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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 207 49 221 it is the complementary color RGB 48 206 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 207 49 221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 207 49 221 shade: RGB 212 49 216, RGB 229 67 235, RGB 246 85 254, RGB 255 103 255 and RGB 255 121 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 207 49 221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 207 49 221 shade: RGB 207 49 221, RGB 190 31 202, RGB 173 13 183, RGB 156 0 164 and RGB 139 0 145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 207 49 221 shade: RGB 207 48 221, RGB 221 48 188, RGB 221 48 142, RGB 221 48 95 and RGB 221 48 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 207 49 221 shade: RGB 207 48 221, RGB 160 48 221, RGB 114 48 221, RGB 67 48 221 and RGB 48 48 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 207 49 221 shade matches the following richer shades: RGB 207 48 221 and RGB 223 29 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 207 49 221 shade: RGB 207 48 221, RGB 191 68 202, RGB 174 87 182, RGB 158 107 163 and RGB 142 126 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 207 49 221 shade: RGB 115 48 221, RGB 161 48 221, RGB 207 48 221, RGB 221 48 189 and RGB 221 48 143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 207 49 221 shade: RGB 150 26 161, RGB 183 32 196, RGB 207 48 221, RGB 215 84 227 and RGB 223 119 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 207 49 221 shade: RGB 207 49 221, RGB 221 68 48 and RGB 48 221 138

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 207 49 221 shade: RGB 207 49 221, RGB 221 207 48 and RGB 48 221 207

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 207 49 221 shade: RGB 207 49 221, RGB 221 68 48, RGB 63 221 48 and RGB 48 201 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 207 49 221 shade: RGB 207 49 221, RGB 221 120 48, RGB 63 221 48 and RGB 48 149 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 78 / 0 / 13

HEX #CF31DD

RGB 207 49 221

HSL 295.12, 0.72%, 0.53%

LAB 52.6, 78.63, -54.58

 

Complementary color

CMYK 77 / 0 / 83 / 19

HEX #30CE22

RGB 48 206 34

HSL 115.12, 0.72%, 0.47%

LAB 72.82, -68.66, 66.22

 

CMYK 2 / 77 / 0 / 15

HEX #D431D8

RGB 212 49 216

HSL 298.56, 0.68%, 0.52%

LAB 53.11, 78.79, -50.87

 

CMYK 3 / 71 / 0 / 8

HEX #E543EB

RGB 229 67 235

HSL 297.86, 0.81%, 0.59%

LAB 58.67, 79.93, -52.59

 

CMYK 3 / 67 / 0 / 0

HEX #F655FE

RGB 246 85 254

HSL 297.16, 0.99%, 0.66%

LAB 64.36, 80.49, -53.94

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 0 / 53 / 0 / 0

HEX #FF79FF

RGB 255 121 255

HSL 300, 1%, 0.74%

LAB 70.98, 68.15, -43.96

 

CMYK 6 / 78 / 0 / 13

HEX #CF31DD

RGB 207 49 221

HSL 295.12, 0.72%, 0.53%

LAB 52.6, 78.63, -54.58

 

CMYK 6 / 85 / 0 / 21

HEX #BE1FCA

RGB 190 31 202

HSL 295.79, 0.73%, 0.46%

LAB 47.22, 76.71, -52.46

 

CMYK 5 / 93 / 0 / 28

HEX #AD0DB7

RGB 173 13 183

HSL 296.47, 0.87%, 0.38%

LAB 42.14, 73.66, -49.68

 

CMYK 5 / 100 / 0 / 36

HEX #9C00A4

RGB 156 0 164

HSL 297.07, 1%, 0.32%

LAB 37.39, 69.3, -46.16

 

CMYK 4 / 100 / 0 / 43

HEX #8B0091

RGB 139 0 145

HSL 297.52, 1%, 0.28%

LAB 32.99, 63.51, -41.82

 

CMYK 6 / 78 / 0 / 13

HEX #CF30DD

RGB 207 48 221

HSL 295.14, 0.72%, 0.53%

LAB 52.51, 78.9, -54.73

 

