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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 208 236 212 it is the complementary color RGB 47 19 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 208 236 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 208 236 212 shade: RGB 213 236 207, RGB 230 254 226 and RGB 247 255 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 208 236 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 208 236 212 shade: RGB 208 236 212, RGB 191 218 193, RGB 174 200 174, RGB 157 182 155 and RGB 140 164 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 208 236 212 shade: RGB 207 235 211, RGB 211 235 207, RGB 218 235 207, RGB 226 235 207 and RGB 233 235 207

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 208 236 212 shade: RGB 207 235 211, RGB 207 235 219, RGB 207 235 226, RGB 207 235 234 and RGB 207 229 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 208 236 212 shade matches the following richer shades: RGB 207 235 211, RGB 202 241 208, RGB 197 246 204 and RGB 191 251 200

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 208 236 212 shade: RGB 207 235 211, RGB 213 230 215, RGB 218 225 219, RGB 224 219 223 and RGB 229 214 227

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 208 236 212 shade: RGB 219 235 207, RGB 211 235 207, RGB 207 235 211, RGB 207 235 219 and RGB 207 235 226

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 208 236 212 shade: RGB 149 211 158, RGB 178 223 185, RGB 207 235 211 and RGB 237 247 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 208 236 212 shade: RGB 208 236 212, RGB 207 226 235 and RGB 235 207 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 208 236 212 shade: RGB 208 236 212, RGB 211 207 235 and RGB 235 211 207

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 208 236 212 shade: RGB 208 236 212, RGB 207 226 235, RGB 235 207 232 and RGB 235 217 207

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 208 236 212 shade: RGB 208 236 212, RGB 207 218 235, RGB 235 207 232 and RGB 235 225 207

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 10 / 7

HEX #D0ECD4

RGB 208 236 212

HSL 128.57, 0.42%, 0.87%

LAB 90.85, -13.61, 8.55

 

Complementary color

CMYK 0 / 60 / 9 / 82

HEX #2F132B

RGB 47 19 43

HSL 308.57, 0.42%, 0.13%

LAB 10.88, 18.41, -9.95

 

CMYK 10 / 0 / 12 / 7

HEX #D5ECCF

RGB 213 236 207

HSL 107.59, 0.43%, 0.87%

LAB 91.07, -12.8, 11.51

 

CMYK 9 / 0 / 11 / 0

HEX #E6FEE2

RGB 230 254 226

HSL 111.43, 0.93%, 0.94%

LAB 97.31, -12.79, 10.75

 

CMYK 3 / 0 / 4 / 0

HEX #F7FFF5

RGB 247 255 245

HSL 108, 1%, 0.98%

LAB 99.18, -4.38, 3.85

 

CMYK 12 / 0 / 10 / 7

HEX #D0ECD4

RGB 208 236 212

HSL 128.57, 0.42%, 0.87%

LAB 90.85, -13.61, 8.55

 

CMYK 12 / 0 / 11 / 15

HEX #BFDAC1

RGB 191 218 193

HSL 124.44, 0.27%, 0.8%

LAB 84.52, -13.65, 9.29

 

CMYK 13 / 0 / 13 / 22

HEX #AEC8AE

RGB 174 200 174

HSL 120, 0.19%, 0.73%

LAB 78.09, -13.71, 10.08

 

CMYK 14 / 0 / 15 / 29

HEX #9DB69B

RGB 157 182 155

HSL 115.56, 0.16%, 0.66%

LAB 71.55, -13.77, 10.9

 

CMYK 15 / 0 / 17 / 36

HEX #8CA488

RGB 140 164 136

HSL 111.43, 0.13%, 0.59%

LAB 64.89, -13.85, 11.77

 

CMYK 12 / 0 / 10 / 8

HEX #CFEBD3

RGB 207 235 211

HSL 128.57, 0.41%, 0.87%

LAB 90.5, -13.62, 8.55

 

CMYK 10 / 0 / 12 / 8

HEX #D3EBCF

RGB 211 235 207

HSL 111.43, 0.41%, 0.87%

LAB 90.68, -12.98, 10.93

 

