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Color name
RGB 208 108 86

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 208 108 86 it is the complementary color RGB 47 147 169. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 208 108 86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 208 108 86 shade: RGB 213 108 81, RGB 230 126 100, RGB 247 144 119, RGB 255 162 138 and RGB 255 180 157

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 208 108 86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 208 108 86 shade: RGB 208 108 86, RGB 191 90 67, RGB 174 72 48, RGB 157 54 29 and RGB 140 36 10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 208 108 86 shade: RGB 207 109 87 and RGB 207 87 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 208 108 86 shade: RGB 207 109 87, RGB 207 141 87, RGB 207 174 87, RGB 207 206 87 and RGB 176 207 87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 208 108 86 shade matches the following richer shades: RGB 207 109 87, RGB 225 98 70 and RGB 242 87 53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 208 108 86 shade: RGB 207 109 87, RGB 190 120 105, RGB 173 131 122, RGB 155 142 139 and RGB 138 153 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 208 108 86 shade: RGB 207 87 131, RGB 207 87 99, RGB 207 107 87, RGB 207 139 87 and RGB 207 171 87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 208 108 86 shade: RGB 166 68 46, RGB 198 81 55, RGB 207 109 87, RGB 216 137 120 and RGB 226 165 152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 208 108 86 shade: RGB 208 108 86, RGB 163 207 87 and RGB 87 115 207

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 208 108 86 shade: RGB 208 108 86, RGB 87 207 107 and RGB 107 87 207

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 208 108 86 shade: RGB 208 108 86, RGB 163 207 87, RGB 87 187 207 and RGB 131 87 207

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 208 108 86 shade: RGB 208 108 86, RGB 127 207 87, RGB 87 187 207 and RGB 167 87 207

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 59 / 18

HEX #D06C56

RGB 208 108 86

HSL 10.82, 0.56%, 0.58%

LAB 56.89, 37.45, 30.18

 

Complementary color

CMYK 72 / 13 / 0 / 34

HEX #2F93A9

RGB 47 147 169

HSL 190.82, 0.56%, 0.42%

LAB 56.42, -21.01, -19.84

 

CMYK 0 / 49 / 62 / 16

HEX #D56C51

RGB 213 108 81

HSL 12.27, 0.61%, 0.58%

LAB 57.53, 39.01, 33.92

 

CMYK 0 / 45 / 57 / 10

HEX #E67E64

RGB 230 126 100

HSL 12, 0.72%, 0.65%

LAB 63.89, 37.68, 31.92

 

CMYK 0 / 42 / 52 / 3

HEX #F79077

RGB 247 144 119

HSL 11.72, 0.89%, 0.72%

LAB 70.21, 36.44, 30.13

 

CMYK 0 / 36 / 46 / 0

HEX #FFA28A

RGB 255 162 138

HSL 12.31, 1%, 0.77%

LAB 75.41, 31.9, 26.9

 

CMYK 0 / 29 / 38 / 0

HEX #FFB49D

RGB 255 180 157

HSL 14.08, 1%, 0.81%

LAB 79.81, 24.48, 22.64

 

CMYK 0 / 48 / 59 / 18

HEX #D06C56

RGB 208 108 86

HSL 10.82, 0.56%, 0.58%

LAB 56.89, 37.45, 30.18

 

CMYK 0 / 53 / 65 / 25

HEX #BF5A43

RGB 191 90 67

HSL 11.13, 0.49%, 0.51%

LAB 50.45, 38.82, 32.36

 

CMYK 0 / 59 / 72 / 32

HEX #AE4830

RGB 174 72 48

HSL 11.43, 0.57%, 0.44%

LAB 44.01, 40.23, 34.84

 

CMYK 0 / 66 / 82 / 38

HEX #9D361D

RGB 157 54 29

HSL 11.72, 0.69%, 0.36%

LAB 37.65, 41.59, 37.56

 