CMYK 0 / 78 / 15 / 13

HEX #DD30BC

RGB 221 48 188

HSL 311.45, 0.72%, 0.53%

LAB 53.08, 76.8, -34.73

 

CMYK 0 / 78 / 36 / 13

HEX #DD308E

RGB 221 48 142

HSL 327.4, 0.72%, 0.53%

LAB 51.2, 71.31, -10.5

 

CMYK 0 / 78 / 57 / 13

HEX #DD305F

RGB 221 48 95

HSL 343.7, 0.72%, 0.53%

LAB 49.87, 67.28, 16.05

 

CMYK 0 / 78 / 78 / 13

HEX #DD3031

RGB 221 48 49

HSL 359.65, 0.72%, 0.53%

LAB 49.14, 64.98, 42.32

 

CMYK 6 / 78 / 0 / 13

HEX #CF30DD

RGB 207 48 221

HSL 295.14, 0.72%, 0.53%

LAB 52.51, 78.9, -54.73

 

CMYK 28 / 78 / 0 / 13

HEX #A030DD

RGB 160 48 221

HSL 278.84, 0.72%, 0.53%

LAB 45.37, 70.55, -66.6

 

CMYK 48 / 78 / 0 / 13

HEX #7230DD

RGB 114 48 221

HSL 262.89, 0.72%, 0.53%

LAB 39.43, 63.57, -76.55

 

CMYK 70 / 78 / 0 / 13

HEX #4330DD

RGB 67 48 221

HSL 246.59, 0.72%, 0.53%

LAB 35.06, 58.41, -83.91

 

CMYK 78 / 78 / 0 / 13

HEX #3030DD

RGB 48 48 221

HSL 240, 0.72%, 0.53%

LAB 33.91, 57.04, -85.86

 

CMYK 6 / 78 / 0 / 13

HEX #CF30DD

RGB 207 48 221

HSL 295.14, 0.72%, 0.53%

LAB 52.51, 78.9, -54.73

 

CMYK 7 / 88 / 0 / 6

HEX #DF1DF0

RGB 223 29 240

HSL 295.17, 0.88%, 0.53%

LAB 54.93, 88.55, -61.43

 

CMYK 6 / 78 / 0 / 13

HEX #CF30DD

RGB 207 48 221

HSL 295.14, 0.72%, 0.53%

LAB 52.51, 78.9, -54.73

 

CMYK 5 / 66 / 0 / 21

HEX #BF44CA

RGB 191 68 202

HSL 295.07, 0.56%, 0.53%

LAB 51.24, 65.86, -46.04

 

CMYK 4 / 52 / 0 / 29

HEX #AE57B6

RGB 174 87 182

HSL 294.95, 0.39%, 0.53%

LAB 50.91, 49.38, -35.16

 

CMYK 3 / 34 / 0 / 36

HEX #9E6BA3

RGB 158 107 163

HSL 294.64, 0.23%, 0.53%

LAB 52.32, 29.97, -22.06

 

CMYK 1 / 12 / 0 / 44

HEX #8E7E8F

RGB 142 126 143

HSL 296.47, 0.07%, 0.53%

LAB 54.72, 9.34, -6.93

 

CMYK 48 / 78 / 0 / 13

HEX #7330DD

RGB 115 48 221

HSL 263.24, 0.72%, 0.53%

LAB 39.55, 63.7, -76.36

 

CMYK 27 / 78 / 0 / 13

HEX #A130DD

RGB 161 48 221

HSL 279.19, 0.72%, 0.53%

LAB 45.51, 70.71, -66.37

 

CMYK 6 / 78 / 0 / 13

HEX #CF30DD

RGB 207 48 221

HSL 295.14, 0.72%, 0.53%

LAB 52.51, 78.9, -54.73

 

CMYK 0 / 78 / 14 / 13

HEX #DD30BD

RGB 221 48 189

HSL 311.1, 0.72%, 0.53%

LAB 53.12, 76.94, -35.24

 

