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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 208 203 190 it is the complementary color RGB 47 52 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 208 203 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 208 203 190 shade: RGB 213 203 185, RGB 230 221 204, RGB 247 239 223 and RGB 255 255 242

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 208 203 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 208 203 190 shade: RGB 208 203 190, RGB 191 185 171, RGB 174 167 152, RGB 157 149 133 and RGB 140 131 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 208 203 190 shade: RGB 207 202 189, RGB 207 198 189, RGB 207 193 189 and RGB 207 189 189

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 208 203 190 shade: RGB 207 202 189, RGB 207 207 189, RGB 203 207 189, RGB 198 207 189 and RGB 193 207 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 208 203 190 shade matches the following richer shades: RGB 207 202 189, RGB 216 206 180, RGB 226 210 171, RGB 235 214 162 and RGB 244 219 153

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 208 203 190 shade: RGB 207 202 189, RGB 198 198 199, RGB 189 194 208, RGB 180 190 217 and RGB 171 186 226

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 208 203 190 shade: RGB 207 193 189, RGB 207 198 189, RGB 207 202 189, RGB 207 207 189 and RGB 203 207 189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 208 203 190 shade: RGB 173 164 142, RGB 190 183 165, RGB 207 202 189, RGB 225 222 213 and RGB 242 241 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 208 203 190 shade: RGB 208 203 190, RGB 191 207 189 and RGB 195 189 207

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 208 203 190 shade: RGB 208 203 190, RGB 189 207 202 and RGB 202 189 207

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 208 203 190 shade: RGB 208 203 190, RGB 191 207 189, RGB 189 195 207 and RGB 206 189 207

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 208 203 190 shade: RGB 208 203 190, RGB 189 207 193, RGB 189 195 207 and RGB 207 189 203

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 9 / 18

HEX #D0CBBE

RGB 208 203 190

HSL 43.33, 0.16%, 0.78%

LAB 81.75, -0.53, 7.08

 

Complementary color

CMYK 28 / 20 / 0 / 75

HEX #2F3441

RGB 47 52 65

HSL 223.33, 0.16%, 0.22%

LAB 21.73, 1.36, -8.82

 

CMYK 0 / 5 / 13 / 16

HEX #D5CBB9

RGB 213 203 185

HSL 38.57, 0.25%, 0.78%

LAB 82.03, 0.45, 10.21

 

CMYK 0 / 4 / 11 / 10

HEX #E6DDCC

RGB 230 221 204

HSL 39.23, 0.34%, 0.85%

LAB 88.4, 0.22, 9.43

 

CMYK 0 / 3 / 10 / 3

HEX #F7EFDF

RGB 247 239 223

HSL 40, 0.6%, 0.92%

LAB 94.67, 0.02, 8.68

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF2

RGB 255 255 242

HSL 60, 1%, 0.97%

LAB 99.69, -2.22, 6.2

 

CMYK 0 / 2 / 9 / 18

HEX #D0CBBE

RGB 208 203 190

HSL 43.33, 0.16%, 0.78%

LAB 81.75, -0.53, 7.08

 

CMYK 0 / 3 / 10 / 25

HEX #BFB9AB

RGB 191 185 171

HSL 42, 0.14%, 0.71%

LAB 75.27, -0.33, 7.85

 

CMYK 0 / 4 / 13 / 32

HEX #AEA798

RGB 174 167 152

HSL 40.91, 0.12%, 0.64%

LAB 68.68, -0.11, 8.65

 

CMYK 0 / 5 / 15 / 38

HEX #9D9585

RGB 157 149 133

HSL 40, 0.11%, 0.57%

LAB 61.96, 0.13, 9.5

 

CMYK 0 / 6 / 19 / 45

HEX #8C8372

RGB 140 131 114

HSL 39.23, 0.1%, 0.5%

LAB 55.1, 0.4, 10.42

 