CMYK 0 / 74 / 93 / 45

HEX #8C240A

RGB 140 36 10

HSL 12, 0.87%, 0.29%

LAB 31.48, 42.63, 39.92

 

CMYK 0 / 47 / 58 / 19

HEX #CF6D57

RGB 207 109 87

HSL 11, 0.56%, 0.58%

LAB 56.97, 36.62, 29.69

 

CMYK 0 / 58 / 58 / 19

HEX #CF5757

RGB 207 87 87

HSL 0, 0.56%, 0.58%

LAB 52.7, 47.55, 24.18

 

CMYK 0 / 47 / 58 / 19

HEX #CF6D57

RGB 207 109 87

HSL 11, 0.56%, 0.58%

LAB 56.97, 36.62, 29.69

 

CMYK 0 / 32 / 58 / 19

HEX #CF8D57

RGB 207 141 87

HSL 27, 0.56%, 0.58%

LAB 64.16, 19.48, 38.64

 

CMYK 0 / 16 / 58 / 19

HEX #CFAE57

RGB 207 174 87

HSL 43.5, 0.56%, 0.58%

LAB 72.38, 1.66, 48.38

 

CMYK 0 / 0 / 58 / 19

HEX #CFCE57

RGB 207 206 87

HSL 59.5, 0.56%, 0.58%

LAB 80.79, -14.87, 57.89

 

CMYK 15 / 0 / 58 / 19

HEX #B0CF57

RGB 176 207 87

HSL 75.5, 0.56%, 0.58%

LAB 78.78, -27.88, 55.01

 

CMYK 0 / 47 / 58 / 19

HEX #CF6D57

RGB 207 109 87

HSL 11, 0.56%, 0.58%

LAB 56.97, 36.62, 29.69

 

CMYK 0 / 56 / 69 / 12

HEX #E16246

RGB 225 98 70

HSL 10.84, 0.72%, 0.58%

LAB 57.26, 47.76, 40.06

 

CMYK 0 / 64 / 78 / 5

HEX #F25735

RGB 242 87 53

HSL 10.79, 0.88%, 0.58%

LAB 57.99, 57.85, 50.49

 

CMYK 0 / 47 / 58 / 19

HEX #CF6D57

RGB 207 109 87

HSL 11, 0.56%, 0.58%

LAB 56.97, 36.62, 29.69

 

CMYK 0 / 37 / 45 / 25

HEX #BE7869

RGB 190 120 105

HSL 10.59, 0.4%, 0.58%

LAB 57.46, 25.67, 19.69

 

CMYK 0 / 24 / 29 / 32

HEX #AD837A

RGB 173 131 122

HSL 10.59, 0.24%, 0.58%

LAB 58.53, 14.83, 11.12

 

CMYK 0 / 8 / 10 / 39

HEX #9B8E8B

RGB 155 142 139

HSL 11.25, 0.07%, 0.58%

LAB 60.05, 4.3, 3.34

 

CMYK 12 / 3 / 0 / 38

HEX #8A999D

RGB 138 153 157

HSL 192.63, 0.09%, 0.58%

LAB 62.19, -4.48, -3.92

 

CMYK 0 / 58 / 37 / 19

HEX #CF5783

RGB 207 87 131

HSL 338, 0.56%, 0.58%

LAB 53.73, 51.7, -0.44

 

CMYK 0 / 58 / 52 / 19

HEX #CF5763

RGB 207 87 99

HSL 354, 0.56%, 0.58%

LAB 52.93, 48.51, 17.42

 

CMYK 0 / 48 / 58 / 19

HEX #CF6B57

RGB 207 107 87

HSL 10, 0.56%, 0.58%

LAB 56.55, 37.66, 29.16

 

CMYK 0 / 33 / 58 / 19

HEX #CF8B57

RGB 207 139 87

HSL 26, 0.56%, 0.58%

LAB 63.69, 20.56, 38.06

 

