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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 207 86 229 it is the complementary color RGB 48 169 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 207 86 229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 207 86 229 shade: RGB 212 86 224, RGB 229 104 243, RGB 246 122 255, RGB 255 140 255 and RGB 255 158 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 207 86 229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 207 86 229 shade: RGB 207 86 229, RGB 190 68 210, RGB 173 50 191, RGB 156 32 172 and RGB 139 14 153

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 207 86 229 shade: RGB 207 87 228, RGB 228 87 212, RGB 228 87 174, RGB 228 87 136 and RGB 228 87 97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 207 86 229 shade: RGB 207 87 228, RGB 168 87 228, RGB 130 87 228, RGB 92 87 228 and RGB 87 87 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 207 86 229 shade matches the following richer shades: RGB 207 87 228 and RGB 217 71 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 207 86 229 shade: RGB 207 87 228, RGB 196 103 213, RGB 185 118 197, RGB 174 134 181 and RGB 163 150 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 207 86 229 shade: RGB 129 87 228, RGB 167 87 228, RGB 205 87 228, RGB 228 87 214 and RGB 228 87 176

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 207 86 229 shade: RGB 175 31 202, RGB 196 51 223, RGB 207 87 228, RGB 217 123 234 and RGB 227 158 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 207 86 229 shade: RGB 207 86 229, RGB 228 92 87 and RGB 87 228 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 207 86 229 shade: RGB 207 86 229, RGB 228 205 87 and RGB 87 228 205

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 207 86 229 shade: RGB 207 86 229, RGB 228 92 87, RGB 110 228 87 and RGB 87 224 228

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 207 86 229 shade: RGB 207 86 229, RGB 228 134 87, RGB 110 228 87 and RGB 87 181 228

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 62 / 0 / 10

HEX #CF56E5

RGB 207 86 229

HSL 290.77, 0.73%, 0.62%

LAB 57.63, 67.05, -51.07

 

Complementary color

CMYK 72 / 0 / 85 / 34

HEX #30A91A

RGB 48 169 26

HSL 110.77, 0.73%, 0.38%

LAB 60.85, -57.54, 57.39

 

CMYK 5 / 62 / 0 / 12

HEX #D456E0

RGB 212 86 224

HSL 294.78, 0.69%, 0.61%

LAB 58.07, 67.33, -47.52

 

CMYK 6 / 57 / 0 / 5

HEX #E568F3

RGB 229 104 243

HSL 293.96, 0.85%, 0.68%

LAB 64.18, 67.06, -48.29

 

CMYK 4 / 52 / 0 / 0

HEX #F67AFF

RGB 246 122 255

HSL 295.94, 1%, 0.74%

LAB 69.99, 65.35, -45.6

 

CMYK 0 / 45 / 0 / 0

HEX #FF8CFF

RGB 255 140 255

HSL 300, 1%, 0.77%

LAB 74.34, 59.25, -38.72

 

CMYK 0 / 38 / 0 / 0

HEX #FF9EFF

RGB 255 158 255

HSL 300, 1%, 0.81%

LAB 77.84, 50.31, -33.3

 

CMYK 10 / 62 / 0 / 10

HEX #CF56E5

RGB 207 86 229

HSL 290.77, 0.73%, 0.62%

LAB 57.63, 67.05, -51.07

 

CMYK 10 / 68 / 0 / 18

HEX #BE44D2

RGB 190 68 210

HSL 291.55, 0.61%, 0.55%

LAB 51.54, 67.06, -50.16

 

CMYK 9 / 74 / 0 / 25

HEX #AD32BF

RGB 173 50 191

HSL 292.34, 0.59%, 0.47%

LAB 45.53, 66.58, -48.93

 

CMYK 9 / 81 / 0 / 33

HEX #9C20AC

RGB 156 32 172

HSL 293.14, 0.69%, 0.4%

LAB 39.71, 65.32, -47.21

 

CMYK 9 / 91 / 0 / 40

HEX #8B0E99

RGB 139 14 153

HSL 293.96, 0.83%, 0.33%

LAB 34.2, 62.87, -44.78

 

