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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 207 42 82 it is the complementary color RGB 48 213 173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 207 42 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 207 42 82 shade: RGB 212 42 77, RGB 229 60 96, RGB 246 78 115, RGB 255 96 134 and RGB 255 114 153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 207 42 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 207 42 82 shade: RGB 207 42 82, RGB 190 24 63, RGB 173 6 44, RGB 156 0 25 and RGB 139 0 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 207 42 82 shade: RGB 207 42 82 and RGB 207 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 207 42 82 shade: RGB 207 42 82, RGB 207 42 126, RGB 207 42 171, RGB 198 42 207 and RGB 154 42 207

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 207 42 82 shade matches the following richer shades: RGB 207 42 82, RGB 227 22 72 and RGB 247 2 61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 207 42 82 shade: RGB 207 42 82, RGB 187 62 92, RGB 166 82 103, RGB 146 103 113 and RGB 126 123 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 207 42 82 shade: RGB 207 42 171, RGB 207 42 127, RGB 207 42 83, RGB 207 45 42 and RGB 207 89 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 207 42 82 shade: RGB 138 28 55, RGB 173 35 68, RGB 207 42 82, RGB 217 73 108 and RGB 224 107 136

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 207 42 82 shade: RGB 207 42 82, RGB 207 199 42 and RGB 42 149 207

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 207 42 82 shade: RGB 207 42 82, RGB 83 207 42 and RGB 42 83 207

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 207 42 82 shade: RGB 207 42 82, RGB 207 199 42, RGB 42 207 166 and RGB 42 50 207

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 207 42 82 shade: RGB 207 42 82, RGB 166 207 42, RGB 42 207 166 and RGB 83 42 207

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 60 / 19

HEX #CF2A52

RGB 207 42 82

HSL 345.45, 0.66%, 0.49%

LAB 46.35, 64.26, 18.8

 

Complementary color

CMYK 77 / 0 / 19 / 16

HEX #30D5AD

RGB 48 213 173

HSL 165.45, 0.66%, 0.51%

LAB 76.82, -50.25, 8.13

 

CMYK 0 / 80 / 64 / 17

HEX #D42A4D

RGB 212 42 77

HSL 347.65, 0.67%, 0.5%

LAB 47.22, 65.33, 23.19

 

CMYK 0 / 74 / 58 / 10

HEX #E53C60

RGB 229 60 96

HSL 347.22, 0.76%, 0.57%

LAB 52.66, 65.96, 19.47

 

CMYK 0 / 68 / 53 / 4

HEX #F64E73

RGB 246 78 115

HSL 346.79, 0.9%, 0.64%

LAB 58.3, 66.01, 16.38

 

CMYK 0 / 62 / 47 / 0

HEX #FF6086

RGB 255 96 134

HSL 345.66, 1%, 0.69%

LAB 62.8, 63.24, 11.81

 

CMYK 0 / 55 / 40 / 0

HEX #FF7299

RGB 255 114 153

HSL 343.4, 1%, 0.72%

LAB 66.21, 57.21, 5.77

 

CMYK 0 / 80 / 60 / 19

HEX #CF2A52

RGB 207 42 82

HSL 345.45, 0.66%, 0.49%

LAB 46.35, 64.26, 18.8

 

CMYK 0 / 87 / 67 / 25

HEX #BE183F

RGB 190 24 63

HSL 345.9, 0.78%, 0.42%

LAB 41.15, 62.77, 23.17

 

CMYK 0 / 97 / 75 / 32

HEX #AD062C

RGB 173 6 44

HSL 346.35, 0.93%, 0.35%

LAB 36.36, 60.13, 28.41

 

CMYK 0 / 100 / 84 / 39

HEX #9C0019

RGB 156 0 25

HSL 350.38, 1%, 0.31%

LAB 32.12, 55.93, 34.33

 

CMYK 0 / 100 / 96 / 45

HEX #8B0006

RGB 139 0 6

HSL 357.41, 1%, 0.27%

LAB 28.12, 51.11, 38.88

 