CMYK 0 / 17 / 58 / 19

HEX #CFAB57

RGB 207 171 87

HSL 42, 0.56%, 0.58%

LAB 71.61, 3.26, 47.49

 

CMYK 0 / 59 / 72 / 35

HEX #A6442E

RGB 166 68 46

HSL 11, 0.57%, 0.42%

LAB 41.9, 39.06, 33.23

 

CMYK 0 / 59 / 72 / 22

HEX #C65137

RGB 198 81 55

HSL 10.91, 0.57%, 0.5%

LAB 49.7, 45.18, 38.45

 

CMYK 0 / 47 / 58 / 19

HEX #CF6D57

RGB 207 109 87

HSL 11, 0.56%, 0.58%

LAB 56.97, 36.62, 29.69

 

CMYK 0 / 37 / 44 / 15

HEX #D88978

RGB 216 137 120

HSL 10.63, 0.55%, 0.66%

LAB 64.84, 28.28, 21.74

 

CMYK 0 / 27 / 33 / 11

HEX #E2A598

RGB 226 165 152

HSL 10.54, 0.56%, 0.74%

LAB 73.12, 20.8, 15.62

 

CMYK 0 / 48 / 59 / 18

HEX #D06C56

RGB 208 108 86

HSL 10.82, 0.56%, 0.58%

LAB 56.89, 37.45, 30.18

 

CMYK 21 / 0 / 58 / 19

HEX #A3CF57

RGB 163 207 87

HSL 82, 0.56%, 0.58%

LAB 77.93, -32.91, 53.83

 

CMYK 58 / 44 / 0 / 19

HEX #5773CF

RGB 87 115 207

HSL 226, 0.56%, 0.58%

LAB 50.44, 17.42, -50.8

 

CMYK 0 / 48 / 59 / 18

HEX #D06C56

RGB 208 108 86

HSL 10.82, 0.56%, 0.58%

LAB 56.89, 37.45, 30.18

 

CMYK 58 / 0 / 48 / 19

HEX #57CF6B

RGB 87 207 107

HSL 130, 0.56%, 0.58%

LAB 74.64, -54.5, 39.65

 

CMYK 48 / 58 / 0 / 19

HEX #6B57CF

RGB 107 87 207

HSL 250, 0.56%, 0.58%

LAB 44.87, 38.63, -59.68

 

CMYK 0 / 48 / 59 / 18

HEX #D06C56

RGB 208 108 86

HSL 10.82, 0.56%, 0.58%

LAB 56.89, 37.45, 30.18

 

CMYK 21 / 0 / 58 / 19

HEX #A3CF57

RGB 163 207 87

HSL 82, 0.56%, 0.58%

LAB 77.93, -32.91, 53.83

 

CMYK 58 / 10 / 0 / 19

HEX #57BBCF

RGB 87 187 207

HSL 190, 0.56%, 0.58%

LAB 70.92, -23.37, -18.9

 

CMYK 37 / 58 / 0 / 19

HEX #8357CF

RGB 131 87 207

HSL 262, 0.56%, 0.58%

LAB 47.17, 43.9, -55.86

 

CMYK 0 / 48 / 59 / 18

HEX #D06C56

RGB 208 108 86

HSL 10.82, 0.56%, 0.58%

LAB 56.89, 37.45, 30.18

 

CMYK 39 / 0 / 58 / 19

HEX #7FCF57

RGB 127 207 87

HSL 100, 0.56%, 0.58%

LAB 75.96, -45.73, 51.06

 

CMYK 58 / 10 / 0 / 19

HEX #57BBCF

RGB 87 187 207

HSL 190, 0.56%, 0.58%

LAB 70.92, -23.37, -18.9

 

CMYK 19 / 58 / 0 / 19

HEX #A757CF

RGB 167 87 207

HSL 280, 0.56%, 0.58%

LAB 51.31, 52.59, -48.99

 

Description

Color code: RGB 208 108 86 | qconv.com Color code: RGB 208 108 86 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 108 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 108 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 59 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 59% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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