CMYK 9 / 62 / 0 / 11

HEX #CF57E4

RGB 207 87 228

HSL 291.06, 0.72%, 0.62%

LAB 57.74, 66.44, -50.35

 

CMYK 0 / 62 / 7 / 11

HEX #E457D4

RGB 228 87 212

HSL 306.81, 0.72%, 0.62%

LAB 59.95, 68.84, -37.64

 

CMYK 0 / 62 / 24 / 11

HEX #E457AE

RGB 228 87 174

HSL 322.98, 0.72%, 0.62%

LAB 58.38, 63.35, -18.33

 

CMYK 0 / 62 / 40 / 11

HEX #E45788

RGB 228 87 136

HSL 339.15, 0.72%, 0.62%

LAB 57.16, 58.87, 2

 

CMYK 0 / 62 / 57 / 11

HEX #E45761

RGB 228 87 97

HSL 355.74, 0.72%, 0.62%

LAB 56.26, 55.45, 23.65

 

CMYK 9 / 62 / 0 / 11

HEX #CF57E4

RGB 207 87 228

HSL 291.06, 0.72%, 0.62%

LAB 57.74, 66.44, -50.35

 

CMYK 26 / 62 / 0 / 11

HEX #A857E4

RGB 168 87 228

HSL 274.47, 0.72%, 0.62%

LAB 52.67, 57.42, -58.73

 

CMYK 43 / 62 / 0 / 11

HEX #8257E4

RGB 130 87 228

HSL 258.3, 0.72%, 0.62%

LAB 48.47, 49.26, -65.72

 

CMYK 60 / 62 / 0 / 11

HEX #5C57E4

RGB 92 87 228

HSL 242.13, 0.72%, 0.62%

LAB 45.21, 42.34, -71.16

 

CMYK 62 / 62 / 0 / 11

HEX #5757E4

RGB 87 87 228

HSL 240, 0.72%, 0.62%

LAB 44.86, 41.56, -71.74

 

CMYK 9 / 62 / 0 / 11

HEX #CF57E4

RGB 207 87 228

HSL 291.06, 0.72%, 0.62%

LAB 57.74, 66.44, -50.35

 

CMYK 11 / 71 / 0 / 4

HEX #D947F4

RGB 217 71 244

HSL 290.64, 0.89%, 0.62%

LAB 57.84, 77.68, -59.05

 

CMYK 9 / 62 / 0 / 11

HEX #CF57E4

RGB 207 87 228

HSL 291.06, 0.72%, 0.62%

LAB 57.74, 66.44, -50.35

 

CMYK 8 / 52 / 0 / 16

HEX #C467D5

RGB 196 103 213

HSL 290.73, 0.57%, 0.62%

LAB 58.26, 53.42, -41.16

 

CMYK 6 / 40 / 0 / 23

HEX #B976C5

RGB 185 118 197

HSL 290.89, 0.41%, 0.62%

LAB 59.25, 39.28, -30.65

 

CMYK 4 / 26 / 0 / 29

HEX #AE86B5

RGB 174 134 181

HSL 291.06, 0.24%, 0.62%

LAB 61.12, 23.64, -18.8

 

CMYK 2 / 10 / 0 / 35

HEX #A396A6

RGB 163 150 166

HSL 288.75, 0.08%, 0.62%

LAB 63.63, 7.8, -6.64

 

CMYK 43 / 62 / 0 / 11

HEX #8157E4

RGB 129 87 228

HSL 257.87, 0.72%, 0.62%

LAB 48.37, 49.06, -65.89

 

CMYK 27 / 62 / 0 / 11

HEX #A757E4

RGB 167 87 228

HSL 274.04, 0.72%, 0.62%

LAB 52.55, 57.2, -58.94

 

CMYK 10 / 62 / 0 / 11

HEX #CD57E4

RGB 205 87 228

HSL 290.21, 0.72%, 0.62%

LAB 57.46, 65.97, -50.8

 

CMYK 0 / 62 / 6 / 11

HEX #E457D6

RGB 228 87 214

HSL 305.96, 0.72%, 0.62%

LAB 60.04, 69.15, -38.63

 

