.67%, 0.49%

LAB 48.51, 70.9, -19.6

 

CMYK 0 / 68 / 23 / 26

HEX #BC3D90

RGB 188 61 144

HSL 320.79, 0.51%, 0.49%

LAB 47.03, 58.79, -18.56

 

CMYK 0 / 52 / 18 / 34

HEX #A8518A

RGB 168 81 138

HSL 320.69, 0.35%, 0.49%

LAB 47.03, 42.92, -15.23

 

CMYK 0 / 32 / 11 / 42

HEX #946583

RGB 148 101 131

HSL 321.7, 0.19%, 0.49%

LAB 48.56, 23.8, -8.98

 

CMYK 0 / 4 / 2 / 50

HEX #7F7A7D

RGB 127 122 125

HSL 324, 0.02%, 0.49%

LAB 51.74, 2.49, -0.96

 

CMYK 16 / 80 / 0 / 18

HEX #AF29D0

RGB 175 41 208

HSL 288.14, 0.67%, 0.49%

LAB 45.98, 72.74, -58.05

 

CMYK 0 / 80 / 5 / 18

HEX #D029C5

RGB 208 41 197

HSL 303.95, 0.67%, 0.49%

LAB 50.72, 77.12, -43.82

 

CMYK 0 / 80 / 27 / 18

HEX #D02998

RGB 208 41 152

HSL 320.12, 0.67%, 0.49%

LAB 48.59, 71.14, -20.67

 

CMYK 0 / 80 / 48 / 18

HEX #D0296C

RGB 208 41 108

HSL 335.93, 0.67%, 0.49%

LAB 47.08, 66.69, 3.8

 

CMYK 0 / 80 / 70 / 18

HEX #D0293F

RGB 208 41 63

HSL 352.1, 0.67%, 0.49%

LAB 46.12, 63.77, 30.13

 

CMYK 0 / 81 / 28 / 45

HEX #8B1B64

RGB 139 27 100

HSL 320.89, 0.67%, 0.33%

LAB 32.24, 51.9, -14.65

 

CMYK 0 / 80 / 28 / 32

HEX #AE227D

RGB 174 34 125

HSL 321, 0.67%, 0.41%

LAB 40.61, 61.72, -17.02

 

CMYK 0 / 80 / 28 / 18

HEX #D02996

RGB 208 41 150

HSL 320.84, 0.67%, 0.49%

LAB 48.51, 70.9, -19.6

 

CMYK 0 / 67 / 23 / 15

HEX #DA48A7

RGB 218 72 167

HSL 320.96, 0.66%, 0.57%

LAB 54.38, 65.66, -20.52

 

CMYK 0 / 53 / 18 / 12

HEX #E16AB8

RGB 225 106 184

HSL 320.67, 0.66%, 0.65%

LAB 61.46, 55.4, -19.43

 

CMYK 0 / 80 / 28 / 18

HEX #D02996

RGB 208 41 150

HSL 320.84, 0.67%, 0.49%

LAB 48.51, 70.9, -19.6

 

CMYK 0 / 38 / 80 / 18

HEX #D08229

RGB 208 130 41

HSL 31.98, 0.67%, 0.49%

LAB 61.25, 23.33, 57.14

 

CMYK 80 / 0 / 5 / 18

HEX #29D0C5

RGB 41 208 197

HSL 176.05, 0.67%, 0.49%

LAB 75.83, -42.47, -6.21

 

CMYK 0 / 80 / 28 / 18

HEX #D02996

RGB 208 41 150

HSL 320.84, 0.67%, 0.49%

LAB 48.51, 70.9, -19.6

 

CMYK 27 / 0 / 80 / 18

HEX #98D029

RGB 152 208 41

HSL 80.12, 0.67%, 0.49%

LAB 77.25, -40.49, 69.85

 

CMYK 80 / 27 / 0 / 18

HEX #2998D0

RGB 41 152 208

HSL 200.12, 0.67%, 0.49%

LAB 59.42, -11.13, -37.28

 

CMYK 0 / 80 / 28 / 18

HEX #D02996

RGB 208 41 150

HSL 320.84, 0.67%, 0.49%

LAB 48.51, 70.9, -19.6

 

CMYK 0 / 38 / 80 / 18

HEX #D08229

RGB 208 130 41

HSL 31.98, 0.67%, 0.49%

LAB 61.25, 23.33, 57.14

 

CMYK 80 / 0 / 53 / 18

HEX #29D061

RGB 41 208 97

HSL 140.12, 0.67%, 0.49%

LAB 73.83, -64.2, 43.27

 

CMYK 80 / 43 / 0 / 18

HEX #2977D0

RGB 41 119 208

HSL 211.98, 0.67%, 0.49%

LAB 49.76, 8.37, -52.56

 

CMYK 0 / 80 / 28 / 18

HEX #D02996

RGB 208 41 150

HSL 320.84, 0.67%, 0.49%

LAB 48.51, 70.9, -19.6

 

CMYK 0 / 13 / 80 / 18

HEX #D0B429

RGB 208 180 41

HSL 49.94, 0.67%, 0.49%

LAB 73.68, -3.52, 68.27

 

CMYK 80 / 0 / 53 / 18

HEX #29D061

RGB 41 208 97

HSL 140.12, 0.67%, 0.49%

LAB 73.83, -64.2, 43.27

 

CMYK 80 / 67 / 0 / 18

HEX #2945D0

RGB 41 69 208

HSL 229.94, 0.67%, 0.49%

LAB 36.52, 40.34, -74.06

 

Description

Color code: RGB 208 41 150 | qconv.com Color code: RGB 208 41 150 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 41 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 41 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 28 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 28% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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