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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 207 88 242 it is the complementary color RGB 48 167 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 207 88 242. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 207 88 242 shade: RGB 212 88 237, RGB 229 106 255, RGB 246 124 255, RGB 255 142 255 and RGB 255 160 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 207 88 242. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 207 88 242 shade: RGB 207 88 242, RGB 190 70 223, RGB 173 52 204, RGB 156 34 185 and RGB 139 16 166

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 207 88 242 shade: RGB 207 88 242, RGB 242 88 236, RGB 242 88 194, RGB 242 88 153 and RGB 242 88 111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 207 88 242 shade: RGB 207 88 242, RGB 166 88 242, RGB 124 88 242 and RGB 88 88 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 207 88 242 shade matches the following richer shades: RGB 207 88 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 207 88 242 shade: RGB 207 88 242, RGB 199 103 228, RGB 191 117 213, RGB 183 132 199 and RGB 176 146 184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 207 88 242 shade: RGB 124 88 242, RGB 165 88 242, RGB 206 88 242, RGB 242 88 237 and RGB 242 88 196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 207 88 242 shade: RGB 182 17 231, RGB 196 50 239, RGB 207 88 242, RGB 218 127 245 and RGB 229 165 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 207 88 242 shade: RGB 207 88 242, RGB 242 88 94 and RGB 88 242 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 207 88 242 shade: RGB 207 88 242, RGB 242 206 88 and RGB 88 242 206

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 207 88 242 shade: RGB 207 88 242, RGB 242 88 94, RGB 124 242 88 and RGB 88 242 237

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 207 88 242 shade: RGB 207 88 242, RGB 242 129 88, RGB 124 242 88 and RGB 88 201 242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 64 / 0 / 5

HEX #CF58F2

RGB 207 88 242

HSL 286.36, 0.86%, 0.65%

LAB 58.65, 68.63, -56.71

 

Complementary color

CMYK 71 / 0 / 92 / 35

HEX #30A70D

RGB 48 167 13

HSL 106.36, 0.86%, 0.35%

LAB 60.15, -57.39, 59.46

 

CMYK 11 / 63 / 0 / 7

HEX #D458ED

RGB 212 88 237

HSL 289.93, 0.81%, 0.64%

LAB 59.06, 68.83, -53.24

 

CMYK 10 / 58 / 0 / 0

HEX #E56AFF

RGB 229 106 255

HSL 289.53, 1%, 0.71%

LAB 65.11, 68.35, -53.44

 

CMYK 4 / 51 / 0 / 0

HEX #F67CFF

RGB 246 124 255

HSL 295.88, 1%, 0.74%

LAB 70.34, 64.42, -45.05

 

CMYK 0 / 44 / 0 / 0

HEX #FF8EFF

RGB 255 142 255

HSL 300, 1%, 0.78%

LAB 74.72, 58.28, -38.13

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 14 / 64 / 0 / 5

HEX #CF58F2

RGB 207 88 242

HSL 286.36, 0.86%, 0.65%

LAB 58.65, 68.63, -56.71

 

CMYK 15 / 69 / 0 / 13

HEX #BE46DF

RGB 190 70 223

HSL 287.06, 0.71%, 0.57%

LAB 52.57, 68.68, -55.91

 

CMYK 15 / 75 / 0 / 20

HEX #AD34CC

RGB 173 52 204

HSL 287.76, 0.6%, 0.5%

LAB 46.58, 68.26, -54.8

 

CMYK 16 / 82 / 0 / 27

HEX #9C22B9

RGB 156 34 185

HSL 288.48, 0.69%, 0.43%

LAB 40.76, 67.1, -53.23

 

CMYK 16 / 90 / 0 / 35

HEX #8B10A6

RGB 139 16 166

HSL 289.2, 0.82%, 0.36%

LAB 35.23, 64.8, -51

 