CMYK 0 / 62 / 23 / 11

HEX #E457B0

RGB 228 87 176

HSL 322.13, 0.72%, 0.62%

LAB 58.46, 63.61, -19.38

 

CMYK 13 / 85 / 0 / 21

HEX #AF1FCA

RGB 175 31 202

HSL 290.53, 0.73%, 0.46%

LAB 44.74, 74.13, -56.58

 

CMYK 12 / 77 / 0 / 13

HEX #C433DF

RGB 196 51 223

HSL 290.58, 0.73%, 0.54%

LAB 51.19, 76.36, -58.08

 

CMYK 9 / 62 / 0 / 11

HEX #CF57E4

RGB 207 87 228

HSL 291.06, 0.72%, 0.62%

LAB 57.74, 66.44, -50.35

 

CMYK 7 / 47 / 0 / 8

HEX #D97BEA

RGB 217 123 234

HSL 290.81, 0.73%, 0.7%

LAB 65.64, 53.21, -41.14

 

CMYK 5 / 34 / 0 / 6

HEX #E39EEF

RGB 227 158 239

HSL 291.11, 0.72%, 0.78%

LAB 74.2, 38.89, -30.5

 

CMYK 10 / 62 / 0 / 10

HEX #CF56E5

RGB 207 86 229

HSL 290.77, 0.73%, 0.62%

LAB 57.63, 67.05, -51.07

 

CMYK 0 / 60 / 62 / 11

HEX #E45C57

RGB 228 92 87

HSL 2.13, 0.72%, 0.62%

LAB 56.92, 52.57, 30.28

 

CMYK 62 / 0 / 35 / 11

HEX #57E494

RGB 87 228 148

HSL 145.96, 0.72%, 0.62%

LAB 81.65, -55.75, 28.07

 

CMYK 10 / 62 / 0 / 10

HEX #CF56E5

RGB 207 86 229

HSL 290.77, 0.73%, 0.62%

LAB 57.63, 67.05, -51.07

 

CMYK 0 / 10 / 62 / 11

HEX #E4CD57

RGB 228 205 87

HSL 50.21, 0.72%, 0.62%

LAB 82.3, -5.65, 60.05

 

CMYK 62 / 0 / 10 / 11

HEX #57E4CD

RGB 87 228 205

HSL 170.21, 0.72%, 0.62%

LAB 82.87, -43.25, -0.03

 

CMYK 10 / 62 / 0 / 10

HEX #CF56E5

RGB 207 86 229

HSL 290.77, 0.73%, 0.62%

LAB 57.63, 67.05, -51.07

 

CMYK 0 / 60 / 62 / 11

HEX #E45C57

RGB 228 92 87

HSL 2.13, 0.72%, 0.62%

LAB 56.92, 52.57, 30.28

 

CMYK 52 / 0 / 62 / 11

HEX #6EE457

RGB 110 228 87

HSL 110.21, 0.72%, 0.62%

LAB 81.56, -59.11, 57.22

 

CMYK 62 / 2 / 0 / 11

HEX #57E0E4

RGB 87 224 228

HSL 181.7, 0.72%, 0.62%

LAB 82.35, -35.39, -13

 

CMYK 10 / 62 / 0 / 10

HEX #CF56E5

RGB 207 86 229

HSL 290.77, 0.73%, 0.62%

LAB 57.63, 67.05, -51.07

 

CMYK 0 / 41 / 62 / 11

HEX #E48657

RGB 228 134 87

HSL 20, 0.72%, 0.62%

LAB 65.15, 31.79, 40.43

 

CMYK 52 / 0 / 62 / 11

HEX #6EE457

RGB 110 228 87

HSL 110.21, 0.72%, 0.62%

LAB 81.56, -59.11, 57.22

 

CMYK 62 / 21 / 0 / 11

HEX #57B5E4

RGB 87 181 228

HSL 200, 0.72%, 0.62%

LAB 69.95, -13.94, -31.86

 

Description

Color code: RGB 207 86 229 | qconv.com Color code: RGB 207 86 229 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 86 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 86 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 62 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 62% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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