CMYK 0 / 80 / 60 / 19

HEX #CF2A52

RGB 207 42 82

HSL 345.45, 0.66%, 0.49%

LAB 46.35, 64.26, 18.8

 

CMYK 0 / 80 / 80 / 19

HEX #CF2A2A

RGB 207 42 42

HSL 0, 0.66%, 0.49%

LAB 45.76, 62.41, 41.81

 

CMYK 0 / 80 / 60 / 19

HEX #CF2A52

RGB 207 42 82

HSL 345.45, 0.66%, 0.49%

LAB 46.35, 64.26, 18.8

 

CMYK 0 / 80 / 39 / 19

HEX #CF2A7E

RGB 207 42 126

HSL 329.45, 0.66%, 0.49%

LAB 47.53, 67.82, -6.59

 

CMYK 0 / 80 / 17 / 19

HEX #CF2AAB

RGB 207 42 171

HSL 313.09, 0.66%, 0.49%

LAB 49.33, 73.04, -30.83

 

CMYK 4 / 80 / 0 / 19

HEX #C62ACF

RGB 198 42 207

HSL 296.73, 0.66%, 0.49%

LAB 49.7, 76.49, -51.31

 

CMYK 26 / 80 / 0 / 19

HEX #9A2ACF

RGB 154 42 207

HSL 280.73, 0.66%, 0.49%

LAB 42.81, 68.64, -62.76

 

CMYK 0 / 80 / 60 / 19

HEX #CF2A52

RGB 207 42 82

HSL 345.45, 0.66%, 0.49%

LAB 46.35, 64.26, 18.8

 

CMYK 0 / 90 / 68 / 11

HEX #E31648

RGB 227 22 72

HSL 345.37, 0.82%, 0.49%

LAB 48.73, 72.91, 28.76

 

CMYK 0 / 99 / 75 / 3

HEX #F7023D

RGB 247 2 61

HSL 345.55, 0.98%, 0.49%

LAB 52.01, 79.1, 40.16

 

CMYK 0 / 80 / 60 / 19

HEX #CF2A52

RGB 207 42 82

HSL 345.45, 0.66%, 0.49%

LAB 46.35, 64.26, 18.8

 

CMYK 0 / 67 / 51 / 27

HEX #BB3E5C

RGB 187 62 92

HSL 345.6, 0.5%, 0.49%

LAB 45.34, 52.3, 10.65

 

CMYK 0 / 51 / 38 / 35

HEX #A65267

RGB 166 82 103

HSL 345, 0.34%, 0.49%

LAB 45.8, 36.81, 4.1

 

CMYK 0 / 29 / 23 / 43

HEX #926771

RGB 146 103 113

HSL 346.05, 0.17%, 0.49%

LAB 48.26, 18.82, 1.31

 

CMYK 0 / 2 / 2 / 51

HEX #7E7B7C

RGB 126 123 124

HSL 340, 0.01%, 0.49%

LAB 51.9, 1.33, -0.15

 

CMYK 0 / 80 / 17 / 19

HEX #CF2AAB

RGB 207 42 171

HSL 313.09, 0.66%, 0.49%

LAB 49.33, 73.04, -30.83

 

CMYK 0 / 80 / 39 / 19

HEX #CF2A7F

RGB 207 42 127

HSL 329.09, 0.66%, 0.49%

LAB 47.56, 67.92, -7.15

 

CMYK 0 / 80 / 60 / 19

HEX #CF2A53

RGB 207 42 83

HSL 345.09, 0.66%, 0.49%

LAB 46.37, 64.32, 18.21

 

CMYK 0 / 78 / 80 / 19

HEX #CF2D2A

RGB 207 45 42

HSL 1.09, 0.66%, 0.49%

LAB 46.06, 61.56, 42.11

 

CMYK 0 / 57 / 80 / 19

HEX #CF592A

RGB 207 89 42

HSL 17.09, 0.66%, 0.49%

LAB 52.48, 44.19, 48.44

 

