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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 208 222 124 it is the complementary color RGB 47 33 131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 208 222 124. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 208 222 124 shade: RGB 213 222 119, RGB 230 240 138, RGB 247 255 157, RGB 255 255 176 and RGB 255 255 195

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 208 222 124. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 208 222 124 shade: RGB 208 222 124, RGB 191 204 105, RGB 174 186 86, RGB 157 168 67 and RGB 140 150 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 208 222 124 shade: RGB 208 222 124, RGB 222 209 124, RGB 222 183 124, RGB 222 157 124 and RGB 222 130 124

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 208 222 124 shade: RGB 208 222 124, RGB 181 222 124, RGB 155 222 124, RGB 129 222 124 and RGB 124 222 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 208 222 124 shade matches the following richer shades: RGB 208 222 124, RGB 217 235 111 and RGB 227 248 98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 208 222 124 shade: RGB 208 222 124, RGB 198 209 137, RGB 189 195 150, RGB 180 182 164 and RGB 170 169 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 208 222 124 shade: RGB 222 183 124, RGB 222 209 124, RGB 209 222 124, RGB 183 222 124 and RGB 157 222 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 208 222 124 shade: RGB 184 205 58, RGB 196 214 91, RGB 208 222 124, RGB 220 230 157 and RGB 231 238 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 208 222 124 shade: RGB 208 222 124, RGB 124 222 157 and RGB 196 124 222

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 208 222 124 shade: RGB 208 222 124, RGB 124 209 222 and RGB 222 124 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 208 222 124 shade: RGB 208 222 124, RGB 124 222 157, RGB 137 124 222 and RGB 222 124 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 208 222 124 shade: RGB 208 222 124, RGB 124 222 186, RGB 137 124 222 and RGB 222 124 160

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 44 / 13

HEX #D0DE7C

RGB 208 222 124

HSL 68.57, 0.6%, 0.68%

LAB 85.56, -19.15, 46.3

 

Complementary color

CMYK 64 / 75 / 0 / 49

HEX #2F2183

RGB 47 33 131

HSL 248.57, 0.6%, 0.32%

LAB 21.32, 36.12, -52.67

 

CMYK 4 / 0 / 46 / 13

HEX #D5DE77

RGB 213 222 119

HSL 65.24, 0.61%, 0.67%

LAB 85.87, -17.7, 49.17

 

CMYK 4 / 0 / 43 / 6

HEX #E6F08A

RGB 230 240 138

HSL 65.88, 0.77%, 0.74%

LAB 92.12, -18.02, 48.03

 

CMYK 3 / 0 / 38 / 0

HEX #F7FF9D

RGB 247 255 157

HSL 64.9, 1%, 0.81%

LAB 97.52, -16.84, 45.92

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB0

RGB 255 255 176

HSL 60, 1%, 0.85%

LAB 98.4, -11.68, 37.85

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC3

RGB 255 255 195

HSL 60, 1%, 0.88%

LAB 98.72, -9.28, 28.77

 

CMYK 6 / 0 / 44 / 13

HEX #D0DE7C

RGB 208 222 124

HSL 68.57, 0.6%, 0.68%

LAB 85.56, -19.15, 46.3

 

CMYK 6 / 0 / 49 / 20

HEX #BFCC69

RGB 191 204 105

HSL 67.88, 0.49%, 0.61%

LAB 79.2, -18.86, 47.45

 

CMYK 6 / 0 / 54 / 27

HEX #AEBA56

RGB 174 186 86

HSL 67.2, 0.42%, 0.53%

LAB 72.75, -18.48, 48.56

 

CMYK 7 / 0 / 60 / 34

HEX #9DA843

RGB 157 168 67

HSL 66.53, 0.43%, 0.46%

LAB 66.2, -18, 49.56

 

CMYK 7 / 0 / 68 / 41

HEX #8C9630

RGB 140 150 48

HSL 65.88, 0.52%, 0.39%

LAB 59.53, -17.37, 50.29

 

CMYK 6 / 0 / 44 / 13

HEX #D0DE7C

RGB 208 222 124

HSL 68.57, 0.6%, 0.68%

LAB 85.56, -19.15, 46.3

 