CMYK 14 / 64 / 0 / 5

HEX #CF58F2

RGB 207 88 242

HSL 286.36, 0.86%, 0.65%

LAB 58.65, 68.63, -56.71

 

CMYK 0 / 64 / 2 / 5

HEX #F258EC

RGB 242 88 236

HSL 302.34, 0.86%, 0.65%

LAB 63.27, 75.6, -45.73

 

CMYK 0 / 64 / 20 / 5

HEX #F258C2

RGB 242 88 194

HSL 318.7, 0.86%, 0.65%

LAB 61.44, 69.42, -24.94

 

CMYK 0 / 64 / 37 / 5

HEX #F25899

RGB 242 88 153

HSL 334.68, 0.86%, 0.65%

LAB 60.03, 64.44, -3.47

 

CMYK 0 / 64 / 54 / 5

HEX #F2586F

RGB 242 88 111

HSL 351.04, 0.86%, 0.65%

LAB 58.98, 60.59, 19.54

 

CMYK 14 / 64 / 0 / 5

HEX #CF58F2

RGB 207 88 242

HSL 286.36, 0.86%, 0.65%

LAB 58.65, 68.63, -56.71

 

CMYK 31 / 64 / 0 / 5

HEX #A658F2

RGB 166 88 242

HSL 270.39, 0.86%, 0.65%

LAB 53.49, 59.68, -65.28

 

CMYK 49 / 64 / 0 / 5

HEX #7C58F2

RGB 124 88 242

HSL 254.03, 0.86%, 0.65%

LAB 49.1, 51.41, -72.6

 

CMYK 64 / 64 / 0 / 5

HEX #5858F2

RGB 88 88 242

HSL 240, 0.86%, 0.65%

LAB 46.26, 45.62, -77.34

 

CMYK 14 / 64 / 0 / 5

HEX #CF58F2

RGB 207 88 242

HSL 286.36, 0.86%, 0.65%

LAB 58.65, 68.63, -56.71

 

CMYK 14 / 64 / 0 / 5

HEX #CF58F2

RGB 207 88 242

HSL 286.36, 0.86%, 0.65%

LAB 58.65, 68.63, -56.71

 

CMYK 13 / 55 / 0 / 11

HEX #C767E4

RGB 199 103 228

HSL 286.08, 0.7%, 0.65%

LAB 59.38, 57.14, -47.8

 

CMYK 10 / 45 / 0 / 16

HEX #BF75D5

RGB 191 117 213

HSL 286.25, 0.53%, 0.65%

LAB 60.43, 44.81, -37.8

 

CMYK 8 / 34 / 0 / 22

HEX #B784C7

RGB 183 132 199

HSL 285.67, 0.37%, 0.65%

LAB 62.25, 31.35, -27.17

 

CMYK 4 / 21 / 0 / 28

HEX #B092B8

RGB 176 146 184

HSL 287.37, 0.21%, 0.65%

LAB 64.36, 18.15, -15.56

 

CMYK 49 / 64 / 0 / 5

HEX #7C58F2

RGB 124 88 242

HSL 254.03, 0.86%, 0.65%

LAB 49.1, 51.41, -72.6

 

CMYK 32 / 64 / 0 / 5

HEX #A558F2

RGB 165 88 242

HSL 270, 0.86%, 0.65%

LAB 53.37, 59.47, -65.47

 

CMYK 15 / 64 / 0 / 5

HEX #CE58F2

RGB 206 88 242

HSL 285.97, 0.86%, 0.65%

LAB 58.52, 68.41, -56.93

 

CMYK 0 / 64 / 2 / 5

HEX #F258ED

RGB 242 88 237

HSL 301.95, 0.86%, 0.65%

LAB 63.32, 75.76, -46.21

 

CMYK 0 / 64 / 19 / 5

HEX #F258C4

RGB 242 88 196

HSL 317.92, 0.86%, 0.65%

LAB 61.52, 69.69, -25.96

 