CMYK 0 / 78 / 35 / 13

HEX #DD308F

RGB 221 48 143

HSL 327.05, 0.72%, 0.53%

LAB 51.23, 71.41, -11.05

 

CMYK 7 / 84 / 0 / 37

HEX #961AA1

RGB 150 26 161

HSL 295.11, 0.72%, 0.37%

LAB 37.47, 63.8, -44.27

 

CMYK 7 / 84 / 0 / 23

HEX #B720C4

RGB 183 32 196

HSL 295.24, 0.72%, 0.45%

LAB 45.75, 74.3, -51.41

 

CMYK 6 / 78 / 0 / 13

HEX #CF30DD

RGB 207 48 221

HSL 295.14, 0.72%, 0.53%

LAB 52.51, 78.9, -54.73

 

CMYK 5 / 63 / 0 / 11

HEX #D754E3

RGB 215 84 227

HSL 294.97, 0.72%, 0.61%

LAB 58.35, 69.39, -48.73

 

CMYK 4 / 49 / 0 / 9

HEX #DF77E8

RGB 223 119 232

HSL 295.22, 0.71%, 0.69%

LAB 65.52, 56.49, -40.16

 

CMYK 6 / 78 / 0 / 13

HEX #CF31DD

RGB 207 49 221

HSL 295.12, 0.72%, 0.53%

LAB 52.6, 78.63, -54.58

 

CMYK 0 / 69 / 78 / 13

HEX #DD4430

RGB 221 68 48

HSL 6.94, 0.72%, 0.53%

LAB 51.52, 58.32, 45.3

 

CMYK 78 / 0 / 38 / 13

HEX #30DD8A

RGB 48 221 138

HSL 151.21, 0.72%, 0.53%

LAB 78.56, -61, 28.93

 

CMYK 6 / 78 / 0 / 13

HEX #CF31DD

RGB 207 49 221

HSL 295.12, 0.72%, 0.53%

LAB 52.6, 78.63, -54.58

 

CMYK 0 / 6 / 78 / 13

HEX #DDCF30

RGB 221 207 48

HSL 55.14, 0.72%, 0.53%

LAB 81.95, -11.54, 73.96

 

CMYK 78 / 0 / 6 / 13

HEX #30DDCF

RGB 48 221 207

HSL 175.14, 0.72%, 0.53%

LAB 80.09, -44.76, -5.26

 

CMYK 6 / 78 / 0 / 13

HEX #CF31DD

RGB 207 49 221

HSL 295.12, 0.72%, 0.53%

LAB 52.6, 78.63, -54.58

 

CMYK 0 / 69 / 78 / 13

HEX #DD4430

RGB 221 68 48

HSL 6.94, 0.72%, 0.53%

LAB 51.52, 58.32, 45.3

 

CMYK 71 / 0 / 78 / 13

HEX #3FDD30

RGB 63 221 48

HSL 114.8, 0.72%, 0.53%

LAB 77.86, -70.16, 67.23

 

CMYK 78 / 9 / 0 / 13

HEX #30C9DD

RGB 48 201 221

HSL 186.94, 0.72%, 0.53%

LAB 74.59, -31.54, -21.03

 

CMYK 6 / 78 / 0 / 13

HEX #CF31DD

RGB 207 49 221

HSL 295.12, 0.72%, 0.53%

LAB 52.6, 78.63, -54.58

 

CMYK 0 / 46 / 78 / 13

HEX #DD7830

RGB 221 120 48

HSL 24.97, 0.72%, 0.53%

LAB 60.8, 34.28, 54.47

 

CMYK 71 / 0 / 78 / 13

HEX #3FDD30

RGB 63 221 48

HSL 114.8, 0.72%, 0.53%

LAB 77.86, -70.16, 67.23

 

CMYK 78 / 33 / 0 / 13

HEX #3095DD

RGB 48 149 221

HSL 204.97, 0.72%, 0.53%

LAB 59.29, -4.1, -44.72

 

Description

Color code: RGB 207 49 221 | qconv.com Color code: RGB 207 49 221 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 49 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 49 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 78 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 78% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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