CMYK 0 / 6 / 44 / 13

HEX #DED17C

RGB 222 209 124

HSL 52.04, 0.6%, 0.68%

LAB 83.22, -7.12, 43.64

 

CMYK 0 / 18 / 44 / 13

HEX #DEB77C

RGB 222 183 124

HSL 36.12, 0.6%, 0.68%

LAB 76.59, 6.4, 35.22

 

CMYK 0 / 29 / 44 / 13

HEX #DE9D7C

RGB 222 157 124

HSL 20.2, 0.6%, 0.68%

LAB 70.25, 20.3, 26.91

 

CMYK 0 / 41 / 44 / 13

HEX #DE827C

RGB 222 130 124

HSL 3.67, 0.6%, 0.68%

LAB 64.12, 34.72, 18.63

 

CMYK 6 / 0 / 44 / 13

HEX #D0DE7C

RGB 208 222 124

HSL 68.57, 0.6%, 0.68%

LAB 85.56, -19.15, 46.3

 

CMYK 18 / 0 / 44 / 13

HEX #B5DE7C

RGB 181 222 124

HSL 85.1, 0.6%, 0.68%

LAB 83.72, -29.4, 43.61

 

CMYK 30 / 0 / 44 / 13

HEX #9BDE7C

RGB 155 222 124

HSL 101.02, 0.6%, 0.68%

LAB 82.2, -38.61, 41.38

 

CMYK 42 / 0 / 44 / 13

HEX #81DE7C

RGB 129 222 124

HSL 116.94, 0.6%, 0.68%

LAB 80.94, -46.9, 39.52

 

CMYK 44 / 0 / 34 / 13

HEX #7CDE92

RGB 124 222 146

HSL 133.47, 0.6%, 0.68%

LAB 81.07, -44.91, 28.54

 

CMYK 6 / 0 / 44 / 13

HEX #D0DE7C

RGB 208 222 124

HSL 68.57, 0.6%, 0.68%

LAB 85.56, -19.15, 46.3

 

CMYK 8 / 0 / 53 / 8

HEX #D9EB6F

RGB 217 235 111

HSL 68.71, 0.76%, 0.68%

LAB 89.54, -23.18, 57.33

 

CMYK 8 / 0 / 60 / 3

HEX #E3F862

RGB 227 248 98

HSL 68.4, 0.91%, 0.68%

LAB 93.6, -26.44, 67.69

 

CMYK 6 / 0 / 44 / 13

HEX #D0DE7C

RGB 208 222 124

HSL 68.57, 0.6%, 0.68%

LAB 85.56, -19.15, 46.3

 

CMYK 5 / 0 / 34 / 18

HEX #C6D189

RGB 198 209 137

HSL 69.17, 0.44%, 0.68%

LAB 81.52, -15.09, 34.52

 

CMYK 3 / 0 / 23 / 24

HEX #BDC396

RGB 189 195 150

HSL 68, 0.27%, 0.68%

LAB 77.31, -9.62, 21.98

 

CMYK 1 / 0 / 10 / 29

HEX #B4B6A4

RGB 180 182 164

HSL 66.67, 0.11%, 0.68%

LAB 73.44, -3.93, 8.92

 

CMYK 4 / 5 / 0 / 31

HEX #AAA9B1

RGB 170 169 177

HSL 247.5, 0.05%, 0.68%

LAB 69.54, 1.9, -3.99

 

CMYK 0 / 18 / 44 / 13

HEX #DEB77C

RGB 222 183 124

HSL 36.12, 0.6%, 0.68%

LAB 76.59, 6.4, 35.22

 

CMYK 0 / 6 / 44 / 13

HEX #DED17C

RGB 222 209 124

HSL 52.04, 0.6%, 0.68%

LAB 83.22, -7.12, 43.64

 

CMYK 6 / 0 / 44 / 13

HEX #D1DE7C

RGB 209 222 124

HSL 67.96, 0.6%, 0.68%

LAB 85.63, -18.77, 46.41

 

CMYK 18 / 0 / 44 / 13

HEX #B7DE7C

RGB 183 222 124

HSL 83.88, 0.6%, 0.68%

LAB 83.84, -28.66, 43.79

 

