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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 207 138 57 it is the complementary color RGB 48 117 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 207 138 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 207 138 57 shade: RGB 212 138 52, RGB 229 156 71, RGB 246 174 90, RGB 255 192 109 and RGB 255 210 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 207 138 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 207 138 57 shade: RGB 207 138 57, RGB 190 120 38, RGB 173 102 19, RGB 156 84 0 and RGB 139 66 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 207 138 57 shade: RGB 207 138 57, RGB 207 98 57, RGB 207 58 57 and RGB 207 57 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 207 138 57 shade: RGB 207 138 57, RGB 207 178 57, RGB 195 207 57, RGB 155 207 57 and RGB 114 207 57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 207 138 57 shade matches the following richer shades: RGB 207 138 57, RGB 227 140 38 and RGB 246 141 18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 207 138 57 shade: RGB 207 138 57, RGB 187 136 77, RGB 167 135 97, RGB 147 133 117 and RGB 128 132 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 207 138 57 shade: RGB 207 57 57, RGB 207 97 57, RGB 207 137 57, RGB 207 177 57 and RGB 197 207 57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 207 138 57 shade: RGB 147 95 35, RGB 180 117 43, RGB 207 138 57, RGB 215 158 91 and RGB 223 177 124

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 207 138 57 shade: RGB 207 138 57, RGB 97 207 57 and RGB 77 57 207

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 207 138 57 shade: RGB 207 138 57, RGB 57 207 137 and RGB 137 57 207

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 207 138 57 shade: RGB 207 138 57, RGB 97 207 57, RGB 57 127 207 and RGB 167 57 207

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 207 138 57 shade: RGB 207 138 57, RGB 57 207 62, RGB 57 127 207 and RGB 207 57 202

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 72 / 19

HEX #CF8A39

RGB 207 138 57

HSL 32.4, 0.61%, 0.52%

LAB 63.13, 19.22, 52.23

 

Complementary color

CMYK 76 / 41 / 0 / 22

HEX #3075C6

RGB 48 117 198

HSL 212.4, 0.61%, 0.48%

LAB 48.8, 6.63, -48.38

 

CMYK 0 / 35 / 75 / 17

HEX #D48A34

RGB 212 138 52

HSL 32.25, 0.65%, 0.52%

LAB 63.69, 21.13, 55.18

 

CMYK 0 / 32 / 69 / 10

HEX #E59C47

RGB 229 156 71

HSL 32.28, 0.75%, 0.59%

LAB 70.1, 19.56, 54.01

 

CMYK 0 / 29 / 63 / 4

HEX #F6AE5A

RGB 246 174 90

HSL 32.31, 0.9%, 0.66%

LAB 76.44, 18.19, 52.66

 

CMYK 0 / 25 / 57 / 0

HEX #FFC06D

RGB 255 192 109

HSL 34.11, 1%, 0.71%

LAB 81.87, 13.74, 50.07

 

CMYK 0 / 18 / 50 / 0

HEX #FFD280

RGB 255 210 128

HSL 38.74, 1%, 0.75%

LAB 86.46, 5.95, 46.33

 

CMYK 0 / 33 / 72 / 19

HEX #CF8A39

RGB 207 138 57

HSL 32.4, 0.61%, 0.52%

LAB 63.13, 19.22, 52.23

 

CMYK 0 / 37 / 80 / 25

HEX #BE7826

RGB 190 120 38

HSL 32.37, 0.67%, 0.45%

LAB 56.6, 20.93, 53.2

 

CMYK 0 / 41 / 89 / 32

HEX #AD6613

RGB 173 102 19

HSL 32.34, 0.8%, 0.38%

LAB 50.02, 22.91, 53.36

 

CMYK 0 / 46 / 100 / 39

HEX #9C5400

RGB 156 84 0

HSL 32.31, 1%, 0.31%

LAB 43.37, 25.14, 52.39

 

CMYK 0 / 53 / 100 / 45

HEX #8B4200

RGB 139 66 0

HSL 28.49, 1%, 0.27%

LAB 36.72, 27.69, 47.04

 

