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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 207 134 191 it is the complementary color RGB 48 121 64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 207 134 191. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 207 134 191 shade: RGB 212 134 186, RGB 229 152 205, RGB 246 170 224, RGB 255 188 243 and RGB 255 206 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 207 134 191. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 207 134 191 shade: RGB 207 134 191, RGB 190 116 172, RGB 173 98 153, RGB 156 80 134 and RGB 139 62 115

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 207 134 191 shade: RGB 207 134 191, RGB 207 134 171, RGB 207 134 152 and RGB 207 134 134

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 207 134 191 shade: RGB 207 134 191, RGB 203 134 207, RGB 183 134 207, RGB 164 134 207 and RGB 144 134 207

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 207 134 191 shade matches the following richer shades: RGB 207 134 191, RGB 220 121 198, RGB 234 107 206 and RGB 247 93 214

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 207 134 191 shade: RGB 207 134 191, RGB 193 148 183, RGB 179 161 175, RGB 166 175 168 and RGB 152 189 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 207 134 191 shade: RGB 184 134 207, RGB 203 134 207, RGB 207 134 191, RGB 207 134 172 and RGB 207 134 152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 207 134 191 shade: RGB 183 75 159, RGB 195 105 175, RGB 207 134 191, RGB 218 164 206 and RGB 230 193 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 207 134 191 shade: RGB 207 134 191, RGB 207 164 134 and RGB 134 207 193

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 207 134 191 shade: RGB 207 134 191, RGB 191 207 134 and RGB 134 191 207

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 207 134 191 shade: RGB 207 134 191, RGB 207 164 134, RGB 134 207 150 and RGB 134 176 207

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 207 134 191 shade: RGB 207 134 191, RGB 207 186 134, RGB 134 207 150 and RGB 134 155 207

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 8 / 19

HEX #CF86BF

RGB 207 134 191

HSL 313.15, 0.43%, 0.67%

LAB 65.02, 36.55, -18.19

 

Complementary color

CMYK 60 / 0 / 47 / 53

HEX #307940

RGB 48 121 64

HSL 133.15, 0.43%, 0.33%

LAB 45.18, -35.98, 24.58

 

CMYK 0 / 37 / 12 / 17

HEX #D486BA

RGB 212 134 186

HSL 320, 0.48%, 0.68%

LAB 65.43, 37.37, -14.71

 

CMYK 0 / 34 / 10 / 10

HEX #E598CD

RGB 229 152 205

HSL 318.7, 0.6%, 0.75%

LAB 71.91, 36.63, -15.34

 

CMYK 0 / 31 / 9 / 4

HEX #F6AAE0

RGB 246 170 224

HSL 317.37, 0.81%, 0.82%

LAB 78.3, 35.93, -15.92

 

CMYK 0 / 26 / 5 / 0

HEX #FFBCF3

RGB 255 188 243

HSL 310.75, 1%, 0.87%

LAB 83.81, 32.65, -17.76

 

CMYK 0 / 19 / 0 / 0

HEX #FFCEFF

RGB 255 206 255

HSL 300, 1%, 0.9%

LAB 88.27, 25.32, -17.41

 

CMYK 0 / 35 / 8 / 19

HEX #CF86BF

RGB 207 134 191

HSL 313.15, 0.43%, 0.67%

LAB 65.02, 36.55, -18.19

 

CMYK 0 / 39 / 9 / 25

HEX #BE74AC

RGB 190 116 172

HSL 314.59, 0.36%, 0.6%

LAB 58.43, 37.31, -17.59

 

CMYK 0 / 43 / 12 / 32

HEX #AD6299

RGB 173 98 153

HSL 316, 0.31%, 0.53%

LAB 51.75, 38.09, -16.91

 

CMYK 0 / 49 / 14 / 39

HEX #9C5086

RGB 156 80 134

HSL 317.37, 0.32%, 0.46%

LAB 44.98, 38.87, -16.11

 

CMYK 0 / 55 / 17 / 45

HEX #8B3E73

RGB 139 62 115

HSL 318.7, 0.38%, 0.39%

LAB 38.15, 39.56, -15.1

 