CMYK 29 / 0 / 44 / 13

HEX #9DDE7C

RGB 157 222 124

HSL 99.8, 0.6%, 0.68%

LAB 82.31, -37.93, 41.53

 

CMYK 10 / 0 / 72 / 20

HEX #B8CD3A

RGB 184 205 58

HSL 68.57, 0.6%, 0.52%

LAB 78.55, -25.63, 66.54

 

CMYK 8 / 0 / 57 / 16

HEX #C4D65B

RGB 196 214 91

HSL 68.78, 0.6%, 0.6%

LAB 82.15, -22.98, 57.42

 

CMYK 6 / 0 / 44 / 13

HEX #D0DE7C

RGB 208 222 124

HSL 68.57, 0.6%, 0.68%

LAB 85.56, -19.15, 46.3

 

CMYK 4 / 0 / 32 / 10

HEX #DCE69D

RGB 220 230 157

HSL 68.22, 0.59%, 0.76%

LAB 89.04, -14.74, 34.52

 

CMYK 3 / 0 / 20 / 7

HEX #E7EEBE

RGB 231 238 190

HSL 68.75, 0.59%, 0.84%

LAB 92.51, -10.2, 22.51

 

CMYK 6 / 0 / 44 / 13

HEX #D0DE7C

RGB 208 222 124

HSL 68.57, 0.6%, 0.68%

LAB 85.56, -19.15, 46.3

 

CMYK 44 / 0 / 29 / 13

HEX #7CDE9D

RGB 124 222 157

HSL 140.2, 0.6%, 0.68%

LAB 81.27, -42.96, 23.12

 

CMYK 12 / 44 / 0 / 13

HEX #C47CDE

RGB 196 124 222

HSL 284.08, 0.6%, 0.68%

LAB 62.86, 44.37, -38.99

 

CMYK 6 / 0 / 44 / 13

HEX #D0DE7C

RGB 208 222 124

HSL 68.57, 0.6%, 0.68%

LAB 85.56, -19.15, 46.3

 

CMYK 44 / 6 / 0 / 13

HEX #7CD1DE

RGB 124 209 222

HSL 187.96, 0.6%, 0.68%

LAB 79.13, -22.4, -14.49

 

CMYK 0 / 44 / 6 / 13

HEX #DE7CD1

RGB 222 124 209

HSL 307.96, 0.6%, 0.68%

LAB 65.4, 49.64, -27.56

 

CMYK 6 / 0 / 44 / 13

HEX #D0DE7C

RGB 208 222 124

HSL 68.57, 0.6%, 0.68%

LAB 85.56, -19.15, 46.3

 

CMYK 44 / 0 / 29 / 13

HEX #7CDE9D

RGB 124 222 157

HSL 140.2, 0.6%, 0.68%

LAB 81.27, -42.96, 23.12

 

CMYK 38 / 44 / 0 / 13

HEX #897CDE

RGB 137 124 222

HSL 247.96, 0.6%, 0.68%

LAB 57.08, 28.08, -48.49

 

CMYK 0 / 44 / 15 / 13

HEX #DE7CBD

RGB 222 124 189

HSL 320.2, 0.6%, 0.68%

LAB 64.66, 46.36, -17.45

 

CMYK 6 / 0 / 44 / 13

HEX #D0DE7C

RGB 208 222 124

HSL 68.57, 0.6%, 0.68%

LAB 85.56, -19.15, 46.3

 

CMYK 44 / 0 / 16 / 13

HEX #7CDEBA

RGB 124 222 186

HSL 157.96, 0.6%, 0.68%

LAB 81.88, -37.17, 8.74

 

CMYK 38 / 44 / 0 / 13

HEX #897CDE

RGB 137 124 222

HSL 247.96, 0.6%, 0.68%

LAB 57.08, 28.08, -48.49

 

CMYK 0 / 44 / 28 / 13

HEX #DE7CA0

RGB 222 124 160

HSL 337.96, 0.6%, 0.68%

LAB 63.74, 42.13, -2.37

 

Description

Color code: RGB 208 222 124 | qconv.com Color code: RGB 208 222 124 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 222 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 222 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 44 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 44% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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