CMYK 0 / 2 / 9 / 19

HEX #CFCABD

RGB 207 202 189

HSL 43.33, 0.16%, 0.78%

LAB 81.39, -0.53, 7.09

RGB 207 202 189

CMYK 0 / 4 / 9 / 19

HEX #CFC6BD

RGB 207 198 189

HSL 30, 0.16%, 0.78%

LAB 80.36, 1.58, 5.61

RGB 207 198 189

CMYK 0 / 7 / 9 / 19

HEX #CFC1BD

RGB 207 193 189

HSL 13.33, 0.16%, 0.78%

LAB 79.09, 4.23, 3.77

RGB 207 193 189

CMYK 0 / 2 / 9 / 19

HEX #CFCABD

RGB 207 202 189

HSL 43.33, 0.16%, 0.78%

LAB 81.39, -0.53, 7.09

RGB 207 202 189

CMYK 0 / 0 / 9 / 19

HEX #CFCFBD

RGB 207 207 189

HSL 60, 0.16%, 0.78%

LAB 82.68, -3.14, 8.94

RGB 207 207 189

CMYK 2 / 0 / 9 / 19

HEX #CBCFBD

RGB 203 207 189

HSL 73.33, 0.16%, 0.78%

LAB 82.38, -4.56, 8.46

RGB 203 207 189

CMYK 7 / 0 / 9 / 19

HEX #C1CFBD

RGB 193 207 189

HSL 106.67, 0.16%, 0.78%

LAB 81.64, -8.06, 7.31

RGB 193 207 189

CMYK 0 / 2 / 9 / 19

HEX #CFCABD

RGB 207 202 189

HSL 43.33, 0.16%, 0.78%

LAB 81.39, -0.53, 7.09

RGB 207 202 189

CMYK 0 / 5 / 17 / 15

HEX #D8CEB4

RGB 216 206 180

HSL 43.33, 0.32%, 0.78%

LAB 82.93, -0.81, 14.18

RGB 216 206 180

CMYK 0 / 7 / 24 / 11

HEX #E2D2AB

RGB 226 210 171

HSL 42.55, 0.49%, 0.78%

LAB 84.59, -0.49, 21.36

RGB 226 210 171

CMYK 0 / 9 / 31 / 8

HEX #EBD6A2

RGB 235 214 162

HSL 42.74, 0.65%, 0.78%

LAB 86.19, -0.34, 28.37

RGB 235 214 162

CMYK 0 / 10 / 37 / 4

HEX #F4DB99

RGB 244 219 153

HSL 43.52, 0.81%, 0.78%

LAB 88.06, -0.5, 35.62

RGB 244 219 153

CMYK 0 / 2 / 9 / 19

HEX #CFCABD

RGB 207 202 189

HSL 43.33, 0.16%, 0.78%

LAB 81.39, -0.53, 7.09

RGB 207 202 189

CMYK 1 / 1 / 0 / 22

HEX #C6C6C7

RGB 198 198 199

HSL 240, 0.01%, 0.78%

LAB 79.91, 0.19, -0.51

RGB 198 198 199

CMYK 9 / 7 / 0 / 18

HEX #BDC2D0

RGB 189 194 208

HSL 224.21, 0.17%, 0.78%

LAB 78.44, 1, -7.6

RGB 189 194 208

CMYK 17 / 12 / 0 / 15

HEX #B4BED9

RGB 180 190 217

HSL 223.78, 0.33%, 0.78%

LAB 77, 2.1, -14.67

RGB 180 190 217

CMYK 24 / 18 / 0 / 11

HEX #ABBAE2

RGB 171 186 226

HSL 223.64, 0.49%, 0.78%

LAB 75.62, 3.5, -21.7

RGB 171 186 226

CMYK 0 / 7 / 9 / 19

HEX #CFC1BD

RGB 207 193 189

HSL 13.33, 0.16%, 0.78%

LAB 79.09, 4.23, 3.77

 

CMYK 0 / 4 / 9 / 19

HEX #CFC6BD

RGB 207 198 189

HSL 30, 0.16%, 0.78%

LAB 80.36, 1.58, 5.61

 

CMYK 0 / 2 / 9 / 19

HEX #CFCABD

RGB 207 202 189

HSL 43.33, 0.16%, 0.78%

LAB 81.39, -0.53, 7.09

RGB 207 202 189

CMYK 0 / 0 / 9 / 19

HEX #CFCFBD

RGB 207 207 189

HSL 60, 0.16%, 0.78%

LAB 82.68, -3.14, 8.94

RGB 207 207 189

CMYK 2 / 0 / 9 / 19

HEX #CBCFBD

RGB 203 207 189

HSL 73.33, 0.16%, 0.78%

LAB 82.38, -4.56, 8.46

RGB 203 207 189

CMYK 0 / 5 / 18 / 32

HEX #ADA48E

RGB 173 164 142

HSL 42.58, 0.16%, 0.62%

LAB 67.57, -0.49, 12.59

 