CMYK 0 / 80 / 60 / 46

HEX #8A1C37

RGB 138 28 55

HSL 345.27, 0.66%, 0.33%

LAB 30.66, 46.78, 12.56

 

CMYK 0 / 80 / 61 / 32

HEX #AD2344

RGB 173 35 68

HSL 345.65, 0.66%, 0.41%

LAB 38.73, 55.81, 16.19

 

CMYK 0 / 80 / 60 / 19

HEX #CF2A52

RGB 207 42 82

HSL 345.45, 0.66%, 0.49%

LAB 46.35, 64.26, 18.8

 

CMYK 0 / 66 / 50 / 15

HEX #D9496C

RGB 217 73 108

HSL 345.42, 0.65%, 0.57%

LAB 52.51, 58.61, 11.73

 

CMYK 0 / 52 / 39 / 12

HEX #E06B88

RGB 224 107 136

HSL 345.13, 0.65%, 0.65%

LAB 60.02, 48.42, 6.05

 

CMYK 0 / 80 / 60 / 19

HEX #CF2A52

RGB 207 42 82

HSL 345.45, 0.66%, 0.49%

LAB 46.35, 64.26, 18.8

 

CMYK 0 / 4 / 80 / 19

HEX #CFC72A

RGB 207 199 42

HSL 57.09, 0.66%, 0.49%

LAB 78.62, -13.68, 72.27

 

CMYK 80 / 28 / 0 / 19

HEX #2A95CF

RGB 42 149 207

HSL 201.09, 0.66%, 0.49%

LAB 58.5, -9.71, -38.15

 

CMYK 0 / 80 / 60 / 19

HEX #CF2A52

RGB 207 42 82

HSL 345.45, 0.66%, 0.49%

LAB 46.35, 64.26, 18.8

 

CMYK 60 / 0 / 80 / 19

HEX #53CF2A

RGB 83 207 42

HSL 105.09, 0.66%, 0.49%

LAB 73.95, -61.92, 65.45

 

CMYK 80 / 60 / 0 / 19

HEX #2A53CF

RGB 42 83 207

HSL 225.09, 0.66%, 0.49%

LAB 39.89, 31.16, -67.96

 

CMYK 0 / 80 / 60 / 19

HEX #CF2A52

RGB 207 42 82

HSL 345.45, 0.66%, 0.49%

LAB 46.35, 64.26, 18.8

 

CMYK 0 / 4 / 80 / 19

HEX #CFC72A

RGB 207 199 42

HSL 57.09, 0.66%, 0.49%

LAB 78.62, -13.68, 72.27

 

CMYK 80 / 0 / 20 / 19

HEX #2ACFA6

RGB 42 207 166

HSL 165.09, 0.66%, 0.49%

LAB 74.74, -50.13, 8.9

 

CMYK 80 / 76 / 0 / 19

HEX #2A32CF

RGB 42 50 207

HSL 237.09, 0.66%, 0.49%

LAB 32.43, 51.2, -80.22

 

CMYK 0 / 80 / 60 / 19

HEX #CF2A52

RGB 207 42 82

HSL 345.45, 0.66%, 0.49%

LAB 46.35, 64.26, 18.8

 

CMYK 20 / 0 / 80 / 19

HEX #A6CF2A

RGB 166 207 42

HSL 74.91, 0.66%, 0.49%

LAB 77.82, -34.57, 70.4

 

CMYK 80 / 0 / 20 / 19

HEX #2ACFA6

RGB 42 207 166

HSL 165.09, 0.66%, 0.49%

LAB 74.74, -50.13, 8.9

 

CMYK 60 / 80 / 0 / 19

HEX #532ACF

RGB 83 42 207

HSL 254.91, 0.66%, 0.49%

LAB 33.98, 58.65, -77.56

 

Description

Color code: RGB 207 42 82 | qconv.com Color code: RGB 207 42 82 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 42 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 42 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 60 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 60% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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