CMYK 21 / 93 / 0 / 9

HEX #B611E7

RGB 182 17 231

HSL 286.26, 0.86%, 0.49%

LAB 47.13, 82.55, -69.29

 

CMYK 18 / 79 / 0 / 6

HEX #C432EF

RGB 196 50 239

HSL 286.35, 0.86%, 0.57%

LAB 52.12, 79.47, -65.61

 

CMYK 14 / 64 / 0 / 5

HEX #CF58F2

RGB 207 88 242

HSL 286.36, 0.86%, 0.65%

LAB 58.65, 68.63, -56.71

 

CMYK 11 / 48 / 0 / 4

HEX #DA7FF5

RGB 218 127 245

HSL 286.27, 0.86%, 0.73%

LAB 67.03, 53.6, -45

 

CMYK 8 / 33 / 0 / 3

HEX #E5A5F8

RGB 229 165 248

HSL 286.27, 0.86%, 0.81%

LAB 76.28, 37.52, -32.15

 

CMYK 14 / 64 / 0 / 5

HEX #CF58F2

RGB 207 88 242

HSL 286.36, 0.86%, 0.65%

LAB 58.65, 68.63, -56.71

 

CMYK 0 / 64 / 61 / 5

HEX #F2585E

RGB 242 88 94

HSL 357.66, 0.86%, 0.65%

LAB 58.66, 59.4, 28.96

 

CMYK 64 / 0 / 40 / 5

HEX #58F291

RGB 88 242 145

HSL 142.21, 0.86%, 0.65%

LAB 85.82, -61.42, 35.13

 

CMYK 14 / 64 / 0 / 5

HEX #CF58F2

RGB 207 88 242

HSL 286.36, 0.86%, 0.65%

LAB 58.65, 68.63, -56.71

 

CMYK 0 / 15 / 64 / 5

HEX #F2CE58

RGB 242 206 88

HSL 45.97, 0.86%, 0.65%

LAB 83.82, -0.28, 61.64

 

CMYK 64 / 0 / 15 / 5

HEX #58F2CE

RGB 88 242 206

HSL 165.97, 0.86%, 0.65%

LAB 87.01, -48.87, 5.46

 

CMYK 14 / 64 / 0 / 5

HEX #CF58F2

RGB 207 88 242

HSL 286.36, 0.86%, 0.65%

LAB 58.65, 68.63, -56.71

 

CMYK 0 / 64 / 61 / 5

HEX #F2585E

RGB 242 88 94

HSL 357.66, 0.86%, 0.65%

LAB 58.66, 59.4, 28.96

 

CMYK 49 / 0 / 64 / 5

HEX #7CF258

RGB 124 242 88

HSL 105.97, 0.86%, 0.65%

LAB 86.25, -60.43, 62.14

 

CMYK 64 / 0 / 2 / 5

HEX #58F2ED

RGB 88 242 237

HSL 178.05, 0.86%, 0.65%

LAB 87.82, -41.04, -9.57

 

CMYK 14 / 64 / 0 / 5

HEX #CF58F2

RGB 207 88 242

HSL 286.36, 0.86%, 0.65%

LAB 58.65, 68.63, -56.71

 

CMYK 0 / 47 / 64 / 5

HEX #F28158

RGB 242 129 88

HSL 15.97, 0.86%, 0.65%

LAB 65.97, 39.91, 41.33

 

CMYK 49 / 0 / 64 / 5

HEX #7CF258

RGB 124 242 88

HSL 105.97, 0.86%, 0.65%

LAB 86.25, -60.43, 62.14

 

CMYK 64 / 17 / 0 / 5

HEX #58C9F2

RGB 88 201 242

HSL 195.97, 0.86%, 0.65%

LAB 76.23, -19.93, -29.75

 

Description

Color code: RGB 207 88 242 | qconv.com Color code: RGB 207 88 242 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 88 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 88 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 64 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 64% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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