CMYK 0 / 4 / 13 / 25

HEX #BEB7A5

RGB 190 183 165

HSL 43.2, 0.16%, 0.7%

LAB 74.53, -0.62, 10.03

 

CMYK 0 / 2 / 9 / 19

HEX #CFCABD

RGB 207 202 189

HSL 43.33, 0.16%, 0.78%

LAB 81.39, -0.53, 7.09

RGB 207 202 189

CMYK 0 / 1 / 5 / 12

HEX #E1DED5

RGB 225 222 213

HSL 45, 0.17%, 0.86%

LAB 88.47, -0.55, 4.76

RGB 225 222 213

CMYK 0 / 0 / 2 / 5

HEX #F2F1ED

RGB 242 241 237

HSL 48, 0.16%, 0.94%

LAB 95.12, -0.36, 2.03

RGB 242 241 237

CMYK 0 / 2 / 9 / 18

HEX #D0CBBE

RGB 208 203 190

HSL 43.33, 0.16%, 0.78%

LAB 81.75, -0.53, 7.08

 

CMYK 8 / 0 / 9 / 19

HEX #BFCFBD

RGB 191 207 189

HSL 113.33, 0.16%, 0.78%

LAB 81.5, -8.75, 7.09

 

CMYK 6 / 9 / 0 / 19

HEX #C3BDCF

RGB 195 189 207

HSL 260, 0.16%, 0.78%

LAB 77.58, 5.49, -8.28

 

CMYK 0 / 2 / 9 / 18

HEX #D0CBBE

RGB 208 203 190

HSL 43.33, 0.16%, 0.78%

LAB 81.75, -0.53, 7.08

 

CMYK 9 / 0 / 2 / 19

HEX #BDCFCA

RGB 189 207 202

HSL 163.33, 0.16%, 0.78%

LAB 81.68, -7.02, 0.39

 

CMYK 2 / 9 / 0 / 19

HEX #CABDCF

RGB 202 189 207

HSL 283.33, 0.16%, 0.78%

LAB 78.14, 7.86, -7.38

 

CMYK 0 / 2 / 9 / 18

HEX #D0CBBE

RGB 208 203 190

HSL 43.33, 0.16%, 0.78%

LAB 81.75, -0.53, 7.08

 

CMYK 8 / 0 / 9 / 19

HEX #BFCFBD

RGB 191 207 189

HSL 113.33, 0.16%, 0.78%

LAB 81.5, -8.75, 7.09

 

CMYK 9 / 6 / 0 / 19

HEX #BDC3CF

RGB 189 195 207

HSL 220, 0.16%, 0.78%

LAB 78.67, 0.27, -6.72

 

CMYK 0 / 9 / 0 / 19

HEX #CEBDCF

RGB 206 189 207

HSL 296.67, 0.16%, 0.78%

LAB 78.47, 9.22, -6.86

 

CMYK 0 / 2 / 9 / 18

HEX #D0CBBE

RGB 208 203 190

HSL 43.33, 0.16%, 0.78%

LAB 81.75, -0.53, 7.08

 

CMYK 9 / 0 / 7 / 19

HEX #BDCFC1

RGB 189 207 193

HSL 133.33, 0.16%, 0.78%

LAB 81.45, -8.71, 4.87

 

CMYK 9 / 6 / 0 / 19

HEX #BDC3CF

RGB 189 195 207

HSL 220, 0.16%, 0.78%

LAB 78.67, 0.27, -6.72

 

CMYK 0 / 9 / 2 / 19

HEX #CFBDCB

RGB 207 189 203

HSL 313.33, 0.16%, 0.78%

LAB 78.45, 8.83, -4.73

 

Description

Color code: RGB 208 203 190 | qconv.com Color code: RGB 208 203 190 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 203 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 203 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 9 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 9% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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