CMYK 0 / 35 / 8 / 19

HEX #CF86BF

RGB 207 134 191

HSL 313.15, 0.43%, 0.67%

LAB 65.02, 36.55, -18.19

 

CMYK 0 / 35 / 17 / 19

HEX #CF86AB

RGB 207 134 171

HSL 329.59, 0.43%, 0.67%

LAB 64.37, 33.24, -7.89

 

CMYK 0 / 35 / 27 / 19

HEX #CF8698

RGB 207 134 152

HSL 345.21, 0.43%, 0.67%

LAB 63.82, 30.4, 2.08

 

CMYK 0 / 35 / 35 / 19

HEX #CF8686

RGB 207 134 134

HSL 0, 0.43%, 0.67%

LAB 63.37, 28.02, 11.66

 

CMYK 0 / 35 / 8 / 19

HEX #CF86BF

RGB 207 134 191

HSL 313.15, 0.43%, 0.67%

LAB 65.02, 36.55, -18.19

 

CMYK 2 / 35 / 0 / 19

HEX #CB86CF

RGB 203 134 207

HSL 296.71, 0.43%, 0.67%

LAB 65.16, 38.17, -26.99

 

CMYK 12 / 35 / 0 / 19

HEX #B786CF

RGB 183 134 207

HSL 280.27, 0.43%, 0.67%

LAB 63.03, 31.9, -30.45

 

CMYK 21 / 35 / 0 / 19

HEX #A486CF

RGB 164 134 207

HSL 264.66, 0.43%, 0.67%

LAB 61.17, 26.06, -33.48

 

CMYK 30 / 35 / 0 / 19

HEX #9086CF

RGB 144 134 207

HSL 248.22, 0.43%, 0.67%

LAB 59.42, 20.15, -36.35

 

CMYK 0 / 35 / 8 / 19

HEX #CF86BF

RGB 207 134 191

HSL 313.15, 0.43%, 0.67%

LAB 65.02, 36.55, -18.19

 

CMYK 0 / 45 / 10 / 14

HEX #DC79C6

RGB 220 121 198

HSL 313.33, 0.59%, 0.67%

LAB 64.13, 48.7, -23.34

 

CMYK 0 / 54 / 12 / 8

HEX #EA6BCE

RGB 234 107 206

HSL 313.23, 0.75%, 0.67%

LAB 63.72, 60.87, -28.32

 

CMYK 0 / 62 / 13 / 3

HEX #F75DD6

RGB 247 93 214

HSL 312.86, 0.91%, 0.67%

LAB 63.72, 71.54, -32.68

 

CMYK 0 / 35 / 8 / 19

HEX #CF86BF

RGB 207 134 191

HSL 313.15, 0.43%, 0.67%

LAB 65.02, 36.55, -18.19

 

CMYK 0 / 23 / 5 / 24

HEX #C194B7

RGB 193 148 183

HSL 313.33, 0.27%, 0.67%

LAB 66.47, 22.71, -11.66

 

CMYK 0 / 10 / 2 / 30

HEX #B3A1AF

RGB 179 161 175

HSL 313.33, 0.11%, 0.67%

LAB 68.14, 9.09, -4.85

 

CMYK 5 / 0 / 4 / 31

HEX #A6AFA8

RGB 166 175 168

HSL 133.33, 0.05%, 0.67%

LAB 70.59, -4.49, 2.48

 

CMYK 20 / 0 / 15 / 26

HEX #98BDA0

RGB 152 189 160

HSL 132.97, 0.22%, 0.67%

LAB 73.29, -18.18, 10.61

 

CMYK 11 / 35 / 0 / 19

HEX #B886CF

RGB 184 134 207

HSL 281.1, 0.43%, 0.67%

LAB 63.13, 32.21, -30.29

 

CMYK 2 / 35 / 0 / 19

HEX #CB86CF

RGB 203 134 207

HSL 296.71, 0.43%, 0.67%

LAB 65.16, 38.17, -26.99

 

CMYK 0 / 35 / 8 / 19

HEX #CF86BF

RGB 207 134 191

HSL 313.15, 0.43%, 0.67%

LAB 65.02, 36.55, -18.19

 

CMYK 0 / 35 / 17 / 19

HEX #CF86AC

RGB 207 134 172

HSL 328.77, 0.43%, 0.67%

LAB 64.4, 33.4, -8.41

 