CMYK 0 / 33 / 72 / 19

HEX #CF8A39

RGB 207 138 57

HSL 32.4, 0.61%, 0.52%

LAB 63.13, 19.22, 52.23

 

CMYK 0 / 53 / 72 / 19

HEX #CF6239

RGB 207 98 57

HSL 16.4, 0.61%, 0.52%

LAB 54.34, 40.39, 42.91

 

CMYK 0 / 72 / 72 / 19

HEX #CF3A39

RGB 207 58 57

HSL 0.4, 0.61%, 0.52%

LAB 47.74, 57.91, 35.52

 

CMYK 0 / 72 / 72 / 19

HEX #CF3939

RGB 207 57 57

HSL 0, 0.61%, 0.52%

LAB 47.61, 58.26, 35.37

 

CMYK 0 / 33 / 72 / 19

HEX #CF8A39

RGB 207 138 57

HSL 32.4, 0.61%, 0.52%

LAB 63.13, 19.22, 52.23

 

CMYK 0 / 14 / 72 / 19

HEX #CFB239

RGB 207 178 57

HSL 48.4, 0.61%, 0.52%

LAB 73.16, -2.27, 62.29

 

CMYK 6 / 0 / 72 / 19

HEX #C3CF39

RGB 195 207 57

HSL 64.8, 0.61%, 0.52%

LAB 79.91, -22.11, 68.47

 

CMYK 25 / 0 / 72 / 19

HEX #9BCF39

RGB 155 207 57

HSL 80.8, 0.61%, 0.52%

LAB 77.21, -38.13, 64.93

 

CMYK 45 / 0 / 72 / 19

HEX #72CF39

RGB 114 207 57

HSL 97.2, 0.61%, 0.52%

LAB 75.14, -52.44, 62.18

 

CMYK 0 / 33 / 72 / 19

HEX #CF8A39

RGB 207 138 57

HSL 32.4, 0.61%, 0.52%

LAB 63.13, 19.22, 52.23

 

CMYK 0 / 38 / 83 / 11

HEX #E38C26

RGB 227 140 38

HSL 32.38, 0.77%, 0.52%

LAB 65.93, 25.91, 63.28

 

CMYK 0 / 43 / 93 / 4

HEX #F68D12

RGB 246 141 18

HSL 32.37, 0.93%, 0.52%

LAB 68.52, 32.85, 71.67

 

CMYK 0 / 33 / 72 / 19

HEX #CF8A39

RGB 207 138 57

HSL 32.4, 0.61%, 0.52%

LAB 63.13, 19.22, 52.23

 

CMYK 0 / 27 / 59 / 27

HEX #BB884D

RGB 187 136 77

HSL 32.18, 0.45%, 0.52%

LAB 60.52, 12.98, 38.94

 

CMYK 0 / 19 / 42 / 35

HEX #A78761

RGB 167 135 97

HSL 32.57, 0.28%, 0.52%

LAB 58.42, 6.92, 25.03

 

CMYK 0 / 10 / 20 / 42

HEX #938575

RGB 147 133 117

HSL 32, 0.12%, 0.52%

LAB 56.35, 2.55, 10.55

 

CMYK 7 / 4 / 0 / 46

HEX #808489

RGB 128 132 137

HSL 213.33, 0.04%, 0.52%

LAB 54.97, -0.45, -3.21

 

CMYK 0 / 72 / 72 / 19

HEX #CF3939

RGB 207 57 57

HSL 0, 0.61%, 0.52%

LAB 47.61, 58.26, 35.37

 

CMYK 0 / 53 / 72 / 19

HEX #CF6139

RGB 207 97 57

HSL 16, 0.61%, 0.52%

LAB 54.14, 40.89, 42.7

 

CMYK 0 / 34 / 72 / 19

HEX #CF8939

RGB 207 137 57

HSL 32, 0.61%, 0.52%

LAB 62.89, 19.77, 51.98

 

CMYK 0 / 14 / 72 / 19

HEX #CFB139

RGB 207 177 57

HSL 48, 0.61%, 0.52%

LAB 72.9, -1.75, 62.04

 