CMYK 7 / 0 / 12 / 8

HEX #DAEBCF

RGB 218 235 207

HSL 96.43, 0.41%, 0.87%

LAB 91.16, -10.59, 11.68

 

CMYK 4 / 0 / 12 / 8

HEX #E2EBCF

RGB 226 235 207

HSL 79.29, 0.41%, 0.87%

LAB 91.73, -7.83, 12.56

 

CMYK 1 / 0 / 12 / 8

HEX #E9EBCF

RGB 233 235 207

HSL 64.29, 0.41%, 0.87%

LAB 92.24, -5.39, 13.37

 

CMYK 12 / 0 / 10 / 8

HEX #CFEBD3

RGB 207 235 211

HSL 128.57, 0.41%, 0.87%

LAB 90.5, -13.62, 8.55

 

CMYK 12 / 0 / 7 / 8

HEX #CFEBDB

RGB 207 235 219

HSL 145.71, 0.41%, 0.87%

LAB 90.69, -12.17, 4.65

 

CMYK 12 / 0 / 4 / 8

HEX #CFEBE2

RGB 207 235 226

HSL 160.71, 0.41%, 0.87%

LAB 90.86, -10.86, 1.25

 

CMYK 12 / 0 / 0 / 8

HEX #CFEBEA

RGB 207 235 234

HSL 177.86, 0.41%, 0.87%

LAB 91.06, -9.32, -2.63

 

CMYK 12 / 3 / 0 / 8

HEX #CFE5EB

RGB 207 229 235

HSL 192.86, 0.41%, 0.87%

LAB 89.53, -6.07, -5.4

 

CMYK 12 / 0 / 10 / 8

HEX #CFEBD3

RGB 207 235 211

HSL 128.57, 0.41%, 0.87%

LAB 90.5, -13.62, 8.55

 

CMYK 16 / 0 / 14 / 5

HEX #CAF1D0

RGB 202 241 208

HSL 129.23, 0.58%, 0.87%

LAB 91.69, -18.77, 11.78

 

CMYK 20 / 0 / 17 / 4

HEX #C5F6CC

RGB 197 246 204

HSL 128.57, 0.73%, 0.87%

LAB 92.64, -23.54, 15.14

 

CMYK 24 / 0 / 20 / 2

HEX #BFFBC8

RGB 191 251 200

HSL 129, 0.88%, 0.87%

LAB 93.56, -28.55, 18.44

 

CMYK 12 / 0 / 10 / 8

HEX #CFEBD3

RGB 207 235 211

HSL 128.57, 0.41%, 0.87%

LAB 90.5, -13.62, 8.55

 

CMYK 7 / 0 / 7 / 10

HEX #D5E6D7

RGB 213 230 215

HSL 127.06, 0.25%, 0.87%

LAB 89.69, -8.38, 5.36

 

CMYK 3 / 0 / 3 / 12

HEX #DAE1DB

RGB 218 225 219

HSL 128.57, 0.1%, 0.87%

LAB 88.86, -3.43, 2.1

 

CMYK 0 / 2 / 0 / 12

HEX #E0DBDF

RGB 224 219 223

HSL 312, 0.07%, 0.87%

LAB 87.89, 2.42, -1.36

 

CMYK 0 / 7 / 1 / 10

HEX #E5D6E3

RGB 229 214 227

HSL 308, 0.22%, 0.87%

LAB 87.14, 7.44, -4.53

 

CMYK 7 / 0 / 12 / 8

HEX #DBEBCF

RGB 219 235 207

HSL 94.29, 0.41%, 0.87%

LAB 91.23, -10.25, 11.79

 

CMYK 10 / 0 / 12 / 8

HEX #D3EBCF

RGB 211 235 207

HSL 111.43, 0.41%, 0.87%

LAB 90.68, -12.98, 10.93

 

CMYK 12 / 0 / 10 / 8

HEX #CFEBD3

RGB 207 235 211

HSL 128.57, 0.41%, 0.87%

LAB 90.5, -13.62, 8.55

 