CMYK 0 / 35 / 27 / 19

HEX #CF8698

RGB 207 134 152

HSL 345.21, 0.43%, 0.67%

LAB 63.82, 30.4, 2.08

 

CMYK 0 / 59 / 13 / 28

HEX #B74B9F

RGB 183 75 159

HSL 313.33, 0.43%, 0.51%

LAB 49.01, 53.67, -24.53

 

CMYK 0 / 46 / 10 / 24

HEX #C369AF

RGB 195 105 175

HSL 313.33, 0.43%, 0.59%

LAB 56.88, 45.25, -21.63

 

CMYK 0 / 35 / 8 / 19

HEX #CF86BF

RGB 207 134 191

HSL 313.15, 0.43%, 0.67%

LAB 65.02, 36.55, -18.19

 

CMYK 0 / 25 / 6 / 15

HEX #DAA4CE

RGB 218 164 206

HSL 313.33, 0.42%, 0.75%

LAB 73.49, 26.67, -13.63

 

CMYK 0 / 16 / 3 / 10

HEX #E6C1DE

RGB 230 193 222

HSL 312.97, 0.43%, 0.83%

LAB 81.97, 17.99, -9.52

 

CMYK 0 / 35 / 8 / 19

HEX #CF86BF

RGB 207 134 191

HSL 313.15, 0.43%, 0.67%

LAB 65.02, 36.55, -18.19

 

CMYK 0 / 21 / 35 / 19

HEX #CFA486

RGB 207 164 134

HSL 24.66, 0.43%, 0.67%

LAB 70.55, 11.69, 21.61

 

CMYK 35 / 0 / 7 / 19

HEX #86CFC1

RGB 134 207 193

HSL 168.49, 0.43%, 0.67%

LAB 78.2, -25.87, -0.26

 

CMYK 0 / 35 / 8 / 19

HEX #CF86BF

RGB 207 134 191

HSL 313.15, 0.43%, 0.67%

LAB 65.02, 36.55, -18.19

 

CMYK 8 / 0 / 35 / 19

HEX #BFCF86

RGB 191 207 134

HSL 73.15, 0.43%, 0.67%

LAB 80.42, -17.14, 34.52

 

CMYK 35 / 8 / 0 / 19

HEX #86BFCF

RGB 134 191 207

HSL 193.15, 0.43%, 0.67%

LAB 74.08, -14.46, -13.93

 

CMYK 0 / 35 / 8 / 19

HEX #CF86BF

RGB 207 134 191

HSL 313.15, 0.43%, 0.67%

LAB 65.02, 36.55, -18.19

 

CMYK 0 / 21 / 35 / 19

HEX #CFA486

RGB 207 164 134

HSL 24.66, 0.43%, 0.67%

LAB 70.55, 11.69, 21.61

 

CMYK 35 / 0 / 28 / 19

HEX #86CF96

RGB 134 207 150

HSL 133.15, 0.43%, 0.67%

LAB 77.22, -34.6, 21.3

 

CMYK 35 / 15 / 0 / 19

HEX #86B0CF

RGB 134 176 207

HSL 205.48, 0.43%, 0.67%

LAB 69.91, -6.48, -20.23

 

CMYK 0 / 35 / 8 / 19

HEX #CF86BF

RGB 207 134 191

HSL 313.15, 0.43%, 0.67%

LAB 65.02, 36.55, -18.19

 

CMYK 0 / 10 / 35 / 19

HEX #CFBA86

RGB 207 186 134

HSL 42.74, 0.43%, 0.67%

LAB 76.13, -0.08, 29.12

 

CMYK 35 / 0 / 28 / 19

HEX #86CF96

RGB 134 207 150

HSL 133.15, 0.43%, 0.67%

LAB 77.22, -34.6, 21.3

 

CMYK 35 / 25 / 0 / 19

HEX #869BCF

RGB 134 155 207

HSL 222.74, 0.43%, 0.67%

LAB 64.17, 5.19, -29.02

 

Description

Color code: RGB 207 134 191 | qconv.com Color code: RGB 207 134 191 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 134 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 134 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 8 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 8% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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