CMYK 5 / 0 / 72 / 19

HEX #C5CF39

RGB 197 207 57

HSL 64, 0.61%, 0.52%

LAB 80.06, -21.28, 68.67

 

CMYK 0 / 35 / 76 / 42

HEX #935F23

RGB 147 95 35

HSL 32.14, 0.62%, 0.36%

LAB 44.95, 15.79, 41.35

 

CMYK 0 / 35 / 76 / 29

HEX #B4752B

RGB 180 117 43

HSL 32.41, 0.61%, 0.44%

LAB 54.66, 18.42, 48.81

 

CMYK 0 / 33 / 72 / 19

HEX #CF8A39

RGB 207 138 57

HSL 32.4, 0.61%, 0.52%

LAB 63.13, 19.22, 52.23

 

CMYK 0 / 27 / 58 / 16

HEX #D79E5B

RGB 215 158 91

HSL 32.42, 0.61%, 0.6%

LAB 69.22, 13.91, 42.89

 

CMYK 0 / 21 / 44 / 13

HEX #DFB17C

RGB 223 177 124

HSL 32.12, 0.61%, 0.68%

LAB 75.19, 9.99, 33.43

 

CMYK 0 / 33 / 72 / 19

HEX #CF8A39

RGB 207 138 57

HSL 32.4, 0.61%, 0.52%

LAB 63.13, 19.22, 52.23

 

CMYK 53 / 0 / 72 / 19

HEX #61CF39

RGB 97 207 57

HSL 104, 0.61%, 0.52%

LAB 74.48, -57.4, 61.31

 

CMYK 63 / 72 / 0 / 19

HEX #4D39CF

RGB 77 57 207

HSL 248, 0.61%, 0.52%

LAB 36, 50.7, -74.25

 

CMYK 0 / 33 / 72 / 19

HEX #CF8A39

RGB 207 138 57

HSL 32.4, 0.61%, 0.52%

LAB 63.13, 19.22, 52.23

 

CMYK 72 / 0 / 34 / 19

HEX #39CF89

RGB 57 207 137

HSL 152, 0.61%, 0.52%

LAB 74.38, -54.86, 23.84

 

CMYK 34 / 72 / 0 / 19

HEX #8939CF

RGB 137 57 207

HSL 272, 0.61%, 0.52%

LAB 42.38, 60.11, -63.56

 

CMYK 0 / 33 / 72 / 19

HEX #CF8A39

RGB 207 138 57

HSL 32.4, 0.61%, 0.52%

LAB 63.13, 19.22, 52.23

 

CMYK 53 / 0 / 72 / 19

HEX #61CF39

RGB 97 207 57

HSL 104, 0.61%, 0.52%

LAB 74.48, -57.4, 61.31

 

CMYK 72 / 39 / 0 / 19

HEX #397FCF

RGB 57 127 207

HSL 212, 0.61%, 0.52%

LAB 52.46, 4.97, -47.67

 

CMYK 19 / 72 / 0 / 19

HEX #A739CF

RGB 167 57 207

HSL 284, 0.61%, 0.52%

LAB 46.51, 65.86, -56.69

 

CMYK 0 / 33 / 72 / 19

HEX #CF8A39

RGB 207 138 57

HSL 32.4, 0.61%, 0.52%

LAB 63.13, 19.22, 52.23

 

CMYK 72 / 0 / 70 / 19

HEX #39CF3E

RGB 57 207 62

HSL 122, 0.61%, 0.52%

LAB 73.44, -65.73, 58.07

 

CMYK 72 / 39 / 0 / 19

HEX #397FCF

RGB 57 127 207

HSL 212, 0.61%, 0.52%

LAB 52.46, 4.97, -47.67

 

CMYK 0 / 72 / 2 / 19

HEX #CF39CA

RGB 207 57 202

HSL 302, 0.61%, 0.52%

LAB 52.35, 73.27, -44.12

 

Description

Color code: RGB 207 138 57 | qconv.com Color code: RGB 207 138 57 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 138 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 138 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 72 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 72% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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