CMYK 12 / 0 / 7 / 8

HEX #CFEBDB

RGB 207 235 219

HSL 145.71, 0.41%, 0.87%

LAB 90.69, -12.17, 4.65

 

CMYK 12 / 0 / 4 / 8

HEX #CFEBE2

RGB 207 235 226

HSL 160.71, 0.41%, 0.87%

LAB 90.86, -10.86, 1.25

 

CMYK 29 / 0 / 25 / 17

HEX #95D39E

RGB 149 211 158

HSL 128.71, 0.41%, 0.71%

LAB 79.3, -30.35, 20.07

 

CMYK 20 / 0 / 17 / 13

HEX #B2DFB9

RGB 178 223 185

HSL 129.33, 0.41%, 0.79%

LAB 84.87, -21.92, 13.89

 

CMYK 12 / 0 / 10 / 8

HEX #CFEBD3

RGB 207 235 211

HSL 128.57, 0.41%, 0.87%

LAB 90.5, -13.62, 8.55

 

CMYK 4 / 0 / 4 / 3

HEX #EDF7EE

RGB 237 247 238

HSL 126, 0.38%, 0.95%

LAB 96.29, -4.89, 3.17

 

CMYK 12 / 0 / 10 / 7

HEX #D0ECD4

RGB 208 236 212

HSL 128.57, 0.42%, 0.87%

LAB 90.85, -13.61, 8.55

 

CMYK 12 / 4 / 0 / 8

HEX #CFE2EB

RGB 207 226 235

HSL 199.29, 0.41%, 0.87%

LAB 88.76, -4.53, -6.54

 

CMYK 0 / 12 / 9 / 8

HEX #EBCFD7

RGB 235 207 215

HSL 342.86, 0.41%, 0.87%

LAB 85.6, 11.09, -0.37

 

CMYK 12 / 0 / 10 / 7

HEX #D0ECD4

RGB 208 236 212

HSL 128.57, 0.42%, 0.87%

LAB 90.85, -13.61, 8.55

 

CMYK 10 / 12 / 0 / 8

HEX #D3CFEB

RGB 211 207 235

HSL 248.57, 0.41%, 0.87%

LAB 84.21, 6.69, -13.28

 

CMYK 0 / 10 / 12 / 8

HEX #EBD3CF

RGB 235 211 207

HSL 8.57, 0.41%, 0.87%

LAB 86.38, 7.67, 5

 

CMYK 12 / 0 / 10 / 7

HEX #D0ECD4

RGB 208 236 212

HSL 128.57, 0.42%, 0.87%

LAB 90.85, -13.61, 8.55

 

CMYK 12 / 4 / 0 / 8

HEX #CFE2EB

RGB 207 226 235

HSL 199.29, 0.41%, 0.87%

LAB 88.76, -4.53, -6.54

 

CMYK 0 / 12 / 1 / 8

HEX #EBCFE8

RGB 235 207 232

HSL 306.43, 0.41%, 0.87%

LAB 86.06, 14.04, -8.72

 

CMYK 0 / 8 / 12 / 8

HEX #EBD9CF

RGB 235 217 207

HSL 21.43, 0.41%, 0.87%

LAB 87.87, 4.54, 7.15

 

CMYK 12 / 0 / 10 / 7

HEX #D0ECD4

RGB 208 236 212

HSL 128.57, 0.42%, 0.87%

LAB 90.85, -13.61, 8.55

 

CMYK 12 / 7 / 0 / 8

HEX #CFDAEB

RGB 207 218 235

HSL 216.43, 0.41%, 0.87%

LAB 86.7, -0.38, -9.59

 

CMYK 0 / 12 / 1 / 8

HEX #EBCFE8

RGB 235 207 232

HSL 306.43, 0.41%, 0.87%

LAB 86.06, 14.04, -8.72

 

CMYK 0 / 4 / 12 / 8

HEX #EBE1CF

RGB 235 225 207

HSL 38.57, 0.41%, 0.87%

LAB 89.87, 0.41, 10.01

RGB 235 225 207

Description

Color code: RGB 208 236 212 | qconv.com Color code: RGB 208 236 212 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 236 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 236 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 10 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 10% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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